Top 81 Jung Quotes & Sayings

Explore popular Jung quotes.
Last updated on October 6, 2024.
North Korean dictator Kim Jung Il may be stepping down. Yeah, experts in the State Department say he could be replaced by his son, Menta Li Ill.
I've never been interested in philosophy, but some of Jung's ideas seem useful in helping people understand pictures and so forth.
Jung viewed Freud as a mentor, but he never wanted to be anybody's disciple. — © Viggo Mortensen
Jung viewed Freud as a mentor, but he never wanted to be anybody's disciple.
If you think along the lines of Nature then you think properly." from the video "Carl Jung speaks about death
I like to use the term alchemy, which is the soul of the world, or those of Jung's collective unconscious. You connect with a space where everything is.
Philemon explained how Jung treated thoughts as though they were generated by himself, while for Philemon thoughts were like animals in the forest, or people in a room, or birds in the air. Jung concluded that Philemon taught him psychic objectivity, the reality of the psyche. This helped Jung to understand that there is something in me which can say things that I do not know and do not intend.
I... had my mind blown by all the opportunities that were in California in the '60s and '70s. In Detroit, everything was Freud... Out here, everything was Jung.
Jung Min’s palms are always sweating and he wears strange socks!
Whereas Freud was for the most part concerned with the morbid effects of unconscious repression, Jung was more interested in the manifestations of unconscious expression, first in the dream and eventually in all the more orderly products of religion and art and morals.
There were some great clinicians in the 20th century - great men. Freud was a genius; Jung was a genius, Carl Rogers was a genius - there's a half-dozen psychologists of the 1950s and humanists of the 1960s.
While there was clear evidence that the dad was innocent in 'Miracle,' in 'Heart Blackened,' I was in a situation of 'having to' prove somebody's innocence. So when I stood trial as Hee-jung, things felt awkward and unfamiliar for me.
Mythologies were the earliest dreams of mankind, and in the psychotic delusions of his patients, Jung believed he was encountering those dreams again. Freud, too, believed that the psyche retained archaic vestiges, remnants of our earlier mental world. But for Freud these were a burden we were forced to repress. Jung instead would see them as a reservoir of vital energy, a source of meaning and power from which, through the over-development of our rational minds, modern mankind has become divorced.
Carl Jung called this his shadow work. He said we never see others. Instead we see only aspects of ourselves that fall over them. Shadows. Projections. Our associations.
Science fiction, because it ventures into no man's lands, tends to meet some of the requirements posed by Jung in his explorations of archetypes, myth structures and self-understanding. It may be that the primary attraction of science fiction is that it helps us understand what it means to be human.
I study Carl Jung, who talks a lot about the shadow side, the repressed side. I think the scariest thing in the world is repression. There's plenty to be idealistic about, but we have to be aware of all sides of ourselves, and there are definitely shadows in all of us.
Synchronicity is a term used by Carl Jung to describe coincidences that are related by meaningfulness rather than by cause and effect.
So, it's really about modeling it and letting people know you are an inspired person, a person who is in spirit, and then those forces that Carl Jung called synchronicity begin to show up and, lo and behold, the universe provides for you.
Carl Jung put [Orfeo Angelucci] in his last book [Flying Saucers: A Modern Myth of Things Seen in the Sky, Harcourt, Brace & World, 1959]. He said Orfeo had made up a new bible.
To sum up: numbers appear to represent both an attribute of matter and the unconscious foundation of our mental process. For this reason, number forms, according to Jung, that particular element that unites the realms of matter and psyche. It is "real" in a double sense, as an archetypal image and as a qualitative manifestation in the realm of outer-world experience.
Even my parents felt like, 'My son finally made it working with Youn Yuh-jung.' — © Lee Isaac Chung
Even my parents felt like, 'My son finally made it working with Youn Yuh-jung.'
... the novel, as a living force, if not as a work of art, owes an incalculable debt to what we call, mistakenly, the new psychology, to Freud, in his earlier interpretations, and more truly, I think, to Jung.
[On Jung's theory of psychological types:] My mother, Katharine C. Briggs, introduced it into our family and made it a part of our lives. She and I waited a long time for someone to devise an instrument that would reflect not only one's preference for extraversion or introversion but one's preferred kind of perception and judgment as well. In the summer of 1942 we undertook to do it ourselves.
Jung said there are four archetypes adults go through, and these archetypes are reflected in the development of my work. The first archetype is the archetype of the athlete, reflecting the time in our adult life when our primary emphasis is on our body - what it looks like, how beautiful it is, how strong it is, and so on. We identify ourselves with our body. We are our body. Growing adults next move to what Jung called the archetype of the warrior. We take our physical bodies out there to do what warriors do.
Freud, Jung thought, had been a great discoverer of facts about the mind, but far too inclined to leave the solid ground of "critical reason and common sense." Freud for his part criticized Jung for being gullible about occult phenomena and infatuated with Oriental religions; he viewed with sardonic and unmitigated skepticism Jung's defense of religious feelings as an integral element in mental health. For Freud, religion was a psychological need projected onto culture, the child's feeling of helplessness surviving in adults, to be analyzed rather than admired.
Jung first gave us the term ‘shadow’ to refer to those parts of our personality that have been rejected out of fear, ignorance, shame, or lack of love. His basic notion of the shadow was simple: ‘the shadow is the person you would rather not be.’ He believed that integrating the shadow would have a profound impact, enabling us to rediscover a deeper source of our own spiritual life. ‘To do this,’ Jung said, ‘we are obliged to struggle with evil, confront the shadow, to integrate the devil. There is no other choice.’
Even as a kid, I read 'Jung - Reflections and Individuation In Fairy Tales'; all the inner circle of Jung was a real huge thing for me.
The research reading I did for Fascination and Liberation included some Jung, and I noticed that he had a similar impression of Buddhism to myself, that, if it weren't for certain qualifying clauses, the philosophy would be downright suicidal.
With time, I believe, a day would come when people have their own definitions of Jung Ho-yeon as an actor.
Jung Chang was the first person to tell a grand historical, political story through a personal narrative.
Free will is something that people struggle with so much, but it's very simple to me. Carl Jung said at the same moment you're a protagonist in your own life making choices, you also are the spear carrier, or the extra, in a much larger drama. You've got to live with these two opposite ideas at the same time.
It was Jung who first said to explain the symbol as if talking to a man from mars who knew nothing about our life on earth.
The fact of the existence of two theories [causal and acausal] that contradict each other in Jung ... corresponds psychologically to the vascillation between 3 and 4.
Jung even asserted that he would have no objection to regarding the psyche as a quality of matter and matter as a concrete aspect of the psyche, provided that the psyche was understood to be the collective unconscious.
At the entrance to the original tower, there is a stone into which Jung carved some words with his own hand: 'Cold or not, God is present.
Unlike my previous roles, which portrayed girls who are supportive and loving, Hye-jung is a cold loner who doesn't know how to love.
As Carl Jung once said, 'When an inner situation is not made conscious, it appears outside as fate.' When our boys become adults, we become their inner situation. We become inner voices they often hear in their work, relationships and spiritual practice.
I'd love to go back to Europe in the '20s and '30s, for the beginning of the Psychoanalytic Movement, and Freud and Jung, and all that was going on with discoveries in quantum physics. The whole nature of reality was changing and being challenged.
My childhood friend, Shiva Maheshwari, who is also an executive producer of 'Jung,' introduced me to Young Zwann. I loved his vibe and instantly fell in love with his lyrics.
I did invent the idea of using lucid dreaming to treat sleep disorders, but I was influenced by many real-life researchers - from forefathers like Freud and Jung to Stephen Laberge and Rosalind Cartwright, who explore lucid dreaming and parasomnias.
Back in the 1930s, Carl Jung, the eminent thinker and psychologist, put it this way: Criticism has 'the power to do good when there is something that must be destroyed, dissolved or reduced, but [it is] capable only of harm when there is something to be built.
Like lots of baby boomers, I was brought up on archaic anthropomorphism. Upstanding Christian dogs. Rabbits with family values. Because the ancient texts and pictures were sacred - Potter, Milne and the rest. Even concerned parents who knew Freud and Jung never saw the contradictions in feeding us on them.
I first met Kim Dae Jung when he was a Korean dissident whose life was threatened by the military regime ruling in Seoul. I was Ronald Reagan's Assistant Secretary of State for Human Rights, and Kim was directed to me because the East Asia Bureau at the State Department had long shunned him.
Even philosophies who have denounced pseudosciences like psychoanalysis, have condoned pseudoscientific economic theories like neoclassical microeconomics. It is far safer and easier to criticize Freud and Jung than to criticize Milton Friedman and Friedrich Hayek, because the latter are backed by political movements whereas the former are not.
Our first-year list is Sangeeta Bandyopadhyay (translated by Arunava Sinha), Hwang Jung-eun (translated by Jung Yewon), and Khairani Barokka. — © Deborah Smith
Our first-year list is Sangeeta Bandyopadhyay (translated by Arunava Sinha), Hwang Jung-eun (translated by Jung Yewon), and Khairani Barokka.
Unlike Freud, Jung did not believe that a dream is a mask for a meaning already known but deceitfully withheld from the consciousmind. In his view, dreams were communication, ideas expressed not always straightforwardly, but in the best way possible within the limits of the medium. Dreaming, in Jung's psychology, is a constructive process.
Jung Min is SS501's Hitler. When we lived together, we played video games. But we can't turn the sound loud. Not even by one click. Jung Min says we can't have it loud, so we're like “Ok, fine. He's our member, so let's be understanding and turn it down.” We turn it off, but he goes to his room and does karaoke!
Following the Road FC chief Jung Moon-hong's goal to increase the popularity of this sport, I will play my part to popularize MMA as well.
Mortality is the great rescuer, it finally takes you out of everything, and that makes life good.Read Carl Jung. It makes life richer because this is it; none of us know where we go and this is the fun of it.
There's novel reading, and then there's the other kind of reading. Take somebody like Carl Jung, the psychiatrist - now there's somebody worth getting into. With novels, I'm kind of fly by night. It isn't something I can be really consistent with.
Jung was absolutely right about one thing. We are occupied by gods. The mistake is to identify with the god occupying you.
Jung Min made my nickname. An animal called otter. At first I didn't know what exactly an otter was. So I didn't like it and said I didn't look like an otter. But one day, one of our fans upload its picture. It looked so cute. Since then, I've liked it.
[Carl Gustav] Jung was not right when he said that the unconscious message is always written clearly and so there is no need to seek to discover the distortions, because one must recognize that many dreams are more or less distortions.
Movement is very important to a character, no matter what period you're working in. So when it came to playing Emma Jung and lacing up in the corset, it was really not a foreign thing for me.
Jung Yong-hwa and I know so much about each other, I think it would be difficult for us to start a romantic relationship.
Psychedelic drugs, especially psilocybin, allow a searchlight to be thrown on these deeper levels of the psyche, as Jung correctly stated. But it is not a museum of archetypes or psychic constructs, as he seemed to assume. It is a frontier of wholeness into which any person, so motivated and so courageous as to wish to do it, can go and leave the mundane plane far behind.
Even as a kid, I read Jung - Reflections and Individuation In Fairy Tales; all the inner circle of Jung was a real huge thing for me. — © Pamela Anderson
Even as a kid, I read Jung - Reflections and Individuation In Fairy Tales; all the inner circle of Jung was a real huge thing for me.
My favorite books are psychology, self-help, and I'm fascinated by Jung, by dream work.
Because rage and violence are human emotions and drives and capacities that inhabit us all. SEE CARL JUNG. Or that hipster Joseph Campbell. Because we all take archetypal journeys in a million ways - literal, symbolic, you name it - that figure, disfigure, and refigure violence.
As Carl Jung put it, "In each of us there is another whom we do not know." As Pink Floyd sang, "There's someone in my head, but it's not me."
You have to think of your brand as a kind of myth. A myth is a compelling story that is archetypal, if you know the teachings of Carl Jung. It has to have emotional content and all the themes of a great story: mystery, magic, adventure, intrigue, conflicts, contradiction, paradox.
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