I didn't want to write a book as Stephen King's son, because all I did was get born, and that's not much of an accomplishment. If that was the reason my book was published, it wouldn't be worth the paper it was printed on. I wanted to do my own thing.
Content has always driven the business. Now it's no longer the queen to a king of distribution; it is the king, king, king, because the consumer has complete choice.
Every king sleeps, but not every king wakes up as king! The snakes of the intrigue crawl around during the night! The cleverest king is the least sleeping king!
You know, after filming the movie the book was still just as big. I think it was actually bigger. I think Stephen King went back and wrote extra pages. He's fantastic.
I thought The Shining was just absolutely wonderful. Stephen King reaches all kinds of people. In the beginning he was just dismissed out of hand, which was terrible.
I bring terror like Stephen King,
A black Casanova, runnin niggaz over like Christine
I think it is worse [in 2015] for a mid-list author such as myself. You either have to sell like Stephen King or go with the small presses where there is no money. I was lucky to have been in the right place and time for many years.
I am not unique in my elegiac sadness at watching reading die, in the era that celebrates Stephen King and J.K. Rowling rather than Charles Dickens and Lewis Carroll.
I would feel really nervous doing something, especially something like one of Stephen King's classic books that meant a lot to me, because there would be nothing worse than screwing that up.
Carrie was a pretty big-budget movie at a real studio, with a director that had already done a bunch of things and had some notoriety, and Stephen King was the writer. He was banned from the set, but that was kind of an A-plus production. So that was my first experience.
Right now I'm singing along to books on tape. I typically pop in something like Stephen King's 'The Stand,' and I love singing along to that kind of stuff.
I sometimes think that the In campaign appears to be operating to a script written by George R.R. Martin and Stephen King - Brexit would mean a combination of 'A Feast for Crows' and 'Misery.'
Stephen King is one of my all-time heroes, so, of course, the pressure never lets up. Every second, you hope he'll like it. I remember getting a call from him after he read my script for 'Hearts in Atlantis.' He liked it. Talk about relief.
And Adam ruled, for he was the King. Until the day his will to be King deserted him. Then he died, food for a stronger. And the strongest was always the King, not by strength alone, but King by cunning and luck and strength together. Among the rats.
Why there you are, Stephen,' cried Jack. 'You are come home, I find.' That is true,' said Stephen with an affectionate look: he prized statements of this kind in Jack.
As a kid I got to like hang out with Stephen King. That was like the highlight of my life. Cause I think he's the raddest human being ever.
I knew if we could pull in the Stephen King fans, we'd have a ball game. The point at which I finally became confident of the audience interest was when I showed up at one of the Marvel midnight openings to launch the very first issue of Dark Tower.
I'd like to be remembered not only for my body of work but also for specific novels. Ideally, I want to be remembered in the same way as Stephen King, who defined and exemplified excellence in the horror genre in the late 20th and early 21st century.
If you're Stephen King and you have a massive body of huge-selling well-respected work, you can pivot and do whatever you want. I don't have that body of work, I don't have that audience that's comfortable with me enough yet to follow my bliss with me.
My job on The Gunslinger Born was to take Stephen King's novel and transform it into a detailed, seven issue, scene-by-scene story.
I went through a big Kurt Vonnegut phase. But the writers who made me decide at a very early age that this is probably something I wanted to do were Stephen King and Douglas Adams, when I was probably, like, ten years old.
My first six books were horror, I think because when I was young I loved Stephen King. John Wyndham, Daphne Du Maurier, and it's natural to try and emulate the books you first loved.
It wasn't until I was in my teens that I started admiring writers as inspirations for my own work, and my earliest influences there were Stephen King, Marion Zimmer Bradley and Richard Adams.
I just know I'm too much of a wuss for Stephen King's books. I'm way too chicken to read horror.
Writing novels reminds me of being an awkward 15-year-old typing on a Commodore 64 in his bedroom, trying to be the next Stephen King.
The last thing I want to do is to present something as 'Stephen King, Part II,' and have it be something that's a big disappointment.
I'm a huge fan of the book and Stephen King is one of my big heroes, literary heroes, and I am a fan, and I want to see a movie of 'It.'
It wasn't until I picked up Neil Gaiman, Diana Wynne Jones and Stephen King that I found there were people who were like me.
The largest two books I've ever read more than once are 'Bleak House' by Charles Dickens and 'The Stand' by Stephen King, about 1,200 pages each.
My manager got the script for Under the Dome, and I read it and just fell in love with the character. I grew up on Stephen King, and I love his whole aesthetic of the classic American story with supernatural events happening, so it just made sense.
For many of us, our proms were less Walt Disney's 'Cinderella' and more Stephen King's 'Carrie.' The less we spent on them, the better.
The thing with Stephen King is that everyone dies, and everyone comes back to life. So you never know with his mind where things go. It's the same with Steven Spielberg, too.
My mom didn't write, but she loved to read. She liked books 'that made you a little nervous.' Stephen King, Dean Koontz and Peter Straub were the three wise men of our family bookshelf.
I think one of the reasons Stephen King's stories work so well is that he places his stories in spooky old New England, where a lot of American folk legends came from.
'Carrie' was a pretty big-budget movie at a real studio, with a director that had already done a bunch of things and had some notoriety, and Stephen King was the writer.
When I was growing up, if there was a Young Adult section of my town's library, I missed it. I wandered right from 'The Babysitter's Club' over to Stephen King. His books were big and fat and they seemed important. I eventually worked my way through most of the shelf, but 'It' is the one that stuck with me.
President Obama awarded a National Medal of Arts to author Stephen King. You know, because if there's anyone who can relate to the story of a guy trapped in a mansion that's driving him insane, it's Obama.
Stephen [King], who wrote the script himself, was on the set [of The Stand], and I was just so fortunate to get to know him. What a wonderful man. He may go down in history as the greatest American writer, pound for pound.
Let it crumble! Let the rocks revile me and flowers wilt at my coming. Your whole universe is not enough to prove me wrong. You are the king of gods, king of stones and stars, king of the waves of the sea. But you are not the king of man.
Writers of all things speculative have played in alternate and parallel worlds for a long time - everyone from Stephen King to Philip Pullman to Tanith Lee - and it's an obsession that likely isn't going away any time soon.
In England they need a king, in Spain they need a king, in France there is no more king. But they consider the president as if he was a king.
My manager got the script for 'Under the Dome,' and I read it and just fell in love with the character. I grew up on Stephen King, and I love his whole aesthetic of the classic American story with supernatural events happening, so it just made sense.
I married Stephen Gately off to so many people because Stephen didn't want anyone to know he was gay at the start. He was dreading all of his life that this was going to ruin his career.
Stephen King has inspired me with his humor and honesty, and his admonition that the author's job is to tell the truth.
I just felt my good fortune, and I also trust my love for the book, my love for the material, and my reverence for Stephen King.
I have a huge author crush on Stephen King. Have never met him. Would probably embarrass myself. But it would be worth it.
I don't really read Stephen King - I just can't read scary things because it stays with me too long - but I truly liked his memoir of the craft of writing.
If I hadn't spent many years trying to be as compassionate as Mother Teresa, as positive a thinker as W. Clement Stone, as prolific a writer as Stephen King, and as good a speaker as many of the legends I have studied, I would not be as successful as I am today.
Nora Roberts, Stephen King, Lee Child and George R. R. Martin write wildly different books. Their writing, plotting and styles have little or nothing in common. But they all write books and characters that readers find appealing.
I love 'The Stand;' I read it when I was a kid - it was one of my favorite books when I was growing up. I love Stephen King; I think he's a remarkable writer.
I've been a fan of vampire fiction since way, way back - I loved Stephen King, Anne Rice, Peter Straub, Robert McCammon, Shirley Jackson, lots of great horror and paranormal fiction.
The real Stephen Colbert is a practicing Catholic. He teaches Sunday school. He can recite chapter and verse of chapter and verse - from both the King James Bible and 'The Lord of the Rings.'
Any writer takes inspiration from what they read and watch, and over their career works on forming their own voice. I think it was probably Stephen King who made me want to become a writer.
I'm interested in everything. I don't see why Borges can't work along with Neil Gaiman, or Stephen King can't be mixed with Balzac. It's just storytelling; it's different ways of using codes and images and words and sounds.
Stephen King consummately honors several traditions with his rare paperback original, 'Joyland.' He addresses the novel of carny life and sideshows, where the midway serves as microcosm, such as in those famous books by Ray Bradbury, Charles Finney and William Lindsay Gresham.
Obviously not a Stephen King level writer, but I'd written short stories and short fiction, from the time I was 12.
Yeah, I didn't grow up in the '50s like Stephen King so I'm more versed in the '80s and the present day than the '50s.
I attribute the black tones in my films to Stephen King, Tim Burton, Joe Hill and Richard Matheson. However, most of my writing is influenced by mental health. I'm incredibly passionate about shedding light on the stigmas associated with mental illnesses.
I love the music from Nat King Cole, BB King, Albert King... When I think of it, I wouldn't mind being renamed Angus King.
I grew up on Stephen King, reading the books. I love the small town, 1950s feel to it, that nostalgia, and that old America. What happens when something weird starts happening to all these people, something other-worldly, something demonic?
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