Top 1200 Oral History Quotes & Sayings

Back in the day, you'd walk down to a street corner and see some people making a story with a hat in front of them. It's ancient entertainment, ancient storytelling and oral history - now we're doing it on YouTube.

The Americans are violently oral. That's why in America the mother is all-important and the father has no position at all -- isn't respected in the least. Even the American passion for laxatives can be explained as an oral manifestation. They want to get rid of any unpleasantness taken in through the mouth.

I made some friends at Listerine and they taught me a little bit about oral care. That half of adults suffer from oral disease, that the number one chronic disease among children is oral disease, that we're only taking care of 25% of our mouths when brushing alone and there are more germs in your mouth than there are people on the planet.

I'm doing a collaborative project with another artist, Mary Hamill. My project is to gather the oral history of war widows, starting with the women of my village, Kop Nymit.

As audiences, when we are exposed to oral history projects not only do we learn but in some ways we also bear witness to that which we have not experienced personally.

Poetry carries its history within it, and it is oral in origin. Its transmission was oral. Its transmission today is still in part oral, because we become acquainted with poetry through nursery rhymes, which we hear before we can read.

To the best of my knowledge and of my effort, every lineage statement within 'Roots' is from either my African or American families' carefully preserved oral history, much of which I have been able conventionally to corroborate with documents.

Unix is not so much an operating system as an oral history.

I've always tried to write California history as American history. The paradox is that New England history is by definition national history, Mid-Atlantic history is national history. We're still suffering from that.

Poetry has always mattered, through human history, through all kinds of cultures, all kinds of violence and human desolation, as well as periods of great human affirmation. It's been associated with the power of the word, with the sacred, with magic and transformation, with the oral narratives that help a people cohere.

The Veteran's History Project, a nationwide volunteer effort to collect oral histories from America's war veterans, provides an avenue to do just that. Now in its fifth year, the Project has collected more than 40,000 individual stories.

All history was at first oral.

We live in a society that is in transition from oral to written. There are oral stories that are still there, not exactly in their full magnificence, but still strong in their differentness from written stories. Each mode has its ways and methods and rules. They can reinforce each other; this is the advantage my generation has - we can bring to the written story something of that energy of the story told by word of mouth.

I love oral hygiene.

A good part of 'The Information' is about the transition from an oral to a literary culture. Books effected such a great transformation in the way we think about the world, our history, our logic, mathematics, you name it. I think we would be greatly diminished as a people and as a culture if the book became obsolete.

In third grade, I had to an oral report on the state of Oregon. I brought up Big Foot sightings, and I remember there was an argument about whether or not Big Foot was valid history. Ever since then I've been thinking about how subjective history is.

I am trying to inspire people to just take control of their oral health, because if we don't take care of our oral health, it affects so many different aspects of our lives. If your smile and mouth is not together, it affects your relationship, your self-esteem, your health.

For most of human history, 'literature,' both fiction and poetry, has been narrated, not written — heard, not read. So fairy tales, folk tales, stories from the oral tradition, are all of them the most vital connection we have with the imaginations of the ordinary men and women whose labor created our world.

There is no individualism in Eastern or oral cultures.

Oral history is a recipe for complete misrepresentation because almost no one tells the truth, even when they intend to.

Is a BJ adultery? What? Did I miss a day of school? Of course it is! Oral sex is adultery like Curling is an Olympic sport. The only thing is, oral sex should be in the Olympics because it's much harder than Curling, and if you're good at it, you DESERVE a medal!

History is a living horse laughing at a wooden horse. History is a wind blowing where it listeth. History is no sure thing to bet on. History is a box of tricks with a lost key. History is a labyrinth of doors with sliding panels, a book of ciphers with the code in a cave of the Saragossa sea. History says, if it pleases, Excuse me, I beg your pardon, it will never happen again if I can help it.

I am not against songs in films. We come from an oral tradition of storytelling. I have grown up listening to epics in oral rendition and oral rendition always had music.

I think we fool ourselves and really negate a great deal of history if we think that the oral history of poetry is shorter than the written history of poetry. It's not true. Poetry has a longer oral tradition than it does written.

I'm called an oral historian, which is something of a joke. Oral history was here long before the pen, long before Gutenberg and the printing press. The difference is I have a tape recorder in my hand.

Moreover, it is so important that people have the opportunity to share their stories and have them documented. There have been large-scale oral history projects after many events, from September 11th to Hurricane Katrina. Many oral history projects are much more confined, but equally valuable. We can learn about different working conditions, living conditions, trauma experiences and much more through oral history.

I read Pamela Colloff's oral history about the campus shooting, '96 Minutes,' when it was first published, and my wheels immediately starting turning toward making a film and making it an animated re-telling.

I'm saying that the domain of poetry includes both oral & written forms, that poetry goes back to a pre-literate situation & would survive a post-literate situation, that human speech is a near-endless source of poetic forms, that there has always been more oral than written poetry, & that we can no longer pretend to a knowledge of poetry if we deny its oral dimension.

Rap comes from the oral tradition. The oral tradition gives voice to those who would've otherwise been voiceless.

I think where you're born brings a history with it - a cultural history, a mythical history, an ancestral history, a religious context - and certainly influences your perception of the world and how you interpret everyday reality.

But you have to understand what that really did is that it opened these DVDs to be sources of oral history instead of puff pieces for the studio, because people involved with them being in fear of being sued by somebody, so it became another form of movie history. I mean I didn't plan it, but I'm proud that it happened. Which is probably why they didn't interview me for this DVD.

One important part of historical recording is to get people of another generation to understand the feelings, the passion that went into social transformation. That's why oral history is so valuable.

The values transmitted through oral history are many - courage, selflessness, the ability to endure, and to do so with humor and grace. I got those values listening to my dad's stories about the Depression and how their family survived. It gave me courage that I, too, could survive hard times.

What I love about jazz is that it's full of legends, full of myths. It's an oral history because it started in New Orleans and Kansas City, under the radar.

Oral history interviews allow us to document and chronicle people's stories; stories that might otherwise not be included in the historical record.

My morals went when the president got oral.

We have seen over and over that white male historians in general have tended to dismiss any history they didn't themselves write,on the grounds that it is unserious, unscholarly, a fad, too "political," "merely" oral and thus unreliable.

I remember when I first saw Whoopi Goldberg doing standup, and she was wearing a sheet on her head, basically pretending to be this little white girl with long luxurious blonde hair. Everyone can relate to that. It's an oral history of black women's lives through laughter.

I wouldn't even go into the history of the last days of the Soviet Union, the withdrawal from Europe, and what promises were given at that time, because those were oral promises, and our leaders of that time strongly believe that, like in ancient Russia, a word given is better than any treaty.

It is hardly an exaggeration to say that oral teachers and sign teachers found it difficult to sit down in the same room without quarreling, and there was intolerance upon both sides. To say 'oral method' to a sign teacher was like waving a red flag in the face of a bull, and to say 'sign language' to an oralist aroused the deepest resentment.

It is said that the history of peoples who have a history is the history of class struggle. It might be said with at least as much truthfulness, that the history of peoples without history is a history of their struggle against the state.

I've seen things change and people forget: the history of Berlin, the history of queer struggle, the history of AIDS, the history of New York changing from an artistic powerhouse to more of a financial one now.

I wanted to be a part of history and not just a recorder and teacher of history. So that kind of attitude towards history, history itself as a political act, has always informed my writing and my teaching.

Poetry carries its history within it, and it is oral in origin. Its transmission was oral.

Oral history is a research method. It is a way of conducting long, highly detailed interviews with people about their life experiences, often in multiple interview sessions. Oral history allows the person being interviewed to use their own language to talk about events in their life and the method is used by researchers in different fields like history, anthropology and sociology.

I think we fool ourselves and really negate a great deal of history if we think that the oral history of poetry is shorter than the written history of poetry. It's not true. Poetry has a longer oral tradition than it does written

The president is on national TV apologizing for getting oral sex. Why didn't he just stick with his lie? You got to stick with your lie. If you lie, you have to believe that lie whole-heartedly. It has to become the truth for you. But this man, the most powerful man in the world, is on national TV apologizing for receiving oral sex. He's an idiot. There are men sitting in here right now who would gladly accept oral sex on national TV.

There are many important books on oral history. My book was the launch title in the Understanding Qualitative Research series with Oxford University Press. I think what makes my book and all of the series books unique is the emphasis on writing instruction for researchers who want to use the method being described.

Won't it be wonderful when black history and native American history and Jewish history and all of U.S. history is taught from one book. Just U.S. history.

The mixture of the oral and the written traditions in the writings of Plato enabled him to dominate the history of the West.

When you're missing your two front teeth, that's honesty. That is a door to your oral history. You're not covering anything up. You're saying, 'Hey world, I'm missing my front teeth. I'm gross; I'm dirty; I'm poor. I clearly have no problem with public urination and eating garbage. Don't come near me, I'll gum you to death!

All other forms of history - economic history, social history, psychological history, above all sociology - seem to me history with the history left out.

People are always saying it's the end of the Gutenberg era. More to the point, it's a return to an oral era. The Gutenberg galaxy was about the written word. At its best, the digital era is part of the rediscovery of the oral. At its worst, it's a Kafkaesque victory of the bureaucratic over the imagination.

Twentieth century history of Christianity will name Oral Roberts as the voice that brought the Pentecostal movement to be taken seriously by mainline Christianity.

I'm actually reading 'World War Z' again! It's incredibly realistic and it's written as an oral history through interviews with different characters. Max Brooks wrote this book in so many different voices. There are about forty or so. It's incredible. When I finish 'World War Z' I'm going to go back and start again on the 'Game of Thrones' series.

My book, Oral History: Understanding Qualitative Research is about how researchers use this method and how to write up their oral history projects so that audiences can read them. It's important that researchers have many different tools available to study people's lives and the cultures we live in. I think oral history is a most needed and uniquely important strategy.

While most Americans have access to the best oral health care in the world, low-income children suffer disproportionately from oral disease.

After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I'd read, I started relying on the expert advice of other mothers--especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.

A fast word about oral contraception. I was involved in an extremely good example of oral contraception two weeks ago. I asked a girl to go to bed with me, she said 'no'.

Although it is tempting to imagine an ancient era innocent of biochemical weaponry, in fact this Pandora's box of horrors was opened thousands of years ago. The history of making war with biological weapons begins in mythology, in ancient oral traditions that preserved records of actual events and ideas of the era before the invention of written histories.