Top 1200 Albums Quotes & Sayings - Page 2

I love 'Treasure.' It's one of my favourite albums.

I made 'Desert Moon' and when I made those solo albums, I was trying not to be Styx, because I thought, 'That belongs to us.' So, I made different kinds of solo albums that were not dipping my hand back into the magic Styx jar and pulling out all the tricks - because bands, they have tricks, don't they? That's what makes them different.

When you make albums like I do, and it's based off fanfare and based off touring - I make these albums, and I get on the road. It's not really a radio-driven thing. I get on the road, and I see my fans, and I touch each and every last one of them.

For a few years all I listened to was The Smiths, Things Fall Apart by The Roots, Love Is Dead by The Mr. T Experience, Nostalgic for Nothing by J Church, and the first Servotron album No Room for Humans. And that was it. For two or three years, those are the albums I listened to. I just fell into this very bizarre phase where my head shut down on me. I just obsessed over things and those albums happened to be in that rotation of me obsessing over things.

My father was able to play a number of musical instruments and I fell in love with classical music in my teens and I allowed it to influence me. I like to think I took and still do from classical music and various techniques, I have made classical albums and recorded seven different pieces of Bach on different albums and its all music too me.

Some of my favorite records growing up were Christmas albums. The ones I liked best were the albums that you could listen to from start to finish. You could put them on while you're decorating the tree or driving around looking at Christmas lights.

Usually albums are frontloaded with singles.

For many years, I've wanted to do one, and I've always mentioned it to the chieftains, and they would say things like, 'Oh well. Christmas albums don't sell,' and things like that. But that's not the point. Christmas albums are important. The music is important. The season is important.

I definitely have favourites in terms of albums.

I was in the band for the first six albums.

I'm not into albums that are meant to sound perfect.

I think that with albums these days, as long as you are moving forward and not trying to re-create things and looking back, albums are like living breathing things. They change, they evolve and it's this big thing that you are trying to get out to people. To me, whatever you can do to get it out there, do that.

Albums take a lot out of you.

I tend to name albums after one of the songs.

I use a combination of all my influences on my albums.

Touring definitely helps sell albums. Things have changed. I've noticed now more than ever when you market an album, get radio play/video play etc. it helps sell albums but it helps get more shows.

It kind of limits what we can call the albums.

You don't make solo albums to have hits.

I don't really cringe over any of my albums.

I have a love/hate relationship with Amy Grant, but I do go back to her Christmas albums once in a while. They're dated and sentimental and the production is nearly unlistenable, but there's something about her vocal performance that just feels really true. I would take her Christmas albums over Mariah Carey's or Destiny's Child's any day.

Louis 'Thunder Thumbs' Johnson was one of the greatest bass players to ever pick up the instrument, as a member of the Brothers Johnson, we shared decades of magical times working together in the studio and touring the world. From my albums 'Body Heat' and 'Mellow Madness,' to their platinum albums 'Look Out for #1,' 'Right On Time,' 'Blam' and 'Light Up the Night,' which I produced, to Michael's solo debut 'Off the Wall,' I considered Louis a core member of my production team. He was a dear and beloved friend and brother, and I will miss his presence and joy of life every day.

Albums serve as paragraphs in an artist's autobiography.

You're never going to release the next album and have it be different from your other two, three, four, five albums. People give them a hard time, but it's like, 'I'm an artist, I'm trying to grow. I don't want to have the same album for 10 albums in a row!' Same thing for a martial artist.

I love Bob Dylan, I really do. I love his early work, I love the first time he plugged in electrically, I love his Christian albums, I love his other albums.

Truth is, you make albums, and some of those songs are hits, and some of the greatest hits albums have songs that weren't hits. You have a career, the reason why we're still around 10 years is that we do have successful songs.

I love the concept of albums, and I love owning albums.

If you go back to all my albums, they're all confessional.

I liked comedy as a kid. When I was a kid, I'd go to sleep to, like, Bill Cosby albums every night. I'd listen to 'Bill Cosby Is A Very Funny Fellow... Right!' and 'Wonderfulness,' which are two of his most famous albums. Then the next night, I'd flip them over, 'cause it was the old stackable turntable.

Our business has changed so much. Do people even want albums, or do they just buy singles now? You sort of feel like you're the last guy manufacturing VCRs... but I really like albums, and so I like doing them. I'll be the last one making them, even when no one's buying them.

I think albums should be dynamic, man.

When I formed the band and created the Wildabouts with my friends, we decided we wanted to make a band-sounding album, a rock-sounding album. I made two solo albums before that were more experimental albums, and I think that they didn't really resonate with my fan base because they were too out-there, too artsy.

In the rest of the world we had had two albums that were successful, so those two albums' hits and this new four-single package made up an album called Wham! The Final, which is basically greatest hits. We couldn't have done a greatest hits over here, because we'd only done one hit album.

I don't sing songs on albums that I don't like.

I ended up writing songs and growing up in public with my songwriting. And it's a good thing for me back then: in the early '70s, there was a thing called artist development, where an artist could find his feet, find himself, find his voice. I think I made five or six albums before I sold five or six albums.

Just as not all popular albums are wonderful, not all wonderful albums are popular.

My albums really are like scrapbooks to me.

Releasing albums is a thing of the past.

I never liked making albums.

My favorite albums are really short.

All my albums are evolutions, one on top of the other.

When I was a kid I mainly listened to comedy albums.

I was really bored of making downtempo albums.

Steve Martin's comedy albums are so ridiculous.

You know, if Kelly Clarkson wants to do country albums because that's what inspires her, then let her do it. Look at Kanye West or Ludacris... they aren't rappin' and cussin' like they were on their first few albums, so what does that make them? It's all in the eye of the beholder and the listener. We all use our outlet to grow ourself.

You know, if Kelly Clarkson wants to do country albums because that’s what inspires her, then let her do it. Look at Kanye West or Ludacris ... they aren’t rappin’ and cussin’ like they were on their first few albums, so what does that make them? It’s all in the eye of the beholder and the listener. We all use our outlet to grow ourself.

If people had good albums, they'd be buying albums. But people are buying singles because they only have good songs.

I felt I had nothing more to say. Everything would have had to be a replay of the previous two or three albums, and that decided me to stop. What bothered me most was not playing guitar at all anymore. I felt I had no more contact with the instrument. It was just a piece of wood to me. I even thought music had definitely left me. After fourteen albums, there may be an overload phase, a sort of lassitude.

All my albums always go with the times.

Albums are chapters. They're part of a story.

I like that kind of classic-type sound. A lot of my favorite albums were tracked live, with a four-piece band. I love the way those albums sound, but I want to make records that sound like that in the way I like to make stuff.

Christmas albums are not something you do frequently.

I like to make great albums.

I have a lot of albums yet to do.

I have no idea how I do anything. I never have. You know I just started playing guitar and started singing and started working on this act that I would call "Don McLean" when I was probably in high school. And I have been doing this for 40 years, adding songs and writing things, cobbling together albums, doing live things, you know, albums and tours. And then I have records on the charts. I have no idea how this happened.

Nobody really produces my albums.

I wanted to make something that reminded people of the way albums used to feel. I wanted something as good as the stuff put out by the Bomb Squad, or Dr. Dre and his production crew, or 'A Tribe Called Quest.' I miss albums like those.

I made music on Seven the same way as on the other albums. I only used acoustic instruments... I'm looking for instruments that have vocal sounds, forgotten instruments like the guimbri... The first and second albums were about the voice, what came before. This album is about introducing those sounds into modern, Western life.

Break-up albums are the best kind.

I think what's cool about Slayer is no matter how old their albums are, it's the one band to me that their sound is immortal. It never sounds corny to me. You can go back and listen to some Pantera and Metallica albums, and you're like, 'OK, great music.' But Slayer, you go back, and they always sound fresh and hard as hell.

As long as I can make albums, I will.