Being jazz-trained, things happen spontaneously. Even though it's funk rock, we still have the instincts of a jazz musician.
One of the greatest matches I ever saw was Jerry Lawler against Terry Funk in the Memphis Midsouth Coliseum, but there was Flair vs. Steamboat in Nashville back in '89.
Flea and Anthony are into funk, like old school Meters and stuff like that.
I love rock, pop, and funk. I love being able to blend these three and create something unique for people.
A cardio-funk class - I should have at least taken one of those. But it's always terrified me. I'm never one to be a dancer on the dance floor, even at a bar or a club.
I think the Flecktones are a mixture of acoustic and electronic music with a lot of roots in folk and bluegrass as well as funk and jazz.
We was different, and that's what made g-funk turn into what it turned into and create a new genre, and open up a lot of doors for other artists to feel free to do that type of stuff.
I started playing with this band, the Polyester Players. It was my introduction into funk. So I went and got a James Brown record. 'Black Caesar' is a film score, but it's so dope.
When I'm just tryna funk, it's gonna be the Staple Singers, man - Pop Staples. And Ray Charles. Ray could take 'Eleanor Rigby' and make that funky.
Funk, gospel, blues is all out of slavery times, out of depression, out of sorrow.
I've always gravitated towards the beats, obviously. And when I was growing up, I always loved funk music or even - dare I say it - disco.
I've determined my style - I like to call it elegant funk. You'll see me in some really beautiful gowns but I'll still have my septum piercing in.
I started buying records in the 80s. I listened to everything new wave, disco, funk synth-pop, rock, but in my house we were listening to bossa nova, tango, and folk.
I didn't grow up with Broadway music. My mother played Perry Como, while I listened to Andy Williams records. Later on it was Cream, Grand Funk Railroad and lots of R&B like the Isley Bros. and Parliament.
To me, if you're going to talk about funk, you have to go back to George Clinton and Bernie Worrell. Those guys are the giants. I've played with Bernie, and it was unreal. He's the master.
Before I read 'Twilight,' I was in a reading funk. This series brought back my love and obsession for reading.
For about three or four years, I was in a lot more physical pain and stress than anybody knew. When I would meet people, I was kind of standoffish. That was because I was in a bit of a funk.
I played in a band and attended Grambling University. I think the Mob style funk music I do was patterned after the big college bands. I was also influenced by groundbreaking efforts of Too Short.
Hip-hop and jazz have always been intertwined. Even the G-funk thing. You listen to 'The Chronic,' there's flute solos and everything. It's always been there.
I got dead bodies rotting in my Benz trunk. Trunk of funk, I call it.
My favorite bands were Emerson, Lake & Palmer, Jethro Tull, Uriah Heep, Grand Funk Railroad. If you listen to some of my early music, you can hear it.
If you listen to 'Electric,' 'Entourage,' and 'Been With A Star,' all those records are records that I dug into the crates for to help me create that feeling of old funk. No one makes records like that anymore.
Of course I'm funky like fat people having intercourse.
Basically, the funk is stuck in your teeth...so get the dental floss.
I worked with the Neville Brothers for 40-some years on the highway, and up and down since I can remember - funk from New Orleans.
Punk Funk means to be one with yourself. To be rebellious, aggressive, able to do and say what you feel at all times, without inflicting mental or spiritual pain.
Terry Funk. Any time I got to wrestle with him, it was cool. Superstar Billy Graham was another one.
A lot of people can kick a ball a long way, but sometimes you get in a little funk and you work your way out of it.
Funk never dies. It is eternal. It just smells a little different from time to time.
I love jazz and funk, because it's hard. If it's not hard, it's not worth doing.
My policy has always been to play new music. New beat, industrial, techno, disco, funk, rare groove and house music.
I'm always surprised that I'm still around funk and that people are still into it.
The concept of having staple pieces with clean, basic lines, and adding accessories to funk it all up is one that applies to both fashion and decorating. There are so many parallels.
I go to Milwaukee, I get cut, that really put a funk in me. I'm like, 'Man, it's over for me. I can't even make it in training camp now?'
I've been in the game a long time. I've done all sorts of different types of music. From mob music to the G-Funk era.
This is jazz, this is funk, this is soul, this is gospel
This is sanctified sick, this is player Pentecostal.
This is church front pew, Amen, pulpit,
What my people need and the opposite of bullshit.
The Rat Pack was the piece that really kicked me out of that little funk that I was in and then Ted called me up and asked me if I wanted to be the dad in Blow.
Rap was an outlet for me to express myself. Nobody was trying to hear no R&B/Funk band from East Houston, so I guess I would rap.
I may be taking a different approach, being a guy leading a band with a trombone, but if you take that out of it and put in a guitar or keyboard, it would be considered funk-rock music.
I've pinched things from people I look up to, of course, like Roddy Piper, and CM Punk, and Terry Funk, those guys who I love, so of course it's going to happen.
Dreaming led to disappointment, and disappointment to a kind of depressed funk that wasn’t easy to shake. Better to stay in the gray than get eaten by the dark.
I'm somebody who listens to a lot of funk, a lot of James Brown, and I want to be somebody who contributes all that energy to the mainstream.
The Pigtronix Envelope Phaser pedal is a definite 'must have' for your Funk recipe cookbook......it adds definite Funkaliciousness to your WOO stew.
The reason I started dancing in the first place was my dad took me to see 'Bring In 'da Noise, Bring In 'da Funk' when I was 9.
If some people don't like funk music then it's just the wrong time for them. They will get it. It's addictive.
If you listen to a lot of old funk records, the drums are really small. But you don't perceive it like that because the groove is so heavy.
I like New York because you're kind of forced to smell everybody else's funk. So it keeps you biologically attached to the world around you.
I don't watch cable news at night. So I can honestly tell you that I am not in a funk, I am not depressed, I'm not suicidal, I'm not thinking it's over.
If you prefer illusions to realities, it is only because all decent realities have eluded you and left you in the lurch; or else your contempt for the world is mere hypocrisy and funk.
[David] Bowie went on to make best-selling music - funk, dance music, electronic music, while also being influenced by cabaret and jazz.
Off stage it's cool-out time. You can't funk and roll ALL the time.
I like mixing things up. That makes it more interesting. I love mixing in slower funk with what I do. I'll add drum and bass and put my foot to the gas pedal and press it to the floor.
I was a choreographer in the '80s and I was doing these videos. I did an Extreme video, which was really weird having them here. I did "Get the Funk Out".
Grime is a particular style of music. You've got electro, funk and garage; grime is its darker side. It's constantly evolving.
They haven't any spirit in them - no proud dreams and no proud lusts; and a man who hasn't one or the other-Lord! What is he but funk and precautions.
When I was a kid, you listened to a certain genre. Now it's like, "I love indie rock, I love hip-hop, jazz, funk." Also, we knew it couldn't be the same thing each year.
I feel so honored that I'm bringing part of the culture of my country to other countries, you know, like the funk music.
The world doesn't need another clothing company. But it does need a certain funk.
One of my strongest memories is my father playing bongos in the living room in Detroit listening to Motown radio. He was this skinny white bald guy, but he was really moved by blues and Motown and funk.
My dad and I used to play Prince, Lauryn Hill, Stevie Wonder, The Parliaments, and a lot of older funk bands while cooking breakfast in the morning.
But the idea of taking things and mixing them together is what I do in my music. I take hip-hop, R&B, pop, dance, funk and soul and mix it all together to get my own sound.
This site uses cookies to ensure you get the best experience.
More info...