Top 1200 Preconceived Ideas Quotes & Sayings - Page 19

Explore popular Preconceived Ideas quotes.
Last updated on November 18, 2024.
I want some help on this. I'm being very honest, i want some ideas, as somebody who was arrested 50 years ago fighting for Civil Rights trying to desegregate schools in Chicago, who spent his whole life fighting against racism, I want your ideas. What do you think we can do? What can we do?
The whole aspect of the universe changes with this new conception. The idea of force governing the world, of pre-established law, preconceived harmony, disappears to make room for the harmony that Fourier had caught a glimpse of: the one which results from the disorderly and incoherent movements of numberless hosts of matter, each of which goes its own way and all of which hold each other in equilibrium.
People can be in a prison of their own mind. [There are] people who don't have their hearts open to other people's ideas, and can't listen to other people's ideas without feeling like they're being slapped in the face. Those people are more in a prison.
Acting isn't always about the amount of talent you have, or your ability to cry on command. The point is, how well can you take direction? How well can you put aside your own ideas or ego and listen to the ideas of the director and the people above you, while not giving up the passion and drive of that character?
I think one of the things that language poets are very involved with is getting away from conventional ideas of beauty, because those ideas contain a certain attitude toward women, certain attitudes toward sex, certain attitudes toward race, etc.
I have great ideas, but the follow through is always really difficult for me. As my kid gets a little bit older, if I feel like I have a little bit more time on my hands, I'd like to get more into developing ideas and writing things.
One of my standard - and fairly true - responses to the question as to how story ideas come to me is that story ideas only come to me for short stories. With longer fiction, it is a character (or characters) coming to visit, and I am then obliged to collaborate with him/her/it/them in creating the story.
First we start with the lyrics. Most of the lyrics are done by Stefan Kaufmann and me. When we have enough lyrics and enough stories we have the lines to make titles. Then we collect all the ideas of everybody in the band and see which ideas fit together the best with the lyrics to get the right atmosphere. That's the way we compose.
How do we allow God into our minds, bodies, relationships, and life? We stop squeezing the divine out through our preconceived notions of what is sacred and what is profane. When we assume the mind-set that everything is ultimately divine, though sometimes more disguised than others, then we can see that all of our thoughts, impulses, and desires arise from and can bring us back to awareness of the sacred.
The things a man believes most profoundly are rarely on the surface of his mind or tongue. Newly acquired notions, decisions based on expediency, the fashionable ideas of the moment are right on top of the pile, ready to be displayed in bright after dinner conversation. But the ideas that make up a man's philosophy of life are somewhere way down below.
I personally think the best ideas for TV shows - at least comedies - are very low-fi ideas. High concepts often sell pitches in movies and TV, but, especially in TV when you're talking about hopefully a 100 or 150 episode proposition, those concepts just burn off, and then you're stuck with nothing.
Some people have great ideas maybe once or twice in their life, and then they discover electricity or fire or outer space or something. I mean, the kind of brilliant ideas that change the whole world. Some people never have them at all... I get them two or three times a week.
We think of photography as pictures. And it is. But I think of photography as ideas. And do the pictures sustain your ideas or are they just good pictures? I want to have an experience in the world that is a deepening experience, that makes me feel alive and awake and conscious.
I'm a comedian. I make comic films and there are certain ideas that occur to me that are comic, with heavy, serious undertones. There are some ideas that are more frivolous to me. The next idea that could occur to me could be comedy about death and famine or something.
Ordinary people like you and me can achieve very little on their own. We need to build support. Even if you are a thought leader and have some good ideas on how to make the world better, and even if you write five or ten books - that won't have much effect unless you have people who are willing to support your ideas.
Today certain definite ideas are developing out of the Egyptian ideas. What is called Darwinism today did not arise because of external reasons. We are the same souls who, in Egypt, received the pictures of the animal forms of man's forebears. The old views have awakened again, but man has descended more deeply into the material world.
The ideas of the ruling class are in every epoch the ruling ideas, i.e., the class which is the ruling material force of society, is at the same time its ruling intellectual force.
What I think of as 'freakonomics' is mostly storytelling around an idea - not a theme but an idea. I like ideas much more than themes. Themes are boring. Themes are, 'Wool is back,' but ideas are, 'Why is wool back?'
Trump represents 30 percent of right wing ideology of white scared people. People who have freaked out as Trump points the blame on Mexicans when you have what you have in Europe. He is making all of the white people scared only 3 out of 10 people really believe all the stuff that is being said by him. You have to remember that there are still 7 out of 10 people in this country who don't think his ideas are good ideas. I am not afraid of Trump; I am more afraid of the people that think his ideas are good.
Hatta always gave the impression of rain. If I was in a real good mood and full of ideas and then happened to encounter Hatta, I felt I was suddenly surprised by a shower of rain and got wet all over the body. My good mood was gone, and also my ideas.
I think a part of the reason that those early plays were short was that I just kept having these ideas, and I'd just go off and write them. I wasn't trying to write one-act plays - it's just how the ideas would be expressed. Every condition I was in seemed like it could be a play.
Mathematics is about problems, and problems must be made the focus of a student's mathematical life. Painful and creatively frustrating as it may be, students and their teachers should at all times be engaged in the process - having ideas, not having ideas, discovering patterns, making conjectures, constructing examples and counterexamples, devising arguments, and critiquing each other's work.
Knowledge is a continuous fabric, in which ideas are connected to other ideas. Reason-free zones, in which people can assert arbitrary beliefs safe from ordinary standards of evaluation, can only corrupt this fabric, just as a contradiction can corrupt a system of logic, allowing falsehoods to proliferate through it.
To have an inner life, to think, to juggle and leap, to become a tightrope walker in the world of ideas. To attack, to riposte, to refute, what a contest, what acclaim. To understand. The most generous word of all. Memory. To retain, a geyser of felicity. Intelligence. The agonizing poverty of my mind. Words and ideas flitting in and out like butterflies. My brain a dandelion seed blown in the wind.
While acting in Armed Response I was always focused, just so they could see me as a peer and maybe not some idiot who's coming in from the pro-wrestling world. I'm sure they had their preconceived notions about me so I just hope that once we were finished with a scene, or finished with the movie overall, that I managed to change their perspective based on what they were expecting.
Separate out the creative act from the act of editing and execution. Make it a two-step process. First, let ideas flow and encourage EVERY idea to make it to the whiteboard. Don't criticize, judge, edit, budget, or worry. An idea on the wall can't hurt anyone, so let them rip without restriction. After any and all ideas have the opportunity to "come out to play", only then should you apply your analytical and logical side to the effort. Don't mix the creative process with the editing process or you'll kill your ideas before they even get a fighting chance.
The ideas which led to the Analytical Engine occurred in a manner wholly independent of any that were connected with the Difference Engine. These ideas are indeed, in their own intrinsic nature, independent of the latter engine and might equally have occurred had it never existed nor even been thought of at all.
It would be in pretty poor form for me to not be a big supporter of tech and computers because that is how I do my work and how I got involved. The advancement and the affordability of tech gear has made a level playing field where you can now have access to ideas reasonably and then it just comes down to extracting those ideas, which is great.
The mind being, as I have declared, furnished with a great number of the simple ideas conveyed in by the senses, as they are found in exterior things, or by reflection on its own operations, take notice, also, that a certain number of these simple ideas go constantly together... which, by inadvertency, we apt afterward to talk of and condier as one simple idea.
The story you envision as you start out is always a great story; when the facts turn out to be different from, or more complex than, what you expected, your first reaction is always disappointment. That's when you must fight the urge to bend the story to your preconceived notions. First, it's dishonest. And second, in the end, the truth is always the best story.
The reality of the Green party is that we are a party committed to bringing forward big ideas, new ideas and demonstrating by our conduct in parliament and through the election that we really want to work for Canadians, work across party lines, work across jurisdictions.
As the creative adult needs to toy with ideas, the child, to form his ideas, needs toys--and plenty of leisure and scope to play with them as he likes, and not just the way adults think proper. This is why he must be given this freedom for his play to be successful and truly serve him well.
We need to make clear that the economic crisis has to be matched by a crisis of ideas. That's the problem, right? The economic crisis is not matched by a crisis of ideas. That's where the war is going to be fought.
Medicine is an incoherent assemblage of incoherent ideas, and is, perhaps, of all the physiological Sciences, that which best shows the caprice of the human mind. What did I say! It is not a Science for a methodical mind. It is a shapeless assemblage of inaccurate ideas, of observations often puerile, of deceptive remedies, and of formulae as fantastically conceived as they are tediously arranged.
Our institutions and conditions rest upon deep-seated ideas. To change those conditions and at the same time leave the underlying ideas and values intact means only a superficial transformation, one that cannot be permanent or bring real betterment. It is a change of form only, not of substance, as so tragically proven by Russia.
Ideas in art may be quite evident, and sometimes they're hidden. Sometimes they're simple, and sometimes they're quite complex. Great works of art can be based on very simple ideas, but it's all in the making, isn't it? It's in the facture.
What does the doctrine of American exceptionalism empower the United States to do? Nothing more than to act better than traditional empires - committed to looting and conquest - have done. So that's American exceptionalism: an exceptionalism based on noble ideas, ideas that it holds itself to even when it falls short of them.
Because you have very limited time and you have to be very judicious and wise about how you spend it. But otherwise, I've always been - ever since I was a kid, I've always been coming up with ideas. So I'm able to come up with crazy ideas twice for two collections! It's fun.
I think of myself as a bad writer with big ideas, but I'd rather be that than a big writer with bad ideas. — © Michael Moorcock
I think of myself as a bad writer with big ideas, but I'd rather be that than a big writer with bad ideas.
We must continually remind students in the classroom that expression of different opinions and dissenting ideas affirms the intellectual process. We should forcefully explain that our role is not to teach them to think as we do but rather to teach them, by example, the importance of taking a stance that is rooted in rigorous engagement with the full range of ideas about a topic.
The brain is full of lonely ideas, begging you to make some sense of them, to recognize them as interesting. The lazy brain just files them away in old pigeonholes, like a bureaucrat who wants an easy life. The lively brain picks and chooses and creates new works of art out of ideas.
We see, then, that the disappearance of the conscious personality, the predominance of the unconscious personality, the turning by means of suggestion and contagion of feelings and ideas in an identical direction, the tendency to immediately transform the suggested ideas into acts; these, we see, are the principal characteristics of the individual forming part of a crowd. He is no longer himself, but has become an automaton who has ceased to be guided by his will.
In this day and age, I really just don't want to sell people on something. I don't want to have to sell you sound. I don't like selling emotions. Or ideas. I just want to give you these ideas and inspire people.
If I can get out of the way, if I can be pure enough, if I can be selfless enough, and if I can be generous and loving and caring enough to abandon what I have in my own preconceived silly notions of what I think I am - and become truly who in fact I am, which is really just another child of God - then the music can really use me. And therein lies my fulfillment. That's when the music starts to happen.
Have you ever thought that radical ideas threaten institutions, then become institutions, and in turn reject radical ideas which threaten institutions?
It seems to me that the thing that makes the theater worthwhile is the fact that it attracts so many people with ideas who are constantly trying to share them with the public. Real art is illumination. It gives a man an idea he never had before or lights up ideas that were formless or only lurking in the shadows of his mind. It adds stature to life.
Big ideas don't make them selves known as big. They begin with the little, ridiculous ideas that most people would discard or reject. Every successful picture I've done has really been based on taking a very flimsy, fleeting little idea, grabbing hold of it, and taking it seriously.
There's a theory that nobody believes. That Robert Mueller is Mr. Honest and Mr. Integrity, has no preconceived notion and is really gonna look to find what happened in White House and whatever he finds is what he's gonna tell us. That's the thing that you would associate with Mr. Integrity, with Mr. Honesty, with Mr. Character, is the last thing anybody thinks is gonna happen.
Only ideas keep ideas flowing. When we close our minds to what is new, simply because we decide not to bother with it, we close our minds to our responsibility to ourselves - and to others - to keep on growing.
Most "original" ideas aren't completely original, but instead are the result of two basic methods for generating ideas: problems in search of solutions and solutions in search of problems.
I detach myself from preconceived outcomes and trust that all is well. Being myself allows the wholeness of my unique magnificience to draw me in those directions most beneficial to me and to all others. This is really the only thing I have to do. And within that framework, everything that is truly mine comes into my life effortlessly, in the most magical and unexpected ways imaginable, demonstrating every day the power and love of who I truly am.
The genuine rationalist does not think that he or anyone else is in possession of the truth; nor does he think that mere criticism as such helps us achieve new ideas. But he does think that, in the sphere of ideas, only critical discussion can help us sort the wheat from the chaff.
I see the emphasis on a lot of ideas and I know that's directed at me. [Megan Chance] come up with an idea, hone it, and write it. I come up with thirty ideas, flesh each one out, research each one, come up with characters, and then decide I don't like it.
Everyone wants a definition of creativity that makes what they do into something special and what everyone else does into nothing special. But the fact is, we're all creative. We come up with weird and interesting ideas all the time. The biggest difference between 'creators' isn't their imagination - it's how hard they work. Ideas are easy. Doing stuff is hard.
I always believed as a speechwriter that if you could persuade the president to commit himself to certain words, he would feel himself committed to the ideas that underlay those words. And the big shock to me has been that although the president said the words, he just did not absorb the ideas. And that is the root of, maybe, everything.
A set of ideas, a point of view, a frame of reference is in space only an intersection, the state of affairs at some given momentin the consciousness of one man or many men, but in time it has evolving form, virtually organic extension. In time ideas can be thought of as sprouting, growing, maturing, bringing forth seed and dying like plants.
The idea that no one really knew how to run a government led to the idea that we should arrange a system by which new ideas could be developed, tried out, and tossed out if necessary, with more new ideas brought in - a trial and error system.
When sharing your ideas, overconfidence is a killer. You don't want your male coworkers to think you're getting all uppity. Instead, downplay your ideas as just 'thinking out loud,' 'throwing something out there,' or sharing something 'dumb,' 'random,' or 'crazy.'
When it comes to making more money, most people look at the world and see the same opportunities they've seen before: typically, a job. Because they don't awaken their mind and expand their vision, they don't see other opportunities. Yet opportunities do exist. So how do you change your thinking so you can see them? One way to jolt the brain out of its preconceived category thinking is to bombard it with new experiences.
What I learned at LucasArts was, you don't make your bets on ideas: ideas are cheap. You make your bets on people.
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