Top 1200 Color Wheel Quotes & Sayings - Page 2

...they told me of color, that it was an illusion of the eye, an event in the perceiver's mind, not in the object; they told me that color had no reality; indeed, they told me that color did not inhere in a physical body any more than pain was in a needle. And then they imprisoned me in darkness; and though there was no color there, I still was black, and they still were white; and for that, they bound and gagged me.

Color is a very personal thing. You need to make sure to choose a color that makes you happy. But I don't recommend accent walls - choose a color you can live with on all four walls.

There's one thing which I hate about color films... people who use up a lot of their despairing producer's money by working in the laboratory to bring out the dominant hues, or to make color films where there isn't any color.

In the work of Seurat, you can see the dots of neutral colors carrying the form and then the dots of more intense color that make the color texture. It is a totally different principle that than of the Impressionists who used broken color to imitate visual effect.

Always been purple. Like I remember being in the first grade, looking up at the color charts, and saying, 'Man, purple is the best color, man, it's the best color, it just is the best color.' I have a lot of purple shirts and stuff, I'm always wearing purple.

I like to wear a lot of one-tone color outfits - same color trousers, same color shirt.

Perfect love is to feeling what perfect white is to color. Many think that white is the absence of color. It is not. It is the inclusion of all color. White is every other color that exists, combined. So, too, is love not the absence of an emotion (hatred, anger, lust, jealousy, covetousness), but the summation of all feeling. It is the sum total. The aggregate amount. The everything.

When you want full color perception, you must give up preferring some colors and hating others, for you can only hate one aspect of a color, not a whole color, it seems, hate being blind, like 'love.

Deep, dark unearthly black. I hadn't told anyone yet, but the color kept streaking across my mind at the oddest moments. When it did, my skin shivered pleasantly, and it was as if I could feel the color tracing a finger tenderly along my jaw, tipping my chin up to face it directly. I knew it was absurd to think a color would come to life, but once or twice, I was sure I'd caught a flash of something more substantial behind the color. A pair of eyes. The way they studied me cut to the heart.

I have a color-coded computer spreadsheet that divides things down to chapter fragments. Each character's point-of-view is a different color. The text of the manuscript is color-coded the same way. The last thing I do before submitting the manuscript is turn all those colors back to black.

I suppose the most marked example of color as structure is in the Byzantine use of mosaic decoration that becomes architecture. The decoration of the interiors so related to the form that they fuse. In less elaborate interior design this is always the ideal approach to color - used not only as just color alone.

My understanding – of course, I’m not a philosopher or a scientist – of an aspect of Goethe’s theory of color is that he felt that color came out of tension between light and dark. I think that is very appropriate when you think about the kind of color that I shoot.

Color is all. When color is right, form is right. Color is everything, color is vibration like music; everything is vibration.

My mantra is, 'Don't be afraid of color.' What did it do to you? Do a color testing in alternate kinds of light you desire in the room because the pigment will change. And I refuse to believe that pale pale or white colors in a small room will buy you more square footage. Go with color all the way.

The Spirit is like the steady axis of a wheel. If our attention reaches the immovable firm axis at the very centre of the wheel of our existence (which is constantly moving), we become enlightened by the Spirit, the source of inner peace, and reach a state of complete calm and self-knowledge.

I noticed, when I taught elementary school, how true the squeaky wheel thing is, and how endearing squeaky wheels can be! Because when you're being a squeaky wheel, you're also really letting people know who you are.

Life is like a box of crayons. Most people are the 8-color boxes, but what you're really looking for are the 64-color boxes with the sharpeners on the back. I fancy myself to be a 64-color box, though I've got a few missing.

Fog and smog should not be confused and are easily separated by color. Fog is about the color of the insides of an old split wet summer cottage mattress; smog is the color and consistency of a wet potato chip soaked in a motorman’s glove.

A color which would be 'dirty' if it were the color of a wall, needn't be so in a painting.

Munch writes poetry with color. He has taught himself to see the full potential of color in art His use of color is above all lyrical. He feels color and he reveals his feelings through colors; he does not see them in isolation. He does not just see yellow, red and blue and violet; he sees sorrow and screaming and melancholy and decay.

It trips me out when I hear people say, 'Well, I don't see color.' You see color. Now, how you respond and how you handle the situation once you've seen and noticed color is different.

Red is the first color of spring. It's the real color of rebirth. Of beginning.

But when I fell in love with black, it contained all color. It wasn’t a negation of color. It was an acceptance. Because black encompasses all colors. Black is the most aristocratic color of all.... You can be quiet and it contains the whole thing.

We all see color. We do. And anyone who says he doesn't see color is confused or isn't telling the truth. Except... and I know how this sounds, but I can't remember any point in my life where I saw other people and thought of their color.

I like black for clothes, small items, and jewelry. It's a color that can't be violated by any other colors. A color that simply keeps being itself. A color that sinks more somberly than any other color, yet asserts itself more than all other colors. It's a passionate gallant color. Anything is wonderful if it transcends things rather than being halfway.

My favorite name for a color is "puce." It's kind of a dried blood color. It's a hideous color. But I love the word. It's so euphonic. But my favorite colors are lavender, purple, periwinkle blue, and white.

Candy apple red is my favorite color. It's a powerful color to wear. It's always been that way - I've always been really attracted to that color.

My songwriting process is based on a formula: Color, tone, words. When I hear production, I initially identify the color that resonates with me. From there, I am able to translate the color into tone or emotion, which may depend on a number of things.

I really have always thought of myself as somebody who lives in the middle of the wheel and is able to go to the extreme, to the outside of the wheel in any direction. The best case scenario for me is to be able to be centered and then go out.

I'm gonna do the whole bedroom in camel color - it's an old lady color.

Some have said that if you take a great picture in color and take away the color, you'll have a great black-and-white picture. But if you're shooting something about color and you take away the color, you'll have nothing.

I'm not a girl to wear a lot of bright color, but including a touch of color can pull an outfit together. I'm from New York and wear a lot of black, and color is refreshing.

Think of the problem of the world as a cart. It has to have two wheels. If you have one wheel, the cart doesn't go. If you have one wheel called socialism, it doesn't go. If you have only one wheel called capitalism, it doesn't go. It needs two wheels. These two wheels are capitalism and socialism.

I'm not a big fan of self-driving cars where there's no steering wheel or brake pedal. Knowing what I know about computer vision and AI, I'd be pretty uncomfortable with that. But I am a fan of a combined system - one that can brake for you if you fall asleep at the wheel, for example.

Drawing and color are not separate at all; in so far as you paint, you draw. The more color harmonizes, the more exact the drawing becomes. When the color achieves richness, the form attains its fullness also

In my family, only my brother has a similar skin color. But in Senegal, the color is common.

True belief and true repentance are twins: it would be idle to attempt to say which is born first. All the spokes of a wheel move at once when the wheel moves, and so all the graces commence action when regeneration is wrought by the Holy Ghost. Repentance, however, there must be.

The spinning wheel and the spinning wheel alone will solve, if anything will solve, the problem of the deepening poverty of India.

As long as white people put people of color, African Americans and Latinos, in the same dispensable bag, and look at our children of color as insignificant and treat women of color as not as deserving of protection as white women, we will never achieve true equality.

Jesus, take the wheel Take it from my hands 'Cause I can't do this on my own I'm letting go So give me one more chance To save me from this road I'm on Jesus, take the wheel

I've always thought for myself, that's something I want to focus on - color palette and the use of color. Rather than using it in a way that other makeup artists might, I try to enhance the color palette with the girl to really bring out her sickest features and make her look absolutely the best she can.

My color's not a crutch. See, funny crosses a lot of color barriers.

In order to use color effectively it is necessary to recognize that color deceives continually.

This can be one of cheerfulness or gloom because color which is so inexpensive, is what does the trick. Not color alone but color plus imaginative lighting and cleverly grouping of the furniture. You say you have an old lobby that nothing much can be done with? Oh yes it can!

Color is a powerful physical, biological, and psychological force. When less color and less intense color is present, trace amounts and subtle differences become highly significant and are strongly felt.

So really what I am trying to do is create and understand form. But then too, color enters into it because a lot of things are color changes without a value change, which wouldn't show up if you were just using a non-color medium.

To sum up: 1. The cosmos is a gigantic fly-wheel making 10,000 revolutions a minute. 2. Man is a sick fly taking a dizzy ride on it. 3. Religion is the theory that the wheel was designed and set spinning to give him the ride.

The wheel [migration] has been spinning and spinning and spinning. Wouldn't it be nice to imagine a world where that circle stops spinning in that crazy way? Because that's a huge wheel that's crushing people's lives, real people's lives, families.

Some people are introverts and if they don't have enough time for themselves, they don't feel right. And extroverts don't feel right with too much alone time. There are those who need walks in nature or they feel depressed. Your linchpin is the pin that makes the wheel go. If you lose it, the wheel falls apart.

Color contributes to beauty, but it is not beauty. Color should have a minor part in the consideration of beauty, because it is not color but the structure that constitutes its essence.

Color is a plastic means of creating intervals... color harmonics produced by special relationships, or tensions. We differentiate now between formal tensions and color tensions, just as we differentiate in music between counterpoint and harmony.

'Color-blind' comes up - people say 'Oh, I'm color-blind and therefore can't be accused of racism,' but I think that if we are going to have an honest dialogue about racism, we have to admit that people of color are having a different experience.

In teaching color, you teach people how to look something and see the tone in it and break it down to be able to paint it and reproduce that color. But then, I'm psychedelic, so I look at color differently. I like colors that are in contrast with one another, so that they flicker back and forth.

In India, you see the way they embrace color in the culture - it's very celebratory of the existence of color. There's no rule of what color belongs together or doesn't belong together. They're not precious about it. It's very full-on.

Her eyes flicked over the cards, looked at Dimitri, then looked back at the cards. Her expression was blank. "You will lose what you value most, so treasure it while you can." She pointed to the Wheel of Fortune card. "The wheel is turning, always turning.

Like a circle in a spiral Like a wheel within a wheel Never ending or beginning On an ever-spinning reel As the images unwind Like the circles that you find In the windmills of your mind.

My job is not to save 'The Wheel of Time', to fix 'The Wheel of Time', or anything like that. My job is not to screw it up.

Light and color are closely linked. The colors can make a crucial change in nature, if you switch from daylight to artificial light or just from strong to weak illumination. In addition, color perception is affected by the material structure. Even if a piece of textile can have the same color as a shiny enamel plate, then they will act completely different.

We think of color as a thing that we’re receiving. And if you go into one of the Skyspaces, you can see that it’s possible to change the color of the sky. Now, I obviously don’t change the color of the sky, but I changed the context of vision.

A lot of the kids we have coming up through our ranks now have been in stock cars since they were 12 or 13 years old. It's much different. I think you have to pick a path. If you want to race open-wheel cars and do those things, it's probably going to be carts and into an open-wheel series.