Top 79 Trailers Quotes & Sayings

In the States actors get their own trailers, but in Korea all the actors group up in one room, and stay there together the whole day.

I'm used to very low-budget situations. In 'The Exploding Girl,' we were literally changing in Starbucks because we didn't have trailers.

I'm a trailer junkie. I love watching movie trailers as soon as they go up.

I was spending a lot of time in trailers, you know, on film sets surrounded by film people.

You get spoiled on Captain America, where your trailers two blocks long and its got three bedrooms.

Think about trailers you see in theaters. If you're seeing a Warner Bros film, the studio might have three of the five trailers. So having a hit helps you create the next hit.

I grew up in a lot of different homes when I was younger: my parents rented trailers and small, boxy houses set high on cement block pillars.

As a kid, I had nightmares about Freddy Krueger just from the trailers on TV!

I know some directors get very involved in trailers and posters. Some even cut their own. I stay completely away from it. I just see my job as making a film.

When you're actor, you have no idea how much work goes into pre-production. We're just sitting in our trailers waiting for someone to knock on our door to go to the set.

I always like teaser trailers because they don't give too much away, you know? They give just a flavor of what the thing is.

If people are worried about the size of their trailers, I kind of say their priorities are off.

One thing Aussie telly does well is slightly different versions of programmes we've made. The trailers for 'Celebrity Splash' prove they don't just pick the good stuff either.

I think it actually makes more sense for a new audience than the old show did because we're focusing on one character at a time. It's all conjecture why somebody didn't watch, but one of the theories was that there was just so much information, even in the trailers and promos, of all these different people.

It was a difficult but wonderful balance to go from big budget, big craziness, everyone's giant trailers, everyone's sushi lunches, to a $4 million movie.

For my Perfect Chemistry series, I did movie-style book trailers, and my fans went crazy for them.

A lot of times the best trailers are for complete dogshit movies. It's a shame that people are beyond quick to judge things these days. Lots of great stuff gets lost that way.

I don't watch movie trailers. I just go to the movie, and I don't know anything about it, because that's the only way I appreciate the movie fully.

It's always strange being a kid on the set, because you're treated like an equal when you're working. But then when you break, the other actors go back to their trailers to take naps and drink beer, and I have to, like, go do school.

On a big film, there's almost no way you can meet everyone. On an indie, there are 30 people and no trailers to duck into.

I have a problem with trailers, because I love them too much. I'm one of those nerds that watches them on repeat.

I am a bit of a gourmet chef. I love cooking mostly Thai food. And a lot of times on movies, you have these trailers that have these little ovens and kitchenettes. A lot of actors never use them, but I would cook lunch just about every day.

I don't watch trailers, I like to go into every movie fresh.

My agency tells me I am rare because I sing, do movie trailers, and do cartoons too. I like that because it gives me variety in jobs. I don't just sit and do movie trailers, and I don't just do cartoons either. I can do both, and I feel very fortunate for that.

By year three, you get nicer, bigger trailers.

I used to want to be a movie star so I wouldn't have to live in trailers anymore. And now that I make movies, I spend a lot of my life living in trailers.

Working in front of the camera keeps me alive. I couldn't care less about actors' trailers and food on sets and stuff like that - I just want to act.

As the director, you cannot control what people do after hours or in their trailers or on break. Why would you want to? But you can't.

And of course, the answer came to me in the same way Jesus comes to those who drink in trailers: as an epiphany.

That's a battle we are always fighting whenever we cut trailers or promos for films. We always wonder how much to say, and every filmmaker wants to say the minimum. You don't want to reveal your film and ruin the viewing experience.

I couldn't care less about actors' trailers and food on sets and stuff like that - I just want to act.

I never intended or planned on making a YouTube Channel. I always thought that it was meant for Bollywood movies, trailers, and songs.

We've all been around love enough to know how lucky we are. I've never seen anybody have a cross word on the set, and I'm there a lot. All the women just got brand-new trailers, so they're happy.

Now, even when I see the trailers, I get so excited because it's like I'm seeing a movie that I haven't seen at all before, whatsoever. And then I just happen to be in it.

Dishonesty in trailers is more than a moral issue, it's a practical one. If you don't deliver in the film what you offered in the trailer, you'll get bad word-of-mouth.

It's always strange being a kid on the set, because you're treated like an equal when you're working. But then when you break, the other actors go back to their trailers to take naps and drink beer, and I have to, like, go do school.

I am trying to be as impartial as possible. As you can tell from the trailers for Mad Men, I am a person who believes that you should know nothing.

You were up at 5 o'clock in the morning, and then you'd ride in a caravan, because we didn't have big movie trucks or trailers that is the hardware of a movie camp.

We had a tiny budget for 'The Greatest,' which was the opposite of 'Wall Street.' We just kind of went in and did it. You've got four or five takes and then you've got to move on. We didn't even have trailers to stay in or anything.

Surprises are good. I'm not of the thinking where you tell the audience everything. Sometimes I don't even want to see the trailers. You see the trailer, you've seen the movie.

I admire actors for their infinite patience. That's why they need all those trailers and all their crowd of people who pamper them. But it is a drag to get up sometimes at 4:30 in the morning and get into makeup, and wait forever until they call you onto the set.

Back in the days, we had to work with a shoestring budget. We had a movie screen, and we'd show movie trailers on them, and then we'd rip through it and started playing. Now we have a little money to play with to do a cool stage set.

The Postal is a ruthless, Mad TV-type thing. We sent out a DVD to the South Park producers, and they liked the movie so much that we can say now, "It's like South Park with real actors" on the trailers and posters.

Don't spend more than 10% of your marketing/PR budget on a trailer. Trailers have to be marketed, too. So, far too many authors wind up marketing their trailers instead of their books.

When you go into a movie and you're surprised by it - these days with brand recognition being such an important thing and essentially trailers, the way trailers have evolved encouraging people not to see the film unless they've already seen the film which is kind of the paradox of marketing these days anytime that you enjoy genuine sense of wonder and surprise in the movies it's priceless.

I've done movies where they didn't have enough money to have trailers.

Everyone is using the Internet for almost everything - trailers, ads, movies, and short films. This is the only thing that will reach everybody in the world.

As a rock fan, you read of the big labels and the multinationals and the big tours with road crews and semi-trailers full of gear, and playing stadiums. In the '90s, that's what we did.

I always get everyone prepared so there aren't so many arguments on set. I have a policy that the first thing I do in the morning is go over to the trailers and discuss exactly what we're shooting that day. It's time-consuming, but it reduces the chances of 'misunderstandings' on set.

For my 'Perfect Chemistry' series, I did movie-style book trailers, and my fans went crazy for them.

I always get everyone prepared so there aren't so many arguments on set. I have a policy that the first thing I do in the morning is go over to the trailers and discuss exactly what we're shooting that day. It's time-consuming but it reduces the chances of 'misunderstandings' on set.

High-level actors can be all about their close-ups and the size of their trailers. I'd heard these horror stories of how a really powerful actor can come in and change your script.

It's always the guys who have absolutely nothing to give that start screaming and yelling about their makeup and trailers. It's a diversion so you don't pay attention to them, because they stink!

There were a lot of fan-made trailers for 'The Originals.' The fans sort of decided it could be a show before anyone else did.

It was a democracy in the truest and most frustrating and most rewarding sense of the word. Anybody could come in and say, "You know, I'm just not cool with that." We'd be like, "Who's that?" "Oh, I was just cleaning the trailers." It was nuts.

I find making trailers really frustrating, because sometimes the worst trailers are for the best movies.

I don't want to make videos that come out looking like commercials or movie trailers.

I would like to perform more in English. But there have to be many good things gathered for me to be willing to do a movie. I watch trailers of every new American movie and I'm, like, 'OK, I'm not missing anything!'

Most movies, you have to try and forget you're making a movie, because there are trailers and booms and lights and marks, and it's everywhere.

There's actors and actresses who I call 'Trailer Stars' because their importance is expressed by how big their trailers are. And then there are real actors, who are real good people.