Top 1200 Popular Song Quotes & Sayings - Page 20

If you are teaching a kid about seasons, you can put it in a song. He will definitely take interest. I wish to put every physics formula into a song, and it will become very easy for the student to learn.

There is a song called 'I Refuse,' and I get a bit scolding, I suppose, in a way. But it all comes back to elements of hope, and in the case of that song, it's basically, 'Okay, you're trying to suck me into this world of negativity, and I'm not going to go there. I'm going to live my own life.'

If you expect to be successful, you will eventually be successful. If you expect to be happy and popular, you will be happy and popular. If you expect to be healthy and prosperous, that is what will happen... Always think and talk positively about the future. Start every morning by saying: 'I believe something wonderful is going to happen to me today.' Then, throughout the day, expect the best.

People know my song but they don't know the guy who sings the song.

I'm all for making a woman-empowering song. I get that, and I think that's dope. I've got a daughter, and I think that's amazing. But when you're specifically picking on guys, that's when it's not right. 'No Scrubs' is the meanest, dumbest song ever made because they need to be specific in certain areas.

I wanted to deliver the emotions a man feels when he's in love. For example, through song "GG BE," I wanted to the express the feelings of being deceived by a woman (the song also contains the woman's counterargument).

In folk music, I've always been fond of the fragment. The song that has one verse. And you don't know anything about the characters, you don't know what they're doing, but they're doing something important. I love that. I'm really a sucker for that kind of song.

When you know you have a good song, when you're onstage, even if it's just a weird, basic energy, you know your song is good.

That's the beauty of creativity. It comes from the ether. I like to think, sometimes, it's like I haven't written it, it's more like I just reached up and grabbed it from somewhere. That song, 'Song of the Red Rock Mountain,' is one of them. I recorded it and thought, 'Where did that come from?'

Each song is a small universe to me. Each song has a story of its own. Each has a full life to express in order to be complete, so it often happens that the building to a big crescendo feels right in the recording or writing process.

I do loads of pitch writing as well, where you write a pop song and then pitch it to DJs who can then work with the song, and sometimes they keep your vocal on it. It's just good to be involved in different things.

I suppose that being moved to write a song is more applicable to me, I have to be moved, I have to have a reason to write a particular song.

Some people have said that I can 'hear' a hit song, meaning that I can tell the first time a song is played for me if it has potential. I have been able to hear some of the hits that way, but I can also 'feel' one.

Music isn't like news, where it's what happened five minutes ago or even 10 seconds ago that matters. With music, a song from the 1960s could be as relevant to someone today as the latest Ke$ha song.

I understand why Vladimir Putin is very popular in Russia - he's probably the first Russian leader to not apologize for being Russian. People always pin it down to one man, but there's hundreds of millions of Russians of various sorts. Putin does seem to be very popular in Russia, if only because he stands up for Russians wherever they are, which is exactly what Americans do with Americans, of course.

The original title was 'Waking Up Diagonal'. It's the first line of the song. I just thought it was more interesting than 'I Don't Care', which is such a boring title to me. When I hear that song, it breaks my heart a little bit because it's my story.

Even the song of birds, which we can bring under no musical rule, seems to have more freedom, and therefore more for taste, than a song of a human being which is produced in accordance with all the rules of music; for we very much sooner weary of the latter, if it is repeated often and at length. Here, however, we probably confuse our participation in the mirth of a little creature that we love, with the beauty of its song; for if this were exactly imitated by man (as sometimes the notes of the nightingale are) it would seem to our ear quite devoid of taste.

Robert Burns enriched Scottish song with his genius and is mainly responsible for the rich treasure house of song that we enjoy today. He collected folk songs, retained the melodic line, kept what words were usable and rewrote the rest. He didn't claim ownership.

When I see something I end up making a song about it and that's the way it is. There have been plenty of times when I've been in the studio and they were like, "Hey, why don't you make a song about such and such," and I just can't. I've gotta have it in my heart.

I'd like to connect with music like I did in the beginning. To have that intensity again, to have a song that comes on at 1 o'clock in the morning and it's the premiere song at that point. It's almost magic because, when you condition for it, it doesn't take long for you to write the content that everyone in the world can agree on at one time.

If you start out with a song sounding like Britney Spears, and you end up with a song sounding like Pauline Oliveros, you'd better have pretty good liner notes explaining what on earth you mean.

I don't sit down to write a song; they just come to me from something that somebody says, or something in the news. The punchline comes to me, and I go over it in my head and get the song form. I hadn't been doing that a lot.

A good song stays in your head because it's catchy, a great song stays because it means something to you.

One of my all-time favorite Christmas songs, I have to admit, was the Chipmunks' 'Christmas Song.' I remember playing that song over and over.

It'll never get old to hear a song that I wrote on the radio or to hear what someone experienced when they heard a song I wrote.

It's hard enough to make a good song and a good recording of that song. But to try to tailor it to some outside force is just like - It's never been a factor in what I've done or what the band's done.

The song 'Why' was always in my head. Three or four years, I always wanted to do a song called 'Why' and just ask wild questions. And I guess, strategically, after the 9/11 thing, it worked.

My favorite song is called 'Reachout.' There are so many different stories told in that song. I think anyone who listens to it will gather a different meaning, but each answer is true. I also like the sound of it, period - there are a lot of classical influences.

My favorite song to write was a song called "Always" I wrote it about a girl who, at the time, I had feelings for her for a long time but she never really felt the same back. So it's one of my more personal songs and I'm very proud of it.

The best song is what resonates with that one person the most. It's why, if you ask a million people on the face of the Earth, they're all gonna have different favorite songs, their own best song ever, because that's the one that touched them the most.

Like a good song, life has verses, the goliards had taught me. Each verse has to be sung. It takes all of them to make a song. It is the entire chanson you name, but when you think of it, when you smile, it is a favorite verse that delights your ears.

Let's say music is needed for only 43 seconds of film. You have to score it so it is an entity, so it won't bother anyone when it ends so quickly. Or if a song runs 2 minutes and 45 seconds, but the titles run a minute longer, you have to arrange that song so it doesn't get repetitious.

The best thing you can do for a song is to hear it on the radio and to imagine what it could mean to you and then kinda forget the words. Just imagine how you felt when you heard it, if it was one of your songs. If it became one of your songs. If it meant whatever it meant for you and as soon as you see the visual, you get a rapid eye movement relationship with the song instead of an imaginative one. I think that can be dangerous because I don't think I'd want to be listening to a song on the radio and thinking about the video. Whatever that one interpretation was

I wanna do a song with Macklemore. I really wanna do a song with him.

If I come across an issue, or something I feel strongly about, and I happen to think of a song that would go in that direction, then I do it. But that's not what I start out, necessarily, to do. Sometimes I may have an idea for a song - "Well, I'm going to write about a thing.

There are so many songs out there in the world that - if I know we have to come up with a new cover, then I'll just sit in my room and sing song after song and figure out which one I can kind of sing the best.

I've always been drawn to all kinds of music - to me, it's all the same. There's different arrangements and slightly different ways of writing, but if it's a good song, it's a good song - you can dress it up any way you like.

Sometimes I'll write a song. When I've gone through something really hard in my life, sometimes it's other people's music. Other times it's actually writing the songs and getting out of mind and into the song.

It was a matter of not seeing the woods for the trees. Glorious songs have been in Ireland forever, but a lot of these were so popular they were sung only by drunken men at weddings. They didn't have any regard for the song at all. So, I picked out 14 songs that I had grown up with, songs with great melodies. After 35 years as a songwriter, I appreciate the value of a good melody because I know how hard it is to write one. So I presented them in a new way, with piano, keyboards, strings, and a contemporary rhythm section. I just treated the melody with a bit of dignity and a bit of style.

I actually admire the Indian artiste 'Lost Stories.' He made a remix of my song 'Faded.' That is really good and cool because it actually represented Indian music. I just loved the song; it so unique.

If you feel that you can just come in the studio and freestyle on my song, then I'm ready to rap battle you. That's just how I feel about it because I know I'm way harder than another rapper freestyling on my song.

A song is like a smile. If you meet people from another country, even if you don't speak the same language, you know what a smile means. A song works the same way. Music produces feelings that need no translation.

I played around with GarageBand before, but I'd never actually made a proper song. So it was getting into the studio with him where I made my first proper song. I've always loved creative writing, so I had done that as well.

When I was writing 'Trick it,' the inspiration for this song came out of nowhere! The song is about the little white lies you tell to people you care about, even though you can always tell the truth.

Years later, you can hear a song, and it brings you back right to that moment, what was happening at that time, whether it was a relationship or a difficult time, or maybe a great time in your life, and you had that album you were listening to. Twenty years later, you can put on that song you fell in love to or your heart was broken to, and you hear that song and it brings you right back there. I think music is the most powerful tool we have.

I like listening to the whole song. Like my father says, "If you can't pick the whole song, then why are you playing it?"

I write a song for me and I sing a song for me - no one else.

If you go to go to countries in Europe or Asia or even Canada, even with all the Internet and cable TV and satellite, public systems tend to be the most popular stations in the countries. In some countries like Norway and Germany, public stations are, if anything, more popular than ever as people see what Rupert Murdoch's got in store for them in the commercial stations.

I wrote a cheesy love song - called "Tender Torture". I guess it's more of a song about being away from someone that you love. It's pretty strange. It's sincere, I guess. It's actually something that I really felt.

Weezer's 'El Scorcho.' I'm in a '90s cover band called 'Straight 2 Video' with members of the crew from 'The Vampire Diaries,' and we played this song at our wrap party. I grin from ear to ear every time I scream this song in my car.

I've had many songs where I've gone, 'Oh, my God, this song is going to be huge!' but it wasn't the right artist, or something just didn't happen. It didn't make the song any worse. It just didn't line up. That does happen.

Every song has a memory; every song has the ability to make or break your heart, shut down the heart, and open the eyes. But I’m afraid if you look at a thing long enough; it loses all of its meaning

A good song is a good song whatever your age.

The exclusion of true esoteric religion has been the business of the State since ancient times. At first this was done via the establishment of the popular idealism of exoteric religious institutions in league with the State. But in modern times the same process is done by the strategic exclusion of conventional religious cultism, mystical idealism, and higher evolutionary Wisdom from the mechanisms of popular culture.

It's not that I can't collaborate. It's just that I don't know how to say no to people. If someone's like, 'Let's write a song together,' it's like, 'You'll write the song, and I'm gonna okay everything.' It's very hard to think that their ideas work with what I'm trying to do.

I'd want it to be really special to both of us, but I'm a huge fan of 'At Last' as a wedding song. But what's also really cool is songs that no one else would have at their wedding, like an obscure Radiohead song.

Pete Ham in the group was a very good writer. He wrote the Nilsson song "Without You", which is a seriously good song. But the poor fellow topped himself. He was a lovely bloke, I can still see him now. It was a terrible loss.

Sometimes I get in writing moods and I want to write a song every couple of days. Then sometimes I may not write a song for three weeks. It's just according to how it's hitting me at the time.

I don't start a song with an idea of what ingredients are going to go into a song. It's not like a recipe. I will normally either talk from personal experience or I'll make a character and then try to allow that character to behave the way he or she naturally would.

He who sings a song to Christ in the night, sings the best song in all the world; for he sings from the heart.