Top 1200 African-American Quotes & Sayings - Page 16

Explore popular African-American quotes.
Last updated on December 4, 2024.
African-American men are more likely to be killed in police incidents, stopped and searched, and sentenced to longer prison terms than white men convicted of similar crimes. Behind these statistics are heart-wrenching stories of lives cut short and families ripped apart.
I never said I wasn’t Black… I want to make that very clear. I said, I am not African-American. I never expected my personal beliefs and comments to spark such emotion in people. I think it is only positive when we can openly discuss race and being labeled in America.
This city will be chocolate at the end of the day. This city will be a majority-African-American city. It's the way God wants it to be. You can't have New Orleans no other way.
You know, it helps having an African American driver behind the wheel. I'm representing that culture and that background. But a lot of background pressure, I don't really put that on me. I know I have enough pressure to go out and perform every week.
There are not many of us African American Sister Presidents, and those of us who are in this field do not have an easy time of it. Why the story goes that one Black woman college president died and went to hell, and it was two weeks before she realized that she wasn't still on the job.
I've just got a real thirst for knowledge now, especially seeing how the world is, seeing how the disparity is with African American men, and I want to do something special. And getting a degree from Duke is special, especially coming from where I come from.
I think 99.9% of our law enforcement officers are great Americans. Many of them are African American, Hispanic, Asian, they're working the toughest neighborhood, they've got the hardest jobs to do in this country and I think they're amazing, great Americans.
In the Shadow of Slavery covers two and a half centuries of black life in New York City, and skillfully interweaves the categories of race and class as they affected the formation of African American identity. Leslie Harris has made a major contribution to our understanding of the black experience.
Literature doesn't have a country. Shakespeare is an African writer. His Falstaff, for example, is very African in his appetite for life, his largeness of spirit. The characters of Turgenev are ghetto dwellers. Dickens characters are Nigerians.
Now that Mandela has been released from prison we can all admit what has been apparent, that he is not a Tembu tribesman, in fact he is not an African at all. He is quite obviously Chinese. Nothing wrong with that, of course, but it makes those who persist in seeing him as a great African statesman look rather foolish.
I don't feel that I was often compartmentalized as an African-American actor, yet I am fully aware of the plight that actors, directors and producers of color face in our industry. I choose to focus on being proactive in creating opportunities for myself and others while acknowledging that we are not playing on a level playing field.
When you look at the Justice Department's report talking about the Ferguson Police Department's rampant pattern of discrimination and its excessive use of force against African-American citizens, it's hard to try to rationalize how this cesspool of racism doesn't spill over onto the individual officers.
Country music is the combination of African and European folk songs coming together and doing a little waltz right here in the American south. They came together at some cotillion, and somebody snuck a black person into the room, and he danced with a white lady, and music was born.
One consequence of racism and segregation is that many American whites know little or nothing about the daily lives of African Americans. Black America's least-understood communities are those poor, hyper-segregated places we once called ghettos. These neighborhoods are not far away, but they might as well be on the moon.
The media in America is not covering American AIDS very much. They're covering African AIDS as if somehow miraculously it's all stopped here. Well, it hasn't, and the one thing they're not saying about Africa is that all those people are going to die; there's no way these people can be saved - none.
If an African-American or a recent immigrant - or anyone else, for that matter - can't feel secure walking into a police station or up to a police officer to report a crime, because of a fear that they're not going to be treated well, then everything else that we promise is on a shaky foundation.
My understanding of racial discrimination as a child was highly distorted because the most prominent man in Archery was an African-American bishop. When he came home from up north, where he was in charge of A.M.E. churches in five states, it was front-page news. He was the most successful man in my life.
When I saw Fannie Lou Hamer speech I said, "Well, how did this Democratic Party that Miss Hamer is talking about, become the Democratic Party that now is the party of the African-American community?"
You make real progress when somebody is honest enough to say something that's really uncomfortable. Of course when you're a candidate's wife and when you're first lady and the first African-American first lady to boot, that is very, very hard to do.
Though the rampant racial injustices throughout the criminal justice system were offensive to me and to millions of other people, I've never drawn a tight circle around the black community to define the limits of my moral concern. But that narrative tends to get imposed on you, if you're an African-American activist.
The second thing that happened is, DNA analysis is much more sophisticated. All you have to do now is spit in a test tube and you find out all kind of things in six weeks - where they are from in Africa or Europe. You can prove or disprove the fundamental African-American myth that you descended from a Cherokee great, great grandmother.
Obviously this is something huge, just to be playing on the world stage and repping all the parents out there - not just the parents, but obviously all of the African American girls who feel as if they don't have much to rely to make your dreams come true, whatever the circumstances may be.
I think people always want to hear that there are barriers that exist for us. But the more I started to realize artists that are kind of like me in my lane, like, if they were white or African-American, they often had trouble because it wasn't the quality of their music: they just didn't stick out.
Crime is fast destroying the moral fabric of South African cities, and is becoming a major threat to South African democracy as well as the prominent manifestation of a "class war" that is largely a continuation of the "race war" of yesterday.
I think what Donald [Trump] is saying is that it's unacceptable to him that members of the African-American community - and I'm sure he will say this about other communities as well - who live in violence, who are subject of that, or who do not have the educational opportunities that every child in this country should have so they can reach their fullest potential, that that's unacceptable.
There are artists in Belgium who try to imitate American artists. But it's like, if you're Belgian pretending to be American, you won't be better than the American because you aren't American. You have to do your own stuff.
When 'Red Tails' came along, all I knew was that they were the first African-American fighter pilots in the U.S. Air Force. I had no idea how deep the story went or about all their amazing achievements. There were a few Tuskegee Airmen on the set to make sure everything was as authentic as possible.
The notion of women being written out of history is as old as the Bible, but it always seems more galling when it is the history of progressive movements - such as the abolitionist campaign in Britain or the fight for African-American civil rights - in which the role of women has been diminished.
As a person of color, as a woman, as a body moving through this particular space in time, I realize the streets of New York tell the story of resistance, an African-American history of brilliance and beauty that, even in its most brutal moments, did not - could not - kill our resilient and powerful spirit.
Branding says a lot about luxury and about exclusion and about the choices that manufacturers make, but I think that what society does with it after it's produced is something else. And the African-American community has always been expert at taking things and repurposing them toward their own ends.
It's the African-American experience. You've got to wear different masks. When you're in the hood, if you stand out, you get picked on for being weak. Sometimes you have to hide your intelligence. In front of your boys, you might put on a bit of bravado, be a little bit tougher.
An auctioneer is such a uniquely American thing. I keep thinking in my head, perhaps it's not as American as I think, but it feels so Southern. It feels so American. Like, hundreds of years of American tradition is involved in it.
If people feel misled or deceived, then sorry that they feel that way, but I believe that's more due to their definition and construct of race in their own minds than it is to my integrity or honesty, because I wouldn't say I'm African American, but I would say I'm black, and there's a difference in those terms.
I try to find the core values that are so fundamental that they transcend ethnic identity. That doesn't mean I run from it. I embrace African-American culture and I love it and embrace it, but it is a part of a human identity. So I'm always trying to make a larger human statement.
To embrace the ideas of Malcolm X is to embrace the ideas of African Internationalism and the ideas of African Internationalism are opposite and contradictory to the ideals of Americanism. The ideals of African Internationalism promote freedom from oppression and injustice. These ideals promote freedom and independence.
Usually, I'll be auditioning for the third lead, and there will be Latina actresses, Indian actresses, African American actresses because it will be like, 'Let's check off this box. We have our lead white girl, and we need an ethnic slot.'
Ali was the African-American who exulted in saying exactly what he was capable of, and the bouncing-boy braggadocio of hip-hop is impossible to imagine without him. So it makes sense that one of his spiritual children, the sunny-dispositioned rapper turned actor Will Smith, would play him.
The bitter might be just an initial reaction of, 'Oh my goodness, it's sold,' but not really understanding fully that I will be chairman emeritus of the new company, which is Ebony Media Operations. It is African-American led and owned, and I have a seat on the board, and I also have an equity position in the company, so I'm still there.
With Bolivia, I had hope that a discriminated African-American, with another discriminated indigenous peasant leader, I hoped that together we could work for justice and equality. Not only for just two countries, Bolivia and USA, but for equality around the world.
Considering the popularity of soaps with the African-American audience, it's grotesque that the entertainment industry, for all its vaunted liberalism, is lagging so far behind social changes in the United States. And why has there never been an all-black daytime network soap? It would probably blow the white soaps off the map.
My particular lifetime, my individual profile, represents something very basic to African-American history and culture because I was a second generation immigrant, so to speak, from the South. My grandfather was born in South Carolina - well, both grandfathers were born in the South.
I'm distraught as I look at my boys - two are African American and one is Caucasian - because too many people see them differently. None of them should have to think about how law enforcement will treat them if pulled over for rolling through a stop sign.
It's important for women to understand that it's bad enough that we don't make dollar-for-dollar what men do, but when you distill that down to women of color, our Latinas and our African American women, it's even less than that 78 cents.
I like to say that I do covers of my own songs. And I have about a dozen bands all over the world. That's no exaggeration. I have a South African band, an Australian band, Swedish bands, English bands, American bands. They're all notable musicians, too.
But one of the things I have learned during the time I have spent in the United States is an old African American saying: Each one, teach one. I want to believe that I am here to teach one and, more, that there is one here who is meant to teach me. And if we each one teach one, we will make a difference.
'Pretty Deadly' is the story of these immortal and mortal characters, and the mortals' story follows Sarah's family, a black family, through the ages. I never made the choice of, 'Oh, this is gonna be the story of an African American family!'
When you ask people who their favorite comedian is or favorite African-American comedian, people generally say Chris Rock, Dave Chappelle, Eddie Murphy, or Richard Pryor. Redd Foxx gets left out a lot.
New Orleans is of such key importance to American music because historical factors combined to make it the strongest center of African musical practice in the United States, and, cliches aside, that practice really did travel up the Mississippi and did spread overland.
Was any criticism of Obama permitted? It was not. We can't criticize the president of the United States. Why? Because he's African-American. And any criticism is said to be racist. And so we have more racists in America today than we've ever had by definition of criticizing the president.
The Huxtables laughed and bonded and debated and lip-synced. They were glamorous and simple and extraordinarily human. And affluent. And educated. And so many different kinds of black. You'd think that all of that would make them the Howard University of African-American family life. But white people wanted to matriculate, too.
I think at places like 'Slate' or the magazine where I work, there was a really poor record of hiring African-American writers. It was really that simple. And I think with the proliferation of the Internet and Internet media, it has been a little harder to maintain that gatekeeper position.
Throughout African-American literature, the writer has, in a sense, been burdened by the necessity of pleading the case for the whole race. For example, writers of slave narratives tend to lose their individual voices, as they were expected to stand in for all other voices, which were absent.
My mama is African American and from Wisconsin. My baba was born in Iran. My parents have stressed the idea of creating your own path, and creating your own identity is part of that. That's why embracing these two cultures is important to me.
My mom was the first African-American woman to graduate from the University of Chicago Law School, in 1946. She had leadership roles in the law, in government and the corporate world. She was a great role model in that she felt anything was possible.
I'm very optimistic about the future, because... Okay, with Audra McDonald, even just on Broadway, they cast her in shows that are usually not played by African-American women, so she's very inspiring to me just because of that, you know what I mean?
I started to study the flute in 1951. The flute has been utilized by African-American musicians as far back as the early Twenties. If you take a look at some of the old pictures of Chick Webb, then you will see the flute right there on the bandstand among the woodwinds.
Well, Smoke n' Mirrors has very much a world music flavor and it doesn't park itself in one country. It borrows heavily from the Brazilian angle, which is dear to my heart, and I recorded several albums with that flavor. Probably even more so than the Brazilian flavor, there's an African, South African and West African influence and on a couple of other tracks there's some Latin flavor and there's some Indian tables on one track, all centered around my jazz guitar and acoustic guitars, and very much a Lee Ritenour sound.
As America knows, Obama turned down the lucrative career path guaranteed to the first African-American president of The Harvard Law Review to pursue the missions of service and teaching instead. The potential rewards for our country, now that that early choice has led him into the White House, are enormous.
If you recall when [John] Kennedy passed an edict, 'Every person you hire in the Post Office must be African American,' the challenge with that is if all of a sudden, you are hired just because of the color of your skin, ability has nothing to do with it.And if ability has nothing to do with it, what does it do? It promotes mediocrity.
There are so many women who contributed in a very real way in pushing for the space program during the time in which there was a lot of competition to get into space first, and to know that there were African-American women who were integral in that success is pretty phenomenal.
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