Top 1200 African-American Quotes & Sayings - Page 18

I am extremely ecstatic about the presidency of Barack Obama. I think he is paving the way for young African-American men like myself. I have very high expectations for Obama, and I am extremely hopeful that he will bring great lasting change not just to America, but to the entire world.

I've spent my whole career trying to stay out of any box that anyone could put me in. 'I'm going to do a play now.' 'Now I'll do a musical.' That was my instinct. So I don't feel boxed in. But 'African-American woman' is part of my identity. I don't want to relinquish that - especially as a mother, helping my daughter find her identity.

We have signed an exclusive licensing agreement with a company called TurnerPatterson, another African-American company, and what I thought would be a great vehicle for 'Ebony,' since it is such a strong brand name with tremendous loyalty, is to grow that brand name even more across different areas.

[Hillary] Clinton was able to assemble a winning Democratic coalition out here, beating Sanders among African-Americans, women, among women, and voters from union households, so, unions, women, African-Americans.

Myself, I happen to be married to an African-American woman, and we're together 17 years. We took a few trips to the South 15 years ago, and we were sobered by some of the reactions people had - how subtle or not-so-subtle their reactions were.

I think when people talk about race relations in America, they talk about African-American and white people. Asians are not often brought into the conversation. But there's a historical legacy of issues between them. It's hard to be like, 'What about us?' But we are a little underrepresented.

I grew up watching American movies. My favorite movies have always been American, since as long as I can remember. I always had this huge respect for American filmmakers and American actors.

I don't see a huge difference between the African condition and the black American condition. The only real difference is that black Americans live in the richest country on Earth surrounded by a majority white population and are almost entirely disconnected from their original culture and their God-given identity.

As we walked through the National Museum of African American History and Culture, I pushed my grandfather in a wheelchair he had reluctantly agreed to sit in. He is a proud man who also knows that his knees aren't what they once were - that years of high school and college football had long accelerated the deterioration of his aging joints.

In terms of addressing some of the most impacted communities and historically excluded communities - often of color, often low income - there is this adage in specifically African American communities that on every corner in low income neighborhoods you'll find a liquor store.

Jamestown changed the world in many ways, but perhaps it shaped our nation most profoundly the day Africans arrived. I can't think of a more relevant place to talk about the issues facing our community today than the place where African culture became American culture.

I never saw a little African-American girl saving the world. So to be able to be that for not only myself but girls who look like me is really important and inspiring. Unfortunately, we don't see ourselves saving the world a lot, and if we do see any type of superhero, that person usually has superpowers.

'Strong Island' has been a labor of love and dedication on the part of so many people, that it's just an incredible recognition to be honored. And to be the first trans director - and, I believe, the first African-American trans director - to be nominated for an Academy Award is incredibly, incredibly special to me.

Regarding African education in this country, there was a time when the government took no interest whatsoever in African education. It was the churches, that part of civil society, which bought land, built schools, and employed and paid teachers. People like myself, right from grade eight up to university, I was in missionary schools.

I've been very lucky to have a family who has welcomed me and not been hung up on anything racial, almost overlooking the fact that there was a racial difference. But I can honestly say I do feel like I missed out on some lessons of what the African-American experience is like growing up.

I think that the language that we use is a ritual, that my [maternal] grandmother was called "Big Mama" is a ritual, that my daughter calls my father "Baba" and my mother "Mama" is a ritual. There are common African-American rituals that are a part of my experience. If I ever get married some day I would like to jump the broom.

I'd been listening to African-American music since the first record I ever bought, which was by Sam Cooke. And it sounds more like my private thoughts that I never thought I would be able to articulate - I never thought I would be able to express publicly.

Hillary Clinton is going to do nothing for the African-American worker, the Latino worker. She's going to do nothing. Give me your vote, she says, on November 8th. And then she'll say, so long, see you in four years. That's what it is.

A lot of these things in this world were only a dream for Martin Luther King. Not a one-term, but a two-term African-American president. And this is a terrible country? That was a dream for Martin Luther King.

As far as being an African artist, my inspiration has been the fact that I'm a part of the generation that will put Nigerian African music on a global scale. It's been a long road for us, but I believe we're finally at that point where we can showcase our music to the world and get international recognition.

But, as potentially the first African American first lady, I was also the focus of another set of questions and speculations; conversations sometimes rooted in the fears and misperceptions of others. Was I too loud, or too angry, or too emasculating? Or was I too soft, too much of a mom, not enough of a career woman?

American power should be used not just in the defense of American interests but for the promotion of American principles.

You draw a district for that particular minority - African American, Asian, Hispanic - so those folks have the right to elect whoever they want. If they don't decide to elect someone who sounds like them or looks like them, they can pick anyone they want.

I don't use the term "black" very often. I use the term African-American more than I use "black".

I think there's no question that Michael Jackson was the foremost entertainer of his generation; perhaps of all time, arguably, taking the skills of a Sammy Davis, Jr., bringing together the street dance of African American urban culture, joining them to the politics of dance, of Fred Astaire and Gene Kelly on that sphere alone.

My audience went, 'Wait, why is she singing jazz? What's going on?' And then they went, 'Oh, because she can. Because she loves it.' And jazz, a music invented by the African-American community, is the greatest art form, I believe, to have ever come out of this country.

There are so many people that don't come in contact with black men. Whether they live in a homogeneous area that's mostly white or whether they live in places where they don't have to come in contact with them. So what kind of contact do they have with African-American males? They have the media, and that's it.

I am sure that it wouldn’t be in the long-term interests of China which would continue to depend on these African resources for a very long time to see the emergence of any sense of hostility animosity, tension, da da da, between itself and the African continent.

God has a team. It's made up of African-American, Anglo, Hispanic, Asian, Middle Eastern, and a variety of other people and cultures. He never wants you to make your distinction, your history, or your background so precious to you that it messes up His team.

Obama's a great speaker. Because of his speaking ability and his appearance, a lot of guys got on board. Being the first African American, a lot guys got on board.

African American Congressman Bobby Rush wore a hoodie on the floor of Congress to make a point this week. And they threw him out. They said a hoodie is too scary for Congress. Too scary? Have you ever looked into Michele Bachmann's eyes?

China surely must be interested in a more stable, non-antagonistic relationship with the African continent precisely because of its own needs. And therefore would have to say in our own interests, as China, it is necessary that we participate in the process of the development of the African continent.

I had a fascination with the roots of African American music. That would have been my first education in music. I had a real passion for it. I wanted to play it, sing it. I could sing at a young age, but I started to teach myself bass guitar and started writing when I was 15.

When I was 17, I worked in a mentoring program in Harlem designed to improve the community. That's when I first gained an appreciation of the Harlem Renaissance, a time when African-Americans rose to prominence in American culture. For the first time, they were taken seriously as artists, musicians, writers, athletes, and as political thinkers.

Broadway, in my opinion, is a microcosm of America. Those challenges that we have in our country, I think we still have those challenges on the Broadway stage. I think there are far too few African-American directors working on Broadway.

Outside' was more of a personal project. This, the 'African Giant', is more of an African project.

Seven years ago, my father and I realized that our relationship was extremely unique, especially in the African-American community. He raised me to not only understand the fundamentals of basketball and to try to be a player with a high basketball IQ, but he wanted me to understand that my image and my name meant more than stats.

Greece is a sort of American vassal; the Netherlands is the country of American bases that grow like tulip bulbs; Cuba is the main sugar plantation of the American monopolies; Turkey is prepared to kowtow before any United States proconsul and Canada is the boring second fiddle in the American symphony.

I started collecting aerial photographs of Native American and South Pacific architecture; only the African ones were fractal. And if you think about it, all these different societies have different geometric design themes that they use. So Native Americans use a combination of circular symmetry and fourfold symmetry.

When we were covering the 2008 campaign I told my young African American colleagues that despite the historical significance of victory, Barack Obama was going to break their hearts. They didn't want to hear that, and they refused to believe it. Eighteen months later they started dropping by one by one to say, sadly: "He broke our hearts." A couple of them even wept.

I was a weird kid. I shouldve been gay because I listened to a lot of Broadway musicals. I dont know why Im not gay. I listen to a lot of jazz and world music, like African or Cuban music. Something that has vitality to it. A lot of the American stuff just feeds on itself.

Every time I make American film I just trust American directors and American writers.

In 1968 when I was in high school I built a four-foot-tall remote control robot with pneumatic cylinders that operated his hands. My robot won first place at a science competition at the University of Alabama where my high school was the only African-American school represented. That was a huge moral victory.

After the end of slavery, African-American men were arrested in mass, and they were arrested for extremely minor crimes like loitering, standing around, vagrancy, or the equivalent of jaywalking - arrested and then sent to prison and then leased to plantations.

One in three young African American men is currently under the control of the criminal justice system in prison, in jail, on probation, or on parole - yet mass incarceration tends to be categorized as a criminal justice issue as opposed to a racial justice or civil rights issue (or crisis).

Theres this little box that African-American actors have to work in, in the first place, and I was able to rise above that box. I could have done a bunch of movies where I stayed as the Axel Foley or Reggie Hammond persona. But I didnt want to be doing the same thing all the time. Every now and then, you crash and burn, but thats part of it.

The common root, of course, comes out of Africa. That's the pulse.The African pulse. It's all the way back from . . . the old slave chants and up through the blues, the jazz, and up through rock. And it's all got the African pulse.

For centuries, Europeans dominated the African continent. The white man arrogated to himself the right to rule and to be obeyed by the non-white; his mission, he claimed, was to "civilize" Africa. Under this cloak, the Europeans robbed the continent of vast riches and inflicted unimaginable suffering on the African people.

Look - I'm an African-American. I'm black. But I'm just looking at the character and trying to find his soul, his energy. If you can wipe away the blanket of skin and flesh that people tend to see, and look inside for the essence of the soul, then that's the work I'm doing. That's the work I always do.

What makes 'Pootie Tang' the motion picture enjoyable is its no-brow ambitions; it's a joke action film. It slides through enough African-American pop culture signifiers to raise laughs out of those who will appreciate the references; it revels in more cheese per square inch than a soul food diner.

When I think of the Harlem Renaissance, I think of bright colors, and bold, dynamic art. African American artists of the period were, in large measure, breaking out of the constrictions white society had set for them. They were claiming and remaking their own images, and doing so in bold and striking ways.

We still have too many Americans who give in to their fears of those who are different from them. Not so long ago, swastikas were painted on the doors of some African-American members of our Special Forces at Ft. Bragg. They are special forces. They do not deserve to have swastikas on their doors.

... the connection between imperial politics and culture is astonishingly direct. American attitudes to American "greatness", to hierarchies of race, to the perils of "other" revolutions (the American revolution being considered unique and somehow unrepeatable anywhere else in the world) have remained constant, have dictated, have obscured, the realities of empire, while apologists for overseas American interests have insisted on American innocence, doing good, fighting for freedom.

In the early 1970s in Atlanta, I attended what had formerly been an all-white school but had become a black school after integration and white flight. Perhaps because of this, the teachers created a curriculum that included a focus on African American literature and history year-round, not just in February.

I come from an African-American family that is predominantly Muslim. I have had to covertly operate in parts of the Middle East and Africa. I've lived a Muslim life and prayed in Mosques, Husseiniyahs, and shrines where needed. One must respect Islam to understand Islam. I've read the Quran through and through a half dozen times.

The Jewish culture has a wonderful thing about education. It has a great thing about family; it has a great thing about unity, hard work, dedication. I would like to say the African-American community should emulate that.

Sure, there's a chunk of African-Americans out there who associate the Republican Party with racism, frankly particularly in the Deep South. It's an unfair perception, but it exists. Over a period time, that perception will die away if Republicans are focusing on issues that happen to impact African-Americans.

Having travelled to some 20 African countries, I find myself, like so many other visitors to Africa before me, intoxicated with the continent. And I am not referring to the animals, as much as I have been enthralled by them during safaris in Kenya, Tanzania and Zimbabwe. Rather, I am referring to the African peoples.

My father is Nigerian; my mother is from Texas and African-American. My father was the first in his family to go to university. He flew from Nigeria to Los Angeles in the '70s to go to UCLA, where he met my mother. They broke up before I was born, and he returned to Nigeria.

At Harvard I was taking an African-American studies class, and we were reading about the tragic mulatto. Invariably, the tragic mulatto can't fit in either world and flings herself off a bridge. So I'm reading, and I'm like, 'Oh, my God, I think I'm in literature,' but my life was never like that.