Top 1200 Singing Songs Quotes & Sayings

When you sing on stage, the songs are part of the narrative, but in 'Unconditional Love,' it was just singing for singing's sake. It was playing at being pop star. As a young boy growing up in North Wales, that was my fantasy.

My father being in the movie business, I thought being an actor would be great. But when I started singing to people in coffeehouses, you know, singing folk music and then, later, singing songs that I started to write myself, I felt more than an affinity for it. I felt a calling.

It used to be the case that for an Irishman to come to the U.S. involved a perilous journey on a ship. It involved singing lots of songs before you left saying goodbye, and once you were in the U.S., it involved singing lots of songs about how you were never going to set foot in Ireland again.

I started singing when I was a teenager. I always wanted to write songs; I just didn't understand how someone could sing without writing their own songs.

When I turned 19 I kinda realized that I needed to write my own songs instead of singing songs written by other people.

You start singing by singing what you hear. So everyone, when they first start singing, they naturally are singing like whatever they're hearing, because that's the only way you learned how to sing. So when I was growing up on Lauryn Hill, when I started singing her songs, I literally trained my voice to be able to do runs.

We have a tradition of passing our history orally and singing a lot of it and writing songs about it and there's kind of a calling in Irish voices when they're singing in their Irish accent.

I know I express myself best singing love songs, and Jim Steinman gave me my rock style, which I have always wanted. I can express myself best putting a lot of emotion into singing rock songs.

I'm sure that the meaning of the songs that I've written will change for me over the years, the same way that I can't even say what inspired some of the songs that I've been singing for a long time anymore.

When I'm sitting in the church alone, I can hear singing of the old people. I can hear their singing and I can hear their praying, and sometimes I hum one of their songs.

I think if you sing a song for the first time to your mom and dad, or your friends, and they go, 'That's pretty cool'-if you're playing at the local bar somewhere, or the coffee shop, singing songs, or if you have a gig somewhere and you're singing your own songs, I think that's some version of making it. ... It's not just about having commercial success; it's about having a great life.

For me, singing was always about the lyrics. I'm hopeless at singing songs that don't have a core.

People started noticing my singing on YouTube, and then I came to L.A., and I lived on a studio couch. I wrote songs every single day with whoever I could write songs with.

A good song can only do good, and I am proud of the songs I have sung. I hope to be able to continue singing these songs for all who want to listen, Republicans, Democrats, and independents.

Singing was probably my first love, and song writing. I write a lot of love songs and heartbreaking songs.

That's the perfect audience: singing along to every word, knowing the songs, appreciating the non-hit songs, stuff like that.

I always try, when I'm singing songs, to interpret them the way that I would've arranged them. I think about the melody first, and then I pull out my guitar and start singing it.

There is a lot of incredible talent out there, however, talent alone is not enough. Being a great singer does not matter, if you are not singing great songs. Having great songs will not be obvious to record executives if they are not professionally produced. Consistently performing those songs extremely well is essential.

Last season when I was on set...for some reason I had The Battle Hymn of the Republic in my head but I didn't know all the words. It was one of those songs you had to learn when you were younger. It wasn't as important for people raised in the 80's and 90's as it was to people raised in the 50's, 60's and 70's so when I started singing "My eyes have seen the glory of the coming of the Lord," Jane [Fonda] heard me singing it and started singing the rest of it. Suddenly everyone on set everyone was singing. That's just something I can keep in my heart forever.

My father being in the movie business, I thought being an actor would be great. But when I started singing to people in coffeehouses, you know, singing folk music and then, later, singing songs that I started to write myself, I felt more than an affinity for it.

The thing about Bob Dylan's performative essence is that he keeps singing these old songs as well as the new songs, and the old songs become new with new arrangements and new contexts as time goes by.

Singing didn't really come naturally to me, I don't think. I had to really work at it. I just kept singing. I never was really worried about it, though, because I was writing songs, and that was the most important thing to me.

I love deeply, and when it comes to singing love songs and something that I have no problem doing, I put all of my heart and soul into these love songs. I know my fans out there are listening, taking these songs to heart. Like I say, they're relating these songs to their lives, too, and their relationships.

I always wanted to sing, I always loved to sing. As a child I was singing all the time, and my parents were singing all the time, but not the traditional songs because they were very Christian; the Christian Sámis learnt from the missionaries and the priests that the traditional songs were from the Devil, so they didn't teach them to their children, but they were singing the Christian hymns all the time. So I think I got my musical education in this way. And of course the traditional songs were always under the hymns, because it doesn't just disappear, the traditional way of singing.

Song, songs kept them going and going; They didn't realize the millions of seeds they were sowing. They were singing in marches, even singing in jail. Songs gave them the courage to believe they would not fail.

I like the audience to be engaged with the numbers I am singing and do not repeat my songs at any of my concerts. There are thousands of songs that I have lent my voice to with so many other singers, so why bore my audience by singing the same songs?

I have often sung to drown my sorrow, but seldom to express my happiness. Crying for joy, and singing for joy, were alike uncommon to me while in the jaws of slavery. The singing of a man cast away upon a desolate island might be as appropriately considered as evidence of contentment and happiness, as the singing of a slave; the songs of the one and of the other are prompted by the same emotion.

I kinda learned to sing singing to Echo and the Bunnymen songs and Smiths songs: Morrissey would be a big favorite.

We enjoyed the fact that we were called to the folk festivals and we got to know Joan Baez, Dylan. We were singing strictly gospel, but then after we started hearing songs that they would sing, we saw that those songs were very fitting for us because they were singing the truth, and truth is gospel.

I didn't even know the industry of songwriting existed. I thought everybody sang songs and they were only singing the songs that they wrote. So after I found out about songwriting in college, I was like, "Okay, I want to do that."

I've been singing love songs since I was a toddler, I was singing Whitney Houston, Mariah Carey and even Alicia Keys song, that helped my writing so much.

I have amassed an enormous amount of songs about every particular condition of humankind - children's songs, marriage songs, death songs, love songs, epic songs, mystical songs, songs of leaving, songs of meeting, songs of wonder. I pretty much have got a song for every occasion.

I fell in love with singing, and through singing, I learned how to write songs. Anything you're consistent with and that you do all the time, you're gonna reap benefits off it at one point. You're not gonna get worse!

When I first started singing in Paris, I sounded horrible: I was just singing to get some money to eat. And I wasn't singing my own songs: it was Bob Dylan, Bob Marley, Jimi Hendrix. Eventually, when I wrote my own music, my style just came out of my own place.

There are some songs that don't belong to The Animals that I refuse to give in to and not do. I enjoy singing other people's songs, you know. That's why they're written in the first place.

All my songs were solo voices. Just me singing. In fact, that was the gimmick - no gimmick. Just singing straight with not too much background.

When you hear kids singing your songs it just validates them, they sound like real songs when you hear them back, it's quite refreshing. Like songs that could have been around for a hundred years.

Then the musical instruments appeared. Dad’s snare drum from the house, Henry’s guitar from his car, Adam’s spare guitar from my room. Everyone was jamming together, singing songs: Dad’s songs, Adam’s songs, old Clash songs, old Wipers songs. Teddy was dancing around, the blond of his hair reflecting the golden flames. I remember watching it all and getting that tickling in my chest and thinking to myself: This is what happiness feels like.

When you're doing the traditional musicals, singing songs that are 40 and 50 years old, you realize there's a reason why those musicals are hits. These are amazing songs!

Since Moses was in Egypt land, Gods people have been struggling for justice while singing freedom songs. Theology can be clarifying. A good sermon has its place. But nothing is more essential for the life of faith in a community than liturgy that invites us to sing the freedom songs that are sung around the throne of God. Brother Ken Sehested is a song leader in that great cloud of witnesses. Receive his words as gift-and keep singing.

I used singing as a safety measure. I would pay attention to what songs the popular girls liked, learn those songs from the radio or library cassettes, and then "accidentally" sing or hum these songs in class. This would impress the girls, who would then defend me from the boys.

I try to sing many different kinds of songs. If I sing a batch of humorous songs, I'll throw in a deadly serious song. Or if I'm singing too many serious songs, I'll throw in a ridiculous song, to mix it up.

My songs are personal music, they're not communal. I wouldn't want people singing along with me. It would sound funny. I'm not playing campfire meetings. I don't remember anyone singing along with Elvis, Carl Perkins or Little Richard.

I look for songs that the listener, when they hear it, they believe what I'm singing about, that I know what I'm singing about. That's my whole deal. I try to choose songs that a male or a female can perform and relate to.

As for finding comfort in the zone, I'm comfortable singing what I write. I like writing emotional and slow, melodious songs. I haven't tried singing songs from other genres, but yes, I would like to give them a try.

My mind was so geared towards being a performing artist, singing all these classical pieces, but the sense of loneliness I got when I moved from New York to El Paso meant that writing turned into singing. I'd sing all these songs, and they'd make me feel better. Songs that crafted the way my life was going to go.

There is nothing like the buzz of singing one of your songs during a show and hearing your fans singing with you.

I guess, from the beginning, Thurston and Kim were the dominant singers in the band, and although I was singing in bands previously, I guess I mainly deferred to them a lot in terms of who was singing the bulk of the songs.

I came from a very musical family, so I grew up singing karaoke with the family. My family said 'do this' and brought me to singing lessons. I had always been writing poems and songs.

When you're singing songs about love and sex, you want everyone to think you're singing to them. Whether you're a boy, a girl, a woman, a man - whatever you're into, I can be that.

I started singing in church and I was probably around seven and I started singing anywhere that I could. I used to sing at my school. I was in musicals and then it kind of got to a point where I started to - wanted to do my own songs.

I've loved singing since forever. Whether it was with my sisters while cleaning the kitchen, putting shows on for my stuffed animals, writing songs about my stuffed animals, starting an a capella group with my cousins while on vacation, or awkwardly singing along to karaoke tracks alone in my bedroom - singing always found a way into my life.

In my songs there are no bad words, so kids can sing them, and girls can identify with singing with them, too, because it's not like a man singing reggaeton.

I don't see my singing for films as a transition from singing my own songs because I see it as part of the same picture.

If you are speaking about my own songs, I would think so because we were talking about that particular era and I was singing one of my songs that I recorded 50 years ago.

I love making people sing. I love group singing, sacred harp singing, choral singing, recordings of people singing sea shanties, work songs, prison songs - how people just sang to get through things.

I feel a composer should not crave to sing songs because songs itself decides its voice. The films where I have given music, I have kept my option for the last. I like to make music and not necessarily singing all the songs.

I feel like when I'm on stage, when I'm writing songs, singing songs, I'm in the studio, I'm shooting videos, I kind of get to become this character, and I can make that whatever I want to make that.

When all my friends were into punk, I'd be singing versions of soul ballads. I thought, 'Oh my God, I don't want them to know I'm doing this.' But I really enjoyed singing those songs.

Singing always came naturally but the writing side is something I have always had to work hard at to get from good songs to great songs.