Top 1200 Actually Doing Something Quotes & Sayings - Page 20

As a matter of fact, I was going to offer you something.” “What did you have in mind?” "A field trip. You interested in doing something dangerous, and possibly illegal?” “Does it involve underage girls, broken curfews and assorted fruit toppings?

I'm makin' a lotta dough, everyone knows who you are, and who the hell cares whether you're typecast or not? Also, there's something wrong with complaining about being typecast in something you really enjoy doing.

I think if I lived in New York I would be really stressed out going out to a club and seeing a good DJ who's doing something on a similar level. I'm pretty critical of myself when it comes to the music. Maybe they're not doing as many samples or the samples aren't put together as specifically but it would stress me out to feel like I needed to be one upping someone. In Pittsburgh, I'm in my own world - I know I'm the guy doing this here.

These so called Popcorn movies, or family movies, actually provide something quite beautiful and something quite necessary, which is a family bonding experience.

I can't listen to music while I'm doing something else. Well, unless I'm working out. But I, like, fall off the treadmill all the time if I'm listening to something that I like too much.

If you want something to actually happen, just voting isn't enough.

I love acting. I can't imagine anything else that I would do. I know a lot of actors that really want to be directors and be musicians and all that stuff. I like acting and I feel like I'm good at it. It kinda makes me happy. It's actually pretty easy to me and I can't imagine doing anything else at this point because I've been doing it for so long.

I actually prefer to work in as many different genres as possible as often as possible because I actually think the best way to be inspired and avoid any writers block or things like that is actually to be able to go from a comedy to an action to a horror to a adventure, that actually makes it easy for me to start over and get new ideas, and it keeps things interesting.

I think people imitate actors - things they've seen in a movie or on TV, and before you know it, they're doing something with their face or their mouth. It's from some actor they think is cool. They might not even know they're doing it, which is kind of funny.

For the most part, I would say that I have always had a great love for the sport, just doing what I do. I think my success could be greatly attributed to that. I don't look at it like it's a job or anything like that. Its more like a hobby, something I have fun doing.

I went from doing something that was very original, sort of subversive, and specific in its voice - The Grinder - and loved every minute of it, but having done that, I was anxious to do something that had more broad appeal and to embrace the good things about that.

My first time on TV doing stand-up, I actually did this show in Holland called 'The Comedy Factory' hosted by Jorgen Raymann. It was in 2006 in Holland. It was amazing. I had only been doing stand-up for four years, and I booked that gig through the Just For Laughs Montreal festival, and they flew me out and put me up.

I'm a very visual thinker, so the characters are running through my head, doing what they're doing when I'm writing them. And there'll be moments where I'll just kind of throw a look off to the side as if I'm talking to one of the characters. It's always been something that I've had with me since I was a little kid.

A lot of people think that I am only in town when I'm doing the publicity circuit, but I actually come [Bread Street] regularly. I just don't publicise it.

When I create a story, I can make it however funny, sad, or happy I want it to be. And when I read, I feel like I'm in the story, and I get to experience it. It feels like I'm watching someone else do something, but I'm doing the thing that the character is doing as well.

I once played a character called Mr. Jonathan in something called 'Razzle Dazzle.' I was a choreographer of children's pageants. That was something I never imagined doing. It did great in Australia.

I like to take on the thing I don't like at the moment. I like to find something that looks wrong or feels off, something that I would never have done in the past, like brocade. And then all of a sudden, if we can make brocade work, then we've really done something, because I hate it. And that's just a reference. I don't actually hate brocade.

My dream right now is - and I don't know how to do it, and I don't know if it will work exactly - but just this sort of vague aspiration to start some kind of website where people send in their stories or poems, and me or perhaps some other people turn that into music. And then by the end of the year we make a record and actually put it out. Like a band, but the band is actually a combination of the musician and the fan. I think that's a very 21st-century way of doing it.

I'm actually rubbish at selfies. I always feel a bit ridiculous doing it unless I'm with a bunch of friends, where I'll usually stand at the back with a huge grin on my face!

I spent 50 years in the NBA. Can you imagine doing something that you love the most in the entire world and doing it for your entire life and, besides that, getting a pile of money for it? It's unbelievable. I'm the luckiest guy in the world. And I know it.

I hate to say Americans are ignorant and lazy, but a lot of them are ignorant and lazy. It's just like what I was talking about with Rebel Music and art. When you live in a place that has a lot of good things that make life easier, it's easier to take them for granted. But what frustrates me to no end are people who want to blame Obama or blame anything that is something that if they were actually doing anything as simple as voting, it might not be as bad as it is.

You have to really believe in what you're doing, be passionate enough about it so that you will put in the hours and hard work that it takes to actually succeed there, and then you'll be successful.

And during the campaign of 1936, she writes that she and her brother would always rather be out doing things when they're sick, rather than take to their beds. And I think Eleanor Roosevelt always responded to pain by doing more, by doing something, by being active. And I think she just couldn't bear to look at her childhood grief. And she didn't.

People say they'll pay more for something made in the U.S., but they won't actually do it.

Make-up is actually something I've always really loved.

The odds are lousy that I actually said something attributed to me.

I ask myself all the time, 'Why keep doing this?' If I wasn't exploring or finding something to write about that was personal or meant something, there'd be no reason. If I was ever making a record just to make a record, or ever just like, 'Just put something out there that someone will buy,' I would quit.

Even though all these obstacles keep coming at you, you just have to keep going through them. Because it's worth it to do something in your life, as opposed to fantasizing about doing something.

I feel crushingly embarrassed when I do bad work, so being rejected after doing bad work is actually harder than being rejected after doing good work.

There's actually an incredible amount of parallels between working in central Congo in a remote, isolated village and doing research aboard the space station.

I feel it most in my work, because there aren't roles about women who are spiritually evolving. That anyone would even write something like that, something that's worth doing, would be a miracle!

Passion is the fire, enthusiasm and courage that an individual feels when she is doing something she loves while accomplishing worthy ends, something that satisfies her deepest needs.

What I enjoy most about doing voiceovers is that you can be completely unconscious with the rest of your body and just concentrate on doing something with your voice, creating an entire character with your voice.

Oh, and one more thing: If I try something that I've never done before, something that's particularly difficult for me, and it doesn't work out, that doesn't make it a failure. The fact that I actually succeeded in finishing it makes it a huge success. Think of all the people who never even try.

When you see weakness in a hero, you are doing something to his identity. You take something away from the kids, the next generation; you steal away giving them anything to look up to.

Whenever a woman wields a gun in a film, it ends up looking like they're trying to be sexy rather than they actually know what they're doing.

Once in a while, I write in Malay and work on something fun that's more for the local Malaysian market, and when that happens, it's always something really special; it speaks volumes that I'm doing it for my fans who have been there for me since day one.

I started shooting 'The Defenders' two days after I wrapped' Friday Night Lights.' I was doing research for 'The Defenders' throughout - interviewing lawyers and sitting in courtrooms just to watch - but there's something fun about throwing yourself in the water and learning by doing.

I'm not that type of musician where I can sit down at the piano and work out a song; I actually really enjoy that process of sitting with somebody and having nothing and then suddenly something starts appearing. You struggle with it, and then suddenly a song starts to appear. Then, you've got to try and muscle it - there's that word again - into something and you do. You tussle with it and play with it and roll around with it and suddenly, magically, something appears.

Whenever I get an audition to do something that is sci-fi-related, it makes me really happy because I realize that I can continue doing the work that I'm doing and continue meeting people all over the world. It does baffle my management team sometimes, though!

I'm actually quite proud of the fact that we made a success of ourselves in a donkey jacket and DMs, without any thought to sexualising what we were doing.

That's one thing I like to do before going in for a read - doing research once I actually have been granted the role - is to look up people's names.

I sometimes look into the face of my dog Stan and see a wistful sadness and existential angst, when all he is actually doing is slowly scanning the ceiling for flies.

You're living in a fantasy to think that music can actually change something.

Bosses will tell you they are looking for something different but they're not, actually.

When something actually shocks me, that's when you know it's a great topic.

There's an inherent responsibility actors feel when portraying something that actually exists in the world. It's arguably something that not all actors would agree on because this is a craft, but for me, it's the emotion of what a character is going through that makes the performance what it is. We have a responsibility to bring those emotions to light.

If I'm doing a voice-over session, like animation or something, and I'm doing three different voices, you've gotta separate them. You've gotta find the different places and do your different things.

Settling is not necessarily a bad thing. People tend to take it as 'losing something in order to gain something else.' That does not have to be the case. Instead of using the word 'settling,' we should actually be using the word 'compromising.'

I was too shy to do any vocal lessons or go to choirs; I just didn't want to be seen doing it. It's something that I kept to myself. I started easing into it, and I started doing talent shows, and YouTube really helped with that, too.

At times, I feel America is something that I can actually put my arms around, more than a land mass and a Constitution, something far more containable and understandable. I don't exactly know what it is, but at these times I feel completely woven into it.

The way I approach this thing, when I started to get my head screwed on straight and really trying to make something of myself as an artist, when I was 19 or 20, it became more about function for me. Like, what is this song doing to you? What is the function of this type of artform? What is it doing?

What I teach is literary criticism and comparative literature and so on and that's my function, but from time to time it's possible for me actually to help a writer. I read something and something strikes me then, I feel I can talk to that writer about it.

You can go from doing something quite silly to something dead serious in the blink of an eye, and if you're making those connections with your audience then they're going to go right along with it.

If you are actually ordinary, the only way to give royal status meaning is to live an extraordinary life. It can't be jeans and burgers and granny doing the babysitting.

How could something that felt so right actually be so wrong?

I always want to be doing something - going somewhere, doing a project, teaching a class, writing an article. I try to use up my day. You have a limited time on this planet - try to use as much of it as you can for productive purposes.

We've actually bought quite a number of historical pieces. We are doing a piece on the abolitionists, Harper's Ferry and the abolitionist John Brown with Paul Giamatti.

Nothing wrong with making money or doing what you need to do to sell, but I think it shows when you're writing something to pay the bills and when you're writing something because it's really your version of the world.

I was never very good at being an unemployed actor. I always thought that I should have been doing something pro-active. I was never good at doing juvenile leads. I suppose it's because I have this big sarcastic head on me.