Top 1002 Accent Quotes & Sayings - Page 15

If I go anywhere where there are people who vaguely look like me, there is always that feeling of, 'Actually I do look quite similar to everyone else.' At moments like that, I become very, very British. My accent gets more clipped, and I stride around as if I've got an empire.

The words, "I have a dog named Winn-Dixie," popped into my head in the voice of a small girl with a southern accent. I'd been writing long enough at that point to know not to ignore that kind of red flag. The next day, I put aside what I'd been working on, started with that one sentence, and followed it all the way to the end.

I have my real name and RJ. I've gone by RJ since I was eight, but I was named Roy after my grandfather. They called me Little Roy, which sounded like Leroy with a Texas accent, but my mom didn't want to have a Leroy as a son, so it went to RJ.

Prior to going to college, I had a pretty strong accent, and that was one of the things I had to work on a lot. I went to North Carolina School of the Arts; my speech teacher... that was one of the things we really had to work on over the years, and thankfully I think it finally worked.

When I was five, my uncle bought us a tape recorder and my dad tried to record us kids talking and singing, stuff like that. There's really quite a lot of me in a really Welsh accent going, 'Can I tell a joke? Can I sing a song?' - really annoying and brattish.

You know what it is, when I'm playing a role sometimes, I just tend to stay in that role. It's easier to maintain. We just shot a pilot in a very thick American accent. I feel like the character lives in me. Of course, my family tease me about it.

'Diary of a Teenage Girl' was my first American movie. It was my first movie in an American accent. It's based on a graphic novel, which was written in 2002 by someone called Phoebe Gloeckner. It was turned into a play by Marielle Heller, who then wrote it as a screenplay for Sundance Labs.

I picked up the Puerto Rican accent from my father, and my sister picked up my mother's very clear, concise, and slow Mexican-Spanish. So, when she does speak, she speaks with diction. She pronounces every word.

I came here from Romania when I was 12 years old. I had an accent. High school was tough a little bit for a few years. I wanted to fit in. I wanted to be liked. I wanted to be good-looking. I wanted to be popular. I spent a lot of time thinking, 'What are these people going to think of me?'

Only comedians can talk about death, life, God and Virgin Mary. If I was a tragic actor, I couldn't allow myself. But with this accent I can do it. I can talk with death in person because I am a clown. Yes. And I am proud to be a clown - very much.

When I was starting out, doing guest spots on TV, and even commercials, I would go in with a whole crazy wardrobe and some terrible accent. Obviously, I was doing too much. If you bring too much flavor to it, it's absurd. There's something to just being spontaneous.

I lived in Chicago until I was about 12, and then I moved to Dallas until I was 19. So I think both were probably the time right when I was about to get an accent, or I lost it right when I moved.

The American cinema in general always made stories about working-class people; the British rarely did. Any person with my working-class background would be a villain or a comic cipher, usually badly played, and with a rotten accent. There weren't a lot of guys in England for me to look up to.

What was I like? I had a high-pitched voice. Sounded a bit like a girl. Spoke with a Stoke accent, tremendously naive. Overconfident. Tremendously overconfident. And underconfident at the same time - really, really bad combination! Gets you places, though.

The voice belonged to Mr. Pzyrbovich, an algebra teacher who was always called Mr. P, for obvious reasons. He has a heavy accent, which a lot of kids said made him hard to understand, although to be fair some of these kids would have never understood algebra anyway.

Up until the time I was cast in 'Star Trek,' the roles were pretty shallow - thin, stereotyped, one-dimensional roles. I knew this character was a breakthrough role, certainly for me as an individual actor but also for the image of an Asian character: no accent, a member of the elite leadership team.

I actually spoke to one of the heads of a studio, and he said I confuse middle America. Basically, when they see a black person, they see athlete, they see rapper, or they see criminal or something like that. And then when they hear a British accent, they hear posh, so they hear lawyer or doctor.

When's the last time you walked by a pub in Dublin and heard Irish music? When's the last time you ordered a coffee and heard an Irish accent?

When I first read 'Outlander' a few years ago, I was shocked to find that Jamie was the complete package: incredibly smart, incredibly witty, strong but emotionally vulnerable, passionate to a fault - and, well, the Scottish accent doesn't hurt! I actually stopped reading at several points to swoon over something he said... he's really that good.

Compassion speaks with a slight accent. She was a vulnerable child, miserable in school, cold, shy ... In ninth grade she was befriended by Courage. Courage lent Compassion bright sweaters, explained the slang, showed her how to play volleyball.

We just need more complex, important roles that tell our experiences as an immigrant; as someone with an accent, but also American; but also someone who's second or third-generation American, born and raised here who actually don't speak any language other than English.

I just got back from New York, and I realized in New York, it's very difficult to hear a New York accent. It's almost impossible, actually - everybody seems to speak like they're from the Valley or something. When I grew up, you could tell what street in Dublin someone's from by the way they talked.

When I was growing up, Forest Park was full of integrated families. It was amazing. One my best friends was Vietnamese. Another one was half-Mexican, half-black. Another one was from Colombia. Another one was born in the U.S., but his mom was from Germany and spoke with a German accent. So we all had multiple identities.

They just love the Irish accent in the States. But I just talk really fast because I'm from Cork. It's my speed that really throws them, especially when I get nervous. Doing interviews there is really hard because you can't hear a word I'm saying!

I'm not even Indian-American: I'm Indian-Indian. Everybody expected me to have henna and a nose pin and talk in an accent like Apu from 'The Simpsons.' I was nervous because I wasn't sure if America was ready for a lead that looked like me.

I guess if they ever do a remake of 'Sophie's Choice,' I could play the Meryl Streep part. I've got to work on my Polish accent. Maybe I'll be the definitive King Lear one day. You know, if they ever feel that King Lear should be more Jewy.

It's kind of a cross between, I think. It's not, you know, over the top Old English, like Lord of the Rings would be or something like that, but there is a very sophisticated air about the Asgardians[?], you know, in their dialogue, and - hold on. Okay. Um, and I'm doing an English accent in the movie.

You get to a new school, and you're the new guy, or you're the foreigner, or you're the guy with the funny accent. That first day at school was a whole new opportunity to create a new persona.

Some of the Junior Boys' textures may be borrowed from synthpop but, formally, their songs would be impossible without twenty years of the rave discontinuum. And where synthpop was self-consciously European, the Junior Boys have pioneered an electronic Pop that speaks in a Canadian accent.

Nine times out of 10 when people do a tribute album or tribute songs for somebody, it's what I call 'white boys playing reggae'. They know they can't, we know they can't, so they sing like they can't and play like they can't. They gently make fun of the idiom or sing in a false accent.

I tend to lean toward a more minimal aesthetic, so when I use wallpapers in my interiors, I like for one or two prints to be the star of the show. I would recommend being careful in your use of strong prints so the room doesn't get too busy. Use one print that dominates and one as an accent.

I grew up in the Middle East. My folks have a very thick, kind of Oklahoma accent; that's where I was born. But we moved to the Middle East right after I was born, so I guess we were surrounded by English people and French people.

Nicki Minaj thanked me on the first mixtape that she put out. She shouted me out, said thank you for allowing her to borrow my English accent sometimes. And honestly, a lot of people have told me that I've influenced them.

I got a really thick strong accent. I'm a nerd, nah not really, I'm goofy. You have to know me. You'll see it, people who know me see it.

[Katharine Hepburn] was much stronger, much more opinionated than I am or ever was, and it was considered attractive on her. But not on me. I don't know. Maybe her Bryn Mawr accent was more appealing than mine.

I've had tweets questioning whether I really did go to university because surely I would have lost my accent if I did; a letter suggesting, very politely, that I get correction therapy; and an email saying I should get back to my council estate and leave the serious work to the clever folk.

I got cast in [Punisher: War Zone] and showed up in Montreal two days before the film started, and they said, "We need you to do a New York accent." And I was, like, "What?! Why didn't you tell me this, oh, I don't know, two weeks ago, when you cast me?".

When I first moved to LA, no one could understand a thing I said, you would think I was speaking another language. Every time I would order something at Starbucks, they would go, 'Huh? What did you say?' My accent was an issue and my low voice was as well. They thought I should be more girlie. But that's who I am.

I miss the romance. I keep saying this over and over again, but dance follows music. And if the accent today is percussion and rhythm and loudness, then that is the way the dance numbers will be. But it is pretty hard on romance with seven guitars, three drums, and no melody instruments in the band.

I've always liked American actors particularly. Because that was my first impression. I was very enamoured of America when I was a kid because we were surrounded by American soldiers during the war, the accent was very strange to me, it was very exotic and very captivating.

In 1984, I starred in 'Greystoke: The Legend Of Tarzan,' my first movie. My lines ended up being dubbed by Glenn Close, supposedly because my accent was 'too southern'. It was completely humiliating at the time. I became a laughing stock. I'm amazed that I managed to pick myself up and dust myself off.

His mother had told him that when you looked into the eyes of God at the pearly gates, all the questions you ever had were answered. Ronan had a lot of questions. Waking Glendower might be like that. Fewer angels attending, and maybe a heavier Welsh accent. Slightly less judgment.

If I'm not writing, I can download a newer album everybody's making a fuss about. But when I'm writing, I keep myself in my own zone - I worry about listening to new music that'll inform me too much. I'm the kind of person who goes to another country and starts speaking in an accent after three days.

Today, actors aren't forced to ditch their regional accents like they used to. The best example's Tom Baker, a Scouser who went to great lengths to change his accent and ended up with something alien - and fantastic. It's sad that when the likes of him go, there won't be those sorts of accents any more.

People ask me all the time how I prepare and, to tell you the truth, I think if what's on the page is rich and compelling, as far as I'm concerned, if it's beautifully presented on the page, all you have to do is put yourself there and pretend, and the rest takes care of itself. That is, unless it's a real stretch with an accent or if history matters where research has to be done.

I've been blessed because every single role I've done has been an educated person. I've never done the stereotypical Latina, even though I have an accent - I've always been able to play educated people. That's a good thing!

My brother and I were brought up sort of thinking that we were English. I remember hearing the poet Roy Campbell on the radio and being quite shocked that he had a South African accent. I didn't know there were any South African poets.

No matter what your native tongue is, no matter what part of the world you're from, if your native tongue is distorted with an accent, somehow that's always funny.

It meant that she belonged some place. She was a Brooklyn girl with a Brooklyn name and a Brooklyn accent. She didn't want to change into a bit of this and a bit of that.

My father spoke with something very similar to a 1920s newscaster type of English, and I learnt that accent of power in post-colonial Zimbabwe. So I learnt that, and I learnt how to copy it, and I learnt how to shift in and out of it, but also talk like my mother's relatives in the village.

You don't know me yet," I said. "Rory was telling me she lives in a swamp," Charlotte said. "That's right," I said, turning up my accent a little. "These are the very first shoes I've ever owned. They sure do pinch my feet." Jerome gave a little snort.

I just developed my act way back in the late '80s. I went to college in Georgia, so I picked up the Southern accent. I talked like that with my friends all the time, because it was fun. It was funny... All my friends were real Southern. We're buddies, so I'd say stuff to make them laugh. So that was pretty much it.

I know it affected me when I saw certain actors growing up. I had a drama teacher that would take us to see plays in New York, and it was seeing James Earl Jones and Raul Julia - I mean, this guy comes from the place my mother comes from. He's doing Shakespeare right now, and it doesn't seem to matter that he has an accent.

My dad hates reggae. He's from St. Kitts, which is a really British island, with Victorian values. He doesn't have a strong Caribbean accent. He didn't play Caribbean music in the house. He was really into soul music, collecting soul 45s.

Some accents people - internationally - can't understand, also they come with baggage. London means a certain thing, Liverpool means a certain thing. Whereas with Welsh, he can be a middle-class man with working-class roots and still have an accent and it not be an issue.

I do think that the imagination you create yourself when you're reading, to create the tone and the accent of the world, is an individual accomplishment that someone is imposing upon you by listening to them read it. Because you're listening to their interpretation, and their emphasis would probably be different from the one that your brain makes while you're reading it.

I just really enjoyed all that kind of responsibility, I loved the fact that many people cared. I was doing 4 hours of boxing, 2 hours of weights, an hours of accent and dialect training, I just enjoyed having to do all that for this character [ Vinnie Paz in Bleed for This].

I think the hardest accent for me to do is what I end up trying a lot of times, and it's like some sort of a general American sound. So not Southern and not east-coast or west-coast, but just a general American sound that no one really speaks, actually.

He rose to his feet and padded down the last few steps silently, came up behind Kim, and leaned over her to say, “I vant to drink your blood” in a heavy, fake Dracula accent. She shrieked, flailed, and a zombie ate her brains on-screen."!

The Republicans are not anti-Latinos. You know, I tell the story all the time that the Tea Party is the one that has actually brought out the Latinos. Look at Idaho. I actually ran against a person in my primary who was born and raised in Idaho who happened to be Caucasian, and they elected the guy who was from Puerto Rico with an accent.