Top 1200 Acting In Movies Quotes & Sayings

The earliest movies that I loved were French movies and Italian movies. I grew up watching those kind of movies and often find the truest looks at human nature - you can find them in another country's movies.

I would love to be producing movies, acting in more movies, and doing projects that are Oscar-worthy... have kids, be married, all that, being a normal human being as well, balancing it all out.

For me, the real goal is to integrate. The thing that I'm most happy with is the fact that I've been able to keep doing all of it - to keep writing, and to keep acting in movies, and to keep acting on the stage, to keep directing plays. I find that they feed each other, and that I learn about acting from directing and I learn about writing from acting.

I loved acting, and then acting led to writing, and writing led to directing, and directing lead to five movies, and I feel like the luckiest guy in the world.

I took my acting very seriously. I did over 40 films, and naturally, some of them were called B-movies because the woman was at the top of the billing. Women couldn't star in their own movies.

I love the Elvis movies. I used to watch them. In every single one of his movies he wasn't acting as a car salesman - he was acting as a car salesman who loved to play guitar.

As the acting class was going on, I just realized I just knew more about cinema than the other people in the class. I cared about cinema and they cared about themselves. But two, was actually at a certain point I just realized that I love movies too much to simply appear in them. I wanted the movies to be my movies.

I wanted to do serious movies. I had a certain idea of what good acting was. That's since changed, and I love doing comedies now. I don't like a lot of those movies now, but I thought those were movies that I could do real, serious performances in.

If I do three movies in a year, I don't feel like acting ever again.

When you start acting as a child, you grow up ahead of your movies.

I'm just about the movies; I enjoy the dexterity of actors in action movies and the choreography side of things. You've just got to be a different person to be a professional fighter. I train with professional fighters, so I know what it takes. It's a very difficult profession, probably harder then the acting profession.

Well, I've been acting for 50 years now, professionally. I've been acting a lot longer. My mother reckons I was acting when I got out of the womb. But because I've been working in the theater, I've probably only done about 25 movies but I've done more than 100 plays.

I was a barfly, so going to work and acting and rehearsing and then going and sitting in a bar and drinking and then going home was sort of my lifestyle. And there was none of that out here in the '70s when I was lucky enough to get movies, and nobody else that I knew was working in movies at that point. I didn't really have a lot of movie friends.

Arnaud Desplechin invented me as an actor. I never imagined I'd be acting in movies.

When I'm acting in TV or movies, I'm a character. But when I'm doing music, I'm Trevor Jackson.

I took an acting class with Louise Lasser, Woody Allen's first wife and co-star in many movies. I've done some other indie films, if you look on the YouTube. I love acting - it's great.

I've always loved movies but everyone loves movies, so I never conceived of the fact that I could actually be in them. In high school I had some friends in the drama department, but they were just doing plays, and I was like, "Eh, I don't really think that that's me." So I just played sports. Then, a bunch of years later, I'm acting.

Originally, I started acting because I showed interest in movies and TV.

There's a lot of different ways of going about teaching acting and ultimately you have to just kind of create your own. You have to be the author of your own acting school in a way. I mean you can take from this and this and you can watch people and you can watch performances on the stage. You can watch movies. But ultimately you have to figure it out for yourself.

Well, I think one of the main things that you have to think about when acting in the movies is to try not to make the acting show.

When I do stand-up for a long time, I'll get burned out, then I'll get an acting gig. For me, the grass is always greener. I'd like to do a mixture of all of it. My goal is just to do small movies that I've written. That's what I'm trying to do now, just write smaller movies.

Reviews about film acting are very... tricky, because movies are such a collaborative thing.

I don't take acting classes - I'm quite an autodidact. I prefer to learn from other actors by watching various movies. Evaluate my acting, spot the flaws and fix them.

Acting in movies? Why not. It would be a new adventure for me. This is always something I've liked to do, act in movies.

I go to universities to talk to the students and teach them how to watch movies. Movies have so many elements - acting, music, art direction, costumes. I also tell them not to watch pirated movies. At the cinema, they can enjoy the big screen and the surround sound.

When you look at the early-'30s movies, like King Kong, the codes of acting are very similar to those of silent movies. In some of the silent movies - the good ones, the ones done by the best directors - the acting is very, very natural.

I took acting classes in college, and once I graduated, I decided to give acting a shot when I couldn't really think of anything else to do. It took me a couple of years to get an agent, and my first big break was The Fanelli Boys, which was a sitcom on NBC. Then I did a few television movies.

There is a lot of acting that is on the table - precisely, good acting. The best movies of mine are the ones that really nobody saw. The Groomsmen, Playing By Heart and Seeing Other People are by far the work I'm the most proud of.

I guess I was a child actor. Acting was one of the things I did alongside going to school: I'd be playing guitar, I'd be playing soccer, and I would be acting in movies.

Richard Donner made great movies. Seminal movies. The Academy, though, and we have to be careful here, should recognize popular films. Popular films are what make it all work. There was a time when popular movies were commercial movies, and they were good movies, and they had to be good movies. There was no segregation between good independent films and popular movies.

In the theater, you act more of the time. In the movies, you get to act maybe 20 or 30 minutes of the day. I love acting in movies. It's just different.

I don't have that drive to be in this field, climbing up, doing bit parts in movies to make a big movie. But I'm lucky I get to also do acting - it's fun. I should probably just take an acting class on the weekends - that would be enough for me.

I enjoyed being in movies when I was a boy. As a child you're not acting - you believe.

There's good movies and there's bad movies. The genres are never dead, it's just about how to apply them and articulate them and execute them - the story, the quality of the writing, the acting, the design elements, the directorial execution - all these things make it what it is.

All I know is movies; I went to school, but movies are my reference point for everything. I figured I'd have to P.A. or intern in the art department. Because the filmmaking process is so many people creating to make one piece of magic, so I've always wanted to be involved. With the acting, I doubted it.

As a young actress, I started out acting in beautiful independent movies in Mexico.

The earliest movies that I loved were French movies and Italian movies. I grew up watching those kind of movies and often find the truest looks at human nature - you can find them in another countrys movies.

Acting in the movies is just like ditch-digging

The most important thing to having a long career, as an actor, is diversity and being able to play different types of characters in different types of movies. I want to keep acting, all my life. In order to do that, I think it is important to go and do the bigger tentpole box office movies, and then also do more character roles.

I began acting at age eight, but if you don't stay on your game then people pass on you. Being on a show, it's a little easy to get comfortable, so I'm trying to get back on it. I'm taking some acting classes and watching movies, and I'm just trying to stay up with other actors.

Before getting into movies, I decided to get modeling or acting assignments in Delhi.

Every film by Will Smith, Harry Belafonte, Sidney Poitier, Lena Horne, Ruby Dee, Don Cheadle will have great acting and carry good messages in the film. The films starring those actors are the films I tell young people to watch for good acting and to view for quality movies.

'Crystal Fairy' was one of the first movies I did after I recommitted to the idea of acting.

The transition from tiny movies to less tiny movies to really big movies has been actually quite seamless in a lot of ways as far as my experience of acting in them.

Well, acting has been a dream of mine since I can remember; being in the movies and acting, having those experiences.

Some actors get by with behaving, not acting. You've got to sell the effect. I act more in the 'Nightmare' movies because it's not like me. I'm acting, not reacting.

I started taking acting classes when I was 14. That's when I knew I wanted to try it professionally. Before that, I watched movies, always, but I didn't think it was a real job. I watched Turner Classic Movies with my parents. I've always loved the old classics.

We learned out craft. Acting is a craft and you must learn it. I see a lot of talent today in the kids but they don't know how to work. They don't know the craft of acting and you can only get that on the stage in theater. You cannot learn how to act in movies or in television.

I came up around people who took acting seriously, who cared about acting, cared about the theater and, in the '70s, made movies that said something that mattered. I came up with those people, and I was a kid. Their ethos and credo became mine.

There are movies that require fantasy and slightly more fantastical acting. Lines that are good for certain movies, in real life circumstances, would be absolutely unbelievable things to really say, and you would look at these people like they're freaks for conversing that way. But somehow for certain styles of movies, it works, and it seems fine.

I am constantly asked, 'What's the difference between acting in the theater and acting in film?' The only answer I can give is the space - you adapt to the space. But acting is acting.

I have a suspicion, because if you look at the whole, all the [Star Wars ] movies, the backlog of every one of these movies, there's a lot of great stuff, but one might not be not as good with the writing in this or the acting in that or the directing in that, this has great actors, great directors, great script, and I really feel like we're gonna make the best one [movie with Young Han Solo].

I don't have a passion for TV or movies or acting. I have a passion for wrestling and I find it hard to leave that for TV and movies. But if it is a thing that is a short amount of time I would consider it, but wrestling is what I love to do!

Personally I like the slow burn; I don't think there is anything wrong with it. When I think about the movies that were most effective on me as a viewer I think of the original Haunting and the Exorcist, Rosemary's Baby, the Sixth Sense, the Others. These movies are not over the top at all, they are movies that rely on good story telling, good acting, good premise, good exposition and I want to stay true to that in future projects.

Music is the reason I'm doing movies; I do credit that. But acting is an escape route for me.

When you look at the early-'30s movies, like King Kong, the codes of acting are very similar to those of silent movies. In some of the silent movies - the good ones, the ones done by the best directors - the acting is very, very natural

I had done a lot of indie movies before I realized that acting could be a way for me to get my family out of poverty. It was at that point that I decided to take acting seriously.

The only really good thing about acting in movies is that there's no heavy lifting.

I was studying to be an architect, I wasn't plotting to join the movies. Films were just another career option. I took acting up with the same schoolgirl enthusiasm I had for examinations. Acting is a job and I take it very seriously.

Directing takes a lot longer than acting. This was about seven years in development, and then two and a half years with pre-production, production, post and now the release. Not that I have people banging on my door to star in movies, but it takes me out of the acting game for a longer chunk of time.