Top 1200 Good Authors Quotes & Sayings - Page 16

As with men, it has always seemed to me that books have their own peculiar destinies. They go towards the people who are waiting for them and reach them at the right moment. They are made of living material and continue to cast light through the darkness long after the death of their authors.

Somebody who only reads newspapers and at best books of contemporary authors looks to me like an extremely near-sighted person who scorns eyeglasses. He is completely dependent on the prejudices and fashions of his times, since he never gets to see or hear anything else.

I liked reading and working out my ideas in the midst of that endless crowd walking in and out of the (library) looking for something. I, too, was seeking fame and fortune by sitting at the end of a long golden table next to the sets of American authors on the open shelves.

I always tell people, good coaches are a dime a dozen. Good coaches that are good people, good husbands, good fathers, that love their players and are passionate about doing things in a way that I believe is important, that pool gets real small.

There is no single test or formula for producing moral progress anymore than there is for generating scientific truths. It is a process involving theoreticians, fact-gatherers, protestors, martyrs for the cause, authors of first- person narratives who change the way we see and evaluate the distribution of harms and benefits.

Good girls don't hurt other people's feelings. Good girls are not overly aggressive, competitive, or boastful. Good girls please others. But what good girls are good for is another question.

The motives and purposes of authors are not always so pure and high, as, in the enthusiasm of youth, we sometimes imagine. To many the trumpet of fame is nothing but a tin horn to call them home, like laborers from, the field, at dinner-time, and they think themselves lucky to get the dinner.

I feel a kind of reverence for the first books of young authors. There is so much aspiration in them, so much audacious hope and trembling fear, so much of the heart's history, that all errors and shortcomings are for a while lost sight of in the amiable self assertion of youth.

I don't want to be like other authors and say that there are only a few story lines in literature. A story is like a human face. We have as many stories as human faces. You might have similar facial features, but they're all a little different.

Whether you like the label 'Anthropocene' or not, whether you find the prospect of what it signifies inevitable or appalling (or both), the time has come to address its implications, as these thoughtful, battle-tested authors attempt to do. The time has long since come.

We act like God's only good when the outcome is good. We say, 'We've got a good God because I've got a good job.' But what if I don't have a good job? Does that mean God's not good anymore?

Like many writers, I'm usually more interested in reading about authors than their actual works. We're more curious to know how they were written than what they are like to read.

Parts of India treat Rushdie like he's a rock star; we especially like boasting about him to our Western friends and acquaintances. It's nice to act like one of the world's most successful authors is as homespun as our handloom saris.

Generally, my notes and outlines comprise more words than my novels. I suppose that's one reason I'm a comparatively slow writer, something that has always bothered me given the fact that other authors can turn out a book every six months while I usually take about two years.

It is a sad paradox that when male authors impersonate women ... they are said to be dealing with 'cosmic, major concerns' - but when we impersonate ourselves we are said to be writing 'women's fiction' or 'women's poetry.

Sometimes he spent hours together in the great libraries of Paris, those catacombs of departed authors, rummaging among their hoards of dusty and obsolete works in quest of food for his unhealthy appetite. He was, in a manner, a literary ghoul, feeding in the charnel-house of decayed literature.

I couldn't just be good on the mic. I needed to be good on the mic; I needed to be good in the ring; I need to be good in my presentation; my ring attire need to look good, my appearance. Everything about me needed to be the best. I couldn't be weak in any area because you're only as good as your weakest aspect.

There is a certain amount of intrigue that gets created by revealing portions of the book and, in the process, generating a certain amount of interest. Often, authors do this by releasing a few chapters online or even releasing film-like trailers.

Criticism is now become mere hangman's work, and meddles only with the faults of authors ; nay, the critic is disgusted less with their absurdities than excellence ; and you cannot displease him more than in leaving him little room for his malice.

Authors don't tend to stay with the same agents and editors over their entire lifetimes, but Grafton worked with Marian Wood, her editor at Putnam, from Kinsey's first outing, and signed with Molly Friedrich, still her literary agent, with the publication of 'B Is for Burglar.'

From my teenage years on, I sought out Native elders from many tribal nations and listened to their words. I also started a small press, The Greenfield Review Press, and became very involved with publishing the work of other American Indian authors, especially books of poetry.

Every good that you do, every good that you say, every good thought you think, vibrates on and on and never ceases. The evil remains only until it is overcome by good, but the good remains forever.

Eventually, all of our impressions will be dead. That's one of my favorite things about Paul F. Tompkins' 'Dead Authors' podcast is to be able to do impressions of people you've never otherwise think to do or get to do. I did Walt Whitman on there, and that was really fun.

I know how hard authors work on their books and how far out of their element many are when it comes to doing the sales and marketing. So when I see someone doing it wrong and giving bad advice, I do my best to help - even when they're not my clients.

Teenage readers also have a different relationship with the authors whose work they value than adult readers do. I loved Toni Morrison, but I don't have any desire to follow her on Twitter. I just want to read her books.

The inspiration of a single book has made preachers, poets, philosophers, authors, and statesmen. On the other hand, the demoralization of a single book has sometimes made infidels, profligates, and criminals.

I think a reason why TV is exciting and getting so much better is because we [authors] get to play off of an actor's strengths and challenge them on their weaknesses. On a feature [film], you don't necessarily get to do that. You hope that they cast the right guy, who comes in and plays your part.

Anyone who fears, as I do, that today's public schools are dangerously close to being irrelevant must read this book. The authors provide a road map-and a lifeline-showing how schools can prosper under the most difficult conditions. It is a welcome departure from all the school bashing.

I grew up with probably three different authors having a seminal influence on my childhood, Dr. Seuss being one and Maurice Sendak being another. That was my parents, who exposed me to their stories. That's how I was introduced to the whole idea of not just reading, but storytelling in general.

Obviously, my name is known now, but I don't think people generally tend to recognize authors very much. People like J. K. Rowling maybe, Gillian Flynn might be recognized, but I reckon she could walk by me on the street, and I wouldn't know who she was.

To understand the works of celebrated authors, to comprehend their systems, and retain their reasonings, is a task more than equal to common intellects; and he is by no means to be accounted useless or idle, who has stored his mind with acquired knowledge, and can detail it occasionally to others who have less leisure or weaker abilities.

Silicon Valley isn't usually where aspiring authors go to kick-start a literary reputation. [...] How'd he do it? By courting bloggers and influential techies like Joi Ito, Stewart Brand, and Craig Newmark demonstrating that if you can get the geek grapevine on your side, you don't need Random House.

I think male authors who want to try to tackle these issues of representation of women can generally do a better job if they try to question traditional notions of masculinity and the sort of toxic nature of traditional ways of presenting masculinity.

And I like those authors best whose scenes describe my own situation in life-- and the friends who are about me whose stories touch me with interest, from resembling my own homely existence.

I've had such an amazing opportunity to work on so many different types of projects that continued on to Broadway. Unfortunately I didn't always continue on with them. Still, you know, I always had such a great pride in kind of helping the authors and directors create the show.

I can only tell you that eggs, country ham, biscuits, a pot of coffee, a morning paper, a table by the window overlooking the veranda and putting green, listening to the idle chitchat of competitors, authors, wits and philosophers, hasn't exactly been a torturous way to begin each day at the Masters all these years.

I realized the other day that about the only author I genuinely read for pure pleasure is one of the worst authors in the world, a guy called Harry Stephen Keeler, a long dead American mystery writer. He was probably the greatest bad writer America ever produced.

There is no official censorship in literature, but I feel a certain fear when I see that a kind of self-censorship is developing in Poland. Authors are somehow afraid of expressing what they really think or feel because they fear political consequences.

I want to be a good friend, a good sister, a good person and a good actress.

I think some authors suffer from a need to try to prove that they're clever and educated. I try not to suffer from that. I would rather sacrifice my own narrative in the exercise of writing a biography. So I'm not worried about whether I'm clever.

Authors I've longed to write like - but realize I actually can't even begin to - include Poe, Gabriel Garcia Marquez, Kafka, Daniil Kharms, Witold Gombrowicz, Emily Dickinson, Robert Walser, Barbara Comyns, Ntozake Shange, Camille Laurens, Zbigniew Herbert, and Jose Saramago.

Most bad books get that way because their authors are engaged in trying to justify themselves. If a vain author is an alcoholic, then the most sympathetically portrayed character in his book will be an alcoholic. This sort of thing is very boring for outsiders.

Book sales and teens reading is always a fantastic thing, but we should also be celebrating and consuming the huge wealth of U.K. and U.K.-based writing and illustrating talent. Authors such as Charlie Higson, Darren Shan, Holly Smale, Tanya Byrne, Catherine Johnson, Sophie Mckenzie, to name but a few.

The Internet is a big boon to academic research. Gone are the days spent in dusty library stacks digging for journal articles. Many articles are available free to the public in open-access journal or as preprints on the authors' website.

So Matilda’s strong young mind continued to grow, nurtured by the voices of all those authors who had sent their books out into the world like ships on the sea. These books gave Matilda a hopeful and comforting message: You are not alone.

Soon after publishing a book for kids, my mailbox began to fill with letters from children all across America. Not because my novels for young readers are bestsellers - they're not by a long shot - but because today's kids love to write to authors.

Don't spend more than 10% of your marketing/PR budget on a trailer. Trailers have to be marketed, too. So, far too many authors wind up marketing their trailers instead of their books.

When I was young, I was a passionate reader of Sartre. I've read the American novelists, in particular the lost generation - Faulkner, Hemingway, Fitzgerald, Dos Passos - especially Faulkner. Of the authors I read when I was young, he is one of the few who still means a lot to me.

Reason teaches us that what is good is good for something, and that what is good for nothing is not good at all.

I love finding out how authors work, because it can either go full Carrie in 'Homeland,' with loads of Post-it Notes and string on the wall and they know everything that's happening in the plot - or they let the characters tell them where they want to go and what happens next.

Movie people think things are movies, and authors think things should be movies because, up until recently, movies have been the jewel in the crown. But, that seems to be changing.

There are, first of all, two kinds of authors: those who write for the subject's sake, and those who write for writing's sake.

We authors certainly don't know what is going to happen to our books. Are they going to disappear into the ether, following music downloads, or are ebooks going to open up a whole new world of readers? And how much are we being paid per copy? We haven't a clue.

Marvelous is the power which can be exercised, almost unconsciously, over a company, or an individual, or even upon a crowd by one person gifted with good temper, good digestion, good intellects, and good looks.

As for the multiple editions, in the case of a truly great writer - Shakespeare, Emily Dickinson, Proust, someone with a canon - there is often a "variorum" edition of the work that presents its variants. I think publishing most other writing that way would be impossible, economically, for publishers, and very ill-advised for authors.

Digital-Original just shifts the R&D costs for publishing to the authors and affords us the chance to write the stories we want to write and the stories our patrons want to read.

Authors change publishers because it's like being married for a long time and suddenly you want to go out and have a wild affair! No, not seriously, sometimes the deal is more interesting with a new publisher, and other times they have more enthusiasm for your books.

After the Tiananmen Massacre, I felt compelled not only to continue writing but to actively resist the restrictions placed on freedom of speech. I set up the publishing company in Hong Kong, with offices in Shenzhen in mainland China, and managed to publish works of fiction, philosophy, and politics by unapproved authors.

I started messing around in my teen years but didn't really begin training properly until the age of 21. I did a lot of reading prior to that - Mike Mentzer, Arthur Jones and all other notable bodybuilding authors - and just came up with a routine that worked for me.

Good company, good wine, good welcome, can make good people.