Top 1200 Album Quotes & Sayings - Page 2

J. Cole's 2014 'Forrest Hills Drive.' The album, artwork, and director of that album was a huge influence on the visuals for 'Homecoming King.'

The word 'album' makes you nervous, especially 'debut album.'

I have to go into the studio to make my second album knowing I'm making an album. When I first started making songs I didn't have an album in mind, that's why a lot of them I like - I'm talking about how I haven't got a deal, how I'm living, you can never really top the first time, but we'll see how it goes.

Some people will never let the grime thing go, but my fifth album is not meant to sound like my first album.

I really love 'Mr. Rager.' I know the first album is incredible, but my favorite Kid Cudi album is the second one.

There's an album by Antonio Carlos Jobim - the album with 'The Girl From Ipanema.' That's the most seductive music ever.

Journalists constantly ask Metallica if the success of their new album means they've had 'the call' to record a Zeppelin cover album yet.

The hardest thing about writing my second album is that I had 20 years to write my first album.

I really love Tiesto's album 'A Town Called Paradise' and Calvin Harris' '18 Months' album, he did an amazing job.

I want to leave an album behind that is classic, that people in 50 years will refer to and pass on to their children. An album that you never bored of.

The guy we want to get is the guy who did the Aerosmith album which is coming out in two days, and a Chili Peppers album, and a couple of Pearl Jam albums. We want to get someone that will sort of bring out the high energy aspect more than the dreaminess that was on the last album.

'Apricot Princess' is like an inside album. You can listen to the album and feel all of those emotions within one night.

My best album is probably my second one, It's a 'Big Daddy Thing.' I like a lot of the songs on there. It was put together... just the structure of the album was tight.

I posed as an album-cover designer and photographer... That I today have some album covers and photographs to show for myself is a monument to the attention-to-detail of my disguise.

I do understand that not everyone is going to sit and listen to an Enya album. When someone says it's not their cup of tea, it's not their kind of album, that's fine by me.

I knew I was destined to do a solo album, but when I did that first album in 1978, I had no idea it was going to be that well received.

I remember the first album I really completely geeked out over was The Shins' 'Wincing The Night Away.' That album was everything to me.

I'm not gonna ever announce that I'm going to do an album again. Waking up with that on your head almost doesn't allow you to make the best album you can.

It's interesting, because I named my first album after my dad because I wanted to find him. My second album was named after my mom because I felt like I learned all my creative talents I learned from her. All the survival stuff, too. And then the next album is 'Maya,' which is not my real name. It's fake.

I don't really think about what the subject of my next album will be. I just know that I'm going to make another album.

Our favourite album that we always listen to in the car is '2001' by Dr. Dre, which is just the ultimate album of all time.

I didn't know how well my first album had done; it was enough to get me to do the second album, which was a continuation of the music I'd worked on and perfected.

Wu-Tang Clan's first album, '36 Chambers,' there wasn't a lot of money given to make that album.

The first time I really listened to an album and thought, This album is mine, was Kanyes Late Registration.

There's a misconception in my opinion... and it's that we Latinos have to go do an American album, an English album, an Anglo production, to cross over.

I met Quincy [Jones], he had heard my album, someone played the album and he flipped over it.

The album for Fiddler really took off. I think it was a combination of John Williams and the score. It was a very classy big album.

I feel like it's not a bad average for every album I've got in the United States to be nominated for something off the album.

I ask myself when I see a new album: 'Is this an album that they needed to make, or do they need to just keep making albums?'

I have no preconceived ideas; I gave that up a long time ago... The only thing we can do as musicians is make an album we like, and an album that we consider to be incredibly good.

I think a lot of my dreams have come true, and my next dream is to have a No. 1 selling album. A Grammy-award-winning album.

I did an instrumental jazz album. That was my first album.

The first album was a coming-of-age album - I don't like the phrase, but when you listen to it, you can tell I was having a hard time, that I wasn't socially relating to people.

With my solo music, I really try to step out of the box and do stuff I don't get to do with the boys. I wanted it to be fun, rock-infused and try some new things while going back to my roots. "All American" the song is one of my favorites from the album, which is why I chose to title the album after it. To me, it's the perfect song to represent the feel of the album.

There's no grace period between album one and album two.

There's no album in 2016 that's better than my album.

With a pop album you can listen to one or two songs from it, but a music album is really an experience. It's not something a whole lot of rock bands do.

When someone is buying a sample-based album, they are investing in the concept of that album. If they really like the original source material, they can go buy it.

Any album that you pick up of mine, you know it's an Akon album. The guests are very limited and you get to really feel the experience. You get the Akon experience when you get the albums. I always want to make sure that stays the way it is. I don't want to flood the album to where you lose focus on why you bought it.

It is definitely much easier to feel that an album is disposable - to dismiss an album or delete the tracks you don't like or to just throw it into shuffle or whatever.

I only wrote one song in jail. But I'm writing new album - you're going to feel the entire 11 months of what I went through on this album. I'm venting my anger.

'Captain Fantastic' was the first album in history to enter the (American) album chart at number one. We did it for a second time after that. Now that's not a boast, that's frightening.

When you do an album, you don't get to test an album live.

My favorite album would have to be Rocket To Russia. I feel this album has the most classic Ramones songs.

It's not really a conscious decision to do a quiet album or a noisier album. It's just something that happens, I guess.

'Unbreakable Smile' was based off one of the songs I wrote for the album - it was actually the first song I wrote for the album without realizing it yet. I think I wanted to name the album that because it seemed like that was just the theme of that chapter in my life and just the theme of all the songs put together.

I'm listening to a lot of Drake, and a lot of Frank Sinatra just because it's his centennial also. I'm going to be doing some tributes to him this year. I love that Beck album. It was funny to me because my two favorite albums of the year were definitely the Beyonce album and the Beck album.

I don't have any regrets about the album [Veedon Fleece]. But it's the same old story - an album is basically 35 or 40 minutes of what you do. It's 'part' of what you do.

Any album that you pick up of mine, you know it's an Akon album. The guests are very limited, and you get to really feel the experience. You get the Akon experience when you get the albums. I always want to make sure that stays the way it is. I don't want to flood the album to where you lose focus on why you bought it.

Production-wise, 'Looks Like a Job For... ' is an incredible album. I think that the weak point of the album was really me.

Before MTV, if you put out an album that sold 50,000 copies, your band could afford not to have day jobs for a while. That meant you could stick around, put out another album or two. Maybe it would be the second or third album where you'd make the statement you'd been trying to make all along.

I guess every musician looks forward to a point where they can just kind of make an album that truly is like a nice art album.

'Hairdresser Blues' was written when I was deep in a ten-year depression that I escaped shortly after recording that album. I don't like that album.

I love playing Rick Ross' 'Port of Miami' album. Jeezy's 'Thug Motivation 101' is a classic in my opinion, and I still listen to that album to this day. I'm a big fan of OutKast, so pretty much any album they put out is great in my opinion, but I find myself listening to 'Aquemini' a lot. Anything Kendrick Lamar does is great.

Billboard called my solo album, 'Standing In The Spotlight,' a great party album and even said that my raps put the Beastie Boys to shame.

The first time I really listened to an album and thought, 'This album is mine,' was Kanye's 'Late Registration.'

I think most bands probably peak on their first album. We peaked on our third album. On the first album, I feel like I wish the production was a little better. I'll always hear a song I don't like. I look for what I could have done to make it better. It's always difficult for me to listen.

The album is a definite departure. I haven't written original material before, except for one song on my first album, but Elvis and I did six songs together on this one.

When the Greatest Hits came out and we did that tour, I just felt I wanted to take a break, totally. Probably because, as well, I was so young when I got famous. I did album, tour, album, tour, album, tour, then I had a public nervous breakdown where I just lost tons of weight.

Missing You' almost didn't get on the No Brakes' album, because the record company said, 'The album's finished. We don't need any more songs.'