Top 1200 Old Houses Quotes & Sayings - Page 3

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Last updated on November 29, 2024.
Barack Obama is telling the banking industry what it can and can't charge and what profit he will accept and what level of profit he won't accept. Bill Clinton and Jimmy Carter came up with this scheme that resulted in the subprime mortgage crisis. They said it was unfair that poor and minority people didn't have houses, so we're basically gonna give 'em houses. How are we gonna do that? We're going to make the banks loan them money, knowing full well they can't pay it back.
By the year 1670, wooden chimneys and log houses of the Plymouth and Bay colonies were replaced by more sightly houses of two stories, which were frequently built with the second story jutting out a foot or two over the first, and sometimes with the attic story still further extending over the second story.
Home. It's being new and old all rolled into one. Measuring your new against old friends, old ways, old places, Knowing that as long as the old survives, you can keep changing as much as you want without the nightmare of waking up to a total stranger.
When I was 7, an old lady was driving too fast in my neighborhood and hit me with her car. I was running out of the house, and when I got halfway into the street, my mom saw the car and yelled for me to run back. As I turned around the car hit me, dragged me five houses down the road, and I fractured my collarbone.
In London - and forget those extra public pressures on politicians - the lovely old Sloane world of manor houses simply hasn't cut it since Big Bang in 1986, the point at which Mrs. Thatcher really started to achieve her ambition to make this country more like America - its ambition, economy, it's very tangible measures of success.
Old wood best to burn, old wine to drink, old friends to trust, and old authors to read. — © Athenaeus
Old wood best to burn, old wine to drink, old friends to trust, and old authors to read.
I hover over the expensive Scotch and then the Armagnac, but finally settle on a glass of rich red claret. I put it near my nose and nearly pass out. It smells of old houses and aged wood and dark secrets, but also of hard, hot sunshine through ancient shutters and long, wicked afternoons in a four-poster bed. It's not a wine, it's a life, right there in the glass.
Houses are the abiding joys; they are the most emotion-stirring of all things. An automobile is regarded with fond affection, a typewriter becomes the inseparable companion, clothes can stir sentimentality, and the bit of bric-a-brac is a toy one would weep to see torn away - but houses are real, deep, emotional things. How much excitement in the cutting of a window, what enormous importance in the angle of a roof!
If a thing is old, it is a sign that it was fit to live. Old families, old customs, old styles survive because they are fit to survive. The guarantee of continuity is quality. Submerge the good in a flood of the new, and good will come back to join the good which the new brings with it. Old-fashioned hospitality, old-fashioned politeness, old-fashioned honor in business had qualities of survival. These will come back.
Memory and the imagination are almost identical. It's the same place in the brain and the same thing is happening. When you think about your own life, there are no memories without place. You are always situated somewhere. I think the imagination - the narrative imagination at least - situates you in a specific space when you start to think of a story. I often use places I know. I put my characters inside rooms and houses that I'm familiar with - sometimes the houses of my parents or grandparents or previous apartments I've lived in.
People who teach you cram old ideas, old views, old ways, into you. Like covering plants with layer after layer of old earth; it's no wonder the poor things so rarely come up fresh and green.
Our bodies penetrate the sofas upon which we sit and the sofas penetrate our bodies. The motorbus rushes into the houses which it passes, and in their turn the houses throw themselves upon the bus and are blended with it.
Suicide is what everyone young thinks they'll do before they get old. But they hardly ever get round to it. They just don't want to commit themselves in that way. When you're young and you look ahead, time ends in mist at twenty-five. 'Old won't happen to me', you say. But old does. Oh, old does. Old always gets you in the end.
I have a habit of collecting all my old stuff. I still have all my old clothes and old cars, but my wife spends all my money.
Youth is not entirely a time of life; it is a state of mind. Nobody grows old by merely living a number of years. People grow old by deserting their ideals. You are as young as your faith, as old as your doubts; as young as your self-confidence, as old as your fear; as young as your hope, as old as your despair.
Old books, old wine, old Nankin blue;- All things, in short, to which belong The charm, the grace that Time makes strong, All these I prize, but (entre nous) Old friends are best!
Now there are heavy houses everywhere and more of them are being built. In fact, it is only when more houses are being constructed that some countries consider their economics healthy. Yet each house is a heavy footprint on the Earth. Just as all our possessions represent-if we cannot learn ways of sharing them-a weight and clutter that often means the faces of future generations will look up into darkness and the pressure on the Earth of "things."
I can say is usually people are slightly confused. They think that silent movies are old. But, the fact is, they are old because they have been made in the '20s. That's the thing that makes them old. Not the format. The format is just a format. It's not an old format.
I am very fond of the modest manner of life of those solitary owners of remote villages, who in Little Russia are commonly called "old-fashioned," who are like tumbledown picturesque little houses, delightful in their simplicity and complete unlikeness to the new smooth buildings whose walls have not yet been discolored by the rain, whose roofs are not yet covered with green lichen, and whose porch does not display its bricks through the peeling stucco.
I can still remember watching Italy win the 1982 World Cup. I was just an eight-year-old kid in Naples, my hometown, watching the games with a bunch of people in the houses of relatives and friends. I can recall that when Italy scored, we would shout and hug, even though we did not all know each other.
I want to save up money. This is probably long-term, but I for sure want to get into real estate and flip houses and start doing stuff like that. So I'm saving money. And, you know, being a kid at the same time. I want people to know I'm literally just a 16-year-old punk who's trying to hang out with some homies on the weekends.
... old clothes, old friends, old books. One needs constants in a traveling life. — © Dorothy Gilman
... old clothes, old friends, old books. One needs constants in a traveling life.
Houses, like people, are apt to become rather eccentric if left too much on their own; this house was the architectural equivalent of an old gentleman in a worn dressing-gown and torn slippers, who got up and went to bed at odd times of day, and who kept up a continual conversation with friends no one else could see.
I'm very stodgy. I'm always looking at old photos of California and Los Angeles, knowing that what I'm looking at is now full of houses. There used to be vacant lots in Los Angeles, now all taken up by three-storey boxes - it's all getting infilled.
Poorpeoplestaying intheir houses aslong astill thevery fire touched them, and then running into boats or clambering from one pair of stair by the waterside to another. And among other things, the poor pigeons I perceive were loath to leave their houses, but hovered about the windows and balconies till they were some of them burned, their wings, and fell down.
It was an old, old, old, old lady, And a boy who was half-past three; And the way they played together Was beautiful to see.
I really, really like interior design. I grew up in a really old house outside of Philly that was built in 1821. My mom is really into antiques, and my dad is very mid-century. They're not together anymore, so in the middle of growing up, I, all of the sudden, had two houses that were very different but really well done in each of their own ways.
Readers have no doubt noticed how seldom builders live in houses of their own construction. You will find a town or village expanding in all directions with their masterpieces of modernity in the way of houses and bungalows; but the builder himself you will usually find living nearer the heart of things, snugly and comfortably housed in some more substantial, if less convenient, building of less recent date.
Other people, including me, have written books with main characters who were old and rich. Or old and brilliant. Old sages, old wizards, old rich people.
Because we would not wear any clothes because it was so hot and the windows open and the swallows flying over the roofs of the houses and when it was dark afterward and you went to the window very small bats hunting over the houses and close down over the trees and we would drink capri and the door locked and it hot and only a sheet and the whole night and we would both love each other all night in the hot night in Milan. That was how it ought to be.
The oyster was an animal worthy of New Orleans, as mysterious and private and beautiful as the city itself. If one could accept that oysters build their houses out of their lives, one could imagine the same of New Orleans, whose houses were similarly and resolutely shuttered against an outside world that could never be trusted to show proper sensitivity toward the oozing delicacies within.
It's no longer possible to simply build English country houses out of words, because they've already been so thoroughly described that all the applicable words have been used up, and one is forced to build them instead out of words recycled and scavenged from other descriptions of other country houses.
The monstropolous beast had left his bed. The two hundred miles a hour wind had loosed his chains. He seized hold of his dikes and ran forward until he met the quarters; uprooted them like grass and rushed on after his supposed-to-be conquerors, rolling the dikes, rolling the houses, rolling the people in the houses along with other timbers. The sea was walking the earth with a heavy heel.
Age appears to be best in four things; old wood best to burn, old wine to drink, old friends to trust, and old authors to read.
We're in the Chicago suburbs, ruling our 'hood and the streets that lead here. It's a street war, where other suburban gangs fight us for territory. Three blocks away are mansions and million-dollar houses. Right here, in the real world, the street war rages on. The people in the million-dollar houses don't even realize a battle is about to begin less than a half mile from their backyards.
Most people, when they imagine New England, think about old colonial homes, white houses with black shutters, whales, and sexually morbid WASPs with sensible vehicles and polite political opinions. This is incorrect. If you want to get New England right, just imagine a giant mullet in paint-stained pants and a Red Sox hat being pushed into the back of a cruiser after a bar fight.
I exist," murmurs someone whose name is Everyone. "I'm young and in love; I am old and I want rest; I work, I prosper, I do good business, I have houses to rent, money in State Securities; I am happy, I have wife and children; I like all these things and I want to go on living, so leave me alone."... There are moments when all this casts a deep chill on the large-minded pioneers of the human race.
At least half of every city is wrong. From latitude 30 degrees to latitude 60, say, you've got to have the long axis of the house facing the sun. If the land is cut up into squares, that makes half of all houses wrong if they face the road. Even houses way in the country, and way off the road, face the bloody road. And from there, you just go wronger all the way.
There are houses in certain provincial towns whose aspect inspires melancholy, akin to that called forth by sombre cloisters, dreary moorlands, or the desolation of ruins. Within these houses there is, perhaps, the silence of the cloister, the barrenness of moors, the skeleton of ruins; life and movement are so stagnant there that a stranger might think them uninhabited, were it not that he encounters suddenly the pale, cold glance of a motionless person, whose half-monastic face peers beyond the window-casing at the sound of an unaccustomed step.
I look forward to an America which will not be afraid of grace and beauty, which will protect the beauty of our natural environment, which will preserve the great old American houses and squares and parks of our national past and which will build handsome and balanced cities for our future.
Old Magic, Old Ways, the Old Ones themselves often seem powerless in a new place. — © Anne Cameron
Old Magic, Old Ways, the Old Ones themselves often seem powerless in a new place.
The Wisdom is old, the Koran is old, the Bible is old. Disagreements? Work 'em out.
I definitely don't consider myself a kid anymore. I feel like an old man, an old 28-year-old.
Down in the city are the nice houses and the so-so houses and the lovers making out in dark yards and the babies crying for their moms, and I wonder if, other than Jesus, has this ever happened before. Maybe it happens all the time. Maybe there's angry dead all over, hiding in rooms, covered with blankets, bossing around their scared, embarrassed relatives. Because how would we know?
Doubt is an old disease. Faith is an old medicine. Compassion is an old doctor. Concern is an old nurse.
And there were times when one yielded quite shamelessly to the sentimental. They were more likely to be times of crickets, I think, than of birds - when it was impossible not to feel, like another essence of the sunlight, the bittersweet of life that lingers about old houses, and places where men have died, and things that forgotten hands have touched.
My nana was always a widow as long as I was alive; my grandfather died before I was born. All the women on my street - there were four houses in a row with all old women who lived alone who were widowed. They all had kids, but they were all widowed. My mom didn't put me in preschool; I didn't know that was a thing. I just hung out with these women all day.
I think my shows can draw an audience of 12 million because I ask, 'What can make a 7-year-old, a 17-year-old, a 30-year-old and a 77-year-old laugh?'
People expect old men to die, They do not really mourn old men. Old men are different. People look At them with eyes that wonder when ... People watch with unshocked eyes; But the old men know when an old man dies.
I've got two old Volvos, two old Subarus, and an old Ford Ranger. If you've got an old car, you've gotta have at least several old cars, 'cause one's always gonna be in the garage.
By now, the morning sun was just over the horizon and it came at me like a sidearm pitch between the houses of my old neighborhood. I shielded my eyes. This being early October, there were already piles of leaves pushed against the curb—more leaves than I remembered from my autumns here—andless open space in the sky. I think what you notice most when you haven’t been home in a while is how much the trees have grown around your memories.
The death agony of the barricade was about to begin.For, since the preceding evening, the two rows of houses in the Rue de la Chanvrerie had become two walls; ferocious walls, doors closed, windows closed, shutters closed. A house is an escarpment, a door is a refusal, a facade is a wall. This wall hears, sees and will not. It might open and save you. No. This wall is a judge. It gazes at you and condemns you. What dismal things are closed houses.
I am really sorry to see my countrymen trouble themselves about politics. If men were wise, the most arbitrary princes could not hurt them. If they are not wise, the freest government is compelled to be a tyranny. Princes appear to me to be fools. Houses of Commons and Houses of Lords appear to me to be fools; they seem to me to be something else besides human life.
Old friends, like old shoes, are comfortable. But old shoes, unlike old friends, tend not to be supportive: it is easier to stumble and sprain an ankle while wearing a pair of old shoes than it is in new shoes, with their less yielding leather.
Here and there, in some older houses, old faded daguerreotypes still hang on the walls... They seem to us to be very simple... compared with the artistic and skillful portraits made in later days... Here was a photograph that at one time had been the last word, a very modern portrait... Today it is just a part of cultural history. The small yellowed surface has acquired depth, an admonishing perspective. We hold in our hand a symbol of the structure and ideology of an epoch.
They walked still farther and the girl said, "Is it true that long ago firemen put fires out instead of going to start them?" No. Houses have always been fireproof, take my word for it." Strange. I heard once that a long time ago houses used to burn by accident and they needed firemen to stop the flames.
Houses are built brick-by-brick. HOMEs are built word-by-word. Houses don't build themselves. So YOU must build your home. — © Tara Fela-Durotoye
Houses are built brick-by-brick. HOMEs are built word-by-word. Houses don't build themselves. So YOU must build your home.
You are getting too old for this. A man is as old as he feels, woman! And how old do you feel? About ninety.
I was already doing a lot of splendid research reading all the books about ghosts I could get hold of, and particularly true ghost stories - so much so that it became necessary for me to read a chapter of _Little Women_ every night before I turned out the light - and at the same time I was collecting pictures of houses, particularly odd houses, to see what I could find to make into a suitable haunted house.
It was the way the autumn day looked into the high windows as it waned; the way the red light, breaking at the close from under a low sombre sky, reached out in a long shaft and played over old wainscots, old tapestry, old gold, old colour.
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