Top 757 Louis Brandeis Quotes & Sayings - Page 11

St. Louis has always been a great center for medicine. It has been a leader in the nation since the early part of the 20th century. Along with that, we've been a leader in medical science and biomedical science and innovation in medicine.

When somebody brings up a movie (of mine) that I haven't heard about in a long time, I feel like a 70-year-old pitcher at a bar somewhere, and somebody walks in and says, 'Oh, my God, I was in St. Louis and I saw you. You pitched a shutout.' It's real. I really did do that, because someone today remembers it.

I hadn't really been in that world for too long. It was fun for me, but definitely wasn't my world. When I went to my first Paris Fashion Week, I had been invited to the Louis Vuitton show by Nicolas. We met there. It was all organic and fun for me.

I had some great pitchers while in St. Louis. At first, they only 'pitched' the ball fifty feet. They had an allowance of six bases on balls, which was neutralized to some extent by four strikes. Later on, the 'throw' became a free-for-all, overhand, or any style the pitcher chose.

I glanced at Radu. "What, exactly is Louis-Cesare's problem?'. [..] Suddenly a speculative gleam lit his eyes. It made me nervous. 'He tends to be very protective of women,"he said thoughtfully. "You're a woman Dory." "Thank you for pointing that out. But I didn't think dhampirs qualified." Radu smirked. "It appears you've been upgraded.

I have a strange fascination with the Midwest. I'm waiting to find out that my parents are actually from the Midwest. I grew up in Beverly Hills, up the street, and I just feel comfortable there. I've shot in Minneapolis, in Detroit, in St. Louis, in Omaha - they would say they're the Plains, not the Midwest - and I love it.

The New York that Frank Sinatra sang about, people will never know that place. The New Orleans that Louis Armstrong sang about is the New Orleans that's still there - it's preserved.

Canada has some very, very dark histories, from internments to turning away the St. Louis and the Komagata Maru, but none is darker than our abject failure to respect rights, the spirit and intent of the original treaties with First Nations, Métis Nation, and Inuit peoples. We have to transform that relationship.

In 2004, we opened our first store in Manhattan. I installed a big window so people could see me making the chocolates. That store cost $1.8 million. It has a 45-foot-long chocolate counter and a hot chocolate bar made in Louis XVI style because that's when chocolate arrived in Europe.

Yes, I know," "And I love to hear you say it, Louis. I need to hear you say it. I don't think anyone will ever say it quite like you do. Come on, say it again. I'm a perfect devil. Tell me how bad I am. It makes me feel so good!

My father was a San Francisco firefighter. He also was an amateur artist. Art ran deep on his side of the family, which originated in Spain. He painted our portraits. My mom, Jacqueline, was Scots-Irish. They met in 1947 when dad played for the Houston Buffalos, a minor league baseball team affiliated with the St. Louis Cardinals.

I forget what the official name of it was, but they did an all-day of roots music - every kind of music you can imagine from around the country - New Orleans Jazz to Indian flute players, R&B, you name it. I met and became good friends with (blues guitar player) Joe Louis Walker. He was on the show.

I grew up in the Great Depression, and the jazz artists and Dixieland musicians were at the core of our communications and enjoyment. They were not passing fancies. They are something that is, and will be, listened to again and again. I have a space of reverence for some of those old jazz stars such as Sydney Bechet and Louis Armstrong.

It is self-evident that St. Louis affected me more deeply than any other environment has ever done. I feel that there is something in having passed one's childhood beside the big river, which is incommunicable to those people who have not. I consider myself fortunate to have been born here, rather than in Boston, or New York, or London.

Qu'ils mangent de la brioche. Let them eat cake. On being told that her people had no bread. Attributed to Marie-Antoinette, but remark is much older. Rousseau refers in his Confessions, 1740, to a similar remark, as a well-known saying. Others attribute the remark to the wife of Louis XIV.

St. Louis is still a special place for me. I still have my home there. I live there in the offseason. I enjoyed playing in front of 40,000 people every day. I tried to do my best to help the organization win. I had success there. We won two World Series. We went to three. That's something you can't take from me.

There are circumstances of peculiar difficulty and danger, where a mediocrity of talent is the most fatal quantum that a man can possibly possess. Had Charles the First and Louis the Sixteenth been more wise or more weak, more firm or more yielding, in either case they had both of them saved their heads.

My major league debut came at old Busch Stadium on Grand Avenue in St. Louis, against the Pittsburgh Pirates. The first pitch I threw was to third baseman Bob Bailey. It was a fastball, low and away. He ripped it for a home run down the left field line. I said, 'Damn, that was a pretty good pitch.

Some people are embarrassed to say they came from East St. Louis, Ill., but now more people want to claim it. I grew up in a community center and I knew what it gave me. I always knew I wanted to give back and help people because people helped me.

I grew up in St. Louis in a tiny house full of large music - Mahalia Jackson and Marian Anderson singing majestically on the stereo, my German-American mother fingering 'The Lost Chord' on the piano as golden light sank through trees, my Palestinian father trilling in Arabic in the shower each dawn.

I never make a movie for awards consideration. I will use the hope of getting an Academy Award a) to honor the people who work so hard and also b) it's the greatest Good Housekeeping seal in the world. It's the greatest brand. It's as good as Louis Vuitton and Dior in the world of moviemaking. It's the Super Bowl.

I was attracted to black music for the same reason that I loved those old Irish ballads. Both were social statements of sorts, and both were indigenous to their respective cultures: Ireland, where my father had grown up, and towns like St. Louis along the Mississippi River, where I was growing up.

With the discovery of Zinjanthropus at Olduvai Gorge in 1959, my grandmother Mary Leakey pioneered the research in East Africa with my grandfather Louis. Many more spectacular fossil finds have since been made, both in Africa and elsewhere, by many researchers driven to understand our past.

Louie is hugely talented. But I get very annoyed at the way the media... say, 'Louis C.K. is the greatest stand-up in the world.' He's not the greatest stand-up in the world. He's not funnier than Dave Attell.

I remember when Lindbergh arrived in Paris, I was one of the first persons to know about his landing, because as the French people know that I was born in St. Louis, thinking I would be very proud to announce it to the public, they gave me the news first. I was then starring in the 'Folies Bergere.'

I love Dior. I've been wearing some of the really beautiful structured pieces - I love a deep neck and how it accentuates a woman in that area. And, of course, Louis Vuitton. I've honestly never met someone like Nicolas. He has a really fresh perspective on life in general.

As I said last week in the wake of the grand jury decision, I think Ferguson laid bare a problem that is not unique to St. Louis or that area, and is not unique to our time, and that is a simmering distrust that exists between too many police departments and too many communities of color.

Marc Jacobs is full of creative people and Louis Vuitton is again a name on the door, a name that has existed for many years but I'm a collaborator there and I bring in other people, other artists and I work with a great creative design team.

Louis Armstrong's 'What a Wonderful World' is my ultimate karaoke song. It is a wonderful world. People forget we only have a certain amount of time, and it can all end at any moment. Armstrong and Frank Sinatra's 'My Way' are the ultimate one-two punch.

We have a VA hospital back home in St. Louis. Like many of our colleagues, we hear continued concerns about the access and the service. I have seen a statistic that more than 60,000 veterans today are waiting more than 6 months for an appointment at a VA hospital.

Amy gritted her teeth. "King Louis XVI even put Franklin's picture on a chamber pot!" Jonah looked at his dad. "Do we have souvenir chamber pots?" "No." His dad whipped out his phone. "I'll make the call.

When you look at every studio in the '20s or '30s, from Louis B. Mayer to Jack Warner, you see people who started with one plan and quickly shifted gears to adapt to a changing world. One of my favorite stories is that Walt Disney mortgaged his house to make 'Snow White.' He saw there was a real opportunity to change the world.

The best argument for teaching poetry is to put a three-year-old or a four-year-old and read Dr. Seuss, or Robert Louis Stevenson, and to feel how the child and you are engaging in something that's really basic to the animal, which is passing on in these rhythmic ways, something that came from somewhere.

My lord...I can explain-," Louis-Cesare began, looking less than certain that he could do anything of the kind. Radu held up a hand. "I am sure there is a perfectly good reason why my niece is naked and tied to her bed. I am also equally certain that I do not wish to hear it".

Even 51 per cent of a nation can establish a totalitarian and dictatorial règime, suppress minorities, and still remain democratic; there is, as we have said, little doubt that the American Congress and the French Chambre have a power over their respective nations which would rouse the envy of a Louis XIV or a George III were they alive today.

Robert Louis Stevenson, one evening, stood transfixed at his nursery window watching the lamplighter in the street. When his nanny asked the boy what he was doing he replied: 'I'm watching the man knocking holes in the darkness.' We live in a universe made dark by sin. Let's knock holes in the darkness.

I remember going foraging for breakfast in St. Louis once. I saw this one girl sitting in front of the venue, and she made this pink T-shirt with a big heart in the middle of it and a misty picture of our guitarist Mark [Potter]. She was so embarrassed when she saw me. And I was trying desperately not to laugh.

All the champions - you go and ask Mike Tyson or Joe Louis, Rocky Marciano, Lennox Lewis and myself included, and I'm sorry for putting myself in line with all the other great names - but the champion's attitude is it doesn't matter who is in front of me, I am going to conquer this person and win the fight and knock the person out.

[Jack Nash] was very different than anything I'd played. In fact, there's a scene I have in a tent with Louis Ferreira, who just did an episode of Travelers. He was in the fourth episode of Travelers playing another team leader, and we really have it out, not unlike the way we did in the tent in Andromeda.

When I visited KU, I thought, 'I wish I'd gone to Kansas.' They would take me around to their spots, and my spots at Indiana just felt like old hangouts. It was one of those times where you always wished you were somewhere else. But I was happy I ended up at Indiana coming from small little St. Louis.

The thing about our cast - and I'm not saying this just to be diplomatic - is that everyone is really fun, and really hardworking, in equal measure. Julia [Louis-Dreyfus] and Tony [Hale, who plays President Meyer's "bag man," Gary Walsh] are always doing outrageous "bits" in character right before we start scenes, which are hilarious.

The big clubs will always talk about the same names such as Ancelotti, Mourinho, and Wenger. Louis Van Gaal is always in there as well. He has his own style and is a very determined man. He knows exactly what he wants. He's got direction, the ability and experience at big clubs such as Barcelona and Bayern Munich.

It all started in Michigan. My dad got a job in Michigan, so we all moved up there from St. Louis. I kind of hung out in the summer and had nothing to do, so I sort of got into acting. And then I was going to Grand Blanc High, doing the acting thing and hoping it would pan out.

Why does Louis CK get named Comedy Person of the Year? I should be named Comedy Person of the Year just so I can parlay it into another few weeks of road work.

If you could sit down with Jesus, you wouldn't need anybody else. He could answer all of your questions. Instead of Einstein and Louis Pasteur and Madame Curry, you could just have Jesus and he could answer for all of them.

What [Louis Armstrong] does is real, and true, and honest, and simple, and even noble. Every time this man puts his trumpet to his lips, even if only to practice three notes, he does it with his whole soul.

Things that make me laugh range from a wonderful stand-up like Jerry Seinfeld, Louis C.K. and Chris Rock to my son Gabe, who does great improv work. I also look backwards to the great comedic actors like Jackie Gleason, Paul Lynde and Phil Silvers.

I feel good about the fact that I finally found something I love. I never lived in one place for very long - that's the way my whole life has been. I was always packing and moving around, staying in Canada, Kentucky, Jersey, St. Louis - it all helped because I was always learning new accents, experiencing different environments.

In a way, 'On the Road''s greatest victory is that nobody's eyes will be opened any longer by reading it; the last time I met any young people who were actually 'on the road' was when I covered Occupy St. Louis. Those few, dirty kids were fighting a battle even they couldn't articulate.

The music played most around St. Louis was country-western and swing. Curiosity provoked me to lay a lot of the country stuff on our predominantly black audience. After they laughed at me a few times, they began requesting the hillbilly stuff.

As a kid growing up St. Louis, Missouri, I lived in a predominantly black neighborhood. Any time people talked about slavery, it was always something like, 'If I was a slave, I wouldn't have been putting up with that. I would have been out in a heartbeat.' And it's like, sure, it's a very easy thing to say.

Yes, I live a crazy, exciting, whatever life, but I do think it's quite relatable because it has to be - I'm just a girl from St Louis, Missouri that has lived life like anyone else. There are things that are crazy and over the top, but the basic thread is my family, my career, trying to live and pursuing my dreams.

I grew up in central Illinois midway between Chicago and St. Louis and I made an historic blunder. All my friends became Cardinals fans and grew up happy and liberal and I became a Cubs fan and grew up embittered and conservative.

Writers of historical fiction are often faced with a problem: if they include real-life people, how do they ensure that their make-believe world isn't dwarfed by truth? The question loomed large as I began reading 'The Black Tower', Louis Bayard's third foray into historical fiction and fifth novel overall.

There's a steady forward march of a creative process that some of us stay with and don't give up - that should be an admirable thing - from Louis Armstrong to Charlie Parker to Miles to Ornette and some people who are not even known today - some kids coming up - people who are out to change the world.

I started as - well, I wanted to be Poet Laureate. And I wanted to be a naturalist. That's how I began. I didn't have any desire to go and be a scientist. Louis Leakey channeled me there. I'm delighted he did. I love science. I love analyzing and making sense of all these observations. So, it was the perfect rounding off of who I was into who I am.

I am from a really small town where theater wasn't super-cool, I would say. Maybe undervalued? So, I would drive into St. Louis, where it was cool. I would go to these all-boy schools where they needed girls in their shows, and I would do my shows there.

If it's not in New York, let's say it's in St. Louis, then they've got to find a place or get with someone who knows about the work... they've got to find a place like that and do scenes, and then try to get in plays.

I grew up in rural Missouri about two hours north of St. Louis, and if the wind was blowing right on a Saturday night, I could catch All Star Wrestling out of Kansas City, which was run by Bob Geigel, and some of the stars there were Bulldog Bob Brower and Ray Candy.

That I am today the face of Louis Vuitton almost seems like a twist of fate. You dream back to front, wanting the rewards before putting the work in. And then you work, get on with life, and just sometimes these childhood dreams have a way of catching up with you. This is a true privilege for which I am eternally grateful.