Top 1200 Action Figure Quotes & Sayings - Page 2

Action shouldn't just be seeing all those crashes. You can blow up a cathedral; next time you blow up the Great Wall of China, and then what? But when you're in love with your characters, the smallest action becomes an important action.

Seven is the magic figure, because that's a symbolic figure of my favorite deity, Ogun.

To have an idea of a thing is not just to get certain sensations from it. It is to be able to respond to the thing in view of its place in an inclusive scheme of action; it is to foresee the drift and probable consequence of the action of the thing upon us and of our action upon it.

What I say is, that the real non-resistants can believe in direct action only, never in political action. For the basis of all political action is coercion; even when the State does good things, it finally rests on a club, a gun, or a prison, for its power to carry them through.

To have a film where there's an evil figure and a good person fights against the evil figure and everything becomes a happy ending, that's one way to make a film. But then that means you have to draw, as an animator, the evil figure. And it's not very pleasant to draw evil figures.

I am an American man, and in America, we still think of figure skaters as little girls in pretty, sparkly dresses - I worked very hard to change the perception and image of figure skating, and I think I've done a great job on my end, but in figure skating, taste needs to evolve.

Every actor I know pretty much wants to be a rock n' roll star, and we'd all give it up to be in a rock n' roll band, but we're never going to do that. But being in cartoons - that's as close as you get without being an action figure.

I'm not a fan of action movies. I don't watch many action movies, I don't have a lot of references except for 70s action movies or cinema noir.

Thinking is progress. Non-thinking is stagnation of the individual, organisation and the country. Thinking leads to action. Knowledge without action is useless and irrelevant. Knowledge with action, converts adversity into prosperity.

Action seems to follow feeling, but really action and feeling go together; and by regulating the action, which is under the more direct control of the will, we can indirectly regulate the feeling, which is not.

In this day and age, when there are so many people creating work online and writing their own shows, I wouldn't tell another actor, 'If you can do anything else go do that.' I would tell them to figure out the story they want to tell, to figure out what artists inspire you and why, and then figure out a way you can create that for yourself.

I like the action business. I like the action movies. I guess Hollywood wants to see me do action. So I am down. I like it.

You can't figure out the Universe, especially if you're using figures to figure it.

I never in my wildest dreams ever thought that I would be on TV, or that I would have a video game or an action figure, or be in magazines in England, Australia, Mexico and different parts of other countries? I never thought I could do that, that that would be me.

I think that behind the scenes the Pope [Francis] is seen as more of a religious figure, but obviously he is sort of a global political figure.

As you begin to take action toward the fulfillment of your goals and dreams, you must realize that not every action will be perfect. Not every action will produce the desired result. Not every action will work. Making mistakes, getting it almost right, and experimenting to see what happens are all part of the process of eventually getting it right.

I became Vulnerability TED, like an action figure - like Ninja Barbie, but I'm Vulnerability TED.

Action that is inspired from aligned thought is joyful action. Action that is offered from a place of contridicted thought is hard work that is not satisfying and does not yield good results. When you really feel like jumping into action, that is a clear sign that your vibration is pure and you are not offering contridicting thoughts to your own desire. When you are having a hard time making yourself do something, or when the action you offer does not produce the results you are seeking, it is always because you are offering thoughts in opposition to your desire.

The enemies of acting are mood and attitude and other general homogenized disruptive entities. Whereas acting is about action - doing - and unless you can figure out a way to craft in an imaginative reality to which you don't submit, you're going to be out of control. You'll flip out. The job is to be surprised.

Whether I'm acting or making it, at the end of the day it's telling the story; action, drama. You want the audience to feel it - the story, the action, the scene, or a particular shot. I just keep working on crafting my art, on how to make action movies.

The greatest choice we have is to think before we act and then take action toward our life goals every day. Our problems result not only from our lack of action, but from our action without thought.

Doing your best is taking the action because you love it, not because you're expecting a reward. Most people do the exact opposite: They only take action when they expect a reward, and they don't enjoy the action. And that's the reason why they don't do their best.

When a man asks himself what is meant by action he proves that he isn't a man of action. Action is a lack of balance. In order to act you must be somewhat insane. A reasonably sensible man is satisfied with thinking.

Action films are great, but an action film that has characters that are compelling and a story that people can care about is something even better. We love to see action heroes that are vulnerable, that are sensitive, that are family people, that are accessible.

Action seems to follow feeling, but really action and feeling go together; and by regulating the action, which is under the more direct control of the will, we can indirectly regulate the feeling.

I still don't understand why the tag of 'action hero' follows me. My films have all these elements - romance, action and comedy. None of the fight sequences of my character is an act of randomness. There's a reason to action in my films.

'Alias' was very action-packed. 'G.I. Joe' and 'Conan' were very action-packed. It's been established that I can do action, which is great, but now I may just want to make out with a really hot guy.

It's a lot easier to figure out how to scale something that doesn't feel like it would scale than it is to figure out what is actually gonna work. You're much better off going after something that will work that doesn't scale, then trying to figure how to scale it up, than you are trying to figure it all out.

As far as I'm concerned all theatre is physical. As Aristotle says, you know, theatre is an act and an action, and he didn't mean just the writing of it, he meant that at the centre of any piece there is an action, a physical action.

If you start off as a fearsome figure in pop culture, it's almost axiomatic that at some point, years under the lights softens you into a cuddly family figure.

I don't think having a My Chemical Romance action figure will make a kid start his own band, I like to think it will make him save children from a burning building.

I had the desire to paint the figure without actually painting the figure.

When I was growing up, I had a G.I. Joe doll, and now, to see a recreation of my character as an action figure ... it's strange. Because Worf doesn't really look like Michael Dorn without makeup, it's easier to separate myself from these recreations, but it's still strange, flattering, and weird all at the same time.

I used to enjoy the anonymity of being a literary figure and occasionally a public radio figure.

When Demosthenes was asked what was the first part of Oratory, he answered, "Action," and which was the second, he replied, "action," and which was the third, he still answered "Action.

The freeze of a photographic gesture, the fix of an action, how an arm twists, how a smile gets momentarily stabilized or exaggerated - to try to get some of this is important... The photofix inflects the almost literal shaping of a figure, changes of movement or potential movement, and a sense of occurrence or event.

The Common Law of England has been laboriously built about a mythical figure-the figure of 'The Reasonable Man'.

I've kind of been in a video game, I've kind of been an action figure. It was actually a Barbie doll, so that's why I say kind of, but if I can get made fun of on 'South Park' or 'Family Guy,' then I'll know that I've done something good with my life.

Prayer and action...can never be seen as contradictory or mutually exclusive. Prayer without action grows into powerless pietism, and action without prayer degenerates into questionable manipulation.

When I paint figures it's never the idea of painting the beauty of the figure, it is using the figure to get across how I feel.

Find your true path. It’s so easy to become someone we don’t want to be, without even realizing it’s happening. We are created by the choices we make every day. And if we take action in order to please some authority figure, we’ll suddenly wake up down the road and say, “This isn’t me. I never wanted to be this person.

Action film is really easy to do, you just get in a car and smash through things and it's called action. The real key is what happens between the action when it's quiet. Loud is easy. Quiet, real hard.

The camera can represent flesh so superbly that, if I dared, I would never photograph a figure without asking that figure to take its clothes off.

They're called 'action scenes' because they do the acting for you. You don't have to act in action scenes. The action does it all for you. It's great.

It's not fundamentally different to any other genre, that action is a particular thing. Being able to do action sounds like it should be straightforward, but it really isn't. I always want the action to be witty. I don't want it to be merely routine.

As a consumer, I love action movies and have a lot of opinions about how action comedies don't really do justice to what I find exciting about an action movie, which is the genuine thrill of watching something that feels really high-stakes. A lot of times, it's played for laughs and action, which waters down the sense of danger.

This is a call to action—not an action that will make things better in six months’ time or a year’s time, but action that might save someone’s life and someone’s future this afternoon, tonight, tomorrow morning.

Don't treat your heart like an action figure wrapped in plastic and never used. And don't try to give me that nerd argument that your heart is a 'Batman' with a limited-edition silver bat-erang and therefore if it stays in its original packing it increases in value.

I've always been very strong minded on character-based fights and character-based action. If you take the character out of the action and you just shoot it as an action sequence, the audience starts to lose connection.

For at no time are any events predestined. There should be no such word in your vocabulary, for with every moment you change, and every heartbeat is an action, and every action changes every other action.

I like action movies, even though I think action movies are kind of derided now. But there is something extraordinary about action movies, which is absolutely linked to the invention of cinema and what cinema is and why we love it.

The way I figure it, we know we got this world, so live in this one while you’re here. I figure the next one will take care of itself.

How can you, as a small business owner, figure out what you are and, from there, begin to take action? Simple - you have to understand what part of the job you are doing and, if it isn't fulfilling the role of the entrepreneur in your business, you must make the decision to take on that role.

Fill in any figure you want for that boy (Mickey Mantle). Whatever the figure, it's a deal.

It's pretty awesome. Mattel does such a great job with detail... I'm way better looking than Ken. Barbie's been hitting on my action figure the whole time. She actually asked the stocking people if she could hang next to me, but they said no - because it's PG.

The first thing I do is lay out that melody and figure out how it has to hold here and then finish to land here, because you know in advance you're going to want the melody to catch four things in the action.

Action and reaction are equal and opposite, and are expressed simultaneously. Sequentially they are repeated in reverse, the reaction becoming the action and the action the reaction.

The great thing about working in comics is that visually, you're the sole voice. You have to figure out the staging, the lighting, the composition, the character emotions, the action. You get a script, but you're trying to work it out in individual panels. It's a terrific exercise in creative thinking and creative problem-solving.

To have a film where there's an evil figure and a good person fights against the evil figure and everything becomes a happy ending, that's one way to make a film. But then that means you have to draw, as an animator, the evil figure. And it's not very pleasant to draw evil figures.

The sexual is part of everything, and it's highly formalized. I hadn't done figure for a long time. And I thought to myself, "Why not the erotic figure?"