When I had my first gig, I was 18 in January in 2007. My first gig that I got paid, I was playing for 10 people in a 250 people capacity venue. The promoter wanted to book me because he liked my music. I played a couple of songs that made people dance. To me, that rush has always stayed the same.
Most people should be talking about how Floyd Mayweather is a great undefeated future Hall of Famer that's his own promoter and that works extremely hard to get to where he's at. Instead, all you hear is hate and jealous remarks from critics who criticize me and, you know, most of the time, the people that criticize me can't do what I can do.
Every fighter has a different agenda. Every promoter has a different agenda for their fighter. Every manager has a different agenda. So things change all the time.
You don't hear a film director saying 'Money mustn't go out of the industry' to actors. You don't hear a concert promoter saying 'We must make sure that money doesn't go out of our industry' to Elton John. Some people in football seem to think, 'Never mind the players, let's get on with the game.'
We see the Jew, then, in business, as promoter, money-lender, salesman par excellence, the author and chief instigator of a system of credit by which a nation-wide usury rises like a Golem (a created monster) with a million hands on a million throats, to choke the honor and the freedom-of-movement of a hard-working people.
I used to do volunteer work in poor areas of Cairo, and people would gather their money together to get a satellite dish. You'd see them huddling around and for the first time seeing issues being debated on TV that had never been talked about before. And that is the biggest promoter of democracy you could possibly have.
In 1985, I went to work for MTM Records, Mary Tyler Moore's Nashville record label, and stayed three years. After that, I spent two years as an independent promoter, then worked for MCA Nashville Records, DreamWorks Nashville, and Universal Music Nashville.
For me, it's about the legacy, being the best fighter and a champion who takes all comers. I'm going to make more money outside the Octagon, after my career, than I make in it. But it's making it difficult for me to achieve my goals when I have unnecessary stumbling blocks like my promoter saying damaging comments about me.
I'm not a Hillary Clinton defender. I'm a Hillary Clinton promoter.
I've done everything. I've been ring crew, I've been driver for a blind promoter, I've been a valet, I've been a referee, I've been a ring announcer, I've been a corporate officer, play-by-play man, blah, blah, blah. No one has been on my journey.
My career is one of people involvement. I'm a promoter of the people, by the people, for the people. My magic lies, my people ties, this is what I want to do. I'm in it to win, I cant give in, I can't give up and I cant quit. Victory is mine. Working together works.
All over the world kids and women [are] getting killed right now over beliefs, this is silly to get angry over. If it bothers you just don’t attend I’m down for anything positive but this doesn’t affect our parties too much. I’m not the promoter, I actually had nothing to do with the rules being implemented, but I do agree with my team. And cause of who I am, I’m the de facto speaker. I have thick skin so u guys that consider yourself PLUR can attack me all you want it doesn’t bother me. I’m just here for the music.
When I first went to Georgia Championship Wrestling, the promoter at the time Jim Barnett brought in Robert Fuller, who later became Colonel Rob Parker in WCW, as the booker. Everybody has their own style and way of doing things, and I was just not impressed with Robert Fuller. As a booker. As a talent he was fine.
I just recently joined Twitter. It's very positive - I love all the accolades. If my ego is hurting, I can just open my Twitter account and see 'Oh, I love you! I love the show!' and it's great. I'm trying to find the balance between trying to be funny, being honest and just being a promoter as the guy on 'Royal Pains.'
An idea is like a play. It needs a good producer and a good promoter even if it is a masterpiece. Otherwise the play may never open; or it may open but, for a lack of an audience, close after a week. Similarly, an idea will not move from the fringes to the mainstream simply because it is good; it must be skillfully marketed before it will actually shift people's perceptions and behavior.
Originally a promoter came and asked if I fancied doing a few student gigs. I was a little nervous. I thought they wouldn't know who I was and, worse still, not care. The first gig was in Lincoln. It sold out. I had knickers thrown on stage and people were chanting my name. I can't remember having a reaction like that - even in '91.
My life has always been full of music..My father was a concert promoter when I was a kid so music has always been a part of my life growing up, furthering my desire to do music when I was old enough to create it on my own.
Money is always a motivating factor, but money has never been my driving force. In my first fight, I paid the promoter in order for me to fight. I was in the hole 300 bucks for that. Money has always been a byproduct of me doing something I love.
If the fighter doesn't want to fight, you're not gonna want him to fight. If the fighter doesn't want to fight, the promoter doesn't make him fight. And if he wants to retire, then it's time to walk away.
The word crap is actually another word that's very, very old. It was taken over from 17th century England by the pilgrim fathers and Americans were talking about things being crap in the 17th and 18th centuries. What Sir Thomas Crapper – complete coincidence – does is not invent the flushing toilet, as many, many people believe, but was a great promoter for it. He ran a business marketing other people's products and that's why his name was on them. When the American soldiers came over in the First World War, they all thought it was hilarious that it said 'crapper' on them.
I'm not much of a self-promoter or anything. It's not something I feel comfortable doing. But sometimes I would get frustrated, I'd think, "You know, this is a good book, how come no one is paying attention to it?" So it's nice to have some recognition. I don't write to put it in a drawer, I hope that people see it. But what am I willing to do for that? I struggle with that a little bit. I try to be accommodating, but I'm pretty much a loner. I'll say this, and it'll sound like bullshit, but it's not: I don't really pay attention to this stuff very much.
Night after night in the '50s, I traveled all over New York City. The promoter had 10 acts, and the winner each night would get five dollars; second place would get three dollars, and third place would get two dollars. He always put the best acts on last so the people wouldn't walk out, and the worst acts went on first. He always put me on first.
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