Top 1200 Black Culture Quotes & Sayings - Page 2

The whites have become black. A particular sort of violent, destructive, nihilistic gangster culture has become the fashion. Black and white, boy and girl operate in this language together. This language, which is wholly false, which is this Jamaican patois that has intruded in England.

While it has become “cool” for white folks to hang out with black people and express pleasure in black culture, most white people do not feel that this pleasure should be linked to unlearning racism.

Many teachers of the Sixties generation said "We will steal your children", and they did. A significant part of America has converted to the ideas of the 1960s - hedonism, self-indulgence and consumerism. For half of all Americans today, the Woodstock culture of the Sixties is the culture they grew up with - their traditional culture. For them, Judeo-Christian culture is outside the mainstream now. The counter-culture has become the dominant culture, and the former culture a dissident culture - something that is far out, and 'extreme'.

I don't necessarily believe that 'The Cosby Show' should disappear as a cultural reference, but it is. That's sad to me. I understand why. He was a man who possibly did some really bad things, and he should be punished beyond a doubt. But that show, and the impact it had not just on black culture, but culture, was amazing.

My biggest inspiration is black America and what they've done in the arts. I have always felt like an outsider in America, and what black Americans have done to add their chapter to this book called the American dream, and to be so unapologetic and true, and have added so much to art and culture in the world.

I'm a black American playwright. I couldn't be anything else. I make my art out of black American culture; they're all cut out of the same cloth. That's who I am; that's who I write about.

Year after year, author/historian William Loren Katz continues to mine the lodestone of Black culture, and it is simply amazing how often he manages to find new treasures. Here, with the same insight he brought to Black Indians and his other books, the author traces the courageous role of Black women in settling the West. He deftly shows how these pioneering spirits helped stabilize early communities in Texas, Oklahoma, California and elsewhere.

The things that inform student culture are created and controlled by the unseen culture, the sociological aspects of our climbing culture, our 'me' generation, our yuppie culture, our SUVs, or, you know, shopping culture, our war culture.

Black women are so very often stereotyped in pop culture.

You can't just say in one sentence what is blackness or what is black culture or what makes you who you are.

People always say 'You do racial comedy.' And I don't, exactly. I do cultural comedy. Because race and culture are two different things. There's black people from America and then there's black people from Africa. Racially, they're the same; culturally, they're extremely different.

Since the 1960s, mainstream media has searched out and co-opted the most authentic things it could find in youth culture, whether that was psychedelic culture, anti-war culture, blue jeans culture. Eventually heavy metal culture, rap culture, electronica - they'll look for it and then market it back to kids at the mall.

Black culture has been a huge influence in my life.

I got involved in the underground world known as ballroom culture, and I used to walk a category called 'face,' and it was a very heavily Latino culture - it's black and Latino - and they used to call me 'cara,' which means face in Spanish, so I started putting 'cara' on everything: hats, jackets.

Today, as we have seen, fascism and communism are discredited, but are replaced by a paraphilic consumer culture driven by fantasy, desperately in search of distractions and escalating sensations, and a fundamentalist culture wherein the rigors of a private journey are shunned in favor of an ideology that, at the expense of the paradoxes and complexities of truth, favors one-sided resolutions, black-and-white values, and a privileging of one's own complexes as the norm for others.

Increasingly independent black economic, cultural and political power gave Blacks more freedom to do what came natural to them. Divorced from White influence and culture, they reverted quickly to their genotype - increasingly typical of black societies around the world. Males exhibited exaggerated sexual aggression and promiscuity that led to the dissolution of the Black nuclear family in America. Females reverted to the age-old African model of maternal provisioning of children.

Think about how much fashion profits from black culture and how underrepresented we are in the industry. If you insist on using black celebrities to peddle your merchandise and add a cool factor to your front row, it is indecent to not care about the plights of that person's community.

'Black Panther' had a whole cast of beautiful black brilliance. Black scientists. Black presidents. The style. The technology. The color.

Man is a culture, nothing but a culture! Question your culture! Just like monkeys picking lice from their skin, get rid of the stupidities in your culture!

Phillip Roth uses his Black women characters to make anti intellectual remarks about Black history month, begun by a man who reached intellectual heights that Roth will never attain. Roth is a petty bigot and his ignorant remarks about black culture expose him as a buffoon to scholars the world over.

Black culture is something I don't relate to much at all.

Alternative culture has always had a populace within the black and brown community.

Black Realism or cosmopolitan black politician is a code word to say this is a black person that is not tied to a civil rights/black power traditional black politics.

One of the things that made the Black Muslim movement grow was its emphasis upon things African. This was the secret to the growth of the Black Muslim movement. African blood, African origin, African culture, African ties. And you'd be surprised - we discovered that deep within the subconscious of the black man in this country, he is still more African than he is American.

I grew up at this incredibly odd intersection in Los Angeles, where it felt like the black 'hood met black elegance met white gentrification met Latin culture met wetlands.

"Black culture" is ready for whatever. I sense some momentum and excitement around black artists (especially in comedy, which is where most of my own art resides), really pushing the bounds of what has generally been expected as black. I don't think it's a revolution so much as an exposure of what has always been there, and now that the production and distribution means are more accessible, people can more easily find each other.

I, however, like black. It is a color that makes me comfortable and the color with which I have the most experience. In the darkest darkness, all is black. In the deepest hole, all is black. In the terror of my Addicted mind, all is black. In the empty periods of my lost memory, all is black. I like black, goddammit, and I am going to give it its due.

We have to realize our black heritage in order to give us strength to move on and progress. But as far as returning to the old African culture, it's unnecessary and it's not advantageous in many respects. We believe that culture itself will not liberate us. We're going to need some stronger stuff.

Blaxploitation films were black films targeting black people. They were films made to appeal to a culture in a way that was supposed to be unfiltered.

I would say I'm black because my parents said I'm black. I'm black because my mother's black. I'm black because I grew up in a family of all black people. I knew I was black because I grew up in an all-white neighborhood. And my parents, as part of their protective mechanisms that they were going to give to us, made it very clear what we were.

When I was younger, living in an all-black neighborhood the other kids thought I was better than them because of my light skin and straight hair. Then we moved to an all-white neighborhood and that was a culture shock ... I'd been used to being around all black kids.

A 'death mirror' held up to American culture - Brando, bikes and black leather; Christ, chains and cocaine. A 'high' view of the myth of the American motorcyclist. The machine as totem from toy to terror. Thanatos in chrome and black leather and bursting jeans.

Black was bestlooking. ... Ebony was the best wood, the hardest wood; it was black. Virginia ham was the best ham. It was black on the outside. Tuxedos and tail coats were black and they were a man's finest, most expensive clothes. You had to use pepper to make most meats and vegetables fit to eat. The most flavorsome pepper was black. The best caviar was black. The rarest jewels were black: black opals, black pearls.

Well hip hop is basically the whole culture of the movement. There's the rap which is a form of hip hop culture. It could be breakdancing, freestyle dancing or whatever type of dancing that's happening now in the Black, Hispanic and White community.

So I was really excited when I came to America about meeting black people. But it was a huge culture shock, because I was rejected by the black community. They were like, 'You talk like a white girl.' People would call me an Oreo. All I wanted was acceptance.

If most American cities are about the consumption of culture, Los Angeles and New York are about the production of culture - not only national culture but global culture.

Everybody has culture, even white people have culture, but its different with me. So in high school, I was hanging out with the black and Hispanic kids. I'm not hating on white people. I hang with white people, too, but that's where I felt most accepted because I could relate to them more.

I was brought up in black neighborhoods in South Baltimore. And we really felt like we were very black. We acted black and we spoke black. When I was a kid growing up, where I came from, it was hip to be black. To be white was kind of square.

I think that's something that we as black people in this country have been robbed of. I compare it to my brother's wife, who is Hispanic. She was born in America but her parents are from Honduras. She speaks Spanish. She knows the culture. But most black people, we were robbed of that. We don't know our heritage.

It is neither a culture of confrontation nor a culture of conflict which builds harmony within and between peoples, but rather a culture of encounter and a culture of dialogue; this is the only way to peace.

I've gotten a firsthand view at the destruction that black men and black women not being able to stay and build healthy relationships has had on the black family and black children.

A lot of people decide, if you're mixed, you're black. And so they try to force you to choose a culture.

Iron and coal dominated everywhere, from grey to black: the black boots, the black stove-pipe hat, the black coach or carriage, the black iron frame of the hearth, the black cooking pots and pans and stoves. Was it a mourning? Was it protective coloration? Was it mere depression of the senses? No matter what the original color of the paleotechnic milieu might be it was soon reduced by reason of the soot and cinders that accompanied its activities, to its characteristic tones, grey, dirty-brown, black.

I wanted to explore black culture, and I wanted that culture to be a revelation.

Black is not a notion. Africa is not a color. Africa is a culture. So you can be pitch black and I am my color but I'm more African than you can ever be because culturally there are certain things that you just don't understand.

Body piercing and baggy clothes express identity among black youth, and not just beginning with hip-hop culture. Moreover, young black entrepreneurs like Sean 'P. Diddy' Combs and Russell Simmons have made millions from their clothing lines.

What gay culture is before it is anything else, before it is a culture of desire or a culture of subversion or a culture of pain, is a culture of friendship.

Obama sees the world in two ways: from the black perspective and from the white perspective. He was raised as a black man, whose culture he has self-consciously adopted. But he was reared largely by his white grandparents. He lived a kind of racially bipartisan experience, and he will be able to speak a language that resonates with both communities.

The locomotives are black. The coal is black. The tracks are black. The night is black. So what am I going to do with color?

I just like to have words that describe things correctly. Now to me, 'black feminist' does not do that. I need a word that is organic, that really comes out of the culture, that really expresses the spirit that we see in black women. And it's just... womanish.

I know black kids who don't even know any other black kids except their cousins. And that's enough. You wouldn't look at these kids and say that they are Uncle Toms or self-hating or fleeing or trying to be white, given the culture in which they live, which is very natural to them as kids.

We should never denigrate any other culture but rather help people to understand the relationship between their own culture and the dominant culture. When you understand another culture or language, it does not mean that you have to lose your own culture.

I don't see a huge difference between the African condition and the black American condition. The only real difference is that black Americans live in the richest country on Earth surrounded by a majority white population and are almost entirely disconnected from their original culture and their God-given identity.

There is a black which is old and a black which is fresh. Lustrous black and dull black, black in sunlight and black in shadow.

I felt like it was a courageous show [Black-ish] from the beginning. We are a black family - we're not a family that happens to be black. But the show is not even about us being black. The show is about us being a family. That is groundbreaking - on TV, the black characters either happen to be black or they're the "black character," where everything they say is about being black. I think that's the genius.

I am no friend of the modern so-called 'black metal' culture. It is a tasteless, lowbrow parody of Norwegian black metal circa 1991-92, and if it was up to me, it would meet its dishonorable end as soon as possible.

One of the things that's interesting about black culture is we don't know about our heritage and about our genealogy because it was taken from us. So all that we have is we're black. That's where we start.

People don't realize it hurts my feelings when someone looks at my hair or my eyes, and says, 'But you're not actually black. You're black, but you're not black black, because your eyes are green.' I'm like, 'What? No, no, I'm definitely black.' Even some of my closest friends have said that. It's been a bit touchy for me.

My biggest inspiration is black America and what they've done in the arts. I have always felt like an outsider in America, and what black Americans have done to add their chapter to this book called the American dream, and to be so unapologetic and true, and have added so much to art and culture in the world. Some of the greatest inspirations in my life have been black Americans. And I just wanted to say thank you. They've been a huge inspiration, to myself and this country.

I've always loved black culture; I don't know any other way to put it. Since I was a kid I loved music and early jazz, Sly and the Family Stone. I'm older - I'm in my early 50s - so you'll have to excuse me. That was always very exciting to me to connect to the culture on that level.