Top 1200 Acting Out Quotes & Sayings - Page 2

I'd had an early stint in acting school, and there was something satisfying about becoming a character, about being inside another mind that you had to create out of yourself. As I moved toward a life in writing, I found many of the things I'd learned in acting school still applied.

On so many levels, acting in film and TV is so much the sum of its parts, and somewhere in there, there's an alchemical thing that makes something happen or not - that makes something connect or not. Now, of course you want to make work that people see, but the enjoyment I get out of acting is playing characters.

Good acting is about reacting, not tryingto express something, but reacting to a situation as the character.I don't like acting acting.

I couldn't believe it! I mean, I'd always dreamed of acting on the screen - my previous background was all theater - but I wasn't sure if the opportunity would ever present itself. Not only was this acting for the screen, this was acting in 'The Hunger Games!' I knew that I had to give this audition my all.

Concurrently, while I was in school, while I was winning awards for acting, I was winning awards for singing, in high school. One of the reasons why I decided to continue on with the acting was the opera world is fraught with a very long process, and I did love the acting, as well. The acting took off sooner, and then you get involved with that.

I love acting with kids, cause they're great acting partners. They're totally present. Even when they're acting, they're still available and you can crack them up or something weird will happen and they'll go with it.

I went to NYU for acting, for six years. I thought acting was the easy way out or in because I didn't put in enough effort in school, being a crazy kid in college. But, I was good at it, so that was the other side of it. I would love to direct. What I've learned from being on set is more how to deal with actors than even the visual part of it all.

I started acting long before I decided to pursue it. I started acting as an amateur when I was a kid, but I wanted to become a diplomat. It was self-centered and weird, but I had this idea of going out in the world and solving conflicts and making the world a better place.

As everyone, you do end up becoming your mother, but also as you're acting, I find out you become every member of your family, bits come out without you really wanting them to come out.

The best advice my dad ever gave me is that acting is believing. Acting is not acting. It isn't putting on a face and dancing around in a mask. It's believing that you are that character and playing him as if it were a normal day in the life of that character.

People talk about the difference between radio acting, TV acting and stage acting, but I think it's all the same. For instance, when I played Vultan in 'Flash Gordon,' I put as much energy into it as I would with 'King Lear' - it's all part of the same thing.

This city can be kind of brutal, so you see your dreams from every different angle, but ultimately it's about acting and if you enjoy acting, you will always enjoy acting.

I went to theater school, and if I spent time with one school of thought in this whole acting game, it's the Meisner approach of improvise-based acting. This does not mean that you improvise your acting, but that you focus on the other person.

It's just the acting side of things. It's not like music, where you can go out there and be independent. It's a bit more difficult to get out there on your own and be an actor. It takes time.

Heading out to L.A., doing this acting thing. You can't rest on your laurels out there. You finish a film, you don't know how it's going to do. You're talking about that next job, usually.

If you look up the definition of stand-up comedy, it's funny on purpose. A little bit of pressure there. It's basically acting. You're telling stories and acting them out for people. The more you make it seem real, really a person doing it, then it seems to me the better it works.

In the book, I tell the story of seeing old movies when I was young and acting out scenes at home. Now I get scripts, and I act them out.

I took my first acting class at age 6 because I found out that's what Carol Burnett was doing - acting. Also she had an imaginary friend as a kid and went to UCLA, two things we have in common. I will always admire her and hope one day, I can make someone laugh a fraction as hard as she's made me bellyache.

The thing with acting is I'm at the liberty of someone who wants to book me. With music, I can do it all the time. With acting, I could, too, if I wanted to write a script and do that whole thing, but music is a constant thing. Acting, I have to audition.

There are very few joys in life greater than spontaneity. Spontaneity means to be in the moment; it means acting out of your awareness, not acting according to your old conditionings.

Israel is much more effective when the Israelis are convinced that we are on the moral high ground: that we are acting not just out of might, but also out of right.

Voicing acting is usually fun. I'm very curious about that world. I'm a fan of documentaries, as well, and the voice kind of makes it right. Mostly for me, though, it's all about the acting -you don't have to get hair and makeup and the whole bit. You just can have fun with the acting.

Your acting will not be good until it is only yours. That's true of music, acting, anything creative. You work until finally nobody is acting like you.

All of modern acting comes from Stanislavski, who was the Russian partner to Chekhov. When Chekhov was writing his plays, Stanislavski was running his theater. And Stanislavski really was the first inventor of modern acting and then everything that came out of the method and Stella Adler and the great teachers really came out of him.

I find any sort of acting that doesn't have any humor in it is mind-numbingly boring. 'Serious acting' is the kind of acting that I don't ever respond to.

My family was very supportive of my acting. They didn't really have a choice because I got jobs acting before anyone could really say anything. It paid my way through college and helped my family out.

It's fine to have talent, but talent is the last of it. In an acting career, as in an acting performance, you've got to have vitality. The secret of successful acting is identical with a woman's beauty secret: joy in living.

I definitely devote so much more time to acting, but since it only takes a day or two to shoot and get pictures out - whereas for acting, you do an audition, or loads, and you might not get any of them - so I did the modeling stuff because, obviously, if I have the opportunity, I'm going to take it.

I read all the books on Fairfax in the British Library, did a lot of horse riding and studied military tactics of the time, finding out that he actually laid his rose garden out in strategic formations! But Method acting is a label I don't really understand, because there's a method to everybody's acting. In terms of jumping into a character's skin, I try to immerse myself in the role as much as possible to bring me closer to them. All I do is what's required to achieve what I want to achieve.

I feel very lucky that when I'm burnt out of acting, I take to the pen, and I write something I want to direct. And then, when I'm tired of taking on too much responsibility as a director, I then look for an acting gig. And I've made it very clear that I'm interested in voiceover work. I mean, I'm always looking for voiceover gigs. I love that.

If I didn't have Chip Gaines in my life, I'd still be dreaming in my head - but not acting out on any of that, not living it out.

Acting has helped me understand people, not only because you are acting as a character, but also because you are watching other actors work. That really helps you identify in life when someone is acting, not being true.

British actors come at acting from a slightly different angle. Because a lot of the films are cast out there, they are so used to the angle from which the Americans, and certainly the young guys from LA, are coming at it, that I think it's interesting for them to find these English actors who maybe approach acting from a different place.

In fact you can begin to discover and investigate whether you are an actor or not, whether you're in my view, qualified for a life in this profession or in this endeavor by checking yourself out and acting every day, getting plays and scripts and getting together with people and divvying up the parts and acting in one way or another, or writing things.

Acting is not about competing. Acting is about cooperating. Acting is about collaboration. It's about your utility, your usefulness, your capacity to add to the work that has already been done and will be done. You're just part of a team. I never feel competitive about acting.

Nothing affects my acting. Acting is something I do with my soul so it embodies a lot of things. For me, I don't know about anyone else, acting is spiritual, so if I do not embody a character or a story or a script, it's going to be extremely difficult for me to be convincing and I don't like that because I am somewhat of a perfectionist

British actors come at acting from a slightly different angle. Because a lot of the films are cast out there, they are so used to the angle from which the Americans, and certainly the young guys from L.A., are coming at it, that I think it's interesting for them to find these English actors who maybe approach acting from a different place.

I wasn't really driven to be an actor or anything, but in college I decided to study acting, much to my parents' disappointment. I attended Mason Gross School of the Arts at Rutgers where Bill Esper was, and that is where I really got hooked on the art of acting, and, almost, the chemistry of acting.

There was no one moment when I decided I would spend my life acting. I am not certain that I will. Acting has never been a consistent passion. I have done it since I was young - so I have been acting for 30 years - but intermittently. I always had other jobs, joys, and creative outlets.

At this point, I've really failed at a lot of things. It's nice to be able to say that, in a way. I've failed at music. I've failed at dance. And acting - there have been times when I went out and read lines to audition for acting parts. I believe that if anybody wrangled together those audition tapes, it would be pretty hysterically funny.

I loved sports, so acting died and it was all sport. But I always used to get in trouble, because after lights out I would sneak out to watch things on TV.

Perhaps we could push beyond these legalistic gender roles if we spent less time worrying about “acting like men” and “acting like women,” and more time acting like Jesus.

I think there's such a thing as a performance gene. If it's in your DNA it needs to come out. For me, it originally came out through music, then segued into acting and came out through there. I always needed to get up and perform.

I've learnt that there's acting for film, acting for theatre, and acting for an audition.

I've been spending quite a bit of time writing, acting, and making films. Because I'm doing all this extra writing, acting, and creating short comedy skits with my friends in improv shows, I feel like that's really filled out my confidence on the mic.

It's all about hustling, whether it's in Boston or the film industry. I've been hustling my entire life - acting my way into trouble and acting my way back out again. I'm just fortunate to have had the opportunity to apply it in a different direction.

My mom was very worried when I was starting off my career in the film industry. She never told me to not take up acting, but she would always tell me to have a backup plan so that if nothing works out in the acting career, then I can switch.

It's really up to the acting community to be willing to be educated about what performance capture is in order to fully appreciate it as acting. It's not a type of acting, but rather the use of technology to harness an actor's performance and translate it into an ape, another animal, or an avatar of some kind.

For me, the real goal is to integrate. The thing that I'm most happy with is the fact that I've been able to keep doing all of it - to keep writing, and to keep acting in movies, and to keep acting on the stage, to keep directing plays. I find that they feed each other, and that I learn about acting from directing and I learn about writing from acting.

We [musicians] are comfortable in front of the camera doing music videos, and it's almost a form of acting when we're doing music videos. We're acting out our own thoughts and what we've written down on paper.

Either in or out of time, the decision of a personal agency to commit an action happens antecedent to the action itself. Even if the deciding and the acting happened simultaneously, it would still not be true that the acting was antecedent to the deciding. Imagine God saying, "Oh, look! I just created a universe. Now I'd better decide to do it.

Some people have therapy, some people are alcoholics or they're in AA. Some people jump out of planes on weekends or find ways to release this kind of thing. And for me, it's acting. I find acting very therapeutic for whatever it is.

I see writing and acting as different parts of the same continuum. Writing is better for intense emotion. If you're very angry about something, you shouldn't present it as strongly when you're acting. But if you're really angry and writing about it, that's the best way to get it out and across.

The thing about acting that's unlike any other art form is that it's collaborative; directing and acting are a collaboration, and your acting won't succeed if the lighting design doesn't succeed or sets don't succeed.

With acting, you wanna see if you can get into trouble without knowing how you're gonna get out of it. It's like the exact opposite of war, where you need an exit strategy. When you're acting, you should get all the way into trouble with no exit strategy, and have the cameras rolling.

Acting, for me, was kind of a way of survival, honestly. I'm the baby boy out of four different sisters, and I grew up in a house with so many different personalities that acting was the only way to not go to therapy.

What I've discovered is, really, acting is acting is acting. It's all the same. Seventy-five percent of the skills are the same in both media.

We learned out craft. Acting is a craft and you must learn it. I see a lot of talent today in the kids but they don't know how to work. They don't know the craft of acting and you can only get that on the stage in theater. You cannot learn how to act in movies or in television.

I love acting. Modeling is fun, too, but I feel like there is more room to stretch yourself and open yourself up to new experiences with acting. That's why I got into acting in the first place.

When I'm acting, that's all I'm doing. When I'm not acting, I'm not thinking about acting. If I'm writing, I'm just writing.