Top 1200 Acting Class Quotes & Sayings - Page 20

In America, the policeman is a working-class hero. In England, the policeman is a working-class traitor.

I was a very outgoing guy. I loved roaming around, hanging out with friends. From class 5th, I practised and learnt martial arts for about 7-8 years and have won medals at the national level. Then I trained in dancing on stage. In class 10th, I acted in my first play, and that's when I realised I wanted to become an actor.

Stylized acting and direction is to realistic acting and direction as poetry is to prose.

I wasn't the best in my class at the Royal Academy. There was a really good soprano and baritone who were technically better and are doing really well in opera now. But I was definitely the best mezzo-soprano in my class, because I was the only one of those!

A new political-entertainment class has moved into the noisy void once occupied by the sage pontiffs of yore, a class just as polarized as our partisan divide: one side holding up a fun-house mirror to folly, the other side reveling in its own warped reflection.

Although I started off as a child artist, I left acting in between, as I felt that I was missing the fun of school days. But a little later, I became keen on acting again and started going for auditions.

The Republican and Democratic parties, or, to be more exact, the Republican-Democratic party, represent the capitalist class in the class struggle. They are the political wings of the capitalist system and such differences as arise between them relate to spoils and not to principles.

Good acting is good acting, whether it's on stage, on TV, or in films.

My very first acting job was with Alan Parker on' Angela's Ashes,' but as a child, I had written to so many other productions just applying for any role. I always wanted to be an actress, and I did loads of acting summer schools.

I never wanted to be an actress, really. I sort of caught the bug fairly late. So many people are so intrigued with the glamour and celebrity of acting, and a lot of actors start acting when they are 9 or 10 years old - so young. I started when I was about 24.

The struggle for socialism is the struggle for proletarian (working class) democracy. Proletarian democracy is not the crown of socialism. Socialism is the result of proletarian democracy. To the degree that the proletariat mobilizes itself and the great masses of the people, the socialist revolution is advanced. The proletariat mobilizes itself as a self-acting force through its own committees, unions, parties, and other organizations.

I stopped acting, as I was not curious about it anymore. I was not passionate about acting.

[The word class has] been excised from the acceptable political vocabulary, except in the limited usage of right-wingers when they accuse liberals of inciting 'class warfare' - a charge that means it's okay for rich people to vote their economic interests but it's not all right to encourage poor people to do so.

I went to performing arts high school, and I took dance and acting every day. Then, I went to Marymount Manhattan College and I have a B.A. in acting, with a concentration in theater performance and a minor in musical theater. I studied there for three years.

I never attended any acting school, though I've done theatre workshops a couple of times, and it has been an extremely enriching experience. But beyond that, I don't want to acquire the skills of acting and use them on camera. I'd rather learn on the job.

We're all born into whatever citizenship, circumstances, or class we happen to be born into. Immigrants and so many people in the working class work so hard every day for nickels and pennies and scraps to just barely get by and then realize that this precious life has been completely drained out of us.

The first joke I got on the air I remember clearly. Dennis McNicholas and Robert Carlock wrote a sketch where they were evacuating the Titanic, and the last two guys on the entire ship were the two black guys, Samuel L. Jackson and Tracy Morgan. So Will Ferrell was running back and forth, saying, "All first-class passengers get in the lifeboat. All second-class passengers and third-class passengers get in the lifeboat. Let's get all the animals in the lifeboat. Let's put all the empty luggage in the lifeboat."

I'd started acting as a child. But I wanted to see if it was something my true personality was interested in. I stepped away from offers when I took five years off to go to college. I've only really just decided to whole-heartedly embrace acting.

Even as a kid in drawing class, I had real ambition. I wanted to be the best in the class, but there was always some other feller who was better; so I thought, 'It can't be about being the best, it has to be about the drawing itself, what you do with it.' That's kind of stuck with me.

I don't think that acting is as youth-obsessed as the general culture. In acting, as you get older, you get better, and the parts you get improve, too. But that's only true for a man, not a woman.

White working-class voters or working-class voters have felt abandoned, have felt, in many senses, disparaged by the political leadership of America.

When I talk about my artist parents, people imagine a bohemian environment and think, 'Aha, so that's where he gets it from!' But we were as white, straight, and middle-class as the next family on our white, straight, middle-class housing estate.

Theater acting is an operation with a scalpel, movie acting is an operation with a laser

I couldn't pick up a sword and go fight anyone, let me put it that way. It's choreography and it's acting. The best sword fights you see look amazing, but it's the acting that sells it more than anything.

Mandy is not calm. So that's acting. I'm acting. And, and I love playing someone calm.

I stay subjective because that's what I do. That's one of my abilities. I don't need to watch it because I've had the adventure. I don't do low-budget acting. I do the same acting, whether I'm in a Jim Cameron or not. I always try to do good work. There's no snobbery in there

I would rather do a play because it's instantaneous. You go on the stage, and you know whether it's happening or not. Somebody asked me 'What is acting?' And I said, 'Acting is listening.' And if you ain't listening, nobody's listening.

I'm so happy that James Baraz's AWAKENING JOY class is now available in book form. His class has been helpful to thousands of people. I plan to give it to all my clients who are struggling with creating a life of meaning and happiness. Joyfulness is our birthright. This book shows you how to reclaim it.

When the women's movement began, it was a middle-class phenomenon. Certainly, black women had other stuff to think about in the '60s besides a women's movement. Working-class women were slow to get into it.

I noticed when I was at Stanford, there was a class called the persuasive technology design class, and it was a whole lab at Stanford that teaches students how to apply persuasive psychology principles into technology to persuade people to use products in a certain way.

In fifth grade, we had to write a story and read it in front of the class. When I read mine out, the class were just belly laughing. And I remember being like, 'This is the coolest!' So I want to dedicate my life to trying to make people laugh. I can't imagine doing anything else.

All middle-class novels are about the trials of three, all upper-class novels about mass fornication, all revolutionary novels about a bad man turned good by a tractor.

I'm looking to immerse myself more in the entertainment community and possibly get into doing some acting. Music is my first love, what I was most naturally drawn to and choose to study. Getting into the acting world is like a new exciting challenge.

First of all, what we [in USA] need to understand is the middle class is what makes us different and exceptional. Every country has rich people, but what has made us different throughout history is that we have this broad-based vibrant middle class.

What happened is I was going to college in 1950. L. A. City College. A guy I knew was going to an acting class on Thursday nights. He started telling me about all the good-lookin' chicks and said, "Why don't you go with me?" So I probably had some motivation beyond thoughts of being an actor. And sure enough, he was right. There were a lot of girls and not many guys. I said, "Yeah, they need me here." I wound up at Universal as a contract player.

High tax rates in the upper income brackets allow politicians to win votes with class warfare rhetoric, painting their opponents as defenders of the rich. Meanwhile, the same politicians can win donations from the rich by creating tax loopholes that can keep the rich from actually paying those higher tax rates - or perhaps any taxes at all. What is worse than class warfare is phony class warfare. Slippery talk about 'fairness' is at the heart of this fraud by politicians seeking to squander more of the nation's resources.

I took a Fear of Flying class, and I always missed the class, because I was always flying.

It is said that anyone who does commercial cinema is not acting, and anyone who does an art film is acting. I don't believe it. I feel whenever you are doing a film, you are acting. So you need to be applauded for that. I won't do art house cinemas. I want to make commercial films. I want my films to make money.

When I started acting, everyone told me to get a backup in case it didn't work out; if there was something else I could have done, I would have done it. Acting should never be your chosen path if you can help it.

I have a funny relationship to the British working class movement... I'm in it, but not culturally of it... I was aware that I'd come from the periphery of this process. I was reluctant to go canvassing for the Labour party. I don't find it easy to say, straight, face to face with an English working class family: 'Are you going to vote for us?'

I think my parents were happy that I'd gone to university and gotten a degree in history so they thought, 'Well if acting doesn't work for him, he can always become a history teacher or something.' Fortunately, the acting worked out.

The level of sacrifice in the world of dancing is incredibly intense, that work ethic if nothing else - get up, go to class, rehearsal, performance, get up, go to class - that's your life, and it's like that for a finite time, usually.

I went whole hog at the actor's lifestyle - really embraced it. I had by then known how much I loved acting already, because I discovered acting from a teacher in the seminary - that's the first place I ever did it, in the seminary.

What I'm saying not a lot of people say: What is considered good acting today isn't necessarily good acting, because everybody knows what they are doing. Doubt is an important part of the human being. Trust has to be attained.

I consider myself fortunate that in my home, acting or the creative arts were a good option. This was a respected tour of duty in my family. Acting wasn't something that was left to tragic bohemians. But we weren't a family that obsessed on cinema.

I don't like acting and I never have liked acting and I never wanted to be an actress.

For globalization to work for America, it must work for working people. We should measure the success of our economy by the breadth of our middle class, and the scope of opportunity offered to the poorest child to climb into that middle class.

I think it's vital to have something outside your acting to keep you rooted in the real world, and help you fill the vacuum. If you have nothing else, it can be unhealthy. For me being a Christian has been invaluable: it simply means acting isn't the centre of my life.

I think theatre is by far the most rewarding experience for an actor. You get 4 weeks to rehearse your character and then at 7:30 pm you start acting and nobody stops you, acting with your entire soul.

I've been acting all along. I understand that I haven't been in people's viewers, but acting has never not been a part of my life, just more time in between and less high-profile.

Acting is the most personal of our crafts. The make-up of a human being - his physical, mental and emotional habits - influence his acting to a much greater extent than commonly recognized.

There is a forgotten black middle class in America - a group which is huge but underrepresented in the media and in art. It's difficult to talk about these things, because it forces one to talk in generalities, but that's my view. I do think the idea of a blanket class for black people is unfortunately still present.

I'm taking a philosophy class and regretting it with everything in me. I'm taking one college class per semester. Philosophy is studying what you already know and dismantling it. I thought it would be right up my alley. I can't tell you how much it's not me.

There are the class clowns that are disruptive and the kids laugh and you earn the teacher's disdain, I was the kind of class clown that also cracked the teacher up. I was funny in a way that was not dissing the teacher; I was funny just to be funny.

I never really thought about acting as a child. It wasn't like, "This is the career that I want to pursue." So when I first started acting, I was more concerned with just being on a set and all of the woes of that, and I didn't really know it or understand it as a craft yet.

Because you look at it, you know, and there's basically one set of rules that protect that industrial ruling class. That's what the governments do, that's what the religions do. They protect the interests of that industrial ruling class.

I went to theater school in France, and when I finished I thought I would never go back to acting again. I don't want to be acting in theater. It's not for me. I'm sick of all this theater world, all these actors, and all that.

It was just expected that I would go to college. Both my parents are teachers and they tolerated acting, but I was going to go to a school of quality or bust. Which made my downshifting back to acting afterward a little difficult.

For 40 years, the American middle class has been disappearing. Millions of people are working longer hours for lower wages despite a huge increase in technology and productivity. And what we have seen during that period is a massive transfer of trillions of dollars from the middle class to the top one-tenth of 1 percent of America

Who do you think, as you gaze at the entire scene in Washington, who is it that's acting like a bunch of children? It isn't Trump. Who is it throwing the tantrums because they didn't get their way? Who is it acting like hysterical spoiled brats because their side lost the game? Who is it that's insisting, because they lost the game, that the rules be changed? Who is it that's acting like any average eight- to nine-year-old kid who's told he can't have any more Twinkies or whatever kids - marijuana; I don't know.