Top 1200 Show Business Quotes & Sayings - Page 20

I'm in show business. I believe in illusion and delusions and in holding aloft the bubble of a dream of some sort because, really, there are lots of reasons to look at the chasm. But art and music, these ineffables, they're just - they're the consolations of what human beings can create and make, and delight is accessible, you know, should you care to find it.

I'm not in the news business and won't tell people how to do their job. I'd like to restore trust in the news business, though, and feel that restoring fact-checking will really help. News business realities mean that such fact-checking has to be practical, it has to be fast and cheap.

One of the basic troubles with radio and television news is that both instruments have grown up as an incompatible combination of show business, advertising and news. Each of the three is a rather bizarre and demanding profession. And when you get all three under one roof, the dust never settles.

THE FACT THAT MY DAD IS A PREACHER HAS NOTHING TO DO WITH ANYTHING. HE PROBABLY WOULDN'T AGREE WITH SOME OF MY MATERIAL BUT THEN AGAIN THERE'S NO SIGN ON MY COMEDY EVENT THAT SAYS "REVIVAL HERE TONIGHT". IM SURE GOD HAS MORE IMPORTANT THINGS TO DO THAN GO TO MY 8 OCLOCK OMAHA SHOW. THE SHOW IS THE SHOW AND CHURCH IS CHURCH.

The surprise of the fight on the long day, of the experiments with the shorter one, has been not only that the business could stand it, but that the business thrived under it as surely as the man did. It is but another of the proofs which are heaping up in American industry to-day that whatever is good for men and women - contributes to their health, happiness, development - is good for business.

The thing we get to do is bring music to people. I think that's the most important thing we can do. That's the way we show joy. That's the way we show love. That's way we show our gifts to so many.

Show me a great actor and I'll show you a lousy husband. Show me a great actress, and you've seen the devil.

I was raised in a beautiful Black two-parent family that has given me amazing morals to go out to make a better life for myself and others. That is who I truly am. And this show allows me to display the true essence of who I am and why I'm in this business.

But HBO is less interested in how many people are watching than in how much the people who are watching are liking the show. They didn't set up their business model to make writers happy. It's just a nice unintended consequence.

Nobody in my family is in the show business, and none of my friends were. I went to a very academic school that actually - when I got to the point of wanting to pursue acting, they just had no idea how to do that, because all of their contacts were very academic.

I had loved magic tricks from the time I was six or seven. I bought books on magic. I did magic acts for my parents and their friends. I was aiming for show business from early days, and magic was the poor man's way of getting in: you buy a trick for $2, and you've got an act.

L.A. can be pretty insane because there's so much show business here, but I also know a lot of kids who grew up in Manhattan who are some of the most normal, nicest people I know. Casting directors always say Chicago people are just nicer.

A ghostly side note Soldier boy Miller played a Lucifer-like character in the final two episodes of Joan of Arcadia. Coincidence I do find it strangely poetic, ... that a character who shows up on a show about God to play something kind of satanic winds up in the very last two episodes of that show, and then appears in the show that replaces that show on its exact time and night the following season.

I had accepted a position as a business analyst at Deloitte Consulting in New York. But before I went into that workforce, I decided to take a year off and went to India to do a social enterprise fellowship. It wasn't the best fit, but that was where a TV show in Korea found me and invited me to first come perform.

It's not my business to think about the business; it's my business to think about the character. Sure, there have been times in my career where I wished I was more popular or more this or more that - but that's just stupid.

There are people who believe once somebody gets you a job in show business you are set and the truth is you have to fight for every job. People opened the doors for me for sure and hopefully I've helped open the door for some people but when you're there it's on you and you better be ready for it.

My first show was called 'I Know I've Been Changed' in '92. I tried to do this show for years and years. It kept failing over and over and over again. Every time I went out to do the show, nobody showed up. I was like, 'What is this about?'

Show business has always been my life. I love it. I've shared the ups and downs. So it will still be my life. It is a big piece of your life because this is all you know. It just seems like it takes you to such great heights in your life.

Where I came from, the idea of going into show business was just ridiculous; in fact I didn't tell anybody because I knew people would laugh at me. So I sort of snuck around and got some pictures and got a resume together and, of course, lied and said I did all kinds of things I didn't do.

It's too much show business and too much prompting, too much artificiality, and not really debates. They're rehearsed appearances.

Oswald Mosley`s movement, it was a big movement. It was obviously anti-immigrant, anti-Semitic, it was populist. Mosley wanted to replace the parliamentary system of government in Britain with a government that was based on business interests, that was based on the idea that business interests were the real interests of that country and business interests. and reorganizing the government to serve business interests, that would be a way to get stuff done faster and more efficiently.

Archie was an expert at dividing the affairs of life into men's business and women's business. An empty cupboard and a full plate were the man's business, a full cupboard and an empty plate the concern of the woman.

Having spent too many years in show business, the one thing I see that succeeds is persistence. It's the person who just ain't gonna go home. I decided early on that I wasn't going to go home. This is what I'll be doing until they put me in jail or in a coffin.

Going to New York to do whatever - show business - it just seemed fun. It seemed fun to go to the big city and meet all kinds of different people and maybe be famous. It was just exciting. So I wasn't scared.

I wish there were fewer art dealers. I wish there were fewer auctions. I wish there were just two auctions a year. It's just too much. And at the end of the day, if you're a dealer and a professional, fine, that's your business, that's all you do. But as an individual, if you're not a dealer and it's not your business, you need time for these things. You need time to study what's happening. You need time to understand the market. You need time to go to a museum. You need time to see a show. You can't go to one every day. It's becoming a trend.

Show us your Christ, Lady, after this our exile, yes: but show Him to us also now, show Him to us here, while we are still wanderers.

I've got lots of great friends in show business, and that's all they are. Great friends. I'll never marry again - what's the point? I had the best. I've got friends all over the world, and that's enough for me.

You know when there's a star, like in show business, the star has her name in lights on the marquee! Right? And the star gets themoney because the people come to see the star, right? Well, I'm the star, and all of you are in the chorus.

Show up, show up, show up, and after a while the muse shows up, too. If she doesn’t show up invited, eventually she just shows up

I respect the hell out of everyone who does a network show. That is a marathon. It's so many episodes, and it can be a meat grinder. Anyone making a network show, and on top of that making a very good network show, that's an insane feat of Herculean endurance and fortitude.

I'm not sure what it would mean to have "made it." Made what? Yes, I can make a decent living in show business, so if that's the criteria, then I've made it. But that doesn't feel that important to me. The stuff that matters to me are the new challenges. I know that sounds hokey, but it's true.

There's a lot that goes into being Tim McGraw or Kenny Chesney. They have great songs, their show is great, they're very fit. When you look at somebody who takes care of themselves, takes care of their business, that's what every CEO would do.

'Criminal Minds,' our original show, is a phenomenal show, and all elements of that show work so well. I think that 'Suspect Behavior' just didn't click. I don't think it has anything to do with spin-offs. I think a spin-off still has to be successful on its own.

I made the decision to quit show business. Give up the skintight dresses and manicured smiles. The false concern over sentimental lyrics. I would never again work to make people smile inanely and would take on the responsibility of making them think.

I've had a different kind of career on the periphery of show business. I've never been on any kind of corporate timetable whereby every six months I have to pop out a record like a pulping mill. I've called my own shots. When I get tired, I take time off.

Oprah Winfrey is a big role model for me from a business capacity and a creative capacity. She is an incredible interviewer who cultivated a certain style by inserting her own personhood into a show on national television at a time when no one was talking about empowerment, spirituality, or our inner lives.

I was getting a lot of pressure from people in show business about my being overweight because of medication, I was on 200 mg of amitriptiline. When I said this to my doctor, for some reason she took me completely off medication and she didn't really supervise properly.

Well I've always said that fame and fortune - the two things that one seems to go after when they go into show business was not at all what it was cracked up to be as far as I was concerned. I found fame to be somewhat of a prison. The more famous you were, the smaller the cell that you had to live in.

White, older showrunners told me, 'Why do you want to hire an all-Latinx writers room? Hire who's best for the show - don't get caught up in that.' And I was like, 'No.' For such an intimate show about the details of a culture? You can't fake that. The room needs to reflect the makeup of the show.

My show 'The Big House' was picked up; they flew me to New York. I'm about to step on stage to announce 's 'The Big House.' And a hand grabs my shoulder, 'Kevin no, they just decided to cancel it.' It's a serious smack-in-the-face business, and either you can take it, or you can't.

In New Jersey, judges have ruled that a same-sex couple or a single person applying to adopt must be given the same place in line as a married man and woman. I think that's bad for kids. This makes me homophobic? I'm in show business. Half the people in my life are gay.

For years and years, people would say, 'The business is changing.' And I would say, 'The business is not changing. It's exactly the same as it was in the '70s, the '80s and the '90s.' But all of a sudden, the business changed, and it really did change.

Liverpool really ever since I can remember, but anyway in the '50s and '60s was always a place where people were potentially in show business, knew someone who was, would like to be, had been but were now doing something else and there was a general recreational feeling in the air at all times.

Show me why your regulation of culture is needed. Show me how it does good. And until you can show me both, keep your lawyers away.

Going to New York to do whatever - show business - it just seemed fun. It seemed fun to go to the big city and meet all kinds of different people and maybe be famous. It was just exciting. So I wasn't scared

America is a nation of 270 million people: 100 million of them are gangsters, another 100 million are hustlers, 50 million are complete lunatics, and every single one of us is secretly in show business. Isn't that fabulous?

I had seen Orange Is The New Black show on Netflix and the first thing that came to my mind was, "Why am I not on this show? It's just irritating me right now." So I made some phone calls and told them, "I want to be on your show." And they found a spot for me.

People have outs for numbers of episodes, usually, written into their contract. Some studios will say, "We're going to let Julia Louis-Dreyfus off of Veep to do three episodes, but not three episodes of the same show." But, that's all business affairs, so I'm talking over my head here.

That song [ "Proud of your boy" ] in particular, I sing towards the beginning of the show [Aladdin], and what it does is show his wants and needs at the beginning and what's motivating him and carry it throughout the show. It gives him layers and dimensions. He's a well rounded character and it's great.

It shouldn't be so difficult to determine what a planet is. When you're watching a science fiction show like 'Star Trek' and they show up at some object in space and turn on the viewfinder, the audience and the people in the show know immediately whether it's a planet or a star or a comet or an asteroid.

I don't know anything about cars. A business is a business, and I think I can learn about cars. I'm not that old, and I think the business principles are the same.

Show business always tries to stereotype you, so that is something you have to fight against no matter who you are. A lot of actors who are of a minority background complain that they only get stereotyped roles, and they are 100 percent correct. However, it's also true that, no matter who you are, you get typecast as well.

Basically we learned not ever to do a show like that [ Gigi Does It] again. That took me to a limit that I didn't know I had. First off, I show-ran the show and was the head writer. I had never done anything like that before. It was an immense responsibility.

As important as it is to learn the techniques of cinematography, you also have to learn how to deal with the movie set, with show business. I came up with a cinematographer who is very talented, but she was never quite able to handle everything else you have to do - dealing with the producer and the crew and the time frame that you have to follow.

Don't help me or serve me, but let me see it once, because I need it. Don't work for my happiness, my brothers — show me yours — show me that it is possible — show me your achievement — and the knowledge will give me courage for mine.

It's very hard to watch comedy for me, when I'm doing a comedy show, because I either watch a show and I love it, and I'm jealous, or I watch a show and I see all the problems with it, and I'm angry that I watched it.

I'm lucky having parents that have been in show business for a while and they don't care about the shiny stuff so much. They raised me in that way - to stay grounded, not to chase the shiny pretty things. I stay in the moment, because when you do that the hype goes away.

I am interested in a lot of things - not just show business and my passion for animals. I try to keep current in what's going on in the world. I do mental exercises. I don't have any trouble memorizing lines because of the crossword puzzles I do every day to keep my mind a little limber. I don't sit and vegetate.

Daniel Radcliffe was actually a fan of the show and excited to be on it. Some of it is we've gone long enough that we're legitimate. Even if they don't know the show, they know we are a show and not some weird thing that's going to go away. Also, the more celebrities we get on BoJack show, the more it feels like a club to be in: "If Naomi Watts will make a fool of herself, I guess I can make a fool of myself, too."

My first advice is to keep God first in everything you do. Second is stay in shape, stay ready and learn about the business because you don't want to be in a business you know nothing about, because they will take advantage of you, in this business.