I find that there's so much funny stuff in real life, and I am much more interested in super grounded, real stuff, so now I just want things to feel real and authentic.
I'm writing about real things. Real people. Real characters. You have to believe what I write about is true or you wouldn't pay any attention at all.
Teens wanted things that were real, that they connected with, it doesn't have to reflect reality directly. They love 'The Hunger Games' not because it's real in that it happens, but the emotions there are real, and it's very relatable.
I think references, where they fit organically, are great. It's great to do a show that's real and relatable, and so much of what is real, is using real things and instances that are specific. Specificity is the best tool you can have, as a writer.
As people who make things, we have the ability to think of the most vile, awful things we can imagine, but it doesn't mean we believe those things. I allow myself to go places in my videos that I would never go in my real life.And I think that there has to be that place where you can create and not have to be living it in real life.
Imagining may be the first step in making it happen, but it takes the real time and real efforts of real people to learn things, make things, turn thoughts into deeds or visions into inventions.
If you're treated a certain way you become a certain kind of person. If certain things are described to you as being real they're real for you whether they're real or not.
It is easier to compare concrete things in a fictional story with concrete things in real life than it is to compare abstractions with concrete things in real life (though both are honorable and necessary things to do).
And all the while, I suppose," he thought, "real people were living somewhere, and real things happening to them.
I'm real strong, and I'm also real feminine, and I don't find a struggle having those two things under one roof.
At the end of the day, we are real people going through real things.
Real charity and real ability never to condemn-the one real virtue-is so often the result of a waking experience that gives a glimpse of what lies beneath things.
I definitely feel that we cannot do the fantastic things based on the real, unless we first know the real.
Well, I think in trying to make life seem real enough that one is moved to do something about the more atrocious things. By going really far afield into a completely fake world, maybe there's a chance to make things resonant somehow - or in this case, truly terrifying. To make it as bad as the real stuff that's happening.
I think right about now we have to beware of marketed Malcolms and Martins. Real people do real things.
The real meaning of things lies deep down and the real meaning of things is always beautiful because it is simply love.
I mean, I find things that happened in real life to be the funniest - things that you observe instead of crazy abstract things, you know.
The real heroes anyway aren't the people doing things; the real heroes are the people NOTICING things, paying attention.
I make a distinction between true and real. I think that the story is true, it’s just not real. That’s what a parable is. It takes things that we all know are real, and it takes life events that actually happens, and it weaves them into a fiction that allows truth to actually be embedded.
I always look at films as real stories with real people in real situations. That's why I struggle with the whole notion of calling someone the 'good guy' or the 'bad guy,' because I think we all have potential to do good things and all have the potential to do bad things.
You tour and you work hard and you take care of your fans and very real things lead to other real things. There's never been some fantastic fluke or break in my career, it has all been very slow and steady.
Growing up as a comedian the most influential person on me was Jon Stewart. He showed that comedy could have a real tangible effect on the world. He showed that comedy could move the needle of society and that a comic can do real things and make a real contribution.
I try to watch only real things, which basically amounts to C-Span for me. I like real people in real situations. I learn from that.
No good book has ever been written that has in it symbols arrived at beforehand and stuck in. ... I tried to make a real old man, a real boy, a real sea and a real fish and real sharks. But if I made them good and true enough they would mean many things
The ten thousand states of mind are hallucinatory. Hallucinations are real. Dreams are real. But there are some things more real.
For me, film-making is combining images and sounds of real things in an order that makes them effective. What I disapprove of is photographing things that are not real. Sets and actors are not real.
'Heel Turn 2' is about a person who's in a match, and he's playing as though the match were real. But it is real! If you're standing in the middle of a ring, and you're playing the villain, and everyone is booing and throwing things at you, that's real.
Entrepreneurs go through real problems and come up with real solutions. It's not fake. You can do all the right things and still lose. You can do all the wrong things and still will.
I was a real serious kid, real intense, and there were a lot of things that I was doing by myself I took seriously, like organizing little pieces of paper, cutting out things from magazines, and filing them away.
I felt like the last record was a real step forward for us. I was very pleased to see some people saying the same things - that it was a real departure, that it was much more individual, that it sort of a power of its own. I really did feel those things very strongly, it's our most realized record.
I'm basically a pretty shy person and I don't dance or get into fights. But there are all these things inside me that get out when I perform. It's like a real world when I play, here I can do all the things that I can't do in real life.
It's funny, when things go on the internet now and people say 'that's not real,' well, that's what painting's always done - it's taken things from the world and said, Look how much more real this is now.
My own personal aesthetic is all to do with real actors and real locations and a kind of almost hyper reality and actuality to things. But the digital world, I explore that through other mediums, with music videos and commercials. Even 'The Road' was a real learning curve for me with digital effects.
Harry Potter isn’t real? Oh no! Wait, wait, what do you mean by real? Is this video blog real? Am I real if you can see me and hear me, but only through the internet? Are you real if I can read your comment but I don’t know who you are or what your name is or where you’re from or what you look like or how old you are? I know all of those things about Harry Potter. Maybe Harry Potter’s real and you’re not.
A lot of people question how talented I am. But I'm a real dude and I know real things and I've seen real people get their head blown off.
I love shooting with real things in the real world. I think it gives a level of drama, performance, and everything seems to rise to the occasion.
I've been talking a lot about how music chooses you because you can pinpoint when you had the epiphany that, 'Wow, I really want to do this.' But there's no real rhyme or reason about choosing to be in this industry. It's one of those things where there is no real guarantee; there is no real rulebook to follow.
Everything we call real is made of things that cannot be regarded as real.
Twitter fascinates me because it's real. It feels kind of unreal, but it makes very real things happen.
I am interested in people who swim in the deep end. I want to have conversations about real things with people who have experienced real things. I'm tired of talking about movies and gossiping about friends. Life is crunchy and complicated and all the more delicious.
The real heroes anyway aren't the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didn't actually invent anything. He just noticed that people with cowpox didn't get smallpox.
One of the great things about cartoons is that they're not real - you're not watching real people and it engages your imagination. One of the cornerstones of America is that we are creative thinkers. We're innovators.
Nothing is less real than realism. Details are confusing. It is only by selection, by elimination, by emphasis, that we get at the real meaning of things.
My life is good because I am not passive about it. I invest in what is real. Like real people, to do real things, for the real me.
I like to write about real people, real crimes. But what has increasingly come to interest me, and also appear to me as a challenge, is the idea of doing strange things with what is real. Take what is real and make it more or less real.
There are some things that are real, that you can see, that you can observe, like the moon, and grass and things. But for ideas to become real, they have to be played on your senses.
Real life's nasty. It's cruel. It doesn't care about heroes and happy endings and the way things should be. In real life, bad things happen. People die. Fights are lost. Evil often wins.
Real people do real things. A collective of a whole bunch of people who do things in their own locale, in their own neighborhoods - the sum is bigger than the parts, and the parts will grow.
On climbs, there is a general way we manage fear. We look at things objectively, separating out perceived risk from real risk. You can really bring down the level of fear by knowing the real risks and setting aside the others. You also know that panicking just makes things worse.
I always look at films as real stories with real people in real situations. That's why I struggle with the whole notion of calling someone the 'good guy' or the 'bad guy', because I think we all have potential to do good things and all have the potential to do bad things.
'SuperBetter' is fundamentally about a mind shift. It's about claiming your power to be in charge of how you spend your time and energy, and focusing it on the things that matter the most to you. Focusing on things that will bring real happiness, real well-being.
The function of the actor is to make the audience imagine for the moment that real things are happening to real people.
The moment when a limit is reached, when there is nothing ahead but darkness: something comes in to help that is not real. Another way all this is like madness: a mad person not helped out of his trouble by anything real begins to trust what is not real because it helps him and he needs it because real things continue not to help him.
The truth is that we have to, as American citizens, stop thinking that this life that we're living, the things that we're dealing with, is some reality TV show. This is real life, real children, real situations.
I'm someone who loves to enjoy life and tries to focus on real things and real friendships. That's why I live very simply.
I'm continuously playing this game of what's real and what's not real, and having to balance and judge and realize that there are things that carry real weight in the world and actually have power in them. And there are things that are just pointless, and you don't have to pay attention to those things.
On the other side, is a substantial, more materialism, everything is real long to the extent we can see or measure it, and things are as real as I think they. That's way too materialistic or substantialist, because things are not really what they seem to be.
What is real is not the external form, but the essence of things... it is impossible for anyone to express anything essentially real by imitating its exterior surface.
With some CGI, I think the brain slightly perceives that things aren't real. There's no gravity, the light's not quite real, the shadows aren't quite real.
Ah, but is it not the mind that is the real grace of Homo sapiens? All the things to think about! All the things to read and appreciate! All the arts! All the things of the spirit!
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