Top 1200 Actually Doing Something Quotes & Sayings - Page 19

The weight changes and balance that I have become accustomed to in riding have helped me to feel what the car is doing. It has become instinctive to me and I think that has something to do with why I am doing so well in my passion for racing.

When you dance, it takes a lot of stamina, but it never seemed like work 'cause I was doing something that I so loved doing. It was always a joy. And you know, to have beautiful ballets made specially for you is such an honor. I always said it was better than diamonds.

My big 'don't' would be wearing something just because someone told you it looks cool. I think a lot of people fall victim to that - of doing something that's a trend, but then you can tell if they don't own it or don't like it.

You see something or hear a sound, and there you have everything just as it is. [...] Whatever you do, it should be an expression of the same deep activity. We should appreciate what we are doing. There is no preparation for something else.

I set myself a rule before I actually write a tune to the lyrics, and the rule is that I've got to take the lyrics on to a level of understanding before I can actually write music to them. What I'm doing is interpretation. If I don't write the lyrics, therefore I must interpret them to the best of my ability. So my rule is that I must understand it, but I don't necessarily have to accept.

But it's a blessing to be so successful within a year; it's the greatest feeling in the world, making money and doing the things that I'm doing, and I definitely trying to continue doing what I'm doing.

For a while now I've had this feeling that there's something that I'm supposed to be doing or something that I'm supposed to contribute. I don't know what that is yet, but it's been plaguing me - like I've missed my calling somehow.

I'm a perfectionist, and to actually finish something is good for me.

As with the factory, so with the office: in an assembly line, the smaller the piece of work assigned to any single individual, the less skill it requires, and the less likely the possibility that doing it well will lead to doing something more interesting and better paid.

If something is worth doing, it is worth doing right. I take that one step further. You shouldn't do anything unless you do it right.

If your audience doesn't like something, you should think to yourself, "Well, why don't they like something? Is there something wrong here?" And, if they like something, you should think to yourself, "Why do they like it? What am I doing right here?," and deal with those issues.

Self-awareness is something that we actually actively avoid.

The only thing that I don't like is my kids watching comedy that isn't actually funny. There's a lot of supposed tween comedy on TV that isn't particularly funny, but it's got a lot of laugh track. And I go, 'Please don't watch that. Please just watch something that's actually funny.'

I don't mind doing scripted material. It's actually kind of a relief, because improvising is a little bit like screenwriting on your feet.

Part of the kick of making people laugh was doing something different. We were a rare breed - spotting one of us was like pinning a space alien, or abdominal snowman. There were maybe a hundred stand-ups in the whole country when I was doing it.

There are things that make me excited about what I'm doing: Trouble the Water [the 2008 documentary Glover executive produced] on New Orleans, or something like Soundtrack for a Revolution, about the power of the music of the civil rights movement [which he executive produced in 2009]. Or Bamako, about the African debt crisis, a platform to discuss the experience of people who actually live it. All of these are important ways we can use film as a forum inviting people into a dialogue.

We also ought to recognize that unpaid labor falls predominantly to women. The other thing I would do in countries like the U.S. is to show more men, even in TV ads, doing household work. Only two percent of ads show men doing chores, and yet we know they actually do several hours of it in real life. Those images affect young boys and girls.

I think if you don't feel passionate about the first movie you're doing, in the end the project will lack something because you don't have enough experience to make the movie something special.

I've always believed that talking about something is not the same as doing something about it.

Making Homeland series is not improvisational comedy theater, but it is improvisation. We might get a call that morning, while we're doing something, and the change goes in that is something that just happened an hour ago, in the world.

I'm always doing something before I'm going to them. For instance, I was doing a show the night before this one. I never really think about it too much because it's always in the middle of a lot of things.

Something about teaching is curiously attractive, actually. I don't know what it is.

Traveling is not a hindrance for me; it's something I actually enjoy.

I don't usually drink caffeine so that when I need it, it actually does something.

Working with actors is actually something I treasure a lot.

I remember doing my first school play. We were doing 'Oliver Twist,' and I was cast as Oliver. It was the first time I ever felt brave and confident and truly happy about something.

In folk music, I've always been fond of the fragment. The song that has one verse. And you don't know anything about the characters, you don't know what they're doing, but they're doing something important. I love that. I'm really a sucker for that kind of song.

You have to remember that writing those sorta songs is not reality, it's more like trance, dream, y'know, like dreamwork. The mythical thing can enter the creating but there's the mythical place and the real place. And there's both...I get it between waking and sleeping. Or, when I'm doing something else. I don't sit down and think I'm gonna write about subject X or subject Y. I could be doing something and an impression comes in from outside and the song emerges out of that. It's never thought about or contrived.

My publishers are wonderful because they have let me write what I wanted to. They're wise enough to know that, with any author who's not simply writing formulas - who's trying to create something new - pressuring them to do something for market purposes almost always backfires. I can't imagine working under those circumstances, actually.

The fact is that everyone at the labels wants to do what everyone else is doing. You have to look like her; you have to be like her; you have to sing like her, and no one can express themselves. I look at Rihanna and I am so proud of her. She speaks loudly! You have to stand up and clap. She expresses herself through fashion. She actually can sing. And her songs mean something, even to me, you know?

You like to explore things, and your parents don't like it because it gets the pots and pans dirty, and because it's noisy - but for you it's fun, you're resting. You're actually doing experiments... Just tell your parents that they're experiments, and you want to become a scientist, and then they won't stop you from doing anything you want.

I wanted to be a pro volleyball player, and I fell in love with performance and audience response. The pressure of performing and doing something that I love doing in front of people who were grateful to see it. That relationship sort of worked out to be acting and theatre.

Every film teaches you something; every experience on every film set with every co-star teaches you something. You learn something new. I think the challenge is to keep working harder and doing better.

I often get asked by people 'Is your Twitter real?' and things of that nature. I'm never sure how to respond to that. My Twitter account is completely 'real' in that everything I tweet is something I have earnestly thought or something that has actually happened to me.

If you're on TV regularly, doing a thing regularly, whether you're Anthony Anderson on 'Black-ish' or Don Lemon, an hour a night, you have to turn into, 'What's the delivery system through which I can deliver information?' I don't mean they are being fake or that they are doing something that's disingenuous.

It was seventh grade or something like that when we started falling in love with stuff like Sam Raimi and Wes Craven and John Carpenter. Also, our filmmaking skills were getting a little more polished, so we thought we could actually make something that was not funny.

It's often said that if doing something was easy, everyone would be doing it. I think that's particularly true when you're trying to make your mark or architect your own career. There's often not a path to follow.

I'm not very good at doing two things at the same time. I've never been good at the walk and bubblegum thing. I've been doing this 16 hours a day. I haven't had a day off. But it's very exciting, too, just to meet all these people doing really fertile stuff. It's sort of where I come from anyway, hanging out with people who believe in something incredible.

That, for me, actually is the most important thing about doing a period film is trying to make these people as lovable as they are back then.

It's funny, but thinking back on it now, I realize that this particular point in time, as I stood there blinking in the deserted hall, was the one point at which I might have chosen to do something very much different from what I actually did. But of course I didn't see this crucial moment for what it actually was; I suppose we never do. Instead, I only yawned, and shook myself from the momentary daze that had come upon me, and went on my way down the stairs.

It's rewarding to know that a song is doing more than just helping someone to have a nice day: it's actually leaving a deposit in their lives.

People think making jokes about something is just going to cause trouble. But actually, not making jokes about something is a type - and this sounds very pretentious - of apartheid.

People don't actually see what's gone on behind the scenes - the hard work, when you're doing your rehab, when you're sleeping on an ice machine - and yet they have an opinion on it.

...clatter of a typwriter suggests that you're actually building something.

I actually think it's courageous to be vulnerable, and it's not something to be avoided.

Revolution is something that actually starts in individual hearts.

The point isn't to know what you're doing. The point is to have an experience doing something.

I just don't trust any of it. Every time I read something about how there's been another ridiculous climb of the Dow Jones, there's a part of me that goes, “This can't be good.” None of this is real money. You know what I mean? It's not like there's actually more of anything. It's just ideas. When people are getting richer and richer but they're not actually producing anything, it can't end well.

When I'm not actually doing my work, I'm planning it or thinking about it or reading things that on some level are transformed into performance fantasies. I have no active interests.

I love Styx as much as I could love anything in my life. I started playing in the band when I was 14 years old. You become so involved in something when you start in it that young; you're doing it purely out of love of what you're doing and a belief in it.

I actually was very proud of 'Dexter' and had a wonderful time doing it, which must make me an extremely weird person.

When we ignore the prostituted child, we actually lend our hand to their abuse. When we ignore the widow and the orphan in their distress, we actually add to their pain. When we ignore the slave who remains captive, it's us who is entrapping them. When we forget the refugee, it's actually us who is displacing them. When we choose not to help the poor and the needy, we actually rob them. Perhaps the only fair thing to say is that when we forsake the lives of others, we actually forsake our own.

I decided I needed something that I could feel as passionate about as acting, and something in which I could completely lose myself. I started painting, and I'm still doing it.

We live in a world that tells us not to care, to consume everything in sight. It tells us that being cool and being an individual actually means buying what everyone else is buying and doing what everyone else is doing.

It's weird, I actually like doing interviews now. Ever since I gave up therapy, it's my only time with a captive audience.

It is no solution to define words as violence or prejudice as oppression, and then by cracking down on words or thoughts pretend that we are doing something about violence and oppression. No doubt it is easier to pass a speech code or hate-crimes law and proclaim the streets safer than actually to make the streets safer, but the one must never be confused with the other... Indeed, equating "verbal violence" with physical violence is a treacherous, mischievous business.

Acting is not terribly important work, and I have always felt a bit of guilt about pursuing something that is so selfish. I love doing it, but it is never something that feels like it's going to change or save the world.

I'm never, I hope, stupid enough to believe that Twitter or blogging or any of this stuff is a substitute for actually doing the work or writing a book.

The Web meant that I didn't have to schlep a whole bunch of stuff to a museum and fight with all their constraints and make something that, in the end, only 150 people would actually get out to see. Instead, I could put something together in my lab and make it accessible to the world.

Never waste time and energy wishing you were somewhere else, doing something else. Accept your situation and realize you are where you are, doing what you are doing, for a very specific reason. Realize that nothing is by chance, that you have certain lessons to learn and that the situation you are in has been given to you to enable you to learn those lessons as quickly as possible, so that you can move onward and upward along this spiritual path.