Top 1200 African Tribes Quotes & Sayings - Page 3

Explore popular African Tribes quotes.
Last updated on December 2, 2024.
I hope that more [African-Americans] decide to play after seeing the things that I was able to accomplish; not only myself, but other African-American players. Hopefully, they pick up a bat and a ball and go out there and play.
You say 'African music' and you think 'tribal drumming.' But there's a lot of African music that's like James Brown, and a lot, too, that sounds very Hispanic.
I've made it my mission to make movies starring African American actors and about the African American experience and put them in the mainstream. They're very universal stories I've told - every movie I've done.
I grew up in an African household, so lots of chicken, lots of rice. We ate Jollof rice, a very West African dish. — © Edward Enninful
I grew up in an African household, so lots of chicken, lots of rice. We ate Jollof rice, a very West African dish.
I like to make bombueti, which is basically the South African national dish. It's basically a South African curry shepherd's pie kind of thing.
When I was a kid, I'd go to the African-American section in the bookstore, and I'd try and find African-American people I hadn't read before. So in that sense the category was useful to me. But it's not useful to me as I write. I don't sit down to write an African-American zombie story or an African-American story about elevators. I'm writing a story about elevators which happens to talk about race in different ways. Or I'm writing a zombie novel which doesn't have that much to do with being black in America. That novel is really about survival.
With domestic adoption, you get a form, you fill it out, and there are these boxes: African-American, African-American and Hispanic, and you check the boxes that you're comfortable with. Race is completely open in that regard.
African-Americans are not a monolithic group. So, we tend to talk about the black community, the black culture, the African-American television viewing audience, but there are just as many facets of us as there are other cultures.
Out of 30 years of Second City I was probably the third African-American with the main stage cast. I was surprised when I first heard that. I think part of the reason that improvisation has never been popular with African-Americans is that it isn't popular in the inner cities.
African-American women who develop breast cancer are more likely to die from the disease than White women of the same age. Survival rates are worse among African-Americans for colon, prostate and ovarian cancers as well.
Do I think police chiefs, many of which are African-American or Hispanic, wake up and say, 'Let's systemically oppress African-American communities?' No, I don't. Are there instances in which that happens? I'm sure there are.
The toughest challenge I faced came right at the beginning of my career with 'Blood Knot,' which was trying to convince South African audiences that South African stories also had a place on the stage.
As a matter of fact, the African Union itself estimated that every year corruption alone costs Africa $148 billion. If African leaders could cut that in half, they'll find more money than what Tony Blair is trying to raise for them.
All that tread, the globe are but a handful to the tribes, that slumber in its bosom.
My advice to African leaders is to make sure that if, in fact, China is putting in roads and bridges, number one, that they are hiring African workers; number two, that the roads don't just lead from the mine to the port to Shanghai.
[According to Twitter] 24 percent of American Twitter users are African-American. That's about twice as high as African-Americans are represented in the population.
The whole structure of African government, as far back as we know, was based on tyranny. One guy ran the show. Chiefs like Chaka and Mzilikazi committed terrible atrocities. That is the tradition from which modern African rulers spring. It won't change easily overnight.
Obamanomics, his imposition of European-style socialism is not working for African-Americans. It is not working for Latinos and African-Americans.
If a CEO takes an interest in you and he happens to be an Asian man, then that's great, but as an African-American woman, you want to make sure that if the executive vice-president of the company is an African-American woman that you get to know her.
African Americans, in particular, saw their cumulative wealth crash. They used to have 10 cents on the dollar of the average white family. That 10 cents on the dollar that the African American family used to have crashed down to 5 cents on the dollar, given the focus of predatory lending on the African American community and the degree to which they were really devastated by the foreclosure crisis. So yeah, I think there is a lot of disappointment out there.
Many African-American men are incarcerated. And so African-American women do carry an enormous burden. And traditionally have carried a greater burden than perhaps their white counterparts.
To embrace the ideas of Malcolm X is to embrace the ideas of African Internationalism and the ideas of African Internationalism are opposite and contradictory to the ideals of Americanism. The ideals of African Internationalism promote freedom from oppression and injustice. These ideals promote freedom and independence.
Liverpool had African players from the '50s and '60s. There were goalkeepers in the early days from South Africa. Then in 1981 there was a guy who came to Anfield. They say 'who is this guy' and it is me; I am African.
I meet almost no one that goes to an African-American church or thinks, "I'm going to do that." Now there are whites in African-American churches. They're interracially married. They're highly committed. Maybe there's a professor or two, or a student.
Every pastor I talk to says, and particularly if they're African American they'll say, "I'm not black enough for African Americans. I'm not white enough for the whites. I'm not Hispanic enough."
African narratives in the West, they proliferate. I really don't care anymore. I'm more interested in the stories we tell about ourselves - how, as a writer, I find that African writers have always been the curators of our humanity on this continent.
Congolese rumba was so huge in Africa that everybody was inspired by it. But my African roots brought me this music. In every African family, parties in Brussels, we used to listen to this kind of music. And salsa music as well.
When you have a policy of making sure that African Americans cannot build wealth, of plundering African American communities of wealth, giving opportunities to other people, it's only right that you might want to, you know, pay that back.
What moved us was not so much what would it do for South Africa, but there has been a great keenness on the Continent that the location of the Pan African Parliament must add to its credibility. And, so we said, fine, it's a contribution to this process of the democratisation of the African Continent.
Ajamu Baraka comes out of the tradition of the African-American intellectuals, the people who really been standing up for African-American rights and economic rights and workers rights.
I haven't really ever seen a big budget Hollywood film with African music. Most of the time, it's just Hollywood's perception of what African music is.
Journalists become candidates for cardiac arrest when they see or hear an African American disagreeing with an African American. We would become inauthentic if we did not have disagreements with this president.
A genocide in Africa has not received the same attention that genocide in Europe or genocide in Turkey or genocide in other part of the world. There is still this kind of basic discrimination against the African people and the African problems.
The ability to be the first African-American painter to paint the first African-American president of the United States is absolutely overwhelming. It doesn't get any better than that.
So often, literature about African people is conflated with literature about African politics, as if the state were somehow of greater import or interest than the individual.
When you talk about evangelicals, don't forget that a significant proportion of the evangelical community is African American. And most African Americans - well over 90 percent, thoroughly evangelical, thoroughly biblical - will probably vote Democratic.
Not only do African students deserve excellent universities, they deserve good elementary and secondary schools, too - and then, to have access to ongoing vocational and job training to ensure their skills remain as relevant as possible to African organizations.
The reason that I like to use classical myths as models is because African American writers and African American stories are usually understood as occurring in some kind of vacuum - because of slavery.
Writing in African languages became a topic of discussion in conferences, in schools, in classrooms; the issue is always being raised - so it's no longer "in the closet," as it were. It's part of the discussion going on about the future of African literature. The same questions are there in Native American languages, they're there in native Canadian languages, they're there is some marginalized European languages, like say, Irish. So what I thought was just an African problem or issue is actually a global phenomenon about relationships of power between languages and cultures.
China has established friendship with many African countries, and is opening itself up to Africa and providing assistance. It is cooperating with African countries on an equal basis and has no desire to colonize Africa.
It's exciting to me that Ride Along is a movie that has two African American leads, but it's even more exciting to me that it's not a movie about two African American leads. They just happen to be African American. It's a universal story. It's a story about a guy in love with a girl, and he's gotta get the approval of the overbearing, mean brother. That's a universal theme.
Well, Smoke n' Mirrors has very much a world music flavor and it doesn't park itself in one country. It borrows heavily from the Brazilian angle, which is dear to my heart, and I recorded several albums with that flavor. Probably even more so than the Brazilian flavor, there's an African, South African and West African influence and on a couple of other tracks there's some Latin flavor and there's some Indian tables on one track, all centered around my jazz guitar and acoustic guitars, and very much a Lee Ritenour sound.
Crime is fast destroying the moral fabric of South African cities, and is becoming a major threat to South African democracy as well as the prominent manifestation of a "class war" that is largely a continuation of the "race war" of yesterday.
I did not like that name "world music" in the beginning. I think that African music must get more respect than to be put in a ghetto like that. We have something to give to others. When you look to how African music is built, when you understand this kind of music, you can understand that a lot of all this modern music that you are hearing in the world has similarities to African music. It's like the origin of a lot of kinds of music.
For me it's hard, especially being a young African-American woman. My dad doesn't look like what you might call the 'safe' African-American male that America would accept, if you know what I mean.
In fact, the Harvard study data indicates that 70 percent of African American children attend schools that are predominately African American, about the same level as in 1968 when Dr. King died.
I have seen African countries negotiate bilaterally and within the WTO. African countries come to the WTO prepared and defend their interests with vigour. — © Arancha Gonzalez
I have seen African countries negotiate bilaterally and within the WTO. African countries come to the WTO prepared and defend their interests with vigour.
Obamanomics, his imposition of European-style socialism, is not working for African-Americans. It is not working for Latinos and African-Americans.
I just want to make sure that I'm taking roles that are positive, real, honest reflections of African-Americans because I do think the media can put African-American women in the background. Then, unfortunately, what happens is, subconsciously, our culture begins to assess that as reality.
The acceptance of the facts of African-American history and the African-American historian as a legitimate part of the academic community did not come easily. Slavery ended and left its false images of black people intact.
So for everybody who allows themselves to be separated from me because I said 'African' instead of 'Nubian' or 'Black' or 'Kemet' or 'original' or 'Israelite,' don't be so foolish. I say 'African' because the continent of Africa is the land from which we all originate. It is the word that we are most familiar with right now.
Funny enough though, despite what Donald Trump has to say and the way African-American people are portrayed so often in media, African-American people can have a leaning to be very conservative.
I don't do stuff to be a star. I do it because I feel it's important for kids, African American kids, to see an African American face that plays baseball.
I think, though, as African-American women, we are always trained to value our community even at the expense of ourselves, and so we attempt to protect the African-American community.
So for everybody who allows themselves to be separated from me because I said "African" instead of "Nubian" or "Black" or "Kemet" or "original" or "Israelite," don't be so foolish. I say "African" because the continent of Africa is the land from which we all originate. It is the word that we are most familiar with right now.
My husband [Julius Tennon] and I started a production company. We've already optioned a book and some scripts to do exactly that, to create more complicated, multi-faceted roles for African-Americans, especially African-American females. I think it's important.
A number of African countries came to us and said, we request that South Africa should not field a candidate, because so many other African countries wanted to, and, in any case, South Africa would continue to play a role in terms of building the African Union, and so on. And they actually said, please don't field a candidate, and we didn't. As I have said, it is not because we didn't have people who are competent to serve in these positions.
In the world of words, one of my best-loved tribes is the diatribe.
Somehow, someway, for some people there's an automatic assumption that a mayor who is African-American or some other elected official has to support another African-American.
Every February, we celebrate the heritage and contributions of African Americans in North Carolina and around the country. North Carolina holds an important place in African American history going back generations.
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