Top 1200 Acting Class Quotes & Sayings - Page 18

I've always been really ambitious, whatever I do. At school, I always wanted to be the best in the class - no, it wasn't enough to be the best in the class, I'd want to be the best in the country.

You know, this idea of going around the world imposing democracy by growing a middle-class, a trading merchant class that is independent of your faith, is a good notion, but we're all partially different - it's no good imposing systems on people that it doesn't suit.

Acting can be a very reactive profession. Acting is a fantastic thing, and it's my life, but writing is also part of me too, so I did it, and in so doing, took responsibility for my own life.

Method acting is a label I don't really understand, because there's a method to everybody's acting.

I can't believe we got grades in gym class. I've never used anything I learned in there. "All right, I'm standing in front of a room full of strangers. Based on what I learned in gym class, I will throw a red ball at a fat guy."

There will be a big tax cut for the middle class. But any tax cuts we have for the upper class will be offset by less deductions that will pay for it.

If I wasn't acting, I'd be teaching acting. That would be my easiest thing to fall back on is teaching it.

I love playing half squid/half crab guy because you can get away with a level of acting that if you tried it anywhere else they'd arrest you for crimes against acting.

What I really like is the marriage of both [writing and acting] - for instance, with Postcards. I don't actually act in it, but I worked on it with Mike [Nichols] as I went along, creating the character, so it was a bit like acting for me.

I loved acting and wanted to be a leading man. But I decided I'd rather be a big fish in the stuntman pond than a little acting fish. I guess I must have made the right decision.

The neoliberal programs of the last generation have in fact been, and were intended to be, a pretty serious attack on democracy, but also they've led to stagnation or decline for large parts of the population - the working class, the lower middle class, these people have essentially been cast aside.

I'm still insecure, but when I first started acting, I was really insecure. I glared at a lot of people. I assumed everyone hated me. Somehow that scowl has turned into an acting career.

Teaching is my most reliable form of human contact. I love the opportunity to speak Spanish (which I don't do at home), the give-and-take with students, the surprises. One day you think you have the goods for a sensational class and it bombs. The next day you have nothing and the class turns out splendidly.

Patrick Swayze was in an acting class with me. We were working on Who's Afraid Of Virginia Woolf together, and there was this beautiful blonde who was playing Honey - and I'm playing loudmouthed Martha - and she was so gorgeous, and the two guys were flirting and having fun with her, and so I started crying. Buddy came over and said, "Don't you know that you're beautiful? Don't you know that these women are beautiful?" It meant so much to me, because he was already sort of a star.

Something people say about acting is that acting is listening. But I think that writing is listening, too. That you really have to listen to what are they saying and what they're communicating to you. And so, a lot of it is just getting stuff down.

If you're directing and acting, I feel like they both suffer, to some extent. There are so many elements to it. If you do acting and directing, at the same time, it's not going to be as good, I believe, as if you focus on one or the other.

I think that, often, actors represent what they're not. You get people who define the aristocracy who are not aristocratic - they're lower-middle class or working class. An awful lot of your so-called angry young actors have grown up in extreme bourgeois comfort. It really is surprisingly common.

I've always felt that acting is acting at the end of the day, so whether you're doing comedy or heavy drama or anything else in between, you always have to bring a semblance of honesty to it. It's all make believe.

Acting is not a lofty performance; it is simply the source of becoming and existing transparently. Acting, I find, is the art of frothing to the surface every raw and honest emotion. The moment an actor pretends, he loses his audience forever

Acting is something I've done since I was in high school, but I never had a model in my life, whether it was a mentor or a parent, where I could realize that acting could actually be a career.

I didn't know anything about acting, much less about acting in a comedy.

With acting, there are a lot of subtleties and non-verbals involved. If someone is over there, getting eaten by a shark, there's a non-verbal way of how to act that. There's a certain nuance to acting that does not come intuitively to me. It's something I still have to learn.

My sister pursued acting, and one day, I was like, 'Hey, I want to do acting, too' - this was just in commercials - and then one day, I got an audition for my first movie, 'Smurfs 2,' and I did it.

Mum has discreet spontaneity - she has an ease in front of the camera, which comes naturally - whereas dad is a kind of an acting ninja. He attacks you with his acting, which is overwhelming.

If there is any sense of order to the universe, acting is what I am meant to do. I'm not manufactured. I know acting isn't real, that it's temporary. If there is any theme to the roles I play, it is emotional vulnerability and availability.

The traveler to the United States will do wellto prepare himself for the class-consciousness of the natives. This differs from the already familiar English version in being more extreme and based more firmly on the conviction that the class to which the speaker belongs is inherently superior to all others.

I guess at a certain point you think, well, singing is singing and acting is acting.

I still have the desire to do the job of acting. It's just a matter of whether I'll be allowed to do the job of acting that remains to be seen. There are only so many brick walls that I'm willing to beat my head on.

I started acting in second grade - my first role was in the Thanksgiving play. I was the Indian chasing the turkey. All the other mom's encouraged my mom to get me into acting after that.

I was studying to be an architect, I wasn't plotting to join the movies. Films were just another career option. I took acting up with the same schoolgirl enthusiasm I had for examinations. Acting is a job and I take it very seriously.

The working classes in England were always sentimental, and the Irish and Scots and Welsh. The upper-class English are the stiff-upper-lipped ones. And the middle class. They're the ones who are crippled emotionally because they can't move up, and they're desperate not to move down.

I was always the class clown, although many teachers view the class clown as a trouble maker. But I always had good grades, so the only thing my parents were told was that while I was intelligent, I talked too much.

I was not the one to invent lies: they were created in a society divided by class and each of us inherited lies when we were born. It is not by refusing to lie that we will abolish lies: it is by eradicating class by any means necessary.

What is the deepest passion for me and for us is the historic investment in the middle class and in - as I say often because I was that guy growing up - the dreams of those who look up who want to get into the middle class. That I feel the strongest about.

I was always getting in trouble because I was the class clown but I always made teacher laugh. I remember I thought I was going to fail that class but I ended up passing it and I really think it was only because I was good entertainment for her.

I am not a capitalist soldier; I am a proletarian revolutionist. I do not belong to the regular army of the plutocracy, but to the irregular army of the people. I refuse to obey any command to fight from the ruling class, but I will not wait to be commanded to fight for the working class. I am opposed to every war but one; I am for that war with heart and soul, and that is the world-wide war of social revolution. In that war I am prepared to fight in any way the ruling class may make necessary, even to the barricades.

Aww man, growing up listening to the sort of music that I listen to, there were a lot of times in class - mostly art class - where I'd sit in there and unknowingly headbang to the music and sing along to it. My friends would record it and send it to me, like, 'Ugh, of course.'

I was a victim of a stereotype. There were only two of us Negro kids in the whole class, and our English teacher was always stressing the importance of rhythm in poetry. Well, everybody knows - except us - that all Negroes have rhythms, so they elected me class poet.

I've always felt that acting is acting, at the end of the day, so whether you're doing comedy or heavy drama or anything else in between, you always have to bring a semblance of honesty to it. It's all make believe.

As the 2016 presidential race kicks off, candidates on both sides of the aisle are promising to stand up for the middle class. Voters deserve to know that anyone who champions Obamacare cannot honestly say she or he is also a champion of middle-class Americans.

I'm definitely not a dancer. I can move well, but it's more about the acting and the singing for me. Acting and singing are completely different, so I can't say which one I love better because I love them both. I love acting because I get to play different characters. But I also love my music because I get to portray me.

I am very happy acting, and just have never gone at, or been bitten by the directing bug to the extent where I'm willing to put acting aside. If offered the opportunity, I think I could do a good job with the right material.

I don't think there's a whole lot of class literature at all. I think most of that has become racially based, and people don't think of it as being class literature.

She doesn’t usually back down that easily.” “Maybe she’s got class.” Eve snorted. “Trust me,” she said. “That girl’s got no class at all.

Acting for screen is very different from acting on stage, and then obviously when you dance... everything is a physical embodiment. But the discipline is the same approach. You have to take both things seriously; nothing well-crafted is by mistake.

Acting can be a very reactive profession. Acting is a fantastic thing, and it's my life, but writing is also part of me too, so I did it and in so doing took responsibility for my own life.

Acting is about people. Other people. Otherwise, you're not acting, you're doing monologues.

I was born in the theatre. My father was a small time impresario on the West Coast and I was acting from the age of 7, but I started to write when I was 12 and by the time I was 14 I was making more money than I was acting.

Before I got into acting, I was always interested in psychology, which I think is very common with a lot of actors because in a weird way, psychology and acting kind of seem interwoven.

Personally, I have nothing to fall back on, and that creates a weird ambition that you have to be good at acting because you can't be good at anything else. I wish I had gone for my degree - that acting wasn't this be-all-and-end-all.

Writing is as big a part of my career as acting is, financially and time wise. So, yeah, I love it. That's all I wanted to do since I was young was be a writer. So that and acting are the two most important aspects of my career.

There are two classes of women in Soviet Russia. There is the professional class, which has taken the place of the nobility and includes government officials, artists, doctors, composers and writers as well as former members of the old nobility whose sympathy is with the Soviets, and also the peasant class.

Good acting should be invisible. You shouldn't be aware of the acting. It should feel real.

It's hard to improve our schools. It's hard to redistribute wealth created by the concentration of technological and financial power or to increase middle-class wages. But it might be easier to lower middle-class costs by building more housing.

The 1970s - I was ten in 1975 - were a bad decade in all sorts of ways but the middle class had comfortable assumptions about the prospects for its children. The middle class was smaller then; it was a much less competitive Britain, less meritocratic.

There's a false choice being put forward by some Democrats now. Either we double-down on our progressive values, or we go out there and talk about the middle class and the working class. I've never found them inconsistent. They go together.

I know actors who say acting is acting, but I love the live-ness of an audience. I love feeling the energy of a room and allowing them to sort of teach you how to do it better.

Who's the big government guy? These labels are nonsense. And the Tea Party, if you want to call them working class, you know, a working-class insurgency from below, they are a mass of contradictions; they don't have a single consistent viewpoint; but part of their impulse is to be wary of government.

The sprinkling of people of color through elite institutions in the United States, due to affirmative action policies and the limited progress of middle-class and upper-middle-class African Americans, creates the illusion of great progress.

I'm interested in the spirits of people. In the theatre, there's the acting part of acting - and I'm not saying that can't be great - and there's the essence. To explore that essence, you need a key, a look, a gesture, an insight that unlocks the person's soul.