Top 1200 Hear Music Quotes & Sayings - Page 2

When music is crashing around us, when you hear the same five songs on the radio that aren't really saying much, we can always go back to great music. Great music always lives on.

Music lovers always want to hear the best. It's about freedom of choice, we supply the music.

The music I turn out these days is the kind of music I want to hear myself.

The music does a lot for me. I'm one of those types of artists who the music really inspires my delivery, my cadence, and what I hear.

I must absorb everything while I'm still singing and step onto the stages of my many homes, and look out at the familiar surroundings, at the people who have come to hear me, to hear music.

I listened to the rock music of that time, but as you know and can easily hear: my music of that era had nothing to do with the common music of this era. I was experimenting, I was searching for something new.

I know when somebodys heard my music. I can hear it in their music.

... the hardest studio music to play is Tom & Jerry - cartoons. The music makes absolutely no sense, as music. You can't get into hearing it. There's nothing to hear-'bleep!, blop! scratch!' and it comes fast; everything's first take. That'll change the way you look at life.

What happens when I'm making a new album is I try not to listen to music that's coming out at the time. I turn off the radio and don't read any music blogs, because I tend to get really distracted by new music. When I hear it, I think, "Should I be doing that?"

When I hear music as a fan, I see fields. I see landscapes. I close my eyes and see an entire universe that that music and the voice, or the narrative, create. A music video-and any other kind of visual reference-is created by someone else.

It's too easy now to find music, and it's therefore too easy to dismiss music, particularly music that doesn't hit you the first time you hear it.

It's funny, the power of music. I was watching 'Dracula,' the 1931 version with Bela Lugosi, and the only music you hear is at the very beginning of the credits. There's not one other piece of music; it's all silent. It's unbelievable, and it's very effective, too.

I love Cher Lloyd's music. I didn't actually hear her music as I was creating my own, but it's cool that we have styles that are considered to be similar.

If some of those people who wanted to ban Beethoven's music could hear the music that's being played today, wow, what would they do, man?

It doesn't affect me because I look at the internet as the new radio. I look at the radio as gone. [...] Piracy is the new radio. That's how music gets around. [...] That's the radio. If you really want to hear it, let's make it available, let them hear it, let them hear the 95 percent of it.

I'd rather call it "instrumental creative music," especially the music that I've been doing. If a person would hear that music, they would undoubtedly call it "jazz." There is this whole generation of musicians that are playing and thinking critically for themselves and making music that's relevant to today. I hope that's the objective of a lot of musicians.

I always see colors when I listen to music. It's difficult to explain, but when I hear the music I think about gold, blood rushing.

You will hear ambient in our music. You will hear trip-hop.

I can't listen to so much music at the same time. I think you really have to have a diet. You're just processing too much, there's no place to put it. If you go a long time without hearing music, then you hear music that nobody else hears.

I want to hear as much music as I possibly can before I leave this mortal coil but it's impossible to hear it all because there's so much of it.

I know when somebody's heard my music. I can hear it in their music.

You hear as many things as you would imagine. I hear voices of people I loved once. I hear moments that took place. I hear silences.

If I am a fan of my own music, which I am, I want to hear the best Madchild I can hear. What am I missing? I sort of had a good talk with some close friends of mine that I really respect and look up to in music as well and we all just came to the conclusion, just some more storytelling songs of things I have gone through.

A lot of people ask me where music is going today. I think it's going in short phrases. If you listen, anybody with an ear can hear that. Music is always changing. It changes because of the times and the technology that's available, the material that things are made of, like plastic cars instead of steel. So when you hear an accident today it sounds different, not all the metal colliding like it was in the forties and fifties. Musicians pick up sounds and incorporate that into their playing, so the music that they make will be different.

And you should hear the music. Incredible, amazing music, like nothing you've ever heard, music that almost takes your head off, you know? That makes you want to scream and jump up and down and break stuff and cry.

As the voices beneath the music are talking, you find that the music is just as important as what they're saying. The traditional thing is to lower the music so you can hear the dialogue. We just couldn't do that for that song.

At night in the country, you'd be surprised how that music carries. You could hear my guitar way before you get to the house, and you could hear the peoples hollerin' and screamin'.

The point of making records for me isn't to hear 300 songs in 50 minutes; it's to hear the 50-minute piece of music.

I'm a music storyteller and collaborator. I hear character, location, and story as music. For me a score is there to both heighten the story and to actually tell the story with the unique emotional and narrative powers of music.

You seldom listen to me, and when you do you don't hear, and when you do hear you hear wrong, and even when you hear right you change it so fast that it's never the same.

There was this rapper from New Orleans, Mystikal, who when I hear his music, I hear myself. Whenever I wanna get hyped, I put on Mystikal.

When I hear music, I come alive. I feel electrified. I just get into the music and I start moving.

When you first hear Mozart's music, your first impression is that it's very alive, but if you peel away the layers, you can hear sorrow and sadness behind it, and that's what I try to be: multi-layered.

One of the nice things about licensing music to movies or advertisements is you can reach a lot of people who normally wouldn't hear music.

My music is not Christian - Lecrae is. And you hear evidence of my faith in my music.

People never heard bells in Western music sounding really cataclysmic. You hear that more in Russian music or in Asian, Indonesian traditions.

In our country, the problem we have in our public school system across the country is that music and arts are on the bottom of the pole, if it's there at all. So the kids aren't exposed to music. I must speak to the music they hear at home too.

The holy grail for a music fan, I think, is to hear music from another planet, which has not been influenced by us whatsoever.

When I listen to music these days, and I hear Pro Tools and drums that sound like a machine - it kinda sucks the life out of music.

Internet is radio for a lot of people. It's a place to get music and hear music, and no amount of clamping down will change that.

All these ways we classify things as R&B and hip-hop and rock... It's bullshit. It's all music. If you put yourself in that box, then you won't be able to hear that it's all music at its soul.

Well, one is inspired by the whole of life, one's own and somebody else's. You know how sometimes you hear great music, and music is completely untranslatable into words, into any words. A certain tension that is born when one listens to music could aid you in expressing something absolutely different.

I have a fan base. I've sold a million albums in country music. I've got fans out there who love my music and would like to hear more.

I would love to hear all types of Christian artists played all over the world. I'd love to hear good, positive mainstream music played all over the place. I'd love to be able to bring music together. But I have not deserted Christ. I have not deserted my faith.

I think people are complacent about sound, because we're so limited by the textures and timbres we hear in music, but in our everyday life we hear the most incredible things.

It's not the music you hear in your head that other people are going to hear. You have to be able to make it true enough to the image in your head, and that's where technique and technology come in, for sure, and knowledge. It's not true and will never be true that someone who knows nothing can sit in a basement and make great music.

I have loved music since I was a little kid. I was always wanted to write the music I hear in my head and have it be shared with the world.

There's a sadness to all kinds of music if you want to hear it. There's also happiness to it if you want to hear it.

In 1990 if you heard a song on the radio and you really wanted to hear it again you'd have to buy it on tape or CD. Hearing music doesn't hold that kind of value anymore because anyone can hear it. It's going to become even easier.

The layers you get in graffiti, the ornateness, you can hear it in my music. I paint with my music. It's a form of synaesthesia.

There should be no boundaries in your relationship with sound. Often it's not about the music itself but the context in which you hear the music. For instance, listening to a piece of classical music in a film you love often changes your perception of it entirely.

Music is the greatest communication in the world. Even if people don't understand the language that you're singing in, they still know good music when they hear it.

Let my children have music! Let them hear live music.

The beauty of music is that everyone hears it their own way, and every song you hear leaves an impression on you that alters the way you hear everything from that point on.

In so many areas, when you think about it, you never really see an actor cross over to music. It always music to acting and it's receivable because when music gives a form of entertainment of art to where it's very personable, it's a passion, it's an intimate type of art to when you hear it, it's them.

I find that, maybe because I'm also a singer, I hear music in characters all the time, even if they don't sing. I hear what affects me in my heart.

Beethoven was just music, and it didn't matter if he could hear it or not - he could feel it. He could hear it in his mind. He could write it down hearing it in his mind. He was just music. Yeah, he's one of my favorite writers of all times.

I like playing at public schools. I like when there's more of a diverse audience. I'll play wherever people want to hear my music, and I'll be glad and grateful for the opportunity, but I'd rather not play for a bunch of white privileged kids. I'm not meaning that in a disrespectful way; you go where people want to hear your music. So if that's where people want to hear me play, I'm glad to play for them. But I'd rather play for an audience where half of them were not into it than one where all of them were pretending to be into it, for fear of being uncultured.

My perception is that there is no distinction in music as many people perceive. The difference lies in the way you hear the music.

Music was an experience, intimately married to your life. You could pay to hear music, but after you did, it was over, gone - a memory.