Top 1002 Accent Quotes & Sayings - Page 14

Sometimes I'd go [in British accent] "Uhh, brilliant! Absolutely brilliant, thank you. Wonderful. Cheers!" I do say "cheers" automatically," from living over there. I say "cheers" to everything.

I think 'The Sopranos' probably solidifies the misconception that people have about New Jersey to begin with. Because you're from Jersey, and everybody has an accent, you are perceived a certain way. I don't know if they are jealous or in awe or look down their nose at you, but that's the way life is. If you don't like it, change the channel.

[J.F] Kennedy's own accent was inconsistent. So people are inconsistent. And it always kind of irks me when people talk about inconsistent accents, because people are imperfect by nature. So in the end, what you do is, you do an inhabitation and not an imitation.

On the other hand, there are only so many people who really knew how she was exactly, like what did her accent sound like, and the fact that she developed profound deafness when she was first running the Harriet Lane.

liberty, which means resisting all forms of cultural authoritarianism, be it from the right wing church, black ideologues, black nationalists, or mainstream white media. We have to accent liberty and freedom of expression and thought in all their forms.

I've been going through immigration all my life, and I've been stopped for traffic violations by cops, and they get much more curious about me than the regular guy. The moment they hear my accent, things get a little deeper.

I had a roommate who refused to believe that there were black people from Australia and that I just had this accent. I got frustrated. I'm saying, 'mate, you've never heard of Aboriginals?' And he definitely never heard of the Torres Strait Islands.

We did a black 'Julius Caesar' in which the predominant accent was Caribbean. This offends many people, you know. I also had a Chinese Marc Anthony. I also managed - this caused a great shock - I also got some white guys in it as well!

I grew up in an era where the record companies just sold records to everybody, and the whole family bought songs. Today, record companies are failing because they are putting their accent just on the young, and I think that's rather silly.

It's funny because if you ever ask anyone in England to try and do a Beatles accent, no one knows what they really sound like. If you ask anyone in America, they would try and give it a go. English people just know their songs.

While the business of education in Europe consists in lectures upon the ruins of Palmyra and the antiquities of Herculaneum , or in disputes about Hebrew points, Greek particles, or the accent and quantity of the Roman language, the youth of America will be employed in acquiring those branches of knowledge which increase the conveniences of life.

I think if you have a funny thought, and you want to get off a funny point, try to do it as realistically as you can. If you try to act it funny and accent the funny points, or do it in a funny style, you kind of lose it.

When I was training before I was even signed, I was listening to the Damian Marley CD 'Welcome to Jamrock,' and I got the idea one day in promo class to cut a promo in a Jamaican accent and everybody in the class went wild. That was the character I played from that point on and it kind of stuck until it didn't.

All of my favourite actors are American and I grew up watching American movies. It's weird, but I used to do a New Jersey accent in every audition in the States just because I liked to do it, really. It's completely bizarre. Everybody would ask: 'Where are you from?' And I would say, 'Oh, I'm from London.'

It's inevitable that not everyone will like me, and that some will find me annoying. That's fine. All presenters deal with that. What's scary is the ignorance about what having a regional accent means, or indeed doesn't mean. It certainly doesn't equal ignorance.

I wish I could adjust my voice, but it's just what's happened to me. It's because I've lived abroad for a long time, and my wife is English and my kids all have English accents, and every voice I hear is English. I've never intentionally changed my accent at all.

Malina looked incredulous. "Are you anything more than a Druid?" "Of course I am. I own this shop and I play a mean game of chess, and I've been told that I'm a frakkin' Cylon." "What's a frakkin' Cylon?" "I don't know, but it sounds really scary when you say it with a Polish Accent.

My mother was actually born in Ohio but raised in West Virginia where her family had a laundry. She has a West Virginian accent. My father was born in China, but he's the son of an American citizen. My paternal grandfather was born in San Francisco in 1867.

I found out later on that was not true, that life drawing tells you a great deal about rhythm, about the structure of a human being or any animate object, and this could be directly translated into thinking about proportion and accent, rhythm in a pot form.

I moved from Kentucky to Miramar, Florida, at about 8. I think I was in second grade. I still had my Southern accent, and down there, you got to experience a melting pot in full fury. All the kids I hung out with were, like, Sicilian kids from Jersey and New York.

Where are you from, Mr. Pendergast? Can't quite place the accent.” “New Orleans.” “What a coincidence! I went there for Mardi Gras once." “How nice for you. I myself have never attended.” Ludwig paused, the smile frozen on his face, wondering how to steer the conversation onto a more pertinent topic.

I usually keep my personal style simple and streamlined. I like classic colors like black, white, and beige. White and black is my favorite color combination, and I like to finish up my look with an accent of gold jewelry.

Manchester is obviously is a huge footballing city with Manchester City and Manchester United there - and I really like this accent because my agent is also from Manchester and my girlfriend's family is from Manchester.

I grew up with the idea that someone might hate you if they knew what religion you were; being afraid to open my mouth because my accent might make people think something about me. Or even if they didn't, would they understand me?

There is no such thing as an ugly accent, like there's no such thing as an ugly flower.

I'm a natural blonde. But when I started acting, I would go to auditions and they didn't know where to put me because I was voluptuous and had the accent, but I had blonde hair. It was ignorance: they thought every Latin person looks like Salma Hayek.

Color is a very personal thing. You need to make sure to choose a color that makes you happy. But I don't recommend accent walls - choose a color you can live with on all four walls.

I was 12 years old when I first moved to New York, and at that age, you're trying to find yourself. It was hard being so different from everyone I was around, and I felt that nobody could really understand me because everyone was American, and I was this little English girl with an accent.

When I went into high school, I don't know why - because I've been performing since I was little - but I think it was just the pressure of being somewhere so different, and I already stood out because I had an accent, and everyone always wanted you to talk, that I kind of shied away from singing a bit.

In New York, I run into Packers fans who have never lived in Wisconsin, Canadiens fans who have never lived in La Belle Province, Celtics fans who admire Russell and Bird and Pierce but have no trace of a Boston accent.

But jest apart--what virtue canst thou trace In that broad trim that hides thy sober face? Does that long-skirted drab, that over-nice And formal clothing, prove a scorn of vice? Then for thine accent--what in sound can be So void of grace as dull monotony?

You can really have a no-holds-barred relationship to materials with mixed metals and colorful schemes or more controlled palettes that are more tonal or restricted to a single accent color or metal finish. There are really no rules, and that is what makes contemporary design so limitless and enjoyable.

If you speak in a different accent, you begin to move in a slightly different way. You think in a slightly different way. It's part of trying to find what makes a character.

I've been a loner all my life, so it didn't bother me that Hungarian was my first language and that I had to learn English. I had a pretty heavy accent in junior high school and would say things like 'wolume control' instead of 'volume control.'

I'd get suspicious looks from people just walking down the streets. Where are you from? They'd ask. I'd reply in whatever language they'd addressed me in using the same accent that they used. There would be a brief moment of confusion, and then the suspicious look would disappear.

I'd rather be thought as an international actress rather than a French one. Because I don't know what's coming up for me, my ambition is not to be typecast. So I'm working on my English accent, as well as my American one. I don't want to be like 'Okay, I'm French, and I want to succeed in Hollywood!'

Caitriona Balfe, who is Irish, is also in my movie. I asked her to play her Irish accent in the movie, but her own brogue is so faint that I had to keep pumping it up.

A master performer like Bill Clinton never lost sight of the fact that as president he had to project confidence and power, but if he was speaking to a group of autoworkers he would adjust his accent and his words to fit the audience, and do the same for a group of executives.

The problem with Maigret is he hasn't got a limp, and he hasn't got a lisp, and he hasn't got a French accent, or a particular love of opera... or all those other things that people tend to attach to many fictional detectives. He's just an ordinary guy doing an extraordinary job, in a very interesting time.

It's funny because when you're a Welshman living in England, you always get the mickey taken out of you for being Welsh, and then when you go to Wales with an English accent because you were born in Bristol and grew up in Birmingham, they say you're English. You can never win.

For people to understand, you can't speak 'cinema.' Cinema doesn't have alphabets, so you have to go to the local language. Even in England, if they make a movie in London they have to make it in the Cockney accent, they can't make a film with the English spoken in the BBC. So cinema has to be realistic to the area that it is set in.

My mom has a very high-pitched voice, and there are some similarities between her and the voice I use on 'Big Bang,' although my mom has the Jersey accent, so I took that out. But the tone of the voice is very similar to my mother's.

Somebody sent me a British magazine listing the 20 worst dialects ever done in movies. I was No. 2, with the worst Cockney accent ever done. No. 1 was Sean Connery, because he uses his Scottish brogue no matter what he's playing.

I'm a natural blonde. But when I started acting, I would go to auditions and they didn't know where to put me because I was voluptuous and had the accent - but I had blonde hair. It was ignorance: they thought every Latin person looks like Salma Hayek.

'Fast & Furious' is Hollywood's 'Dabangg.' It is that big there, so it obviously feels amazing to have played a part in it. The role is small but very interesting. People will see me in full Hollywood accent, and the character is not like typical Indian character.

Germans don't speak in a German accent, they just speak German.

I am still around too many Italian people to start speaking like a guy from London. I live in Italy for six months of the year, all the people in my restaurants are Italian and it means that when I speak, it is always with an Italian accent in my head.

I often find during a day of shooting I will speak in an American accent all day long when I'm doing dialogue. At the end of the day, it often takes an effort when I'm talking to my fiancee to bring my English back just because you're so used to speaking that way.

I learned by watching my favorite shows. I would just rewind and say the words back, until they sounded right to me. I never studied the American accent, in terms of getting a teacher or taking phonetics classes. I've always been a good mimic. It really wasn't that hard for me.

Nearly every taping or audition has to be in an American accent, so you don't have a choice; you just have to get good at it. I'm sure you can appreciate accents - it's like learning any skill, you have to work at it and work at it and it takes an awful lot of time, until it's muscle memory and you don't have to think about it anymore.

The first thing we did was to proclaim our Liverpoolness to the world, and say 'It's all right to come from Liverpool and talk like this'. Before, anybody from Liverpool who made it, like Ted Ray, Tommy Handley, Arthur Askey, had to lose their accent to get on the BBC.

When I first left drama school, I was too posh for the working-class parts and not posh enough for the upper-class roles. You know what England is like: the gradations of accent and how you're judged by them are still there. I discovered that to get a break you have to lie about where you're from.

In Cardiff, I've heard a number of accent mixes that weren't previously heard before such as Cardiff-Arabic and Cardiff-Hindi. This pattern is repeating itself in many urban communities across the U.K.; people are especially keen to develop a strong sense of local identity.

Americans aren't good at accents, but the English are because their accents change. You go five or six blocks and the accent is different, so they are used to hearing different pitches. In America, you gotta travel maybe 10 states before you can really hear a difference.

I once said, "You cannot go to a 7-Eleven or a Dunkin' Donuts unless you have a slight Indian accent." When Bobby Jindal entered the Republican campaign, my comment should have been covered again, more prominently. I mean, Jindal is not Native American, he's a real Indian.

Having an interview in English is difficult for me, but acting in English is much harder. Because when I'm acting in English, if someone points out bad pronunciation or accent, I cannot focus on my emotions anymore, so it was very hard.

Stuff like Buena Vista Social Club and Fela Kuti were quite a main thing to my childhood. As soon as I reached an age where I realized that Fela was singing in English, when I got past his accent, I loved the rawness of it, and the funk and the rhythm and the melody.

I enjoy playing villains - I'm very proud that I belong to a very honorable tradition of British actors who come to Hollywood to play the bad guys. At some point in American film, I think there was the idea that the British accent had a tone to it that's a little bit naughty.

I'm from New Orleans, Louisiana. It's not a black-and-white type of thing down there. It's a very cultural place. Everybody has the same accent. It's not like if you're white we can't hang with you or anything like that. So it's easy for us to call each other out on our things.

I never actually studied an American accent. I never learned it. I never had anybody teach me how to do it. It just kind of happened. I think I probably spent a lot of my childhood in front of my mirror pretending to do Cornflake commercials like the kids I've seen on TV from America.