Top 1200 Essay Writing Quotes & Sayings

I wasn't particularly good at school so always found essay writing hard, so I didn't do that well at English or history, even though I enjoyed it.

I was uncomfortable writing fiction. My love was the personal essay rather than the novel.

I had a really bad blushing problem when I was younger. The first time I ever performed was in an English class. I had an essay that I was supposed to write, and, instead of writing an essay, I wrote a song. So, I was playing this song in class, and I literally turned the color of this sweater that I was wearing, completely red. I think it was that feeling of challenging everything in me, my introverted personality. Like, "This is what you have to do. It doesn't matter if you do it wrong, you just have to do it."

The drama of the essay is the way the public life intersects with my personal and private life. It's in that intersection that I find the energy of the essay.

A revolution is not a dinner party, or writing an essay, or painting a picture, or doing embroidery.

An essay is a thing of the imagination. If there is information in an essay, it is by-the-by, and if there is an opinion, one need not trust it for the long run. A genuine essay rarely has an educational, polemical, or sociopolitical use; it is the movement of a free mind at play.

I always wrote stories, but I do remember a particular moment in middle school where I became passionate about essay writing.

I began researching and writing what I intended as a book-length essay entitled Fascination and Liberation, exploring the question of whether there is a conflict between creativity and the Eastern form of enlightenment. I don't know if I'll ever finish that essay, because I had an experience, after I'd written two or three chapters, in which it seemed to me that my psychic antibodies decisively rejected Buddhism. Interestingly, the rejection felt as if it happened in Zen terms.

The "How to Slowly Kill Yourself and Others" essay was so hard to write because of the memories, the sensory stuff, but also because it didn't follow the form of any essay that I've ever read. And the truth that I was exploring necessitated that obliteration of traditional form, I think.

I would be writing an essay that was due in the next day until about 1 A.M., and then I would be up at 6 A.M. and on a train to Birmingham to record 'The Archers'. It was pretty intense.

Genres have a history and impose a historical character upon the writer. What is interesting in the poem involves a certain kind of dramatization of the self that you don't have to engage in in the essay. In fact, the essay is a more social medium than the poem.

If one writing contributed more than any other to the framework in which this work Sowell's Knowledge and Decisions developed, it would be an essay entitled 'The Use of Knowledge in Society,' published in the American Economic Review of September 1945, and written by F. A. Hayek . . In this plain and apparently simple essay was a deeply penetrating insight into the way societies function and malfunction, and clues as to why they are so often and so profoundly misunderstood.

A lazy man works twice as hard. My mother told that to me, and now I say it to my kids. If you're writing an essay, keep it in the lines and in the margins so you don't have to do it over.

The usual reproach against the essay, that it is fragmentary and random, itself assumes the givenness of totality and suggests that man is in control of this totality. The desire of the essay, though, is not to filter the eternal out of the transitory; it wants, rather, to make the transitory eternal.

There is no room for the impurities of literature in an essay.... the essay must be pure--pure like water or pure like wine, but pure from dullness, deadness, and deposits of extraneous matter.

In writing, something is always left out: it can't be articulated in the space of an essay.

Writing a long essay is probably the most complex constructive act that most human beings areever expected to perform.

It is hard for me to speak of themes. I like the reader to do that. Otherwise it feels like writing a 3rd grade essay on someone else's work.

I try to write things that can't be made into movies. My novels have thwarted many attempts to film them and I think that was true of the essay, too. If you'd actually tried to be true to the essay, it would have been, perhaps, boring. So taking that narrow little cast of characters and expanding it out, that was what was exciting about the project for me.

An essay is not an op-ed that tells its reader what to think. An essay is a complicated working-out of one's own contradictions and complicities.

The essay is one of my favourite forms of writing, and I feel like what's inside is really personal, more so than with shorter pieces.

The reason for writing that essay was less a personal agenda than an attempt to explain my unease with the general label of "immigrant literature" after I had read quite a number of reviews (in different countries) involving books written by 'immigrants.'

I grew up treating a life as a writer as a career in letters, one devoted to many kinds of writing. And so it seemed normal to study both fiction writing and the literary essay as an undergrad.

There's a lot of essay writing that could pass for journalism and journalism that could pass for essay. Some of it is just taxonomy.

Every essay - the subject matter of every essay - is ultimately about the essayist; him or herself. That ultimately, every essayist is writing about his or her view of the world.

In high school, I won a prize for an essay on tuberculosis. When I got through writing the essay, I was sure I had the disease.

I just finished writing an essay about William Maxwell, an American writer whose work I admire very much.

What I am best at is reading a book and then writing a critical essay.

I inherited Mom's verbal skills, and participated in forensics and essay contests in elementary school - and won every essay contest I ever entered.

The primary thing I should do, apart from being a good husband, brother, son, and friend, is to be a citizen activist. But I'm afraid it takes away from the writing. Not that anything depends on whether I put an essay in 'The Nation' or not. But you want to participate.

If an essay has a 'motive,' it is linked more to happenstance and opportunity than to the driven will. A genuine essay is not a doctrinaire tract or a propaganda effort or a broadside.

What keeps me motivated to create new music is the joy of songwriting. The joy of being creative. The joy of writing a poem or essay. Writing anything. I just love writing, whether it is music or words. I just didn't need to share it for the last 18 years. When you share it, it brings on other things, which is good.

Now the truth is, writing is a great way to deal with a lot of difficult emotional issues. It can be very therapeutic, but that's best done in your journal, or on your blog if you're an exhibitionist. Trying to put a bunch of *specific* stuff from your personal life into your story usually just isn't appropriate unless you're writing a memoir or a personal essay or something of the sort.

I found the structure of writing a screenplay harder than the structure of writing an essay. But it was definitely challenging to force myself to sit and write. I'm not used to having to force myself to work.

Writing for theatre is certainly different to writing an essay or any other kind of fiction or prose: it's physical. You're also telling a story, but sometimes the story isn't exactly what you intend; maybe you uncover something you had no idea you were going to uncover.

Back in the day, a lot of our instructors in nonfiction were actually fiction scholars. So they would bring in stories as models for the essay. And in some ways that's a good idea, because we can all learn from other genres. But I think it also made me realize that I literally didn't have an essay model, and that if I wanted one I would have to find it.

The word "essay" means to try out, test, probe. In the essay style, successive clauses and sentences are not produced by an overarching logic, but by association; the impression that prose gives is that it can go anywhere in a manner wholly unpredictable.

I don't want to see any art-writing gobbledygook or overblown words in an essay about me. If a smaller, simpler word will do - use it.

When you see your 40-page essay turned into a "hot tip" in one paragraph in Newsweek, you get anxious about the way your writing has been used.

A key text for me is James Baldwin's essays. And, in particular, his essay Stranger in the Village. It's a text that I've used in a lot of paintings. The essay is from the mid-'50s, when he's moved to Switzerland to work on a novel, and he finds himself the only black man living in a tiny Swiss village. He even says, "They don't believe I'm American - black people come from Africa." The essay is not only about race relations, but about what it means to be a stranger anywhere.

In essay writing, I'm trying to push the form of expository writing. I'm trying to remember, trying to reckon, trying to find connections with the world, the nation and me, but I'm always trying to push the form, too, without being too obvious that I'm trying to push the form.

I like to think about the genre, the essay or the memoir, as much as I enjoy writing within its fluid parameters. And teaching allows me to think about it, to articulate it, and to explore it.

I began as a fiction writer - I had written three novels in my 20s and 30s. But as my work has gravitated towards literary nonfiction, or lyric essay or poetic essay, whatever you want to call it, I'm constantly beating my head against the wall 'cause I'm teaching a genre that's no longer that exciting to me and that I'm no longer practicing.

Our job as friends, mentors, parents, and writing coaches is not to write anyone's college essay. That's cheating. Plus, it sends a discouraging message to the teenager that he or she can't be trusted with this important assignment. Trust the student to write the essay, but verify that it gets done. Gentle editing and proofreading are allowed.

Writing has to do with truth-telling. When you're writing, let's say, an essay for a magazine, you try to tell the truth at every moment. You do your best to quote people accurately and get everything right. Writing a novel is a break from that: freedom. When you're writing a novel, you are in charge; you can beef things up.

I find that most people know what a story is until they sit down to write one. Then they find themselves writing a sketch with an essay woven through it, or an essay with a sketch woven through it, or an editorial with a character in it, or a case history with a moral, or some other mongrel thing.

Some of the exuberance of my essay-writing has gone because I'm worried about the uses they could serve.

You don't really have to believe what you write in a blog for more than the moment when you're writing it. You don't bring the same solemnity that you would bring to an actual essay.

For me, playwriting is and has always been like making a chair. Your concerns are balance, form, timing, lights, space, music. If you don't have these essentials, you might as well be writing a theoretical essay, not a play.

The book was just something that came along after we played the Super Bowl and I wrote a little essay that went online. Then I had two or three weeks and I said, wow, that essay was pretty good. Maybe I'll try and write some other stuff. Writing about the depression, I just felt - you know, when you write a book like this, you have to open up your life. You have to be willing to do so to a certain degree.

I love writing things down so pretty much every card I send to friends or family is an over enthusiastic essay. I've written some pretty good ones in my time.

The way I was educated, maybe from just inhaling something in the air back then, I grew up believing that E. B. White occupied the apex of essay writing.

Writing an essay is like a school assignment: I have my topic, I organize my thoughts, and I write it. I have complete control over what I'm doing. Writing a novel is like setting out on a journey without knowing who or what I'll encounter, how long it's going to take, or where I'm going to end up.

There are jobs that can be done equally well by men or by women and that finally you can't see a difference. But from the moment that you involve yourself fully in writing a novel, for example, or an essay, then you are involved as a woman, in the same way that you can't deny your nationality - you are French, you are a man, you are a woman... all this passes into the writing.

The most important thing when starting out with essay writing is to find a voice with which you're comfortable. You need to find a persona that is very much like you, but slightly caricatured.

The essay I had to read was called, "An Essay on Criticism" by Alexander Pope. The first challenge was that the essay was, in fact, a very long poem in "heroic couplets". If something is called an essay, it should be an essay.

I'm trying to put more elements of the essay into my writing.

Of course it's possible for political essays to be artful. I just want to call into question the dominance of content over form in the history of the essay. I want us to recognize that there's art involved in making this stuff, because we still don't approach the constructed nature of the essay with the same appreciation that we do poetry or fiction.

I was uncomfortable writing fiction. My love was the personal essay, rather than the novel.

In 2014, as a Christmas gift, I wrote an essay for my husband, about our story. Writing that showed me there was value in interrogating my experiences while they were fresh - especially because I was terrified of forgetting.