Top 1200 African Quotes & Sayings

Explore popular African quotes.
Last updated on December 21, 2024.
I believe in supporting African solutions to African problems.
The South African government, unlike a lot of African governments, isn’t poor.
There has been a struggle to reclaim the African self. That struggle has been on the part of a minority of dedicated African-Americans who never gave up our African identity at no time during our stay here.
I changed my name when we became aware of the African revolution and the whole question of our African roots. — © Amiri Baraka
I changed my name when we became aware of the African revolution and the whole question of our African roots.
My roots are African. The birds I remember, the fruits I ate, the trees I climbed, they're African.
I am very proud to be African. I want to defend African people, and I want to show to the world that African players can be as good as the Europeans and South Americans.
Never have a picture of a well-adjusted African on the cover of your book, or in it, unless that African has won the Nobel prize.
We do not have a South African as a member of the African Commission. The President of the Commission comes from Mali, the Deputy comes from Rwanda and then we have got all these other members, ordinary commissioners. There is no South African there. And the reason, again, for that is not because we didn't have South Africans who are competent.
When we play at the World Cup, any African will back any African team. Because we want to hear the different approach to African football. We want to hear that Africans can do well, and Africans do well.
I'm African American / I'm African / I'm black as the moon.
It's not Africa that is destroying the African rainforest, it's selling concessions to timber companies that are not African, they are from the developed world - Japan, America, Germany, Britain.
We know that the African regimes, many African regimes have failed their people and many Africans want regime change, and there are a lot of African leaders who make promises but don't carry them out. I mean, the progress - I mean, it is noble for the rich countries to help Africa, but then the question is: What are African leaders themselves doing to help their own people?
I am African-American, and I am a proud African-American. I just don't like to put myself in a box and say, 'I'm an African-American actress.' I am an American actress, and I can do any kind of role.
Most of all, I dislike this idea nowadays that if you're a black person in America, then you must be called African-American. Listen, I've visited Africa, and I've got news for everyone: I'm not an African.
The African-American is often used, and has conspired with the rest of America to be used, as a diversion from America's problems. I wish African-Americans would stop contributing to this sideshow. I also wish all African-Americans would cease to sing and dance just for a generation. I think we provide too much entertainment.
The African people and tribal chiefs are hospitable, and African music and dances are invigorating. — © Li Keqiang
The African people and tribal chiefs are hospitable, and African music and dances are invigorating.
All people of African descent, whether they live in North or South America, the Caribbean, or in any part of the world are Africans and belong to the African nation.
African problems should have African solutions.
The central objective in decolonising the African mind is to overthrow the authority which alien traditions exercise over the African. This demands the dismantling of white supremacist beliefs, and the structures which uphold them, in every area of African life. It must be stressed, however, that decolonisation does not mean ignorance of foreign traditions; it simply means denial of their authority and withdrawal of allegiance from them.
When Marcus Garvey died in 1940, the role of the British Empire was already being challenged by India and the rising expectations of her African colonies. Marcus Garvey's avocation of African redemption and the restoration of the African state's sovereign political entity in world affairs was still a dream without fulfillment.
It was easy to persecute me without people feeling ashamed. It was easy to vilify me and project me as a woman who was not following the tradition of a 'good African woman' and as a highly educated elitist who was trying to show innocent African women ways of doing things that were not acceptable to African men.
I realized that you cannot think European and want to write or create something African. You have to think African in everything.
Writing has always been a serious business for me. I felt it was a moral obligation. A major concern of the time was the absence of the African voice. Being part of that dialogue meant not only sitting at the table but effectively telling the African story from an African perspective - in full earshot of the world.
Any staffing changes that disproportionately cut the number of African Americans at CNN - intentionally or otherwise - are an affront to the African American journalism community and to the African American community as a whole.
There is a tendency just to talk about foreign investors. Over 80 per cent of new investment in the South African economy is South African and therefore the engagement of the South African investor is also a critical part of this process.
One of the things that made the Black Muslim movement grow was its emphasis upon things African. This was the secret to the growth of the Black Muslim movement. African blood, African origin, African culture, African ties. And you'd be surprised - we discovered that deep within the subconscious of the black man in this country, he is still more African than he is American.
I use African-American, because I teach African Studies as well as African-American Studies, so it's easy, neat and convenient. But sometimes, when you're in a barber shop, somebody'll say, "Did you see what that Negro did?" A lot of people slip in and out of different terms effortlessly, and I don't think the thought police should be on patrol.
I don't think there are any pure Africans of the African Americans, but the African part of our history was pretty much taken away from us during slavery, so the 60s gave us a chance, because of the civil rights movement, to kind of re-examine and make some sort of formal connection to our African-ness.
Michael Jackson fundamentally altered the terms of the debate about African American music. Remember, he was a chocolate, cherubic-faced genius with an African American halo. He had an Afro halo. He was a kid who was capable of embodying all of the high possibilities and the deep griefs that besieged the African American psyche.
Not only are there African accomplices inside the imperialist system, but every African has a responsibility to understand the system and work for its overthrow.
What I love about African-African music is how unselfconscious it is in so many ways.
My message was 'Think African. Make schools read African history.'
You go to conferences, and your fellow African intellectuals - and even heads of state - they all say: 'Nigeria is a big disappointment. It is the shame of the African continent.'
You have Vampire Weekend who have more African references musically than most African-American artists.
The birth of the African Union should encourage us to reexamine relations between African States.
Even if I am French, I have African roots. Helping African sport to develop is something that is very important to me. If I can use my reputation or other means to help, then I will.
We are different from many African countries. We represent Africa as the gateway and will do everything to make African and Israeli relations mushroom.
I joke that one of the rare times Egyptians identify as African is when the national soccer squad is playing in the African Cup of Nations - and preferably winning it.
Some African leaders actually dare to suggest that democracy is a concept alien to traditional African society. This is one of the most impudent political blasphemies I can think of.
Shakespeare is in many ways an African writer and 'Hamlet' would be seen as a very accurate historical saga about an African kingdom. — © Henning Mankell
Shakespeare is in many ways an African writer and 'Hamlet' would be seen as a very accurate historical saga about an African kingdom.
It is up to African leaders to show their will and political courage in order to assure that this new pan-African institution becomes an efficient instrument and not a place for endless discussions.
As I said, the matter of the Pan African Parliament was raised with us by other African countries who said we should host.
I wanted to show that an African-American artist could make it in this country on a national level in the graphic arts. I want to be a strong role model for my family and for other African Americans.
Sometimes you can't fight change, because you're a part of it, and I feel that in the context of these films that are happening now, there is a kind of change coming in terms of how history is represented on film, and the African, and the African-American and British African experience.
Denys Cowan and Dwayne Turner's visions of Wakanda as an ersatz African Epcot Center opened my eyes to the unexploited possibilities; these men, both of whom are African American, together with writer Peter B. Gillis, created an African Asgard of sorts, and I just went, 'Oh, my.'
The southward advance of native African farmers with Central African crops halted in Natal, beyond which Central African crops couldn't grow - with enormous consequences for the recent history of South Africa.
The Chinese, the African, and the European - they are all there. So the division of the Caribbean experience into being emphatically only African is absurd.
What example do you have of anything like the Pyramids outside of Africa? You have them in Mexico, but that can be traced to early African migration. So the African created mound culture.
I even pretended years ago to be an African, a half-caste African, but because of my light eyes I did not get away with it, but I dyed my hair black.
When African-Americans come to France, the French show them more consideration than they would show an African or a Black Caribbean. When African-Americans come to France, the French people are like, 'Oh, wow. Oh my God.' But if it's an African, they're like, 'Whatever.' It's all because of the past, because of our history.
I read mostly Irish, African, Japanese, South American, and African writers. You can count on Scandinavian literature for a certain kind of darkness, a modern mythic style.
Cultures, when they meet, influence one another, whether people like it or not. But Americans don't have any way of describing this secret that has been going on for more than two hundred years. The intermarriage of the Indian and the African in America, for example, has been constant and thorough. Colin Powell tells us in his autobiography that he is Scotch, Irish, African, Indian, and British, but all we hear is that he is African.
Science fiction is the only genre that enables African writers to envision a future from our African perspective. — © Nnedi Okorafor
Science fiction is the only genre that enables African writers to envision a future from our African perspective.
Many South African tribes used extracts from the African bush willow to heal the sick.
What we are trying to do now, this new generation of African writers, is to write about what it is to be a human being living in a particular African country. These are stories that resonate with anyone, anywhere.
After Nigeria, we are the second biggest black African nation. We are the headquarters of the African Union. We are the only African country that has never been colonized. This is perhaps the last surviving African civilization.
When African-American police officers involved in a police action shooting involving an African-American, why would Hillary Clinton accuse that African-American police officer of implicit bias?
I have a well-balanced show. It's 50/50 on men/women, and also African-American/white writers, it's the same thing. I have four African-American writers, and four non-African-American writers.
The South African government, unlike a lot of African governments, isn't poor.
Johnson Publishing has been built on filling a need for African-Americans. This is what's happening with E Style. There was nothing that addressed the specific needs of African-American women.
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