I think it's incredible because there were guys like Mays and Mantle and Henry Aaron who were great players for ten years... I only had four or five good years.
When you're young, you obviously have people you look up to. People like Andrew Oldham and Nile Rodgers inspired me then, and they inspire me now. But at some point, you start to try to be the best you can be and you're not copying anybody else. I'm just doing it in public, and my work needs to reflect that as well.
Right before I got The West Wing, I was pretty much out of money. When I first came in to Warner Brothers, Aaron Sorkin was there. Of course I was nervous; I'm sitting here in front of the guy who wrote "You can't handle the truth!".
I'm being compared to the impossible. I never saw Mays, Aaron or Clemente play. What about the people I face every day? Tim Raines is the best? Mattingly is the best? Why not compare me to my peers?
I knew I wanted to be an actor, and my mother said, 'Call Aaron Sorkin.' It seemed dubious that I'd make it as an actor by calling Jews I knew, but it worked.
...and I have this stupid little thought that Aaron didn't survive the croc attack after all, that he died but he's so pissed off at me that dying didn't stop him from coming here to kill me anyway.
I chose to be Mrs. Johnny Cash in my life. I decided I'd allow him to be Moses and I'd be Moses' brother Aaron, picking his arms up and padding along behind him.
I'm mad at Hank Aaron for deciding to play one more season. I threw him his last home run and thought I'd be remembered forever. Now, I'll have to throw him another.
I really like the way he plays, but I also really like the way he treats people, Aaron Judge. I'm a big fan.
That was mandatory in the contract with Aaron Spelling, that if you were contracted to do one of his shows, you had to do any other shows that were his.
It was terrifying when Aaron Sorkin announced that he was leaving West Wing, he and Tommy Schlamme. We felt like our parents were abandoning us. It was a tremendously sad day and I'm sure I will never understand exactly all the reasons why that happened.
I don't know where Hank Aaron will break (Babe) Ruth's record but I can tell you one thing - ten years from the day he hits it three million people will say they were there.
Aaron Sorkin whole thing was that he didn't want the pomposity of the presidency in the West Wing. But once we cast Martin Sheen and we realised Martin's incredible accessibility, nothing felt pompous or aloof. If the show is about all the planets, let's end it with the sun.
We're just nerds that play music. Because we get played on the radio and have a Vitaminwater ad with Aaron Paul dancing on a treadmill, people are going to say we sold out. I don't write music for that. I write music for me.
Willie Mays could throw better, and Hank Aaron could hit more home runs. But I've got enthusiasm. I've got desire. I've got hustle. Those are God-given talents, too.
That big hit 'Get Lucky' is a disco song - not only the melody and the whole concept, but we had one of the great disco guys and one of the best guitarists ever, Nile Rodgers, to play on it. So that's great disco, but a modern disco, because it has great vocoders and synthesizers.
Aaron Spelling always had his finger on the pulse of pop culture, he knew what the public wanted to see. He was one of the most loyal men in this business and believed in me at a time in my career when no one else would. My prayers are with his family.
It's very important, when you talk about a player like an Aaron Donald, 'Hey, here comes Ndamukong. How do you feel about a player like that?'
Aaron Copland was a man that had a very specific point of view about what music should be which was that, he felt that new music should have the composer should show a personality in his music.
In the '20s and '30s, there were these musicals either set on college campuses or based on classical stories, so any of the Rodgers and Hart musicals certainly influenced me. I was definitely influenced by any of the 'Porgy' songs; I was influenced by 'American Pie.'
I worked on a show called 'West Wing' before. I didn't work with Aaron Sorkin, but he created the show and set the tenor of the show, which was you follow the words of the script perfectly because there's a dramaturgical thing behind it.
Trying to sneak a fastball past Hank Aaron is like trying to sneak the sunrise past a rooster.
Aaron is not at all what his image might indicate. He's fiercly loyal and a true and total gentleman. He's very shy but has very strong opinions. He's into everything, wardrobe, hair, script, casting.
Aaron Cruden and Beauden Barrett have both been decent, but Dan Carter takes it on to a different level, and he kicks his goals better than both of them.
I hate it when people talk about Buffy as being campy... I hate camp, I don't enjoy dumb TV. I believe Aaron Spelling has single-handedly lowered SAT scores.
Aaron Pearce, a Grammy-winning producer sent me 14 songs, out of which I opted for Let There be Love.' My strategic manager Greg Thompson pitched it to SiriusXM and it all just came together.
The universe works in mysterious ways and for me it worked out perfectly. With all respect to everybody else, Aaron Sorkin is and was The West Wing, full stop. There's no West Wing without him.
I don't see myself as somebody special. I just see myself as Aaron, the same guy I've been all my life.
Be of the disciples of Aaron, loving peace and pursuing peace, loving your fellow creatures and drawing them near to the Law.
Everybody believed you had to have a big piece of lumber and then muscle the ball over the fence. But by the time I and Hank Aaron - another guy who did it with his wrists - were through, there were a lot of guys ordering light bats and playing handball.
I've got a lot of belief in Aaron Gordon and he's one of the reasons that I took the job here with the Magic. When a guy cares as much as he does and works as hard as he does, that impacts the group. And that type of attitude is infectious.
Aaron would be the most invested in wanting to get me better. It's not that other people can't mentor me, but to have an older brother in a spot like that, he'd always have been helpful to me.
I think it's incredible because there were guys like (Willie) Mays and (Mickey) Mantle and Henry Aaron who were great players for ten years... I only had four or five good years.
When I first came to Bellator, I wanted to take it back to what we accomplished at Strikeforce and look at the next generation. So we signed the Aaron Picos of the world and put them in our development programme to nurture them.
Singing with Aaron Neville, he pulled stuff out of my voice I never could have gotten, because if he's providing XYZ, I have to put in ABC, and usually I don't have to put in ABC.
I can't wait to tell my kids, you know, one day that I played with the best football player ever, Aaron Donald. Hopefully, you know, we can do great things, win Super Bowls and do lot of great things in L.A.
Ability-wise, when you see the best of Aaron Ramsey... at his best, is he good enough for Barcelona? Yes he is, at his best.
Aaron Sorkin wrote me one of the best female roles on television, I think. He's a wonderful writer for all people. If he chooses to write, hopefully he'll write something that involves more women next time, because I would love to do it.
Aaron Peirsol was the man. Ryan Lochte is also insane. Like, if Phelps wasn't around, we'd all be talking about Ryan Lochte as the dude who changed everything, because he's insane as well.
Yes, and when I had Aaron, he left me, and I didn't know how to raise a child. And I wasn't close to my parents, and because I was too proud to go to my parents for help, I mistreated that little baby. I didn't want a baby.
I went to a Radiohead concert with Mr. Aaron Paul and became instantly hip. He's a great tweeter and took a photograph of the two of us. He said, 'Man, look at this! We've already got 800 hits in five minutes!' So this old dog became hip.
When you're in a slump, you do something different, just to try it. I remember one time I was in a slump, and I borrowed one of Henry Aaron's bats and hit two homers. I used my own bats the next night. I just needed a change.
The script was given to me by one of my agents and they didn't tell me anything about it. My first reaction was, "The West Wing? Is it about a squadron of fighter jets?" Then I turned the page and saw, 'by Aaron Sorkin' and I knew it was going to be something good.
Aaron Sorkin has been incredibly good to me; I don't know that I would have an acting career without him. Thanks to him, people think I'm smart and nice, but I'm neither.
We all contribute to The National, and it's like a familiar family. Matt is dad, Brian's like the dark horse uncle, Scott's the long-suffering mum, and Aaron and I are the bratty twins.
I don't know where Hank Aaron will break Ruth's record but I can tell you one thing - ten years from the day he hits it three million people will say they were there.
Everybody knows Aaron Sorkin's scripts. There's a huge amount of lines. There's a huge amount of interchange. You gotta do a lot of learning to be able to get it up to pace.
My experience on 'The West Wing' was, I think, now rare in that I was pretty young, and I walked into this environment where Aaron Sorkin was giving me a script every week, and Thomas Schlamme and John Wells were keeping the studio off my back, at least as best as they could.
Aaron and I will be joined at the hip until the day we die. We have loved and hated each other since the day he was born. He's very much a part of my heart. He's going to broadcasting college now, and he'll do fine. But he came into a world that did not welcome him.
So many QBs throw the ball down the field, that's wrong. Watch Aaron Rodger throw it up the field
For me, when you are talking about perfect songs, you're talking about Gershwin, 'Someone To Watch Over Me.' Or Larry Hart and Richard Rodgers. Or some of the great Cole Porter songs, whether it's 'Night and Day' or some of the comedy songs. Or Irving Berlin, of course.
My sole inspiration is a telephone call from a director. ... (when asked who wrote 'Some Enchanted Evening') Rodgers and Hammerstein, if you can imagine it taking two men to write one song. ... Good authors, too, who once knew better words now use only four-letter words writing prose. ... Brush up your Shakespeare and they'll all kowtow.
Now they talk on the radio about the record set by (Babe) Ruth, and (Joe) DiMaggio and Henry Aaron. But they rarely mention mine. Do you know what I have to show for the sixty-one home runs? Nothing, exactly nothing.
Liberals could live their whole lives never having to hear an actual conservative opinion other than the idiotic arguments written for conservative characters on Aaron Sorkin's little teleplays.
I came up in the '60s; that was a time when there was a revolution going on in music. Stravinsky had become a twelve-tone composer; even Aaron Copland was writing twelve-tone pieces at that time!
I was a big sports fan, and I had been closely monitoring Hank Aaron's home run totals since I was a kid playing on the sandlot adjacent to the Foundry and Machine Company in Batavia, Illinois.
Aaron Spelling always had his finger on the pulse of pop culture, he knew what the public wanted to see. He was one of the most loyal men in this business and believed in me at a time in my career when no one else would.
I had long known the story of Aaron Burr, but when I heard about his remarkable daughter, Theodosia, about the relationship between the two and about her tragic disappearance, I knew I wanted to tell their story.
I don't claim to be some Aaron Sorkin expert, but it is like a Camelot. His shows are a place where people are trying to reach their highest potential. And I think we miss that sometimes. If I got a chance to do 'The Newsroom,' I would have done it yesterday.
I'd worked for Aaron Spelling before [Embraced] and I always felt like we had a nice connection. I pretty much walked in and looked at him like, "This is mine!" And by the time I was done with the audition, he was already speaking to me as if I had the role.
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