Top 683 Malcolm X Autobiography Quotes & Sayings

All the working-class people could feel a Malcolm X. They could hear Malcolm X, and two weeks later they could whisper back what he said. Verbatim. They could remember the way he put it, and he put it so well.

There's a hidden history. You see, Malcolm X and [Alex ] Haley collaborated to produce a magnificent narrative about the life of Malcolm X, but the two men had very different motives in coming together.

My mom was big on education, big on reading, so she was always pushing books on me: 'The Autobiography of Malcolm X,' like, 'Read these books.' And it was like, man, I'm learning stuff that I just can't get anywhere else.

It is our family's hope that the true legacy and context of Malcolm X's life continues to be shared with people from all walks of life in a positive manner that helps promote the goals and ideals for which Malcolm X so passionately advocated.

I thought it would be more interesting to make a musical autobiography than an actual autobiography.

I love “The Autobiography of Malcolm X.” That was like the only black book we read in high school...

Once I read autobiography as what the writer thought about his or her life. Now I think, 'This is what they thought at that time'. An interim report - that is what an autobiography is.

Elements within Malcolm's X own entourage, some of them were very angry with some of the changes that had occurred with Malcolm. One source of anger, curiously enough, was that - was the tension between MMI and OAAU, that the MMI, the Muslim Mosque Incorporated, these were women and men who had left the Nation of Islam out of loyalty to Malcolm, but then Malcolm continued to evolve rapidly.

Malcolm's X objective was actually to reingratiate himself within the Nation of Islam, that because he had emerged by the early 1960s as a very prominent figure outside of the N.O.I., there were critics within the organization that were saying to the patriarch of the N.O.I., the Honorable Elijah Mohammad, that Malcolm planned to take over the organization, which was not true.

I have always hated biography, and more especially, autobiography. If biography, the writer invariably finds it necessary to plaster the subject with praises, flattery and adulation and to invest him with all the Christian graces. If autobiography, the same plan is followed, but the writer apologizes for it.

Traditional autobiography has generally had a poor press. The novelist Daphne du Maurier condemned all examples of this literary form as self-indulgent. Others have quipped that autobiography reveals nothing bad about its writer except his memory.

The F.B.I. was very happy with the article they produced, which was entitled, "The Black Merchants of Hate," that came out in early 1963. What's significant about that piece is that that became the template for what evolved into the basic narrative structure of The Autobiography of Malcolm X.

Reminiscences, even extensive ones, do not always amount to an autobiography. For autobiography has to do with time, with sequence and what makes up the continuous flow of life. Here, I am talking of a space, of moments and discontinuities. For even if months and years appear here, it is in the form they have at the moment of commemoration.

When 'Malcolm in the Middle' was over, I was looking for a drama more than a comedy...but if it was a comedy that came up, it would have to be as well-written as 'Malcolm' was, and it would have to be a different kind of character than I played on that show. That's harder to come by. In drama, there were more opportunities, more options for me, and when I read ('Breaking Bad'), it was just, 'Good night, Nurse! I'm going after this sucker!'

People are more interested in reading bombastic ideas, whether they're positive or negative. Part of me has sort of lost interest in doing criticism because of that. I've always realized that criticism is basically autobiography. Obviously in my criticism, it's very clear that it's autobiography, but I think it's that way for everybody.

The death of Malcolm Fraser underwrites a great loss to Australia... I always thought Malcolm would be around a lot longer. I must say, I wished he had been.

Such reproductions may not interest the reader; but after all, this is my autobiography, not his; he is under no obligation to read further in it; he was under none to begin. A modest or inhibited autobiography is written without entertainment to the writer and read with distrust by the reader.

Yes, one uses what one knows, but autobiography means something else. I should never be able to write a real autobiography; I always end by falsifying and fictionalizing—I’m a liar, in fact. That means I’m a novelist, after all. I write about what I know.

Malcolm: A karate master does not kill people with his bare hands. He does not lose his temper and kill his wife. The person who kills is the person who has no discipline, no restraint, and who has purchased his power in the form of a Saturday night special. And that is why you think that to build a place like this is simple. Hammond: It was simple. Malcolm: Then why did it go wrong?

I have asked James Shabazz, I've asked other people who are members of the OAAU, Herman Ferguson and others, what led to that disastrous decision [that the guards didn't carry weapons]? James Shabazz said to me with a shrug, you just didn't know Malcolm. Malcolm was adamant, and that whatever Malcolm wanted, that's what we just did.

All my editors since Malcolm Cowley have had instructions to leave my prose exactly as I wrote it. In the days of Malcolm Cowley, with 'On the Road' and 'The Dharma Bums', I had no power to stand by my style for better or for worse.

I was more than anything a radical. I was more sympathetic to Malcolm X than Martin Luther King because Malcolm X was more of a radical who was willing to confront discrimination in ways that I thought it should be confronted, including perhaps the use of violence. But I really just wanted to be left alone. I thought some laws, like minimum-wage laws, helped poor people and poor black people and protected workers from exploitation. I thought they were a good thing until I was pressed by professors to look at the evidence.

Let me put it in a positive light, with that archive [of Anne Romaine], we have gained extensive knowledge about how [Alex] Haley and Malcolm X actually worked and how the book, the autobiography, was constructed.

UCLA acknowledged this shift by bringing in Alex Haley (the co-author of The Autobiography of Malcolm X) and Eldridge Cleaver (Soul on Ice) as speakers.

The MMI brothers, who provided security for Malcolm X had been trained by Malcolm himself that inside of the Nation of Islam, whenever there is a diversion, you protect the principal. The principal, in this case Malcolm, clearly was not protected on February 21st [1965].

'The Autobiography of Malcolm X.' I've used it to demonstrate racial attitudes to people who I thought needed a better understanding of all human beings. Malcolm was not a racist. He was not looking for revenge. He realized that kindness and goodness did not come from any one kind of person.

The difference between memoir and autobiography, as far as I see it, is that a memoir is there primarily to tell one particular story, whereas an autobiography tries to be a full account of a life.

One of the striking things about doing research on Malcolm X, and I believe that most Malcolm X researchers could tell you their own stories, is that there's this paradox of the absence of critical information.

Malcolm X represents the cutting edge of a kind of critique of globalization in the 21st century. In fact, Malcolm, if anything, was far ahead of the curve in so many ways.

There were internal critics, sharp critics, who were very opposed to [Malcolm X], and who were very - some of them were members of Elijah Mohammad's family, such as Herbert Mohammad, Raymond Shareef, who was the head of the Fruit of Islam, the brother-in-law of - the son-in-law of Elijah Mohammad. They isolated Malcolm X and kept him out of the newspaper of the organization Mohammad Speaks for over a year, which is kind of curious.

Malcolm X finally became the person he was meant and raised to be. He fought against the forces of racism to return to that. Malcolm wanted to inspire other people to find their own strength.

Over a period of about year-and-a-half, Malcolm X and [Alex] Haley agreed to work with each other. They met usually after a long business day that Malcolm put in very tired. He would get there at about - either at Haley's apartment or they would meet at then Idyllwild Airport at a hotel, and Malcolm would be debriefed by Haley. He would talk, Haley would take notes.

I always had a deep affection for Malcolm and felt that he had a great ability to put his finger on the existence and the root of the problem. He was an eloquent spokesman for his point of view and no one can honestly doubt that Malcolm had a great concern for the problems we face as a race.

I love to read autobiographies. [What is your favorite autobiography?] the autobiography of Coach John Wooden. Everybody has a struggle so it's about seeing how they overcome it and be the best they can.

Malcolm X raised my consciousness about myself and my people and other people more than any person I know. I knew him before he became Malcolm X.

Tina Fey's autobiography is very, very funny and very well written. It's her life story: it's about how she grows up in New York. There's no obvious reason why I should enjoy this - I mean, this is the autobiography of a woman in her early 40s in New York. I'm a guy from a small town in Denmark.

My grandfather started his autobiography before he died; he never finished it. I would like to finish his autobiography because I finished mine.

We like to think of the '60s as Martin Luther King, Jr. and Malcolm X and a little bit of friction - no, there were all of these different groups. There was the Student Nonviolent Coordinating Committee (SNCC), the Black Panthers, Martin and Malcolm, but also the Whitney Youngs of the world, the Bayard Rustins of the world.

Literary lineage is part of your autobiography. The authors are the literary base, the image base, the character base that you bring into your civilian work. Same with film, architecture, music, sports. That's one tributary of the autobiography.

If you publish Mahatma Gandhi's autobiography, no one will read it but if it's Madhuri Dixit's or Madhubala's autobiography people will come and read it.

[Malcolm Fraser] went straight from Melbourne Grammar to Oxford. And he would have been a very lonely person, and I think he probably met a lot of black students there who were also probably lonely. I think he formed friendships with them, which established his judgement about the question of colour. That’s my theory. I don’t know whether it’s right or not, but that’s what I always respected about Malcolm. He was absolutely, totally impeccable on the question of race and colour.

Landscape pictures can offer us, I think, three verities: geography, autobiography, and metaphor. Geography is, if taken alone, sometimes boring, autobiography is frequently trivial, and metaphor can be dubious. But taken together, as in the best work of people like Alfred Stieglitz and Edward Weston, the three kinds of information strengthen each other and reinforce what we all work to keep intact - the affection for life.

to look back on one's life is to experience the capriciousness of memory. ... the past is not static. It can be relived only in memory, and memory is a device for forgetting as well as remembering. It, too, is not immutable. It rediscovers, reinvents, reorganizes. Like a passage of prose it can be revised and repunctuated. To that extent, every autobiography is a work of fiction and every work of fiction an autobiography.

I love 'The Autobiography of Malcolm X.' That was like the only black book we read in high school.

I believe that if we could see the chapters that are missing from the book [The Autobiography of Malcolm X], we would gain an understanding as to why perhaps - perhaps - the F.B.I., the C.I.A., the New York Police Department and others in law enforcement greatly feared what Malcolm X was about, because he was trying to build a broad - an unprecedented black coalition across the lines of black nationalism and integration. And in way, it presages 30 years ahead of time, the Million Man March.

It was a big thing for me to read black writers. 'Fences,' by August Wilson. James Baldwin's 'Amen Corner.' 'The Fire Next Time.' 'The Autobiography of Malcolm X,' of course.

Most people who read the autobiography perceive the narrative as a story that now millions of people know, and it was - it's a story of human transformation, the powerful epiphany, Malcolm's X journey to Mecca, his renunciation of the Nation of Islam's racial separatism, his embrace of universal humanity, of humanism that was articulated through Sunni Islam. Well, that's the story everybody knows.

There are literally a thousand works with the title Malcolm X in them. There are over 350 films and over 320 web-based educational resources with the title Malcolm X, yet the vast majority of them are based on secondary literatures, that is, not on primary source material.

Eclectic is a word that appears almost as much as the word smarmy in rock journalism and I've come to the fact, just as a personal side, this reminds of Oscar Wilde's insight that criticism is the highest form of autobiography. I think that's exactly what rock journalism has attempted to do, to celebrate its autobiography at my expense.

The NYPD was ubiquitous. They were always around Malcolm X. Whenever Malcolm spoke, there would be one or two dozen cops all over the place.

I write fiction and I'm told it's autobiography, I write autobiography and I'm told it's fiction, so since I'm so dim and they're so smart, let them decide what it is or it isn't.

Most people write a lot of autobiography, but when I came to write autobiography I discovered that nothing interesting had ever happened to me. So I had to take the situation and invent stories to go with it.

All autobiography is storytelling; all writing is autobiography.

Either Malcolm X or Martin [Luther King] could have played the role of a unifier, but it was - Malcolm as long as he remained within the Nation of Islam, talking to the converted, he did not represent a fundamental threat to the American government.

This autobiography of mine is a mirror, and I am looking at myself in it all the time. Incidentally I notice the people that pass along at my back - I get glimpses of them in the mirror - and whenever they say or do anything that can help advertise me and flatter me and raise me in my own estimation, I set these things down in my autobiography.

Very few people have actually had a chance to see the raw material that was going to comprise these three chapters [of Malcolm X Autobiography]. The missing political testament that should have been in the autobiography, but isn't.

Coming up, the music of my era was very conscious. I grew up on Public Enemy, and it was popular culture to be aware. People were wearing Malcolm X T-shirts and Malcolm X hats. It was a very cool thing to know who Malcolm X was. It was all in the lyrics. It was trendy to be conscious and aware.

There were over 40,000 pages of FBI documents of which only about half are currently available to scholars and researchers. I think that this 40th anniversary of the assassination is a good opportunity for us to say that now is the time to declassify all FBI material on Malcolm X. There really is a need for us to challenge the US government for its refusal to open up its own archives 40 years after the death of Malcolm.

Malcolm and Eddie Show,' a lot of other people came and went, but Malcolm and Eddie were steady on the case.

To write an autobiography of Groucho Marx would be as asinine as to read an autobiography of Groucho Marx.