Top 30 Trainspotting Quotes & Sayings

I've never watched Trainspotting. I just know it's a very critically acclaimed film. In fact, I've never watched any of Danny's movies [means before he met him]. I just worked with him and felt the energy of what he is about initially before I do something. In a way, I think that's why we have discovered each other rather than replicate something else.

The script for 'Trainspotting' was amazing, and it was different from the book.

I don't see [ Trainspotting ] as an albatross, I see it more as a calling card. It's got me out to Hollywood, I've got a good agent, I've got a good manager, I'm getting a lot of work out there and doing a lot of stuff - getting a lot of film projects on the go.

I mean Filth is the best British film since Trainspotting. It might even be better. I keep watching it back to back with Trainspotting to try and work out which is the best. I can't split them.

Danny Boyle has been a huge, has had a huge effect on me. His movies, early movies like Trainspotting and those movies. So I've always loved the energies of those movies. But also, that they are very focused on the characters. Cause it's not only gimmickery, it's not only about visuals. You feel a real need, a love for the main characters. So that's what I've always loved about watching movies myself.

When I started off with Trainspotting, it was the way the characters came to me. That's how they sounded to me. It seemed pretentious to sound any other way. I wasn't making any kind of political statement.

It felt like a series of coincidences and luck that I ended up getting the part in 'Trainspotting,' but it's been an incredible journey since then. Every now and then, I sit and really think about it, and it blows my mind. I have to stop because I don't want my brain to implode.

The subsequent success levels, all the other stuff [after Trainspotting], it comes at a much higher level.

I like to razz the Trekkies a little bit. Who doesn't? It's trainspotting, isn't it? But they are very well-meaning, actually. I've done a couple of Star Trek conventions, and they've only been really welcoming.

I loved being in Trainspotting and having to dive into the filthiest toilet in Scotland.

I think Danny Boyle's got it in his head that we all still look too young (to do a 'Trainspotting' sequel.) But, I mean, I don't look like anyone I play, anyways, so I don't really know where that comes from. Because, you know, you change yourself for the roles. I'm actually not Scottish, either!

[Margaret Thatcher] was the invisible hand behind it. Without that, there'd be no Trainspotting and no Filth.

In the 1990s, from the estates of Scotland came the phenomenon of Irvine Welsh. 'Trainspotting' demanded its place not only in the high ranks of contemporary fiction but as a describer of a Britain that literally and metaphorically was in a deep mess.

It's all been quite a revitalizing process for me, being out there in the States. It wouldn't have happened without Trainspotting.

'Trainspotting' is among my favourite films of all time.

I've read a lot of Irvine Welsh - Trainspotting, Glue - he's written some beauties.

You don't sign up to 'Trainspotting' expecting glamour.

I would never have written 'Trainspotting' if it hadn't been for this album, 'Raw Power,' and 'Metallic K.O.'

In America, Miramax are using a 'New York Times' review that said 'Trainspotting' makes 'Kids' look like a 1960s episode of 'Sesame Street.'

With 'Shallow Grave' people realised that you could set a film in Scotland and it didn't have to be about leaky boats in the Highlands. Then 'Trainspotting' made it fashionable.

I tried to write 'Trainspotting' in standard English, but people weren't talking like that.

Some of the films that I have really enjoyed include: The Fifth Element, The Crow, Toys, Seven, Forrest Gump, The Lion King, 12 Monkeys, Doctor Zhivago, Being There, and Trainspotting.

I didn't have any concept of Trainspotting being published. It was a selfish act. I did it for myself.

Every film I've ever worked on, and that includes 'Braveheart' and 'Trainspotting,' I've always witnessed a director having a breakdown. Every director will have a day, without exception, where they just can't do it anymore, they don't know what to say to their cameraman, their cast. It's the sign of real, physical exhaustion.

From 'Trainspotting' to 'Acid House,' I moved from urban realism into fantasy.

Most films that I do, whether successful or not, just fade away. They have their moment in the sun, then they are gone. 'Trainspotting' did not, and especially with journalists. So whenever I launched a new film, I'd end up talking about 'Trainspotting.'

A lot of people pulled me up after 'Trainspotting' for its absence of politics, but the argument I make is that the absence of politics is political as well.

As far as 'Trainspotting' changing my life, I think I've said before I probably squandered a few opportunities. But I'm fine with that because everything's fine.

The first of the Trainspotting crew to die. Out of the five of them like, Begbie, Renton, Spud, Sick Boy and [Margaret] Thatcher. Who'd have thunk she'd have been the first to go? She was the invisible author of the book, really. She created the conditions and the hubris whereby that whole culture flourished.

When I started acting I knew nothing. It was a momentous decision to pick up the flyer for the 'Trainspotting' audition. 'Destined' is a bit of a poncy word for it, but I do think I was headed in that direction.