Top 1200 Acting Class Quotes & Sayings - Page 17

I'm happiest when I'm acting, and I've dedicated my life to it. Still, as much as I love acting, at the end of the day, I want to be remembered as a great person, first, and as a great actor, second.

I'm not a trained actor. I have neither read acting books nor gone to acting school. But I have certain fundamentals on how I approach a character; the basic skeleton of my preparation is based on observations from real life.

My English teacher, Dr. John Lindstrom, taught me an appreciation for the written word. Until his class, I'd dabbled in journalism and essay writing. But when he selected one of my essays as the best in the class, it gave me the confidence to see myself as a writer.

When we went to see the first rough cuts of 'Merry Christmas, Mr Lawrence,' I fell to the floor because my acting was so bad. I wrote music to compensate for my bad acting.

I try and imagine myself in situations and figure out how I'd have reacted and responded to them, and then bring that insight into my acting. Much of acting is about borrowing from your real-life experiences.

Why are you sitting here when our democracy is under assault with the FBI acting at the behest of [Republican Congressman] Jason Chaffetz and sitting here acting like it is something legit?

It was the moment I learned acting is not acting out. After that light went on, I spent the rest of my life trying to figure out how to make other people realize it.

The library is full of stories of supposed triumphs which makes me very suspicious of it. It's misleading for people to read about great successes, since even for middle-class and upper-class white people, in my experience, failure is the norm.

I would be in class, and we'd talk about influencers and brand deals, and my face would pop up on the screen and they'd start talking about me! They had no idea that I was sitting in the class. I never wanted anyone to know.

I was shy. I was painfully shy, until fifth grade when I transferred to another school and befriended the class clown. And one day he was sick and I kinda stepped in for the class clown and I said, 'Wow, this is exciting, I'm a little bit nervous.'

Acting is something where you have to completely remove yourself. So, do I find acting easy? Absolutely no! Do I want to do more of it? Do I enjoy doing it? Do I feel appreciative to get this opportunity? Absolutely!

A society person who is enthusiastic about modern painting or Truman Capote is already half a traitor to his class. It is middle-class people who, quite mistakenly, imagine that a lively pursuit of the latest in reading and painting will advance their status in the world.

I have an acting crush on Gene Hackman; I have an acting crush on Tommy Lee Jones. Gary Cooper. Jimmy Cagney. Michael Gambon. Simon Russell Beale.

When I first left drama school, I was too posh for the working-class parts and not posh enough for the upper-class roles. You know what England is like: the gradations of accent and how you're judged by them are still there. I discovered that to get a break you have to lie about where you're from.

I wanted to learn a little bit about acting, not because I thought I'd find a star vehicle and set the world on fire, but I thought the discipline of it would be good for me. I met a good coach, and I joined her class - with a lot of hungry young actors who really didn't acre if I was a rock 'n' roll singer or not. I started to learn to get a focus, without having to jump up and down every few seconds.

For me personally, it doesn't matter if I'm in a short film, a commercial, a digital series, a TV show, or a movie. Acting is acting. You have to embrace whatever medium you happen to be in and not worry about everything else around it.

I might retire when acting becomes too hard on me physically, but I don't want to give up easily. I really want to have a long-term acting career.

Shipping middle-class jobs to China, or hollowing them out with machines, is a win for smart managers and their shareholders. We call the result higher productivity. But, looked at through the lens of middle-class jobs, it is a loss.

I met Kevin when I was 19, at a Second City workshop. We were paired up together in the first class I went to. By the end of the class we formed our improv group, and over the next three years we performed leading up to the formation of The Kids in the Hall.

What I didn't know at the time [of my scholarship] was that the ceramic class was not really a very good class. This was many years ago and should not reflect on the conditions at the Art Institute of Chicago to this day, but we didn't know anything and we started to learn about how to work with clay.

When I was trying to get into acting, to have been a model was about as low as you could get in the acting profession. But that wasn't sexism, it was snobbery, which I knew and took very humbly.

I grew up as a dancer, and music and dance are so closely tied, that in ballet class you're listening to all this classical music, and in modern class you're working with a live drummer. It was something that always made me feel really comfortable and I've had a connection to since the beginning.

My brother and late sister and I were raised in Detroit; it was where the middle class across racial lines, the middle class was able to develop, build a home, have for the first time retirement benefits, have a job, and yes, their kids began to go to college.

When I started acting almost 50 years ago, it wasn't about fame. It was about acting.

Faked enthusiasm is worse than bad acting - it is bad acting with the intent to deceive.

Acting is not the noblest profession in the world, but there are things lower than acting. Not many, mind you - but politicians give you something to look down on from time to time.

The reason I got into acting was not to explore myself. I was a reader, I didn't care about acting. I got into it in college, but I had no interest really in that, in getting up in front of anybody.

Ballet has really helped me in every acting role. You have to be very disciplined, you have to be able to control your nerves and perform under pressure, and all those things you have to use in acting when you're on film or going for an audition.

Acting is reacting... there's a magic when you're working with another actor. With voice acting, you're doing it alone, all in your head. So, you have to re-create that essence by yourself. It's not necessarily more difficult. It's just a different set of skills.

In the course of my life, for more than half a century, June 1989 was the major turning point. Up to that point, I was a member of the first class to enter university when college entrance examinations were reinstated following the Cultural Revolution (Class of '77).

I have an appreciation for what some people would call "bad acting," but which I think can be much more real than the overly emotive, technical and supposedly "realistic" acting that is so prevalent in mainstream cinema.

The entire political class and ruling Wall Street class are zero-percent-interest zombies who talk about 'deflation' in the value of their second, third, and fourth homes. This is paper-deflation, zombie-deflation, and has nothing to do with the real economy.

We deliver. We are consistent. Customers trust us. Our restaurants are cleaner than most. Our meats are natural, the bread is best in class, the chips are best in class, and we are a group of very systemized and disciplined operators.

Acting is about listening and reacting. John Wayne was right: Acting is just reacting. You don't have to do much - as long as you stay out of the way of others. That's why it works.

Josh Gad was in my class. Katy Mixon. Griffin Matthews. Josh Groban - he ended up leaving to become a huge star, but he was in our class in freshman year. I remember Josh was this nerdy kid in a turtleneck with a voice from heaven.

I had the opportunity to take a judo class once, and I've never done that before - except fighting and beating up my brother at home. I decided to stay for the class and I defeated every boy there, so the teacher asked me if I wanted to stay and train more.

Let's be honest: Ignoring is acting, and nothing more — acting as though the words or actions of your oppressors don't hurt. You hear the words, you feel the insults, and you bear the blows.

In February 1953, I was making a second picture with Jeff Chandler, one called War Arrow. Jeff was a real sweetheart, but acting with him was like acting with a broomstick.

I don't ever think of myself as coming from a particular class because my father was working class but made his living as a newspaper foreign correspondent - someone of no fixed abode, as he used to say - who was as comfortable dining with the Mountbattens in India as he was having a pint with the boys. He was very gregarious.

I have never been to an acting school, and on the sets of 'Karwaan,' Irrfan was my acting school. By observing him, I learnt to improvise in the scenes along with focusing on the smallest of the details.

I grew up as a dancer, and music and dance are so closely tied that in ballet class, you're listening to all this classical music, and in modern class, you're working with a live drummer. It was something that always made me feel really comfortable, and I've had a connection to since the beginning.

I actually think if you have a strong junior class, that's the best possible scenario. In their senior year, guys who are on the threshold of making it to the NBA start getting preoccupied in their thoughts elsewhere more than concerning themselves with the present. The junior class is the perfect age.

When I was training before I was even signed, I was listening to the Damian Marley CD 'Welcome to Jamrock,' and I got the idea one day in promo class to cut a promo in a Jamaican accent and everybody in the class went wild. That was the character I played from that point on and it kind of stuck until it didn't.

I'm trying to make pop records for the middle-class, lower-middle-class - pop for the 99 percent.

No one should ever know where conduct ends and acting begins. Conduct unbecoming. That's what acting is.

There's a joy in acting that's not present in writing, but there's a gratification in writing and creating that you can't necessarily find in acting.

I loved getting classical training in terms of acting. I would've stayed in acting school for the rest of my life if I could have. It was this amazing period of my life where everything was so safe.

I was in the 4th grade, and one day I didn't want to be in class. My father had just gotten a new Harley-Davidson, and he came and took me out of class. He said it was too beautiful to be indoors, so we stayed out all day.

The cultural pressure for a middle-class Chinese-American to walk, talk and act like a lower-class thug from Chinatown is nil. The same can be said of Jews, or of any other ethnic group. But in black America the folly is so commonplace it fails to attract serious attention.

Making a judgment, taking a stand and then acting against an injustice or acting to support excellence is the stuff of the everyman hero. If you are an aspiring artist and you wish to avoid “judgments,” you'll find that you have nothing to say.

Science class is traditionally taught as science history class - you learn all these facts that someone else discovered, which you need to know, but that's not really an inspiring way to learn science.

I like acting. I really like acting. The career, it can keep you interested. With 'Entourage,' the characters are living a lifestyle that is kind of troubling. But the challenge is to make Shauna a person.

I consider myself a writer. I always wanted to act, and as a teen, I studied acting devotedly. Eventually, I got writing work, but very little acting work.

I get really worried, like if they say, 'Take vocal lessons,' or something because it's kind of like I used to really love to draw when I was a kid and then I took like an art class - because everyone said, 'Oh, you're so good, you should take a class and maybe you can be really good,' and then I went to the class and then they showed me how to use a ruler and perspective and all this stuff and it totally made me not want to do it at all.

I wanted to be a jazz pianist, but I wasn't good enough. I got into city college because I didn't have the grades to get into university. I took acting because it was a way to get three credits. I just needed three credits and my friend told me to take acting because it was like gym - nobody fails you. I took it and that's literally how I got involved in acting.

It's tough when take 1 is technically okay and take 2 has better acting. Out here (Hollywood) they print the first one. That's the one where we all hit the mark on the floor and who cares about the acting.

I tried to picture her in a class, any class, anywhere on campus, and failed miserably. I pictured her frolicking in a forest glade around some guy she'd just sacrificed to a heathen god. That image worked way better.

In the 'Garnethill' trilogy, people always forget that Maureen O'Donnell's dad was a journalist and she did art history at uni and her brother did law, but no-one ever thinks they're middle-class - they're just working class because they speak with accents.

There is a lot of acting that is on the table - precisely, good acting. The best movies of mine are the ones that really nobody saw. The Groomsmen, Playing By Heart and Seeing Other People are by far the work I'm the most proud of.

Not only the brothers on the street but the middle class brothers are also identifying with the gangster rappers because of the extent to which this music circulates. It becomes possible for the - not only the young middle class men, but it becomes possible for young middle class white men and young men of other racial communities to identify with the misogyny of gangster rap.