Top 1200 African-American Quotes & Sayings - Page 13

I supported Obama. I went to his rallies. I parted with my hard-earned money. There was a movement going on, and I was really thrilled with the idea of the first African-American president. I did the same for Mitt Romney. In both of those cases, I have never agreed with all of their policies.

African narratives in the West, they proliferate. I really don't care anymore. I'm more interested in the stories we tell about ourselves - how, as a writer, I find that African writers have always been the curators of our humanity on this continent.

It saddens me that African Americans - when they express their pain, when they protest about police violence, when they question inequality, when they raise issues of bondage and discrimination - African Americans are seen as not patriotic.

I studied African American studies, and I read these slave narratives and the escape narratives of people that were able to escape slavery and always found those stories intriguing and powerful and inspiring.

Twenty years ago, when I started writing, I didn't define myself as an African-American writer. And then you write books and you're focused on what's inside your books, and that kind of term is generally used on the outside, by the critical establishment.

There are individuals who are working very hard to promote fear and antagonism towards Islam and Muslims in this country. It's fueled, in part, by the first African-American president that we have. Obama's father was a Muslim and people have used this to arouse hostility against him.

I grew up in a house that was the traditional African-American home that was dominated by a matriarch, and that matriarch was my grandmother. She was tough. She was strong. She was powerful.

I think one can live in American society with a certain cultural heritage, whether it's an African heritage or other, European,what have you, and still absorb a great deal of this culture. There is always cultural assimilation.

Liverpool had African players from the '50s and '60s. There were goalkeepers in the early days from South Africa. Then in 1981 there was a guy who came to Anfield. They say 'who is this guy' and it is me; I am African.

That one lesson that African American communities have learned over the centuries in America is that you can't just take for granted that things will steadily get better and better and better until they're great. It is fits and starts. It is backward and forward.

I want to do things that haven’t been done, including fixing and making our inner cities better for the African-American citizens that are so great, and for the Latinos, Hispanics, and I look forward to doing it. It’s called make America great again.

We can't all work in the inner city. And, I don't even think that it is incumbent upon an African-American intellectual to be concerned in their work with problems of race and class. It's just one of the things, that we here at the DuBois Institute, are concerned about.

We are Germans. We are Armenians. French, Italian, Russian, American, Asian, African... many other nationalities. We are Christians, Jewish, Muslim and Hindu. We are black, we are white. We are a community of some many differences, so complex and yet so simple. We do not need to have war!

Mainstream American society finds it easiest to be tolerant when the outsider chooses to minimize the differences that separate him from the majority. The country club opens its doors to Jews. The university welcomes African-Americans. Heterosexuals extend the privilege of marriage to the gay community.

The toughest challenge I faced came right at the beginning of my career with 'Blood Knot,' which was trying to convince South African audiences that South African stories also had a place on the stage.

There are so many slices to the African-American experience. I mean, I have the whole ghetto pedigree. My mom was in jail, I didn't have any money, and I didn't go to a fancy college. But that's not the type of story I want to tell or feel the need to tell on film.

I consciously think about the ethnicity of every character that I create and cast. But one thing that is equally important is quality representation. It's not enough to put an African-American in there, a female in there, a gay character in there: How significant is their contribution? Can they drive the story?

As an African-American male born with a couple of strikes against you because of your skin color, I think it's very, very important to have some positive role models around, especially male influences.

I would like to see more African-American singers as part of our opera companies. If you take music and the arts out of the public schools, then you're going to lose a lot of people that you might have discovered were talented, very early.

I think most people write from what they see in their own world, which is maybe why we so often see an African-American woman as the best friend, or the one you bring in when you need some sass. It's like we're put in a box.

Look at the coded language the Right is using against President Barack Obama. Openly calling him a liar in Congress, saying he is 'not a Christian, he was not born here, he is not one of us.' That makes addressing such issues trickier for the first African-American in the White House.

When I got out of acting school, I was lucky to have gotten any job at all. A lot of people hiring African American actresses - it was right after 'Roots,' and for society, not me, it was great. Nice richly dark-skinned people was the fashion, and I was not.

There's good reason to be excited. You have the first woman running who is qualified, and a very attractive African-American who has demonstrated crossover appeal. I got involved in politics 40 years ago during the civil rights movement, so yes, it's an exciting thing.

I would never say that claiming you're a Christian is wrong. I understand that there is a human aspect of being able to identify people whether it's African American, Hispanic or Asian. But the definition doesn't define the relationship, meaning you can be married and still not know intimacy.

Sen. Joe Biden, on the day of announcing his candidacy for president of the United States, called Barack Obama the first mainstream African-American who is articulate, bright, and . . . clean. I think we've seen the shortest presidential campaign in history.

Mrs. James, my fifth-grade teacher, introduced us to some of the great literature of African American culture. I won my first blue ribbon reciting the vernacular poems of Paul Lawrence Dunbar, in particular "Little Brown Baby."

'Boomerang!' I love that movie just because of Halle Berry, Robin Givens, Eddie Murphy, Grace Jones and Eartha Kitt. There were so many characters. As an actress, to see African-American actors be so diverse was different from what I was used to seeing.

American high school culture was impenetrable to me, and very cliquey: you had the Hispanics, the African Americans, the surfer guys and the goths and the immigrants. The jocks and the surfers got the girls. By the time I'd got to grips with it, I'd graduated.

I feel like because black Cuban artists don't have the kind of pressure to thematize race in the way that African-American artists do, there's more space for them to do their art without having to discuss it in terms of racial identity.

The American War of Independence is the expulsion of the intrusive elements, alien to the American essence. If American reality is the reinvention of itself, whatever is found in any way irreducible or unassimilable is not American.

To reaffirm the statement on the choosing of my identity, I come from two beautiful cultures which I have embraced, bridged, balanced, and identify with. I am proud to be who I am as a Dine' (Navajo) and Nahilii (African American) woman. Hozho', , & blessings

One thing that sticks in my mind is that jazz means freedom and openness. It's a music that, although it developed out of the African American experience, speaks more about the human experience than the experience of a particular people.

I don't believe that the fight for trans rights or African American rights is different from the fight against war, or the fight for refugees.

The reason why I began making quilts is because I wrote my autobiography in 1980 and couldn't get it published because I wanted to tell my story, and my story didn't appear to be appropriate for African-American women.

The whites were really brutishly ignorant, blitheringly, so they killed people sometimes - just came into the African-American community and maimed people because they didn't agree with God's choice for the colors of the people's skin.

As a woman, as a Jew, as a lesbian, as a labor leader in a time of great anti-union animus, I know that other people project their biases on me. But it is nothing like the experience of our African-American brothers and sisters, especially black and brown men and boys.

My company, Cinema Gypsy, produced a podcast, 'Bronzeville,' in conjunction with Larenz Tate and his brothers that we're developing into a television show. It deals with a very tight-knit African-American community in Chicago in 1947 and people who run a numbers wheel.

My mom was a teacher. In the 1960s and '70s, she taught history at two largely African American public high schools in Washington, D.C. - McKinley Tech and H.D. Woodson. Her example taught me the importance of equality for all Americans.

As an African-American, we stand on the shoulders of people who fought despite not seeing victories in their lifetime or even in their children's lifetime or even in their grandchildren's lifetime. So fatalism isn't really an option.

I think that seeing as much support as somebody like Obama as a black candidate running for president in a country that historically has had issues with the African-American people, and them having issues vice-versa, is a miraculous thing.

Welfare has destroyed the African-American family by telling young black women that husbands and fathers are unnecessary and obsolete. … We have incentivized fornication rather than marriage, and it's no wonder we are now awash in the disastrous social consequences of people who rut like rabbits.

In the West or anywhere else, the treatment of people in an undignified way (structural and institutionalized racism against Latinos or African American citizens) as well as a dangerous dehumanization of some people (in Palestine, Iraq, Africa or Asia) are simply unacceptable.

So how do Latinos feel if there's a big investment just in the African American community, and they're looking around and saying, "We're poor as well. What kind of help are we getting?" Or Asian Americans who say, "Look, I'm a first-generation immigrant, and clearly I didn't have anything to do with what was taking place."

In many large urban areas, the majority of working age African American men now have criminal records and are thus subject to legalized discrimination for the rest of their lives. It is viewed as "normal" in ghetto communities to go to prison or jail.

I attended a middling high school in central Virginia in the mid-'90s, so there were no lofty electives to stoke my artistic sensibility - no A.P. art history or African-American studies or language courses in Mandarin or Portuguese. I lived for English, for reading.

I think a lot of African-American kids don't have fathers to teach them how to dress, so you end up being taught by pictures in magazine and movies. You see cowboys, Indians, old Hollywood films, Cary Grant. It has an effect on you.

Donald Trump insisted yesterday that he is not racist, because one time an African-American won Apprentice. Because nothing says 'not racist' like making a black man run your errands.

I got my dog back, in African-American language, your dog means your passion, your fire.

I think that whenever there's a good script we try to make that happen, but it's all based off of a good story, a good script, but I don't believe you should do it just because it's African-American.

I think Donald Trump is totally unfit to be president of the United States. Let's not forget, this guy was one of the leaders of the so-called birther movement, which was an effort to delegitimize the presidency of the first African-American president we have ever had.

Because when I go places and I talk to kids and I talk to parents and I talk to athletes all over, and they look at my story and they see a person, African-American or not, they see something that they can relate to.

As an ambiguously non-white actor, I've been able to play light-skinned African American guys, Latinos, and I don't think that I've ever had to play some kind of ethnic stereotype or something that was typed specifically for a person of color.

The African-American community has been let down by our politicians. They talk good around election time, and after the election, they say, see ya later, I'll see you in four years.

I did not like that name "world music" in the beginning. I think that African music must get more respect than to be put in a ghetto like that. We have something to give to others. When you look to how African music is built, when you understand this kind of music, you can understand that a lot of all this modern music that you are hearing in the world has similarities to African music. It's like the origin of a lot of kinds of music.

A number of African countries came to us and said, we request that South Africa should not field a candidate, because so many other African countries wanted to, and, in any case, South Africa would continue to play a role in terms of building the African Union, and so on. And they actually said, please don't field a candidate, and we didn't. As I have said, it is not because we didn't have people who are competent to serve in these positions.

In Obama's case, we've enabled affirmative action to find a home in the nation's highest office. There you have it. I said it and I stand by it. America fell for the gimmick candidate, disregarding every fact and warning sign in the rush to have 'the first African-American president.'

It was very challenging, trying to add an orchestra on top of these traditional African rhythms, because as soon as you add any kind of melody or chords over it, it stops feeling African.

'The Cosby Show' - no one thought there's doctors and lawyers who are married and live in brownstones! Back then no one would have thought we would have an African-American president. They would have laughed in your face.

People have assumed that I have to run the ball before I can throw it most all of my career, all the way back before high school. It's a stereotype put on me for a long time because I'm African-American, and I'm a dual-threat quarterback.

When you set a play in the French Quarter in New Orleans, it's hard not to acknowledge the whole African-American, French, white mixing of races. That's what the French Quarter is: it's a Creole community.