Top 757 Louis Brandeis Quotes & Sayings - Page 8

Explore popular Louis Brandeis quotes.
Last updated on November 16, 2024.
Intimate singing had a wonderful style in the '30s and '40s. It came out of Broadway and the jazz of Louis Armstrong and Billie Holliday. But Sinatra created the best romantic era that we've ever had.
Thank God he wasn't the St. Louis Rams' coach. I have a lot of respect for Coach Dungy and like everyone in America, everyone is entitled to their own opinions.
How could they think Noel was hot? If this was REALLY Versailles, Noel SO would not be Louis XIV, he would be the French version of the village idiot — © Sara Shepard
How could they think Noel was hot? If this was REALLY Versailles, Noel SO would not be Louis XIV, he would be the French version of the village idiot
I think I was drawn to black culture by the same things that have been drawing the entire world to it since the days of Richard Wright, Josephine Baker and Louis Armstrong. This culture is original, potent and seductive.
Though slavery is thought, by some, to be mild in Missouri, when compared with the cotton, sugar and rice growing states, yet no part of our slave-holding country is more noted for the barbarity of its inhabitants than St. Louis.
In my opinion, Louis Armstrong is the greatest trumpet stylist of all time and has influenced every trumpet player of his time and long after
After a month or so in St. Louis, we were looking around desperately for a way to draw a few people into the ball park, it being perfectly clear by that time that the ball club wasn't going to do it unaided.
I opened my first bar that I owned in 1989. The first one I ever owned was in downtown St. Louis.
Friends, to me for years St. Louis represented a city of fear... humiliation... misery and terror... A city where in the eyes of the white man a Negro should know his place and had better stay in it.
Every Englishman believes that Handel now occupies an important position in heaven. If so, le bon Dieu must feel toward him very much as Louis Treize felt toward Richelieu.
I hate these people, the Rams and their owner, Georgia Frontiere, for what they did, taking the Rams logo with them when they moved to St. Louis. That logo belonged to Southern California.
I don't see this as Marty [St. Louis] replacing me. I see this as Marty getting the opportunity he deserves.
I was at St. Louis's very first tea party and stood across the mighty Mississippi on the Arch steps with a bunch of wide-eyed, virgin protesters who were just as shocked as I was to see the amount of people who had assembled.
It is an honor for me to accept the position of men's artistic director for Louis Vuitton. I find the heritage and creative integrity of the house are key inspirations and will look to reference them both while drawing parallels to modern times.
The modern scene in decoration is not a unified or controlled one. The unified control of the arts during the reign of Louis XIV no longer exists; today the designer is free to achieve a wider variety and more personal approach to the interior.
In 2011, I started a nonprofit organization, Venture for America, to help bring talented young entrepreneurs to create thousands of jobs in Detroit, Cleveland, St. Louis, Birmingham, Baltimore and other cities around the country.
Squabbling in public will eventually ruin football; there's no doubt it's hurting us already. Polls taken by Louis Harris - polls as valid as any political polls - indicate that very clearly.
It's fair to say that white America wouldn't have elected an African-American president without the integrating effect of black music - from Louis Armstrong to hip-hop - and black drama and fiction, commercial as much as 'serious.'
Louis Walsh, he made me audition for Girls Aloud, he said, 'If you don't, I won't speak to you again.' I was like, 'We don't speak that much anyway.' I went and it all worked out well, I wouldn't have gone to the audition if it wasn't for him.
I think we've all had enough of Coltrane saxophonists. There's a case of someone ruining a generation of saxophonists, as Louis Armstrong may have ruined a generation of trumpeters.
I'm really a product of an excellent school system and supportive parents. My high school band director gave me recordings of Louis Armstrong, Kenny Ball, and contemporaries like Nicholas Payton.
Tennis would be much more exciting if they had pitching machines firing Tennis was given to me to keep me off the street corners of east St. Louis.
It bothers me that I won't live to see the end of the century, because, when I was young, in St. Louis, I remember saying to Marilyn, my sister by adoption, that that was how long I wanted to live: seventy years.
It's a spirit that was given me and the relationships and meeting all these great people, Duke Ellington, Louis Armstrong; through Max I met a lot of people too. My first album was with Benny Carter.
I played in Joe Louis in a playoff game. I played there when the roof caved in for half a season. The facility is great for basketball because it goes straight up, so you feel like the fans are on top of you.
When I was a young man, I worked at the Boys and Girls Club in St. Louis, Missouri, and another boys club called Matthews-Dickey.
If I get to a place early in the morning, I try to walk around by myself. I still try to find cool places to go to, like a record store in St. Louis or some restaurant in Chicago.
I get mad at my mom. I really wish she'd put me into hockey. I'm not gifted with height, but look at Martin St-Louis. He's unbelievable. He's small, but he's so fast, so skilful. I think I could have been pretty good.
If you are not living in the same area when you are looking for property, it is a nightmare because you come down for a day or two, have appointments to see places, and have to be able to make instant decisions before flying off to St. Louis or somewhere.
So I applied to medical school and received a scholarship at Washington University in St. Louis. Washington University turned out to be a lucky choice. The faculty was scholarly and dedicated and accessible to students.
I bought a purse that was so grossly expensive, it's embarrassing. It cost $3,500, and it was by Louis Vuitton. The one thing about investing in something like that is that I get to pull it out years later, and it still looks cool and holds its value.
I didn't grow up during the time that Louis Armstrong or Miles Davis and all those people were playing. So it's not really my responsibility to keep it up, what they were doing.
After I moved with my mother to St. Louis, my older sister and I went to see Ike Turner, who was the hottest then. His music charged me. I was never attracted to him, but I wanted to sing with his band.
I love playing in the UK because there are some topics that you just can't talk about in the States without getting run out of town. So let me just say this: Louis C. K.'s new show sucks.
[Barack Obama] has been a very negative force. I think you see this when you see the tremendous division in the country, when you see Baltimore, when you see Ferguson and St. Louis.
And my dad wanted me to play the trumpet because that's what he liked. His idol was Louis Armstrong. My dad thought my teeth came together in a way that was perfect for playing the trumpet.
The best and most important step of my career was when I moved here - and Louis van Gaal brought me from Madrid to Bayern. It was the best move of my career, and it's thanks to him.
I learned so many things from Louis C.K., but the most impactful thing was witnessing his work ethic. He works harder than anyone I've ever been around in comedy. And he takes risks and doesn't dwell on what might be perceived as failures.
I thank Marc Jacobs so much for giving me the opportunity to design a shoe for Louis Vuitton, but the thing that broke my heart most was when they said, 'You're finished. The shoe's finished.'
Modern Architecture died in St. Louis, Missouri, on July 15, 1972, at 3.32 p.m. (or thereabouts), when the infamous Pruitt Igoe scheme, or rather several of its slab blocks, were given the final coup de grace by dynamite.
I have a passion for modern and contemporary art. I spend a lot of time in museums; I particularly like the Guggenheim, MoMA in New York or LACMA and the Getty Museum in Los Angeles, for example. I cannot wait for the Louis Vuitton Foundation to open.
I'm a fan of Louis C.K., I'm a fan of Lena Dunham. I love shows about people that other people would consider unlikable, or, like, the work of Woody Allen and Albert Brooks.
Every day is something new. It's kind of like Hurricane Katrina. Some days I'm recording or going shopping or having a group orgy. Maybe today I'll go to Louis Vuitton and have sex with a straight guy. I have to balance my time.
Every actor has periods of their life that are a little less busy than others, and that was just a time when I needed that. And to be back on a sitcom stage, with Julia [ Louis-Dreyfus], was really, really fun.
My first instinct was Selina Meyer (Julia Louis-Dreyfus) cannot be president of the United States. She needs to lose because it's the thing she wants most on the planet Earth.
I saw Louis Armstrong perform at Albany State College on Radio Springs Road. He was probably the first famous individual I saw in concert. Unfortunately, I never did get to meet him.
Some guys travel with expensive Louis Vuitton luggage but it gets all scratched up under the plane. I'd rather not spend too much money on something that's just going to get messed up.
When I was Governor, Louis Kelso went out of his way to brief me. I was very impressed, but I was never able to get any of the economists in state government to give him the help his plan deserves.
The people in St. Louis have been great to me. Fans have been great. — © Joey Votto
The people in St. Louis have been great to me. Fans have been great.
To walk into the hall of mirrors of Versailles as Louis XIV and deliver a monologue on your own in an empty hall of mirrors is like no other experience.
The clarinet is not so dominant in Israeli music as it is in klezmer. I heard klezmer when I was growing up, but for some reason I avoided it. I listened to Louis Armstrong instead. But the sense of melody is the connection between jazz and klezmer.
I do a bunch of things when I'm in St. Louis. I went on the Anheuser-Busch tour they had to drag me out of there. I walked into that room with the 30,000 gallon keg of beer, and I said, 'This will be my new home'... I mean, I was genuinely happy.
His last 2 shows in the U.S. were in Chicago and St. Louis. I don't know what made me go on the trip with him, but I'm so very glad I did. They were two of the finest concerts I've ever seen.
Being the gateway to a large city, St. Louis, I had felt from the very beginning that somehow this building should symbolize this sense of being a gateway.
You look at who's actually created shows for FX that have succeeded, and there are a lot of first-time showrunners - Ryan Murphy, Denis Leary, Louis C.K., the 'It's Always Sunny' creators, Kurt Sutter, Joe Weisberg, Pamela Adlon, Donald Glover.
Every time that I speak on the House Floor or in one of our committee hearings, I begin with the words, 'St. Louis and I.' Every time. That is no accident.
Before he fought Billy Conn, Joe Louis said, 'He can run, but he can't hide.' That's how I feel about New York: You can run from it, but you can't hide.
Over the years, I found myself traveling parts of the Lewis and Clark Trail, putting my hands in the river where they set out from St. Louis, viewing the Great Falls of Montana, standing by the same Pacific Ocean they saw with such joy.
Louis XVI started to die on June 21st 1791. For his flight tore away the veil of that false constitutional monarchy, and once more confronted the Patriot party with the whole problem of the revolution's future.
My uncle gave me a trumpet, but I loved the Louis Armstrong sound and the Harry James sound and I played by ear and I played always soulful or very direct from the gut.
This site uses cookies to ensure you get the best experience. More info...
Got it!