Top 1025 Flash Gordon Quotes & Sayings

I think what happens when you are prime minister is no day is the same and every day you are under pressure. And there is always so much happening that the days just flash by and flash into weeks.

The Dark Side of the Moon has flash - the true flash that comes from the excellence of a superb performance.

Give me lust, baby. Flash. Give me malice. Flash. Give me detached existentialist ennui. Flash. Give me rampant intellectualism as a coping mechanism. Flash.

When I was a kid growing up in the '80s, the BBC showed those old Buster Crabbe serials like Flash Gordon and Buck Rogers. So instead of ponderous sci-fi or depressing sci-fi or dystopian sci-fi and all the things we're kind of used to, where it's always raining and it's always dark, I thought, "Wouldn't it be nice to do something that was just fun and absolutely nonstop?" Like, I love writing action, and this thing is that. It's all action.

I think that Gordon Ramsay is maybe one of the most entertaining people ever on television. And I would love to pretend to be Gordon Ramsay and walk into a restaurant uninvited and attempt to make them change their menu. It's just a personal fantasy of mine.

Star Wars' was derivative of 'Buck Rogers' and 'Flash Gordon,' wasn't it?

I like when things happen very quickly, just flash in and flash out. It keeps things interesting.

In the news this week, the polls continue to slide for Gordon Brown and some people are saying he's dead and buried. But I think the opposite - I say GORDON'S ALIVE!

I just do little jokes all the time and people think I'm serious. I know exactly who Gordon Ramsay is, I know exactly who Gordon Brown is... I just say jokes but they think I'm serious which I think is funny and I think I kind of play up the image sometimes because - whatever - it's just entertainment.

The photographer in my head says: Give me peace. Flash. Give me release. Flash.

The flash would prove that proton decay really happens. The flash would mean that the matter of the proton - the solid stuff - had turned into the energy of the flash (E-mc2). Totally. Nothing left behind. No ash. No smoke. No smell. Nada. One moment it's there, the next moment - pffft - gone. What would it mean? Only this: Nothing lasts. Nothing. Because everything that exists is made of protons.

When I was a young writer if you went to a party and told somebody you were a science-fiction writer you would be insulted. They would call you Flash Gordon all evening, or Buck Rogers.

I always knew Gordon Lightfoot was a really great songwriter, but his stuff even sounds better and better all the time. It's just so really good to me. It's just like that's what should be in a dictionary, you know, next to a really good contempory folk song, is a Gordon Lightfoot song.

The thing that I love about The Flash and about superhero shows, in general, is that it's not about having superpowers that makes you a superhero. You don't have to be The Flash and have super speed to do the right thing. You can be a great reporter or you can be a cop, like Joe West, and still fight for the things that matter.

We live in a flash of light; evening comes and it is night forever. It's only a flash and we waste it. We waste it with our anxiety, our worries, our concerns, our burdens.

As a youngster, I read of Buck Rogers and Flash Gordon. As a student, I wrote English reports on science fiction. And as a fighter pilot, I observed the selection of the Mercury astronauts. All this was fascinating, but I really didn't think I would ever be a part of it. It was only when my good friend Ed White was selected as a Gemini astronaut that I decided to join NASA as part of the Apollo program.

The secret to 'Year One' is that it's a Jim Gordon story. It's a great Bruce Wayne story, don't get me wrong, but Jim Gordon is the focus of that book. To me, that's the stronger emotional arc. It's not that the Bruce Wayne stuff isn't masterful, because it is, but it's Jim's book.

When you are working with low budgets and you have a gunshot with a squib and it goes wrong - the gun flash does not synchronize with the squib or whatever - it takes half an hour or 40 minutes to clean it all up and reset it. It's much easier to use a computer to paint in the flash and splatter.

I think that's something that always enticed me about the '40s - back then, the glamour and the style - you couldn't really make it up. You just were or you weren't. You either fit in that world or you fit in the other. Things were very cut and dry. Things were simple. There wasn't a whole lot of excess or flash to be flashy; it was real flash, and real excitement.

People talk about the difference between radio acting, TV acting and stage acting, but I think it's all the same. For instance, when I played Vultan in 'Flash Gordon,' I put as much energy into it as I would with 'King Lear' - it's all part of the same thing.

In my experience poetry speaks to you either at first sight or not at all. A flash of revelation and a flash of response. Like lightning. Like falling in love.

Eric Gordon is a great scorer.

Doc Savage, Indiana Jones, Flash Gordon... these were the kinds of characters I was thinking about as I was developing Jonas Quantum because there aren't that many brand new characters being introduced anymore.

I'm not saying that Sam J. Jones was Flash Gordon - there's no such thing. No actor can be the person, that's a bunch of crap. People pay to see an actor be himself, whether he plays Hamlet or whatever.

Flash is about freedom; Flash is about expression. Flash is about just the joy of exuberant running and of freedom, and the moment you weight him down with too much Batman-like baggage... that's not the Flash anymore.

I used to watch the old 'Flash Gordon' series on TV, and it was thrilling to rocket to the planet Mongo every week. But after a while, I figured out that although Flash got the girl and all the accolades, it was really Dr. Zarkov who made the series work. Without Dr. Zarkov, there could be no Flash Gordon.

If it's a flash it's been an awfully long flash. I've been around for 20 years in one of the largest media and political markets in the country, so I'd call it more of a slow burn.

The prima ballerinas who taught me were far more scary than Gordon Ramsay. They'd scream at me and pull my legs and arms, so after them Gordon was a piece of cake.

I was a Gordon Lightfoot fan before he ever had a song out. You just knew he was pure talent and he was going to be successful. Gordon has written and recorded some of the greatest music ever.

The thing that interests me far more than anything is creating music, songwriting and arranging, and in that context drumming itself is a means to an end. I think it's really easy to forget that - I'd sooner play something musical than flash, and as I can't play anything flash, I try to be musical. Drums can set a mood, create an impression, as much as anything else.

I'd like to go back and revisit the Flash/Captain Cold relationship, because that to me has been the heart of it all along. My impression is that The Flash is a show about a boy's journey into manhood. For the Flash character, there is a variety of male models presented to him, and Captain Cold is one of them.

'Flashpoint' is a showcase to demonstrate why the Flash is a major character, just like how we've done with Green Lantern. It's important that the Flash can hold his own.

A wide variety of devices beyond personal computers are arriving, many of which will be used to browse the Web... The Flash engineering team has taken this on with a major overhaul of the mainstream Flash Player for a variety of devices.

Wolves eat coyotes," Gordon said[...] If he weren't an old man, I had some rude things I could have said to that. "Yes," observed Adam blandly. "I do." Yep. That was the one that came to mind. And he didn't even blush when he said it. Maybe Gordon would miss the double entendre. But he grinned cheerfully at Adam.

I started The Body Shop in 1976 simply to create a livelihood for myself and my two daughters, while my husband, Gordon, was trekking across the Americas. I had no training or experience and my only business acumen was Gordon's advice to take sales of £300 a week. Nobody talks of entrepreneurship as survival, but that's exactly what it is and what nurtures creative thinking.

Night terrors are in deep sleep, and they're more common in kids, as are nightmares, but what happens in a night terror is like a flash - we think a flash of some image or something happens in the brain. We don't really quite know what. And it usually ends up with the child screaming almost like screaming bloody murder. It's very scary for the parents or whoever else is around.

I have a great deal of respect for Mark Gordon’s work and am confident that together we can bring the beauty and magical delight that Narnia engenders in the hearts of those who read the books to the screen in ‘The Silver Chair.’ I am very much looking forward to diving once more into Narnia, this time with Mark Gordon and his team.

In an episodic treatment, such as a teleplay is, you have the ability to do what you can do in a novel, which is flash back and flash forward in the same instant, in the same scene, in the same voice.

I would've said yes before I saw Aaron Gordon do what he did. And Zach LaVine went nuts as well. I think Gordon should've won for what he did. But what LaVine does is amazing. I don't know where he gets that bounce and that glide but it's incredible. I hope both those guys compete it in next year. Over the last years or so, I'd say the three-point contest has been more entertaining than the dunk contest, but this was really special this year.

I've never really been that into cars. Maybe I just thought that's what pop stars do. They buy flash cars. I was just playing it up a bit, being flash.

A sudden understanding, a pity mixed with horror, welled up in Bilbo's heart: a glimpse of endless unmarked days without light or hope of betterment, hard stone, cold fish, sneaking and whispering. All these thoughts passed in a flash of a second. He trembled. And then quite suddenly in another flash, as if lifted by a new strength and resolve, he leaped.

Gordon Keith was the son a gentleman.

I don't think you need to watch Arrow and Flash to appreciate what it is Legends has to offer. The beauty of this show - and they do this on Flash, and they did this on Arrow - is that we do spend time on character. We do spend time on backstory. We do take a moment in between the sci-fi special effects to tell you who these people are, so that when something happens to them, you actually care.

I grew up in the golden age of Flash Gordon and sci-fi.

Adapted from the novel by L. Ron Hubbard, who cranked out sci-fi pulp by the cubic ton, 'Battlefield Earth' has the musty feel of the days when the genre's highlight was Flash Gordon.

When I was young, I ran to see Astaire and Rogers, Huston, Lubitsch - they were formative for me. I also read 'Flash Gordon' when I was 6, but if I were still reading it when I was 16, I'd have been an imbecile.

The clock struck half past two. In the little office at the back of Mr. McKechnie's bookshop, Gordon--Gordon Comstock, last member of the Comstock family, aged twenty-nine and rather moth-eaten already--lounged across the table, pushing a fourpenny packet of Player's Weights open and shut with his thumb.

I think vigilantism is a pipe dream, because the larger need is for a justice system that works. Now, Batman cannot be Batman without police commissioner Jim Gordon, because every time he catches a villain, he tries to send them to Gordon. So, the idea is to help the justice system to work. I don't think it can work in real life, though.

In a flash order transaction, buy or sell orders are shown to a collection of high-frequency traders for just 30 milliseconds before they are routed to everyone else. They are widely considered to give the few investors with access to the technology an unfair advantage, even by some of the marketplaces that offer the flash orders for a fee.

'Blasto' is a new game for Sony Playstation. It's an awesome three-dimensional game, and I play the character Blasto who's sort of a Flash Gordon barrel-chested superhero who goes to Uranus and shoots these little green alien Fascist guys. He rescues babes; he goes on wild rides.

And I was very successful at baby photography... Strange isn't it? Because some of my portraits of babies were - I used dramatic lighting, shadow lighting, and I didn't use flash. We didn't have flash in those days, we just had floodlights, and I was photographing babies as I would an object - an inanimate object, for that matter.

I was offered the role of the Reverse Flash on 'The Flash' by Executive Producer Andrew Kreisberg and Greg Berlanti, who co-created the series with Andrew. I said 'yes' immediately because I had worked with those guys before on the show 'Eli Stone.'

I'm so not a comic book guy. The most I knew about 'The Flash,' as a little kid, was the Underoos. I had 'The Flash' Underoos.

I remember talking to Alex Ferguson about Tony [Blair] and Gordon [Brown], and he said: "Why doesn't Tony just get rid of him?" But if you sack someone in football, they can't turn up to training the next day. In politics they're still on the pitch. Gordon would still have been a big player.

It is very linear storytelling, and I think that's not so much the fashion. I was watching a new drama the other night which was extremely non-linear, where you flash back and flash forward in ways that certainly keeps you on your toes as the audience. There's not much of that courage with the storytelling in our Maigret film.

I hate to date myself, but my earliest memories are Flash Gordon. I would love playing Flash Gordon in the neighborhood.

Hendrick definitely realises that we're young and trying to learn - and wrecking cars is part of how you learn. Jeff Gordon went through 20 something clips in his first season, but Rick Hendrick realised he had to take a chance on Jeff Gordon. They wrecked a lot of cars, but Jeff Gordon has given him four championships.

I actually had some funny dialogue [ in Stardust Memories], a little piece, and we shot all day in this big ballroom. Gordon Willis was the director of photography, and at the end of the day, Gordon turned to Woody Allen and said, "We cannot accomplish all of this in this space. It's impossible." And we'd been rehearsing and trying to shoot this thing all day. So Woody said, "Okay, let's do something else." He looked at me and said, "Come back tomorrow, I'll put you in something else." And he did.

Thought is only a flash between two long nights, but this flash is everything.

With the advent of 24-hour Sky News, the News Flash has been greatly devalued. Time was, when something unimaginably horrendous had to happen before it was deemed worthy of a News Flash. At least one, preferably two, and ideally all four horsemen of the apocalypse would have to be involved.