Top 1200 African Music Quotes & Sayings - Page 5

There clearly is a serious race problem in the country. Just take a look at what's happening to African American communities. For example wealth, wealth in African American communities is almost zero. The history is striking.

When I was very little, I was into Michael Jackson. At six or seven, it was Madonna, but she's not what she used to be. I've been into everything from Edith Piaf to Joe Strummer to the Velvet Underground to Suicide to A Tribe Called Quest to African music.

It was important for me to join the White House because as I looked around Trump's inner circle and campaign, there were not a lot of African-Americans, particularly African-American women, uniquely positioned to serve as a member of the senior staff, to serve as an assistant to the president.

It's odd to say we had our first African American president before our first African-American-owned movie studio, but we're making progress.

Democrats did not lose control of the Senate because African Americans did not vote. Actually, as supported by preliminary exit poll data, the complete opposite is the case. African Americans increased as a proportion of the electorate in 2014 over 2010.

Crime is fast destroying the moral fabric of South African cities, and is becoming a major threat to South African democracy as well as the prominent manifestation of a "class war" that is largely a continuation of the "race war" of yesterday.

The basic success of the conga came from ...that basic principle of African music and dance: everybody participates. The conga eradicated the distinction between performer and audience, broke down the wall of the proscenium.

It's fair to say that white America wouldn't have elected an African-American president without the integrating effect of black music - from Louis Armstrong to hip-hop - and black drama and fiction, commercial as much as 'serious.'

Today there are more African-Americans under correctional control, in prison or jail, on probation or parole, than were enslaved in 1850, a decade before the Civil War began. There are millions of African-Americans now cycling in and out of prisons and jails or under correctional control or saddled with criminal records. In major American cities today, more than half of working-age African-American men either are under correctional control or are branded felons, and are thus subject to legalized discrimination for the rest of their lives.

My brother and I were brought up sort of thinking that we were English. I remember hearing the poet Roy Campbell on the radio and being quite shocked that he had a South African accent. I didn't know there were any South African poets.

I saw no African people in the printed and illustrated Sunday school lessons. I began to suspect at this early age that someone had distorted the image of my people. My long search for the true history of African people the world over began.

And different traditions stress different - so then there's that. I talked to an African American who says before she goes into an interracial church, she sits in her car and she listens to gospel music to get her fill, and she goes into an interracial church where they don't do gospel music, and she's ready to accept the other sorts of ways of worshipping. So there's that.

The most important thing in my life is that trying to ameliorate, redeem, the image in particular of African American men, or Black men - I don't really even like that term, "African American," because we're Black people.

I would like to see more African-American singers as part of our opera companies. If you take music and the arts out of the public schools, then you're going to lose a lot of people that you might have discovered were talented, very early.

The potential significance of Black feminist thought goes far beyond demonstrating that African-American women can be theorists. Like Black feminist practice, which it reflects and which it seeks to foster, Black feminist thought can create a collective identity among African-American women about the dimensions of a Black women's standpoint. Through the process of rearticulating, Black feminist thought can offer African-American women a different view of ourselves and our worlds

My solutions are to include Africa in the global economy, and not African charity, AIDS research, but African infrastructure development. And I think that Africa can import and needs everything the whole world can manufacture. And they have got enough money to pay for it. It's just that the money is in the ground.

I think there are white alumni out there who wouldn't mind having an African American president of their school, but would be reluctant to have an African American coach, because he represents the school so. I think it's just sheer backward racism.

I knew that I wanted to create a restaurant like Hard Rock Cafe or Planet Hollywood that celebrated not just music or Hollywood, but who we were as people of color, as Caribbean, African, Cajun and Southern people.

African-Americans have always viewed the protection of black lives as a civil rights issue, whether the threat comes from police officers or street criminals. Far from ignoring the issue of crime by blacks against other blacks, African-American officials and their constituents have been consumed by it.

Literature doesn't have a country. Shakespeare is an African writer. His Falstaff, for example, is very African in his appetite for life, his largeness of spirit. The characters of Turgenev are ghetto dwellers. Dickens characters are Nigerians.

There are African-American families around this country - a large, large number of African-American families - that operate out of complete fear that their kids are going to be taken from them and will do anything to prevent that.

China surely must be interested in a more stable, non-antagonistic relationship with the African continent precisely because of its own needs. And therefore would have to say in our own interests, as China, it is necessary that we participate in the process of the development of the African continent.

When you graduate is when you start to find yourself looking at the information in the audition breakdown and it says tall black African - or African-American built such and such. And you start seeing these character descriptions and seeing that, oh, you're only going in for the ones that are described as your look.

Ajamu Baraka comes out of the tradition of the African-American intellectuals, the people who really been standing up for African-American rights and economic rights and workers rights.

People ask me if I miss the States. I miss African Americans. But not the U.S. government or all the things they put me through. I miss African American culture, our speech, dance and cooking.

If a CEO takes an interest in you and he happens to be an Asian man, then that's great, but as an African-American woman, you want to make sure that if the executive vice-president of the company is an African-American woman that you get to know her.

I wanted to set the standard, do the best job possible so that other people would be comfortable with African-Americans flying in space and African-Americans would be proud of being participants in the space program.

I was drawn to West Africa. I did listen to a bunch of different styles of African music, and there was something about the percussion and the drums of West Africa, and the energy, that felt so cinematic to me.

Going back and forth between Western Arabic and African countries clearly created the various musical backgrounds I could have and obviously influenced my professional attitude, my way of approaching both music composition and singing, particularly phrasing.

You have a history of art-music that you equate with music. That's what I love about that term art-music. It separates itself from music-music, the music people have always made.

I'm excited about my own network, BounceTV. It's the first African-American-owned broadcast network. It's myself, my partner Rob Hardy, and some other African-American businessmen, including Andrew Young and Martin Luther King III.

I don't think every African-American or Latino have the same body type, but, yes, that's been one of the excuses ... saying that African-Americans are too muscular or just aren't lean enough. Usually they say, "Oh, they have flat feet so they just don't have the flexibility that it takes to create the line in a point shoe."

The African American's relationship to Africa has long been ambivalent, at least since the early nineteenth century, when 3,000 black men crowded into Bishop Richard Allen's African Methodist Episcopal Church in Philadelphia to protest noisily a plan to recolonize free blacks in Africa.

We cannot proclaim this century the African Century and then ignore the AIDS pandemic, as some political leaders are apt to do. To claim this century the African Century is to declare war on AIDS.

African cinema doesn't have an African industry at all and that's where our problem arises. We come to all of these initiatives with a lot of suspicion because we're so inhabited by the notion of being colonized, the post-colonial thought that someone wants us to do something that is their interest and not ours and even it's not true, there's the suspicion of it like where is this going?

Sure, there's a chunk of African-Americans out there who associate the Republican Party with racism, frankly particularly in the Deep South. It's an unfair perception, but it exists. Over a period time, that perception will die away if Republicans are focusing on issues that happen to impact African-Americans.

I feel that the English language will be able to carry the weight of my African experience. But it will have to be a new English, still in full communion with its ancestral home but altered to suit new African surroundings.

Crisis' seems to be too mild a word to describe conditions in countless African-American communities. It is beyond crisis when in the richest nation in the world, African Americans in Harlem live shorter lives than the people of Bangladesh, one of the poorest nations of the world.

The idea that there is one kind of African is, of course, ridiculous. Sometimes African entrepreneurs want to kill you because you are saying public health is the priority, not roads. Of course they are right to press for that issue, but so are we right, I believe, to argue, for example, that millions of children could and should be vaccinated.

I've come across a novel called The Palm-Wine Drinkard, by the Nigerian writer Amos Tutuola, that is really remarkable because it is a kind of fantasy of West African mythology all told in West African English which, of course, is not the same as standard English.

Music is an expression of who you are, and - at least in that sense - I think I epitomize Black Lives Matter. I'm a big black man, and I'm easily misunderstood. Before I started wearing these African clothes, people would assume that I was a threat and that it was O.K. to be violent toward me.

I am sure that it wouldn’t be in the long-term interests of China which would continue to depend on these African resources for a very long time to see the emergence of any sense of hostility animosity, tension, da da da, between itself and the African continent.

Art is a form of experience of the person, the place, the history of the people, and as black people, we are different. We hail from Africa to America, so the culture is mixed, from the African to the American. We can't drop that. It's reflected in the music, the dance, the poetry, and the art.

When you talk about evangelicals, don't forget that a significant proportion of the evangelical community is African American. And most African Americans - well over 90 percent, thoroughly evangelical, thoroughly biblical - will probably vote Democratic.

I grew up in Synagogue in the boys' choir. We didn't listen to music in the house; only at temple. Then I went to a mostly African American high school on the South Side of Chicago and joined a gospel choir.

To embrace the ideas of Malcolm X is to embrace the ideas of African Internationalism and the ideas of African Internationalism are opposite and contradictory to the ideals of Americanism. The ideals of African Internationalism promote freedom from oppression and injustice. These ideals promote freedom and independence.

The writer in me can look as far as an African-American woman and stop. Often that writer looks through the African-American woman. Race is a layer of being, but not a culmination.

Lawrence Hill, a cultural and spiritual descendant of West African griots, has used his vast storytelling talents to create an epic story that spans three continents. The Book of Negroes recites the pain, misery and liberation of one African woman, Aminata Diallo, who was stolen from her homeland and sold into American slavery. Through Aminata, Hill narrates the terrifying story of slavery and puts at the centre a female experience of the African Diaspora. I wept upon reading this story. The Book of Negroes is courageous, breathtaking, simply brilliant.

The idea that there is one kind of African is of course ridiculous. Sometimes African entrepreneurs want to kill you because you are saying public health is the priority, not roads. Of course they are right to press for that issue, but so are we right, I believe, to argue for example that millions of children could and should be vaccinated.

The curious beauty of African music is that it uplifts even as it tells a sad tale. You may be poor, you may have only a ramshackle house, you may have lost your job, but that song gives you hope.

We don't intend to always keep this necessarily African oriented. Originally I had hoped to have African American Indian of this area, and the Appalachian of this area, but at the same time, just as we have the Haitian room, we will always have room for another exhibit.

I want you to know that I don't have any right, Malawi has no right to stop any president from coming to an African Union summit because that is an African Union meeting.

One thing that sticks in my mind is that jazz means freedom and openness. It's a music that, although it developed out of the African American experience, speaks more about the human experience than the experience of a particular people.

Will African-Americans break away from the pack thinking and reject immorality-- because that's the reason the family's breaking apart--alcohol, drugs, infidelity. You have to reject that, and it doesn't seem--and I'm broadly speaking here, but a lot of African-Americans won't reject it

I started as an engineer. I migrated to philosophy and international politics. And I did my studies about African - Africa democracy and democratization in Africa, taking Kenya as a model. And then, while I was doing so in 1996 in South Africa, Al Jazeera was established. So they requested me to be an analyst on African affairs.

My first introduction to African music was by my mother, who bought the 'Pata Pata' album by the great Miriam Makeba when it came out. Now that is an album. What a voice.

Now that Mandela has been released from prison we can all admit what has been apparent, that he is not a Tembu tribesman, in fact he is not an African at all. He is quite obviously Chinese. Nothing wrong with that, of course, but it makes those who persist in seeing him as a great African statesman look rather foolish.

I got accused of misrepresenting all people of colour in Great Britain. I would get told off a lot. 'How can you do African characters when you're not African?' But I gave it a go. Maybe if there had been more of us I could have just been Lenny Henry from the Black Country with Jamaican parents.

Being the first black Nobel laureate, and the first African, the African world considered me personal property. I lost the remaining shreds of my anonymity, even to walk a few yards in London, Paris or Frankfurt without being stopped.

I sit here as the first African-American attorney general, serving the first African-American President of the United States. And that has to show that we have made a great deal of progress. But there's still more we have to travel along this road so we get to the place that is consistent with our founding ideals.