Top 355 Adaptation Quotes & Sayings - Page 5

Explore popular Adaptation quotes.
Last updated on April 21, 2025.
The challenge in any musical is unifying all the moving parts of it, in particular a movie musical because now you're adding the camera and you're adding the idea of adaptation. So the challenge is to stay as true as you can to the material that you love and yet not be afraid to step outside of it and introduce elements into it that make it exist in a satisfying, exciting way cinematically.
Every mutation through a new combination of genetic factors that provides the organism with a new opportunity for coming to terms with the conditions of its environment signifies no more and no less than that new information about this environment has got into that organic system. Adaptation is essentially a cognitive process.
In Madrid I lived quietly and then Lisbon cost me more. Language was a subject and adaptation was slow, but getting to Wolverhampton was radical. It gave me peace of mind. There I can go as if nothing to make my life. People approach, with respect, to tell me that they are happy with me.
As an example, there is a Japanese composer / singer whose name is Tanimura [Shinji]: he has composed a song entitled entitled "Kazeno Komoriuta" and I have recorded my piano adaptation of this song and honestly I couldn't expect that it would be so difficult and challenging for me to perform my piano version of this beautiful song.
I think, then, that man, after having satisfied his first longing for facts, wanted something fuller - some grouping, some adaptation to his capacity and experience, of the links of this vast chain of events which his sight could not take in.
We are equal human beings, and we were born with evil and anger and misunderstanding of what a man is, and so we are as needy and wanting to be part of him, as he, obviously, was needing and wanting to be part of us. And that's why I've really taken the freedom, because it's an adaptation, to give her a voice.
If you write an original, it's like you went in and dug a well, and you hit oil. But an adaptation, it's like the oil well's on fire, and they bring you in to put the fire out and get it working again - or something like that.
I actually enjoy working with green screen, because I can imagine all that stuff happening, and I really cut my teeth on a movie I made called "Adaptation" where I had to imagine four-page dialogue scenes with my twin brother, who was nothing more than a tennis ball and a gas stand.
Individual societies begin in harmonious adaptation to the environment and, like individuals, quickly get trapped into nonadaptive, artificial, repetitive sequences. When the individual's behavior and consciousness get hooked to a routine sequence of external actions, he is a dead robot, and it is time for him to die and be reborn. Time to "drop out," "turn on," and "tune in.
I don't believe in "average people" doing anything [about the climate]. People outght to support mitigation and adaptation within their own line of work, no matter how un-average that is. I mean: if you're a butcher, baker, ballerina, banker, or a plumber, envision yourself as the post-fossil-fuel version of yourself, and get right after it
. . . I wrote a letter to Thomas Pynchon asking, Can I have your permission to try to make an [adaptation] of your book? And I had no idea that he would answer me, because he's pretty elusive. But he did send a letter back that said, Yes, you can do that - as long as the only instrument in the opera is a banjo. I thought, That's an interesting way of saying No.
That which most contributes to the permanence of constitutions is the adaptation of education to the form of government, and yet in our own day this principle is universally neglected. The best laws, though sanctioned by every citizen of the state, will be of no avail unless the young are trained by habit and education in the spirit of the constitution.
2010 is the International Year of Biodiversity. We can classify our crops into those which are climate resilient and those which are climate sensitive. For example, wheat is a climate sensitive crop, while rice shows a wide range of adaptation in terms of growing conditions.
The great problems of life — sexuality, of course, among others — are always related to the primordial images of the collective unconscious. These images are really balancing or compensating factors which correspond with the problems life presents in actuality. This is not to be marveled at, since these images are deposits representing the accumulated experience of thousands of years of struggle for adaptation and existence.
I had to create a children's show, because we wanted the money - and it was, interestingly enough, the first project at the Angel Island theatre space. We did the show, an adaptation of Grimm's Fairy Tales. It was hardcore Grimm - nothing was sanitized - and it was called 'The Mary-Arrchie Kid's Show.' It was well-received, and so I applied to do it through Urban Gateways in Chicago.
In 1916, Universal Studios released the first filmed adaptation of Jules Verne's novel '20,000 Leagues Under the Sea.' Georges Melies made a film by that name in 1907, but, unlike his earlier adaptations of Verne, Melies' version bears no resemblance to the book.
When the most learned evolutionists can give neither the how nor the why, the marvels seem to show that adaptation is inexplicable. Yet those who cannot explain it will not admit that it is inexplicable. This is a strange situation, only partly ascribable to the rather unscientific conviction that evidence will be found in the future. It is due to a psychological quirk [in the minds of its advocates].
The laws of Coexistence;-the adaptation of structure to function; and to a certain extent the elucidation of natural affinities may be legitimately founded upon the examination of fully developed species;-But to obtain an insight into the laws of development,-the signification or bedeutung, of the parts of an animal body demands a patient examination of the successive stages of their development, in every group of Animals.
If it's a good work of adaptation, the book should remain a book and the film should remain a film, and you should not necessarily read the book to see the film. If you do need that, then that means that it's a failure. That is what I think.
It is not necessarily those lands which are the most fertile or most favored in climate that seem to me the happiest, but those in which a long struggle of adaptation between man and his environment has brought out the best qualities of both.
The things I have sold to film, I've sold because I was happy to rent out the right to adapt those works. Some things, I haven't sold to film, because I was less interested in having no control over the adaptation.
The difference between a path and a road is not only the obvious one. A path is little more than a habit that comes with knowledge of a place. It is a sort of ritual of familiarity. As a form, it is a form of contact with a known landscape. It is not destructive. It is the perfect adaptation, through experience and familiarity, of movement to place; it obeys the natural contours; such obstacles as it meets it goes around.
'Gossip Girl' was an adaptation that, although very different from a Marvel property, had a vocal fan base. On that show, we started off very nervous about making any changes from the book. As we got our sea legs underneath us, we became more bold.
There's nothing wrong with a plan, but remember Von Moltke's famous dictum that no plan survives first contact with the enemy. The danger is a plan that seduces us into thinking failure is impossible and adaptation is unnecessary - a kind of ‘Titanic' plan, unsinkable (until it hits the iceberg).
If we do not act to curb climate change immediately, we will leave our children and grandchildren an unrecognizable planetIt is the poor, those least responsible for climate change and least able to afford adaptation, who would suffer the most.
'Troy' is an adaptation of the Trojan War myth in its entirety, not 'The Iliad' alone. 'The Iliad' begins with the quarrel between Achilles and Agamemnon over the slave girl Briseis nine years into the war. The equivalent scene occurs halfway through my script.
Now the 21st century approaches and with it the inevitability of change. We must wonder if the American people will find renewal and rejuvenation within themselves, will discover again their capacity for innovation and adaptation. If not, alas, the nation's future will be shaped by sightless forces of history over which Americans will have no control.
So getting that balance between what is honoring scripture and the Word and also acknowledging the fact that by the virtue of putting it on film there's going to be a variation and adaptation, I mean, it's a fine dance and a balance. Our producers and directors have worked so hard to get that right and I'm really proud. I think it's a pretty good job.
The right question to ask from a Darwinian prospective is what was it about bipedalism that was so advantageous? Why did it lead to a - why did that adaptation ultimately lead to a species Homo sapiens that has come to dominate the planet today with six and a half billion people?
Resilience, timing, adaptation - these are the three pillars upon which the emergent properties of interacting systems rest. When the systems are the economy and the environment, understanding of the relationships among these concepts is crucial. This volume does a better job of explaining how to manage both money and nature to ensure humanity's long-term future than any other work I know of. Read and reflect.
At the time, The Hotel New Hampshire was John Irving's favorite adaptation of his work, which meant a lot to all of us who worked on that movie.It's amazing to me that that was a studio movie. That was a summer studio release! If that doesn't tell you how much the business has changed, nothing will.
The real security of Christianity is to be found in its benevolent morality, in its exquisite adaptation to the human heart, in the facility with which its scheme accommodates itself to the capacity of every human intellect, in the consolation which it bears to the house of mourning, in the light with which it brightens the great mystery of the grave.
Anyone who reads the comics knows Maxima comes to Earth in search of a mate among the superhero population - specifically Superman. She's denied by him and she becomes very angry and bitter. We'll see how that history plays out in the show - every adaptation is a little bit different, but 'Supergirl' does a great job with the source material.
Homosexuality is not 'normal' On the contrary it is a challenge to the norm...Nature exists whether academics like it or not. And in nature, procreation is the single relentless rule. That is the norm. Our sexual bodies were designed for reproduction...No one is born gay. The idea is ridiculous...homosexuality is an adaptation, not an inborn trait.
A pattern of shared basic assumptions invented, discovered, or developed by a given group as it learns to cope with its problems of external adaptation and internal integration that have worked well enough to be considered valid and therefore, to be taught to new members as the correct way to perceive, think and feel in relation to those problems.
As far as life is concerned, there is no such thing as "Nature". There are only homes. Home is that environment to which the individual has become adapted; and almost everything is unnatural outside his range of adaptation. Harmonious equilibrium with nature is an abstract concept with a Platonic beauty but lacking the flesh and blood of life. It fails, in particular, to convey the creative emergent quality of human existence.
To wade in marshes and sea margins is the destiny of certain bird, and they are so accurately made for this that they are imprisoned in those places. Each animal out of its habitat would starve. To the physician, each man, each woman, is an amplification of one organ. A soldier, a locksmith, a bank-clerk, and a dancer could not exchange functions. And thus we are victims of adaptation.
I think any musical has so many moving parts and the challenge is unifying all the moving parts in particular because you have the camera and now it's all about adaptation and what works in one medium doesn't necessarily work in another so the challenge is to stay as true as you can to the material and yet not be afraid to step out of it and add elements to make it satisfying cinematically.
We were friends with Jonathan Demme. We were all down on the West Side of New York, and I think I met Kurt Vonnegut through Edith Demme. And then I was lucky to do Who Am I This Time? 1982, which was an adaptation of his short story that Jonathan Demme directed with Chris Walken and I, and that really cemented the friendship.
I think where the criticism of videogames come from is where videogames are just Xeroxes of films, and when you get a film adaptation of that game, you've just Xeroxed something twice. I think that's where a lot of the criticism comes from - there are ultra-violent games that are already based on a million films.
I always thought that the location of this film [Girl In The Train] was on the train and inside her imagination, and her loneliness and her gaze out the window.Although it was set in England, it didn't feel to me like an overly English book. In terms of the use of cultural references, it was not extreme, so it was very simple to go from England to America in the adaptation.
Today's environment is beginning to threaten today's organizations, finding them seriously deficient in their nervous system design... The degree of coordination, perception, rational adaptation, etc., which will appear in the next generation of human organizations will drive our present organizational forms, with their clumsy nervous systems, into extinction.
But could not our situation be compared to one of a menacing epidemic? People are unable to view this situation in its true light, for their eyes are blinded by passion. General fear and anxiety create hatred and aggressiveness. The adaptation to warlike aims and activities has corrupted the mentality of man; as a result, intelligent, objective and humane thinking has hardly any effect and is even suspected and persecuted as unpatriotic.
'To Kill a Mockingbird' appeared to highly favorable reviews and quickly climbed to the top of bestseller lists, where it remained for more than eighty weeks. In 1961, the novel was awarded the Pulitzer Prize. A film adaptation was released in 1962, starring Gregory Peck, and received three Academy Awards.
It is an error to imagine that evolution signifies a constant tendency to increased perfection. That process undoubtedly involves a constant remodeling of the organism in adaptation to new conditions; but it depends on the nature of those conditions whether the direction of the modifications effected shall be upward or downward.
If you write an original, its like you went in and dug a well, and you hit oil. But an adaptation, its like the oil wells on fire, and they bring you in to put the fire out and get it working again - or something like that.
The Englishman's strong point is his vigorous insularity; that of the American his power of adaptation. Each of these attitudes has its perils. The Englishman stands firmly on his feet, but he who merely does this never advances. The American's disposition is to step forward even at the risk of a fall.
The system functioned relatively automatically, and the prevailing system of racial meanings, identities, and ideologies already seemed natural. Ninety percent of those admitted to prison for drug offenses in many states were Black or Latino, yet the mass incarceration of communities of color was explained in race-neutral terms, an adaptation to the needs and demands of the current political climate.
While not my personal favorite of the Disney princess films, 'The Little Mermaid' wins hands-down in my book for best Disney adaptation. Little girls waited for more than 150 years for Hans Christian Andersen's 'The Little Mermaid' to have a happy ending. Walt Disney finally gave it to her.
More and more we try to effect an adaptation to life by means of external gadgets, and attempt to solve our problems by conscious thinking rather than unconscious 'know-how'. This is much less to our advantage than we like to suppose.
A man is like a bit of Labrador spar, which has no lustre as you turn it in your hand until you come to a particular angle; then it shows deep and beautiful colors. There is no adaptation or universal applicability in men, but each has his special Talent, and the mastery of Successful men consists in adroitly keeping themselves where and when that turn shall be oftenest to be practiced.
When you're making an adaptation, you have to make content for the fans; otherwise, you'll get something that won't even be accepted by the mainstream. You want to make something that the fans will approve and the mainstream will enjoy.
We have good examples of successful adaptation to rising sea levels. The Netherlands became a wealthy nation despite having one-third of its landmass below sea level, including areas a full 7m below sea level, as a result of the gradual sinking of its landscapes.
To me, the ultimate crime in an adaptation is the crime of reverence. A novel is one form of media, a screenplay is another, and a movie is yet another. There's even reverence to a screenplay.
Based on technological research and the transformation of nature, industrialization constantly goes forward, giving proof of incessant creativity. While certain enterprises develop and are concentrated, others die or change their location. Thus new social problems are created: professional or regional unemployment, redeployment and mobility of persons, permanent adaptation of workers and disparity of conditions in the different branches of industry.
I firmly believe that you can't get a good movie without risking a bad movie. A good adaptation of your book is worth it because it is such a wonderful experience to see your world translated onto the screen.
'Troublemaker' is not an adaptation of 'Metro Girl' or 'Motor Mouth.' It is an original story. The hardest part was probably trying to keep the sound true to the novels. I always write in first person, and it was important to us that the readers of 'Metro' and 'Motor' be comfortable with the change over to a graphic novel.
There are definitely recurring themes in humanity's relationship with our environment. The biggest is probably adaptation, because humans are incredibly good at adapting to new environments in relatively short periods of time. The ancestors of Homo sapiens started leaving Africa over one million years ago, moving from warm, tropical climates into the freezing wilderness of Europe and the desert ecosystems of the Middle East.
Monet's garden must be included with his works, because he combined the magic of an adaptation of nature with the work of a painter of light. An extension of the studio into the openair, with color tones lavishly spread out on all sides to exercise the eye with seductive vibrations, from which a feverishly aroused retina expects unquenchable joy.
Once we accept violence as an adaptation, it makes sense that its expression is calibrated to the environment. The same individual will behave differently if he comes of age in Detroit, Mich., versus Windsor, Ontario; in New York in the 1980s versus New York now; in a culture of honor versus a culture of dignity.
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