Top 286 Brooks Quotes & Sayings - Page 5

I feel like I am campaigning door to door. You just can't step out of a band like Brooks & Dunn and assume that it is just going to be business as usual. You have to work it. It does feel like a campaign where you would have Obama, Romney, or Newt beating the bushes right now. That's what I'm having to do.

Candleford Green was but a small village and there were fields and meadows and woods all around it. As soon as Laura crossed the doorstep, she could see some of these. But mere seeing from a distance did not satisfy her; she longed to go alone far into the fields and hear the birds singing, the brooks tinkling, and the wind rustling through the corn, as she had when a child. To smell things and touch things, warm earth and flowers and grasses, and to stand and gaze where no one could see her, drinking it all in.

I'm actually reading 'World War Z' again! It's incredibly realistic and it's written as an oral history through interviews with different characters. Max Brooks wrote this book in so many different voices. There are about forty or so. It's incredible. When I finish 'World War Z' I'm going to go back and start again on the 'Game of Thrones' series.

The Holy Night We sate among the stalls at Bethlehem; The dumb kine from their fodder turning them, Softened their horned faces To almost human gazes Toward the newly Born: The simple shepherds from the star-lit brooks Brought visionary looks, As yet in their astonied hearing rung The strange sweet angel-tongue: The magi of the East, in sandals worn, Knelt reverent, sweeping round, With long pale beards, their gifts upon the ground, The incense, myrrh, and gold These baby hands were impotent to hold: So let all earthlies and celestials wait Upon thy royal state. Sleep, sleep, my kingly One!

The country through which we had been travelling for days has an original beauty. Wide plains were diversified by stretches of hilly country with low passes. We often had to wade through swift running ice-cold brooks. It has long since we had seen a glacier, but as we were approaching the tasam at Barka, a chain of glaciers gleaming in the sunshine came into view. The landscape was dominated by the 25,000-foot peak of Gurla Mandhata; less striking, but far more famous, was the sacred Mount Kailash, 3,000 feet lower, which stands in majestic isolation apart from the Himalayan range.

Name me no names for my disease, With uninforming breath; I tell you I am none of these, But homesick unto death —Homesick for hills that I had known, For brooks that I had crossed, Before I met this flesh and bone And followed and was lost… .And though they break my heart at last, Yet name no name of ills. Say only, “Here is where he passed, Seeking again those hills.

Some day there may be... machinery that needs but to be wound up and sent roaming o'er hill and dale, through fields and meadows, by babbling brooks and shady woods - in short, a machine that will discriminately select its subject and, by means of a skillful arrangement of springs and screws, compose its motif, expose the plate, develop, print, and even mount and frame the result of its excursion, so that there will be nothing for us to do but to send it to the Royal Photographic Society's exhibition and gratefully to receive the 'Royal Medal'.

My parents took me to that I think is just one of those near-perfect comedies is Young Frankenstein. Gene Wilder and Mel Brooks, they're at the height of their game. The two of them working together was amazing. Yeah, just a terrific story. You get emotionally involved. Jokes all the time, jokes that come from story. Like, they don't have to go wildly out of their way to make the jokes. It's a parody of Frankenstein movies, but also it stands as one of the great ones, one of the great Frankenstein movies.

Woody Allen stayed so good because he never left New York. Howard Stern stayed so good because he never left New York - Mel Brooks when he just got out of New York was doing 'Blazing Saddles;' when he left New York he started doing stuff like 'Robin Hood Men In Tights' - he was in L.A. too long. He lost the edge.

Imagine if all of life were determined by majority rule. Every meal would be a pizza. Every pair of pants, even those in a Brooks Brothers suit, would be stone-washed denim. Celebrity diet and exercise books would be the only thing on the shelves at the library. And - since women are a majority of the population - we'd all be married to Mel Gibson.

I went in for an audition [for As Good As It Gets], but the audition was with James L. Brooks. I was the first girl in that morning, and there was a whole waiting room of girls waiting to read for it. So I did my audition, and he asked me to step outside. So I stepped outside, and when he asked me to come back in, he looked at me, and he said, "Well, I'm very excited to work with you on set." And I was, like, "What?" I thought it was a Hollywood blow-off.

I was drawn to love songs, but I was just drawn to great music - no matter if it's hip-hop, pop, R&B or whether it's rock n' roll or country. It could be a Garth Brooks song, and if it's a smash, then I'll love the different wordplay and different melodies. That's what I'm a fan of - great music.

My agent came to me with a deal from another publisher and I signed a deal and got the advance with no idea of what I was going to do. I probably procrastinated for almost a year, but we had meetings and I was basically going to spoof "Take Ivy," but then it kind of turned into something else. I wanted it to be a book of all the things that made me who I am, like Brooks Brothers, Hot Wheels, "The Andy Griffith Show" and G.I. Joes. I couldn't sit still and do it, so my agent had to come to my house and force me to do it.

I met the pianist Barry Harris when I was about fifteen. He would show me changes, which I had no idea existed. I knew about scales, but I didn't think about chords. I was fortunate in that he lived right around the corner so I'd be at his house almost every day and he showed me about playing melodies over chords. After about three years, I could play some gigs. I worked with drummer Roy Brooks and other guys my age at that time, like trumpeter Lonnie Hillyer. Some of the older guys were Paul Chambers, Doug Watkins and Louis Hayes

Brooks too wide for our leaping, hedges far to high. Loads too heavy for our moving, burdens too cumbersome for us to bear. Distances far beyond our journeying. The horse gave us mastery.

Every child should have mud pies, grasshoppers, water bugs, tadpoles, frogs, mud turtles, elderberries, wild strawberries, acorns, chestnuts, trees to climb. Brooks to wade, water lilies, woodchucks, bats, bees, butterflies, various animals to pet, hayfields, pine-cones, rocks to roll, sand, snakes, huckleberries and hornets; and any child who has been deprived of these has been deprived of the best part of education.

Spring is beautiful everywhere, but it is more than beautiful in Lebanon. Spring is the spirit of an unknown God speeding through the world, which, as it reaches Lebanon, pauses, because now it is as at home with the souls of the Prophets and Kings hovering over the land, chanting with the brooks of Judea, the eternal Psalms of Solomon, renewing with the Cedars of Lebanon memories of an ancient glory.

I started rocking and rolling when Guns N' Roses came out. It wasn't until Garth Brooks came around that I really got back to country. He made it fun again. To me, in country music, the rigor mortis was setting in and it just wasn't fun anymore. Garth brought everyone back over to country and made it cool again.

And James L. Brooks then sort of became our mentor, brought us out to Los Angeles and worked on the script for a year with us. We learned so much working with him - just being able to spend time with him, the quality of his mind, the things he comes up with and says. I think Wes [Anderson] and I could go to dinner tonight and spend the whole dinner thinking and talking about things that Jim has said to us over the years.

I was reading Emily Dickinson and Edwin Arlington Robinson, but these weren't the poets that influenced me. I think Gwendolyn Brooks influenced me because she wrote about Chicago, and she wrote about poor people. And she influenced me in my life by giving me a blurb. I would see her in action, and she listened to every single person. She didn't say, "Oh, I'm tired. I gotta go." She was there, and present, with every single person. She's one of the great teachers.

When people, especially from France, would ask me to talk about or so they could write about New York Jewish humor, I'd say I don't know anything about New York Jewish humor. I know who Zero Mostel was and I know Mel Brooks, but that's about all I could tell you about New York Jewish humor.

I didn't tell anybody [had got a role at As Good As It Gets], because I was just going, "Well, that was the strangest audition..." And I just thought, "There's no way he gave me the job on the spot when there was a room full of other girls waiting to audition for it." But then I didn't hear anything for a couple of days, so I finally called my agents, and they're, like, "Oh, yeah, congratulations! We know Jim [L.Brooks] told you in the room that you got it."

Mel Brooks came to see Oh, Hello in L.A. Mulaney and I had a meeting with him, and we invited him to come to the show, and he saw the Oh, Hello show live in L.A. To me, he's the most famous person. Having him come to our show that was so inspired by both of us loving The Producers and all his movies.

The best thing is to go from nature's God dawn to nature; and if you once get to nature's God, and believe Him, and love Him, it is surprising how easy it is to hear music in the waves, and songs in the wild whisperings of the winds; to see God everywhere in the stones, in the rocks, in the rippling brooks, and hear Him everywhere, in the lowing of cattle, in the rolling of thunder, and in the fury of tempests. Get Christ first, put Him in the right place, and you will find Him to be the wisdom of God in your own experience.

Scott Brooks you mean the world to me. I love you. You as a man, I never met anybody like you. So selfless. You don't take the credit for nothing, Even though you deserve all of it. I love you and your family for always taking me in, Believing in me, Texting me late at night when I was going crazy. Thank you. Thank you.

Occasionally I do movies with other directors. I did 'The Diving Bell and the Butterfly' for Julian Schnabel. I did a movie with Jim Brooks ('How Do You Know'). I did a movie with Judd Apatow ('Funny People'). So I do get a chance to work with other people, which is always enjoyable, always pleasant. But still, Steven [Spielberg] makes the types of movies that I'm interested in as well.

Outside the Weirwall, Jack could hear the thud of bodies colliding and the cries of the wounded. It seemed like a lot of noise. Even given the fact that Ellen was involved. "Why'd she go out there?" Jack demanded. "Why didn't you stop her?" Brooks spat on the ground. "Have you ever tried to stop Captain Stephenson from anythin'?

A library is but the soul's burial ground; it is the land of shadows. Yet one is impressed with the thought, the labor, and the struggle, represented in this vast catacomb of books. Who could dream, by the placid waters that issue from the level mouths of brooks into the lake, all the plunges, the whirls, the divisions, and foaming rushes that had brought them down to the tranquil exit? And who can guess through what channels of disturbance, and experiences of sorrow, the heart passed that has emptied into this Dead Sea of books?

Stairway to Wisdom”) David Brooks detailed the needed ingredients to gaining a deep understanding of a social problem, beginning with the data and moving on to first-hand accounts. The highest rung on his stairway, though, went beyond those: “Empathy opens you up to absorb the good and the bad. Love impels you not just to observe but to seek union—to think as another thinks and feel as another feels.

My mother, twenty-two, was Harriet Gautier Brooks, named for her paternal grandmother, but always called Hallie. My father, twenty-six, was Albert Horton Foote, named for his father and great-grandfather, and I was named Albert Horton Foote, Jr.

I remember reading Dave Barry for the first time and being like oh my God I can't believe you can do this. Watching Mel Brooks and Monty Python and SNL and all that stuff really informed me as a writer and then at high school I started a satire magazine and the college like The Lampoon really introduced me to like you know a lot of very like-minded people who really wanted to like comedy was the center of their lives.

I was freaking out when Brooks & Dunn were breaking up. I thought 'We play a ton of rodeos, and I thought this was such a cowboy deal, and I don't wear a hat. They might not think I'm a cowboy. That might sound ridiculous to a lot of people, but apparently, it meant something to me. I wound up with a cowboy tattoo from my elbow to my wrist.

Writing recently in the New York Times, David Brooks noted correctly if belatedly that conservatives disdain for liberal intellectuals had slipped into disdain for the educated class as a whole, and worried that the Republican Party was alienating educated voters. I couldn't care less about the future of the Republican Party, but I do care about the quality of political thinking and judgment in the country as a whole.

I think when people think of music from coming from Oklahoma, they think of Toby Keith or even Garth Brooks or even Woody Guthrie. People think, "Why do we have to just be about the Bible and about football? Why can't we be about something like the Flaming Lips?" And I salute them! I say, "Well, that's great if you want that."

James L.Brooks is just a very original person. So that was definitely the luckiest, most important thing that happened to me [meeting him]. Then I guess also meeting Ben Stiller. He cast me in the only thing I think I ever auditioned for and got: Cable Guy [1996]. And that led to us becoming friends.

Back in middle school, Catherine and I had gone through this stage where all we would read were fantasy books. We'd consume them like M&M's, by the fistful, J.R.R. Tolkien and Terry Brooks and Susan Cooper and Lloyd Alexander. Susan Boone looked, to me, like the queen of the elves (there's almost always an elf queen in fantasy books). I mean, she was shorter than me and had on a strange lineny outfit in pale blues and greens.

If I am to be a thoroughfare, I prefer that it be of the mountain brooks, the Parnassian streams, and not the town sewers. There is inspiration, that gossip which comes to the ear of the attentive mind from the courts of heaven. There is the profane and stale revelation of the barroom and the police court. The same ear is fitted to receive both communications. Only the character of the hearer determines to which it shall be open, and to which closed.

Because of my comedic-influence growing up, Mel Brooks, Jim Carrey, Steve Martin… A lot of Jeff comedic-influences included Charlie Chaplin and physical comedians of the silent-era. What we were able to do together is to show all these major influences but make it into our own comedy. We've seen the stereotypical boy-meets-girl story a hundred thousand times…

Well that's what Andy wore to bed. You know, the oxford button-down Brooks Brothers shirt that he's been wearing all day and his big long socks. He'd just take off his jeans and his boots and go to bed. Then he'd change into a fresh ensemble after he had breakfast the next morning.

While I was writing the book, I went to see Louise Brooks's most famous film, Pandora's Box, at the Tivoli in Kansas City, and it was a lovely experience. You can watch old silent films on DVD or even on YouTube, but it was a different feeling watching her up on the big screen, seeing the film the way people saw it all those years ago.

I wondered what my father had looked like that day, how he had felt, marrying the lively and beautiful girl who was my mother. I wondered what his life was like now. Did he ever think of us? I wanted to hate him, but I couldn't; I didn't know him well enough. Instead, I wondered about him occasionally, with a confused kind of longing. There was a place inside me carved out for him; I didn't want it to be there, but it was. Once, at the hardware store, Brooks had shown me how to use a drill. I'd made a tiny hole that went deep. The place for my father was like that.

And Mel [Brooks] - you have to understand this important point - he had done "The Producers" for $50,000 over two years, and he didn't make a penny from it. And then he did "The Twelve Chairs" - $50,000 for two more years and didn't make a penny from it. That's four years of work. And then they offered him quite a bit of money to direct "Young Frankenstein," and he took it.

I can write anywhere really. I have a hard time writing when the birds are tweeting and the brooks are running outside. I've tried that several times, for months at a time, trying to write in a quiet, wonderful place where birds are twittering and coffee's brewing. And nothing happens. But if I'm in an old dump like my old apartment and I can't find my fingernail clippers and nothing's working except the old tea maker, that's just great. You always have to find and live in a place that's a little uncomfortable when you're a writer. You need a burr in your side.

What of miniature boats constructed of birch bark and fallen leaves, launched onto cold water clear as air? How many fleets were pushed out toward the middles of ponds or sent down autumn brooks, holding treasures of acorns, or black feathers, or a puzzled mantis? Let those grassy crafts be listed alongside the iron hulls that cleave the sea, for they are all improvisations built from the daydreams of men, and all will perish, whether from the ocean siege or October breeze.

With Mel [Brooks], only one time and that was later on during "Young Frankenstein" - never with Zero [Mostel] and never with Mel except I was writing every day, and then Mel would come to the house and read what I'd written. And then he'd say, yeah, yeah, yeah, OK, yeah, OK. But we need a villain or we need whatever it was.

The audience. They see the name Mel Brooks, they want something really funny. They don't want to be moved; they don't want to be taught any lessons. [...] I get more letters for ?Twelve Chairs ?and ?Life Stinks? than I get from any other movies, because people actually agree with the philosophy, or were moved, or they love the movie.