Top 1200 Acting Now Quotes & Sayings - Page 18

Always now - just now - come into being. Always now - just now - give yourself to death. Practicing this is Zen practice.

When you look at the early-'30s movies, like King Kong, the codes of acting are very similar to those of silent movies. In some of the silent movies - the good ones, the ones done by the best directors - the acting is very, very natural.

British actors come at acting from a slightly different angle. Because a lot of the films are cast out there, they are so used to the angle from which the Americans, and certainly the young guys from L.A., are coming at it, that I think it's interesting for them to find these English actors who maybe approach acting from a different place.

It's not that acting was something I'd always wanted to do. I had no formal training; I'd never really imagined I'd be an actress. Business was something that had always been in my mind, but when I got into acting, I learned everything on set, and for me at that point, I wanted to excel at what I did.

Ewan was auditioning to get into acting college and asked me for advice as he wasn't connecting with the piece he was learning. I told him to think about a time he'd been beaten up in Glasgow and how he felt when the guy had punched him for no reason. He then made the connection between emotion and the words he was saying, which is what acting is.

That's the one thing that's funny about going from modeling to acting. In modeling, you're supposed to think about what you look like all the time. When you're in front of the camera, if you're not considering that, God knows what the pictures will look like. With acting, you have to completely forget it.

Oh would I were dead now, Or up in my bed now, To cover my head now, And have a good cry!

I think there's a lot of mythos about what's required in acting. The way that actors talk about acting is generally quite punishing, and I think actors want to put forward the idea that they do all of this work because, you know, it's a post-De Niro world, when, largely, in fact, it's almost never true.

I think one of the things that might distinguish me is when I'm going to work as an actor I really try not to worry about my own personal hang-ups and just really concentrate on the work. Because I have such a respect for acting, which is something I feel like I'm constantly learning how to do, that all of my energy is always focused on the acting itself.

I remember hearing someone say that good acting is more about taking off a mask than putting one on, and in movie acting, certainly that's true. With the camera so close, you can see right down into your soul, hopefully. So being able to do that in a way is terrifying, and in another way, truly liberating. And I like that about it.

I definitely do have a persona onstage. I definitely am a completely different person, but I'm still having a lot of fun and there's a lot of acting that goes into it. But I haven't been playing many shows when I'm working on acting as much because it's tiring, number one. And number two, it's hard for your mind to makeup what it wants to do.

I'd had an early stint in acting school, and there was something satisfying about becoming a character, about being inside another mind that you had to create out of yourself. As I moved toward a life in writing, I found many of the things I'd learned in acting school still applied.

I think my generation is obsessed with instant gratification. We want everything now, now, now.

For me, I need to be able to show up on set and fart around and goof around. If I can have that, when I'm not acting, then when I'm acting I can go however deep and dark and bad I need to. I developed that more with 'Breaking Bad' because I've never worked on anything as dark for as long.

There came a point sometime during high school when I started thinking about exploring acting as a career, but it was more of an intention than an actual decision. I was very interested in a lot of different subjects, but every time I envisioned myself actually pursuing one as a career, I always ended up thinking that I would rather be acting.

Viewers don't see more of anchors because we shoot only once a week and it's aired across three months; so, you always feel that a certain person is only anchoring. I've been acting for fifteen years and hosting for seven years, but I haven't done a soap, so a lot of people tend to think I'm not acting anymore.

You missed the point completely! You're acting..." The word stuck in my throat. He didn't hesitate to say it. "Jealous?" When I nodded, he continued. "Now you're missing the point. It isn't jealousy. It's fear." "Fear?" Not the emotion I expected. "Yes. Fear. I'm afraid you'll be hurt or killed. I'm afraid I won't be able to protect you. I'm afraid I'll lose you to another man.

I went on a road trip and ended up in Portland, Oregon, and from there, I did non-stop theater. I had just graduated, and I had all these ideas about what good acting was, but I hadn't put any of it into action. I spent five years honing my acting chops. And then I had this epiphany one day that I need to go to L.A.; I need to be on a sitcom.

Acting requires focus, too, but acting doesn't, you might say, demand focus. When you're in the ring you don't even have to think about focus because the danger is so imminent. Imminent. You train and you prepare and then the adrenaline kicks in and drives you into focusing intensely. You'd better focus, right? Or else you'll make your exit on a stretcher.

Acting, in general, is something most people think they're incapable of, but they do it from morning to night. The subtlest acting I've ever seen is by ordinary people trying to show they feel something they don't, or trying to hide something. It's something everyone learns at an early age.

I acted in high school and studied at the British American Drama Academy in Oxford for one summer. I minored in theater, and I was always acting growing up and stuff, but really, I was just more interested in the comedy of it all. So for me, it's always comedy, and then acting is just one medium of comedy.

The ghost caliphate will be a virtual organization; it'll be decentralised, with no leadership, and it will just encourage people to keep acting now that the caliphate's gone, that individuals should go do self-starting jihad. Get a gun, get an improvised weapon, take your car, and carry out the jihad.

I began acting at age eight, but if you don't stay on your game then people pass on you. Being on a show, it's a little easy to get comfortable, so I'm trying to get back on it. I'm taking some acting classes and watching movies, and I'm just trying to stay up with other actors.

Can you explore real issues as a fake character? Yes - it's called acting. Or fiction. But acting is not a method of engaging with the actual world, just as pretending to know what a character might eat does not a novel make - much less make that make-believe real.

It all started in Michigan. My dad got a job in Michigan, so we all moved up there from St. Louis. I kind of hung out in the summer and had nothing to do, so I sort of got into acting. And then I was going to Grand Blanc High, doing the acting thing and hoping it would pan out.

This isn't to play down people who pursue acting... For me, I do acting just as a fun job. It is a phenomenal job, and I have fun doing it, but I relate more to my martial arts, to my baseball, to my film study. There are more facets to my life that I relate to.

I like acting and things when I like the writing. If I don't like the writing, I don't like acting. I think in some ways everything starts for me from the place of writing.

Once I moved to Chicago and started trying to get acting jobs, I just tended to book more things that were comedically based than anything else. I never had the preconceived notion, "I will be a comedic actor." I just thought, "I'll go into acting and see what kind of work I can get."

As a child, I always wanted to be an actor. But as I grew older, the acting dream kind of faded away, and I took to studying a lot. A few years later, a relative of mine who really wanted me to try my hand at acting sent my photographs to a few production houses, and like they say, the rest is history.

One of the best antidotes for depression is to look around and see what you can do to help out - to make a difference - for now and the future. Now is the future, for what I do right now is the future. For what I am doing right now is already affecting tomorrow.

Once I moved to Chicago and started trying to get acting jobs, I just tended to book more things that were comedically based than anything else. I never had the preconceived notion, 'I will be a comedic actor.' I just thought, 'I'll go into acting and see what kind of work I can get.'

Some people have therapy, some people are alcoholics or they're in AA. Some people jump out of planes on weekends or find ways to release this kind of thing. And for me, it's acting. I find acting very therapeutic for whatever it is.

Hip-hop is universal now, it's all commercial now. It's like a circle full of circus clowns up in the circuit now.

Now, 'Dasher!' now, 'Dancer!' now, 'Prancer' and 'Vixen!' On, 'Comet!' on, 'Cupid!' on, 'Donner' and 'Blitzen!'

When you look at the early-'30s movies, like King Kong, the codes of acting are very similar to those of silent movies. In some of the silent movies - the good ones, the ones done by the best directors - the acting is very, very natural

In L.A., I was meeting people who were all actors. My mind started to open up to what acting was. I didn't realize that Brad Pitt was a real person. I didn't think he was a robot or a machine, but I thought you were just born into acting - that it's a family tree, kind of like NASCAR. No one can just say, 'Hey, I'm going to be a NASCAR driver.'

When I went to Los Angeles right after high school, I got some acting jobs, and I never, ever wanted to be an actress! Public speaking and acting make me want to vomit. But I have never been nervous singing. When it comes to public speaking, I stumble on my words, sweat, and pull at my clothes.

I really just enjoy listening to talk [to John Hurt and Charlotte Rampling]... not even about acting or anything. It's interesting because I felt really connected to all these people very easily. They're all very open emotionally, like we're in the scene together, so you never feel like anyone's acting.

Acting is a sport. On stage you must be ready to move like a tennis player on his toes. Your concentration must be keen, your reflexes sharp; your body and mind are in top gear, the chase is on. Acting is energy. In the theatre people pay to see energy.

British actors come at acting from a slightly different angle. Because a lot of the films are cast out there, they are so used to the angle from which the Americans, and certainly the young guys from LA, are coming at it, that I think it's interesting for them to find these English actors who maybe approach acting from a different place.

When I told people I was going to be doing the movie and the voice of Dobby, they were kind of awestruck, the people who knew about Harry Potter. I felt rather guilty that I didn't really understand the scale of the job I was about to take on. Now, I am well aware of what I'm doing, and actually, it feels a very serious acting responsibility.

I'm still learning to be the best actor I can be, and I have a long way to go to get to the level I would like to be at. My focus is still 100% acting acting acting. Once I hit a point where I feel very comfortable as an actor - because you can never stop learning, I don't care how comfortable you get, you can never stop learning - but once I hit a point where I can get that comfort level of taking on the task of directing and having the confidence in myself to have people's respect when I give them direction, that's definitely something I want to do someday.

I do feel even though now I'm acting, I still feel like I'm going to do a lot of other things, like write a book or multiple books, maybe a children's book - just random things that I feel like I want to do, that I have an urge to do in that moment.

Adults acting like children and children acting like adults is generally a pretty reliable comic device.

[President Bush] recently challenged Iraqi soldiers still fighting U.S. troops like so: ... 'My answer is bring 'em on.' For those of you who may be criticizing Bush for acting like a movie cowboy, let me remind you. He's actually acting more like a movie cheerleader.

I know what it's like to have a dream. I know what it's like to roll the dice and say, 'I'm going to go after this thing,' and nothing turns my stomach quicker than acting teachers or acting schools that look at a bunch of dreamers and say, 'We can help,' when they know full well that they can't.

When you go to a college for acting, at least the college I went to, it's like everybody just singing and dancing and acting, and they all come together, and everyone's talking about head shots... It just turned me off. I was like, 'What is this? I don't understand this. People are singing in the hallways.'

I have a good time when I'm acting, and bottom line, I just want to enjoy myself and be a happy person, and acting makes me happy. I enjoy it, and it's a good way to escape yourself. You just become somebody else for a little bit, and it's a lot of fun.

I meet a lot of young people that want to go into acting because they think of what it will do for them. If that's the case, it can be a very, very painful profession. But if the kids want to do acting because they love it, and they want to give to it, then they can have a great life. It's really about as simple as how you look at it.

Do not say to yourself, 'I am going to act this way tomorrow.' Just say to yourself - 'I am going to imagine myself acting this way NOW - for 30 minutes - today.'

I took my first acting class at age 6 because I found out that's what Carol Burnett was doing - acting. Also she had an imaginary friend as a kid and went to UCLA, two things we have in common. I will always admire her and hope one day, I can make someone laugh a fraction as hard as she's made me bellyache.

I would say runway is easier because your job is to look good or play a character that is just going somewhere. It's rather physical, whereas acting is terrifying because you're dealing with your subconscious, and those can be murky waters. But I definitely can say that I enjoy acting more as an artist.

I love acting, but I am a mom, and the roles just weren't coming because of a mixture of things: because I'm not ambitious, and because I'm older, and I had a baby. I really felt like I had said a graceful and completely happy goodbye to acting in a significant way. And I had sort of made my peace with that.

How can I stop acting? I don't think there is a full stop. Maybe the only time I will stop will be when acting stops fascinating me. I will have to find something that fascinates me more.

I would love to do more acting; I really would love to do it, particularly character acting. I'm a character type of actor; I love situations where I've got a bit of room to improvise on the character.

I've been asked which of the other arts novel-writing is most like, and I have come to believe it is acting. Of course, in terms of pattern it can be like music, in terms of structure it can be like painting, but the job to me is most like acting.

The acting served as an outlet for my emotions for some time because I was doing it under the guise of someone else. And that can only be therapeutic up to a point until you truly deal with it and can express it to someone directly. Acting was a helpful outlet for me as a child. In some ways, I can say it saved my life.

You have it now and that is all your whole life is; now. There is nothing else than now. There is neither yesterday, certainly, nor is there any tomorrow.

At this point, I've really failed at a lot of things. It's nice to be able to say that, in a way. I've failed at music. I've failed at dance. And acting - there have been times when I went out and read lines to audition for acting parts. I believe that if anybody wrangled together those audition tapes, it would be pretty hysterically funny.

My education was a huge influence. I trained at the Lee Strasberg Institute at Tisch, which is a huge foundation for young actors. They teach you their methods, and give you the sense that acting is much more tangible than most people think. I think there's a mysticism of what acting is, in the fact that it's this ungraspable, spur-of-the-moment thing that nobody can understand.