Top 1002 Accent Quotes & Sayings - Page 16

I went to Glenalmond and got the piss taken out of me for my Glasgow accent. Then I spent five years at this very posh school, came out sounding like Prince Charles, which you have to do in order to survive, and then I got called Lord Fauntleroy for the first six months at art school.

I want to date Cheryl Cole. She is a looker, she's the one. I love her accent, its so sexy. She's free and I'm still a bachelor. That girl is so beautiful, Ill treat her well. I'm thinking weddings one day, why not? Just think of the kids. I'm getting ahead of myself here, I haven't even met the girl.

I started out in New York, and New York has a way of countering a Southern accent, naturally; when I moved to Los Angeles for a job, and I just stayed, the dialect out here doesn't really counter, and my Southern started coming back.

My American accent is really, really good. I started out in the theater, doing all different characters with all different accents. When I first came to America, I thought I would be playing American, all the time. It was just weird how it worked out that I played more international characters.

I have mastered many things in my life. Navigating the streets of London, speaking French without an accent, dancing the quadrille, the Japanese art of flower arranging, lying at charades, concealing a highly intoxicated state, delighting young women with my charms..." Tessa stared. "Alas," he went on, "no one has ever actually referred to me as 'the master,' or 'the magister,' either. More's the pity.

I went to NYU drama school, so I was a very serious actress. I used to do monologues with a Southern accent, and I was really into drama and drama school. And then, in my last year of drama school, I did a comedy show, and the show became a big hit on campus.

To start with, there's the alien accent. "Tree" is the number between two and four. "Jeintz" is the name of the New York professional football team. A "fit" is a bottle measuring seven ounces less than a quart. This exotic tongue has no relationship to any of the approved languages at the United Nations, and is only slightly less difficult to master than Urdu.

I was very nervous about the accent. I was very nervous about being an American.

I've always been 'other' in all the spaces that I've been in. Even when I first moved to America, just the idea that I was a dark-skinned black girl from England with an accent. It's one thing to be a black girl, but it's another to be a dark black girl. I was chastised for that. I was chastised for the way I spoke.

Johnny Walker, the American that fought for the Taliban, is now talking with an Arabic accent. Have you heard him? It's ridiculous. I know how we should handle him. Let's bring him back here and take him to Cleveland Browns stadium and dress him up as a referee. They'll know how to take care of him!

Who's that new guy with the snooty accent who came out and talked to the police?" Evan persisted. "He looks like some kind of male model." "That's just my cousin Ian," Amy explained. "Not much of a family resemblance," Evan noted sourly. "He's like a twenty-fifth cousin, ten times removed." Evan was not satisfied.

All my family look Irish. They act Irish. My sister even has red hair... it's crazy. I'm the one that doesn't seem Irish. None of the kids in my family, my siblings, speak with an Irish accent... we've never lived there full-time; we weren't born there. We just go there once or twice a year. It's weird. Our parents sound Irish, but we don't.

You can't be Eazy-E and not move a certain way, basically. So, I studied the culture of it, and also, one of my uncles is from L.A., and he's great. He was like my performance coach. He helped me get the lingo down pat. He helped me get a lot of things down pat because I would talk in that accent for 10 hours a day.

I aspire to be Jack Nicholson. I love his every single mannerism. I used to try and be him in virtually everything I did, I don't know why. I watched One Flew Over the Cuckoo's Nest when I was about 13, and I dressed like him. I tried to do his accent. I did everything like him. I think it kind of stuck with me.

I never would have guessed that I would get a job for the way I sound. I would get notes about how I should lose my accent, and part of me thinks, 'How dare you! This is who I am! Millions of people want to sound like me!' But it's sensitive, and I have tried to change it, with little to no success.

Growing up in this post-apartheid era, the first generation of teens in South Africa living in this new democracy, I often found myself feeling different. I was often the only person of color in an otherwise all-white school. And within the Indian community, because of my training with an English acting teacher, my accent was very different.

And it is a singular truth that, though a man may shake off national habits, accent, manner of thinking, style of dress,--though he may become perfectly identified with another nation, and speak its language well, perhaps better than his own,--yet never can he succeed in changing his handwriting to a foreign style.

I think that as far as language goes I'm an American, I'm afraid, my accent is American, my way of talk is an American way of talk, I'm an old-fashioned American. That's probably one of the reasons why I'm in England now and why I'll always stay in England.

Just as in prayer it is not we who momentarily catch His attention, but He ours, so when we fail to hear His voice, it is not because He is not speaking so much as that we are not listening. We must recognize that all things are in God and that God is in all things, and we must learn to be very attentive, in order to bear God speaking in His ordinary tone without any special accent.

I enjoy the physicality a little more, with Vinnie Paz [in Bleed for This] that was the most prep I've ever had to do for a film, that was a legit like 7 months of diet and working out. And then I was able to do like an accent, I was able to change myself physically, I was able to do a lot of the things that I'd always looked at actors and admired when they did that. So I was excited to do that.

What is about Palin that drives the elite, especially elite women, crazy? Great looks? That Middle-America accent? The 5 kids and he-man husband? The lack of a powerful father or spouse who could jump-start her 'feminist' career with money, contacts, and influence? That Idaho BA? The wink? The charisma and, indeed, sensuality so lacking in her angry critics?

Language development, for instance, has a critical period that begins in infancy and ends between eight years and puberty. After this critical period closes, a person’s ability to learn a second language without an accent is limited. In fact, second languages learned after the critical period are not processed in the same part of the brain as is the native tongue.

It's a challenge getting rid of an accent by yourself. I have parents that have such thick accents. They are like, "She sounds fine." They didn't know. To them, I spoke perfect English because their accents were so heavy. I don't even want to know what I sounded like. I don't want to know!

I'm going to name drop like an idiot now, but Bono rang me up once, right? I don't know how he got my number, but I, ever so stupidly, and obviously thought it was one of my mates mocking about. So I was like, "Yeah, whatever." And it was him, but I even went to him, "That's not even a good Irish accent!"

The 'New York Honk,' as it was called, was the most fashionable accent an American male could have at that time, namely, the spring of 1963. One achieved it by forcing all words out through the nostrils rather than the mouth. It was at once virile... and utterly affected. Nelson Rockefeller had a New York Honk.

There is a white girl from Australia that spits in an Australian accent, and her name is Chelsea Jane. That I can get into. Teach me Australian Hip-Hop culture. Don't come to America and try to convince me that you're Gangsta Boo...We're not going to believe you if you're trying to convince us that you're out here trap shooting.

You are not a perfect woman.You have an evil temper, you’re as blind as a mole, you’re a deplorable poet, and frankly, your French accent could use some work.” Supporting himself on his elbows, Leo took her face in his hands. “But when I put those things together with the rest of you, it makes you into the most perfectly imperfect woman I’ve ever known.

Keep it simple: In general, interfaces should use simple geometric forms, minimal contours, and a restricted color palette comprised primarily of less-saturated or neutral colors balanced with a few high contrast accent colors that emphasize important information. Typography should not vary widely in an interface.

I grew up on a pig farm in southeast Nebraska. When I started doing the Blue Collar Tour, I thought it was kind of funny because I faked my accent, so everybody thought I lived in an apartment somewhere. But I grew up on a pig farm.

Do you ever think of moving back?" "To Coldwater? Heck, no. England suits me fine. These Brits love my accent. The first time Gavin asked me out it was just to hear me talk. Lucky for him, it's one of the things I do best." All teasing left her eyes. "Too many memories back home. Can't drive down the street without thinking I see Scott in the crowd.

I heard someone walk out of the alley behind me, and my body went tense and tight, despite my weariness. Then a young woman's voice said, in a passable British accent, "The Little People are easily startled, but they'll soon be back. And in greater numbers." I sagged in sudden, exhausted relief. The bad guys hardly ever quote Star Wars.

As soon as you start acting in an accent, you're sort of out of your comfort zone. Maybe people start getting used to accents after a long period of time. But as soon as you do that, it's not so much as capturing the sound of the way other people speak, it's being able to actually be and move around in the sound.

There is a huge fan base, they're very knowledgeable and very loyal. I was astonished - before I started working on the series I didn't know anything about Game of Thrones. I hadn't heard of the books. When it started going out, people were coming up to me in the street saying [fake cockney accent] "oh, Game of Thrones, f------ wonderful.

You didn’t tell me she was so soft on the eyes,” he said to Patch, wiping his mouth with the back of his hand. He spoke with a heavy Irish accent. “I didn’t tell her how hard you are on them either,” Patch returned, his mouth at the relaxed stage just before a grin.

I think my attitude's different when I'm in the different places. I don't walk around in character. I try not to walk around with the accent, but those little things change you, whether it's your hair, your clothes, your shoes or a different silhouette. People absolutely look at you differently.

Objectively, class differences in accent, dress, manners, and general style of life are very much smaller; and one cannot, strolling about the street or travelling on a train, instantly identify a person's social background as one can in England. Subjectively, social relations are more natural and egalitarian, and less marked by deference, submissiveness, or snobbery, as one quickly discovers from the cab-driver, the barman, the air-hostess and the drug-store assistant.

I remember the first thing I did when I found out I was illegal was to get rid of my thick Filipino accent. I figured that I had to talk white and talk black at the same time, like Charlie Rose and Dr. Dre. If I can talk white and black then no one is ever going to think that I'm "illegal."

I worked with an amazing dialect coach named Jill McCullough. We did Skype sessions while I was shooting "No Escape" in Thailand, actually. So three times a week I would have long, two-hour sessions with her just working on the nuance of the accent, which I had had a huge background in because I went to drama school in England for four years.

Everything is a self-portrait. A diary. Your whole drug history’s in a strand of your hair. Your fingernails. The forensic details. The lining of your stomach is a document. The calluses on your hand tell all your secrets. Your teeth give you away. Your accent. The wrinkles around your mouth and eyes. Everything you do shows your hand.

I think that in a certain sense, we're concerned about the same issues. How do you accent the progressive, the prophetic, those things that are critical of all forms of injustice, all forms of bigotry, all forms of dehumanizing other people, and yet still allow for a certain kind of flow, linguistic flow, certain kinds of melodies and harmonies in the samplings that take place?

I think one of the main differences between being an English actor and being an American actor is that we have things like the class system in England.I'm middle class. But I've got what some people might consider to be a working-class accent, so you've got those sorts of elements in this country to consider, which, in America, exist, but not necessarily in the same way.

A girl can talk about my nose, my teeth or my accent - anything that gets a conversation going is fine with me. It is weird, though, the way women respond to my body. Maybe 50 percent respond positively right away, while another 25 or 30 percent need a while to adjust to my size and to realize that ordinarily my muscles are soft, just like anyone's, only bigger.

I find it terribly distracting in movies when people do accents, I must say, unless it's terribly serious and the story is rooted in South Africa and you're doing a South African accent. But in period movies I think nothing can be more distracting than people doing accents.

New Jersey is very big. There are different areas of New Jersey. There is North New Jersey. There is like the center. There are a lot of actors from New Jersey that don't speak with a New Jersey accent.

Something I realized when I moved to America: people get these general American accents, but when they get angry or upset or excited, their original accents come out. It's something I noticed with my manager, because he's from New York, and the first time he got angry, he suddenly had this accent.

I love to accent movement. The eye goes to where the white is - you know, the glove. And the feet, if you're dancing, you can put an exclamation point on your movement if it has a bit of light on it. So I wore the white socks. And for the design of the jacket, I would sit with the people who made the clothes and tell them where I wanted a button or a buckle or a design.

Directors are always changing things at the last minute. Actors will do a scene, and the director will say, ‘Okay, that was perfect, but this time, Bob, instead of saying “What’s for dinner?” you say, “Wait a minute! Benzene is actually a hydrocarbon!” And say it with a Norwegian accent. Also, we think maybe your character should have no arms.

Like every normal person, I hate my voice. And I am not the only one who hates my voice. The voiceover gets a lot of strong reactions. A lot of people love it, and a few people truly hate it and pronounce the films are unwatchable because of my Latvian accent. But it also has a certain level of theatricality, and everything is important for a manic character.

When Gypsy was older, after she became Gypsy Rose Lee, I think she was both proud and slightly ashamed of her Seattle roots. She worked very hard to rid her voice of any trace of a local accent, cultivating an affected way of speaking that sounded as if she pinned the ends of her words.

I love Jonathan Adler but more importantly I love throws. To clarify, a throw is not to be confused with a blanket. A blanket is to be slept under, a throw is to accent a chair or sofa and give the illusion that in some scenario someone might rest underneath it. In reality, this scenario does not exist and I never want it to.

I have always been English, ever since I emigrated from England and since the kids in Canada beat me up at the age of twelve for having an East London Cockney accent. I thank them for the cockney taunts because the beatings turned me on to boxing. But on a serious note Canada has been kind to me.

I bring myself innately to it, yeah. I bring those details as much as I - what I don't obsess over is, there are certain ways I might've pushed it even a little more. For example, [to Warren] your accent. I know Warner Bros. at one point came in. I don't know, until you came to set, I know I wore that long tartan skirt and the ruffled blouse for that.

Davy Jones was the grooviest of the Monkees, which makes him one of the grooviest pop stars who ever existed. He was the best dancer in the Monkees, the Cute One, the one with the coy English accent, the bowl-cut boy-child who shook those cherry-red maracas and always got the girl. He was also the guy who stole David Bowie's original name.

Of little use, the man you may suppose, Who says in verse what others say in prose; Yet let me show a poet's of some weight, And (though no soldier) useful to the state, What will a child learn sooner than a song? What better teach a foreigner the tongue? What's long or short, each accent where to place And speak in public with some sort of grace?

Never put a lid on God. You can give God a thimble and ask for a quart. It won't work. Your plans, your projects, your dreams have to always be bigger than you, so God has room to operate. I want you to get good ideas, crazy ideas, extravagant ideas. Nothing is too much for The Lord to do - accent on 'The Lord'.

When I was a freshman in college, I went to a broadcast class by mistake. The first day, the instructor said, "Television anchors sound like they could be from everywhere and nowhere." From that point on, every time I was near an anchor, when no one was around, they would say something and I would say it right after them. It was this effort to get rid of my accent.

[On "John F. Kennedy" set] everybody was very interested in the accent. Even my collaborators were very curious to know if I was even going to do it. And I was, like, "You just can't not do it." I think everybody was worried that it was going to sound like the guy from... is it The Simpsons?

I think it's somewhere in my head, in my travel space, and it just comes out. It's a visual thing that happens unintentionally. People will tell me, "You do realize you just spoke with that accent, right?" And I'll go, "Oh, did I?" So it's not something I think about. As we talk, I have a visual about my speech and it just comes out like that. If that makes any sense!

An accent like mine and a face like mine, I think a lot of the time it's easy for casting directors to just stick me in as a bad boy, but 'Being Human' took a risk on me - bless 'em - and I'm not that bad boy no more.

When I worked at The Independent newspaper, I had colleagues who would laugh and say that whenever they picked up the phone to my dad and heard his accent, they thought they were about to hear a five-minute warning to get out the building. People in Britain have always thought it acceptable to make racist remarks about the Irish. The prejudice underlying that supposed joke was everywhere.