Top 1200 All Time Best Movie Quotes & Sayings - Page 3

Every couple of years we'll watch the movie and it's like watching home movies, seeing the ranch on-screen. But that movie Heaven's Gate, people are appreciating it more and more as time goes on.

Being favorite counts for nothing. I am focusing on doing the best time of my life, whether or not it's the best in history or the best in the competition.

Movie-making is serious business. The director and the crew are already under a lot of pressure to give their best to the audience. Therefore, the best part for me as an actor is to act well in the movies and make a jolly atmosphere with the co-stars on the sets.

Every time I do a movie like 'Finding Neverland' or 'Chocolat' or 'Shakespeare' in Love,' we deal with the creative process, but there's humor and fun along the way. I always love that kind of movie.

Most actors, unless they're big movie stars and can carve out huge chunks of time to focus on one movie that takes six months - the rest of us have to jump around to make ends meet.

Sometimes you do things for personal reasons. I made a very personal movie in We Are Marshall. I was afraid of flying, for a long time, and that's a movie about a plane crash.

I mean time management is a big factor in my life. I'm a very organized person. You can only do one thing at a time, so that's the main way I do everything. When I'm with my kids, I'm with my kids. When I'm directing a movie, I'm directing a movie. When I'm making Magic Mike, I'm making Magic Mike. So you just really have to fragment and focus.

A movie is a movie is a movie. But it has to have an adjective in front of it if it's not a white guy's movie.

Every time we make a movie, 'Guardians' included, 'Black Panther' included, 'Infinity War' included, we just feel lucky to be making that movie, and that's basically what the focus is on.

We actually try our best to be non-biased, but for me, that was the best movie ["Sicario"], filmmaking-wise and storytelling-wise, and connected to me the most. I thought it was great.

At the end of the day it's got to be a good movie, it's got to be a funny movie, and it's got to make people think, 'Hey, I couldn't have spent my time any better.'

The creative process on 'Margaret' was incredibly satisfying. I loved the cast; I had a great time writing the script. I liked making the movie. Believe it or not, I actually like editing the movie. It was all the rest of it that was such a nightmare.

In animation, there's not a medium I believe that's more collaborative. It is a team of people, of different disciplines, coming together. The decisions are made by consensus in many cases. My job as a director is to exercise the best judgement I can in terms of which decision is the best one to make for the movie.

When I make a movie, I just make the movie. I don't think about the success of it. If it becomes successful, that's an amazing treat. If it doesn't, you had a great time making it and you learned from it, and then you make a new thing.

On a movie set, there's so much down time, adjusting the lighting. It gave me time to nap, call my friends, relax, work out. But with TV, there's no break time. None.

The best time to write a story is yesterday. The next best time is today.

They love 3-D. It's fun to watch a movie in 3-D with your children or with a group of children because you see the kids in front of you from time to time reaching up. You see little hands reaching up to grab things that they think are right there. I think it's remarkable and it does obviously, literally, add another dimension to the movie.

I have to understand how we are going to market the movie. We view marketing as an extension of content creation... Every time a consumer sees our movie, in whatever form, our obligation is to entertain the audience.

It's like, 'Twilight' was voted the worst movie of all time, and I'm like,'Can I please have the worst movie of all time? Please? Half of that?'

The difference between a movie and a play is that the production you end up with is the production. If a movie that I spent time on turns out to be crap, it's never going to be made again.

I never want movie theaters go away. It is the greatest time out on the town. You go out, it's a great place to go, great location, great hang, great date, good place to be with friends. But as an actor who works hard at making movies, I am glad that no matter what people can see your movie on. It's hard to keep a theater for long time; there are so many movies, so when you leave a theater, you're just glad there's a life for your movie.

The first important movie that I did, I shaved my head for the movie. When the hair grew back, I had white hair for the first time in my life.

I studied fine arts and architecture, but I decided to move into movie design because I grew up in a small town in the Marche region and spent a lot of time after school in the movie theater.

Every time you get the chance to work with somebody you admire and would like to collaborate with... it feels like the best opportunity that's ever come your way, whether that's in fringe theatre or a really big-budget Hollywood movie.

The challenge with 'Watchmen' is making sure that the ideas that were in the book got into the movie. That was my biggest stretch. I wanted people to watch the movie and get it. It's one of those things where, over time, it has happened more.

Television is like the movie business. It's not the least-objectionable program - it's the best program that gets positioned. Same in the movie business. It's not just everything automatically gets done by the "in" crowd.

For the movie 'Bhaskar Oru Rascal' I had to let go of a part of my agreed salary and in fact, had to lend money to the producer when he couldn't meet his financial obligations at the time of the movie's release.

The best time to act on this was decades ago. The second best time is now.

I didn't invent the rainy day, man. I just own the best umbrella. That’s one of my favorite lines of all time. It’s from a movie called Almost Famous. I think what it means is that life is going to throw all kinds of stuff at you, good and bad. But all you can do is get out there and try to stay dry.

I think I've done a lot of movies that people would like to have seen a sequel to. But I grew up in a time when we didn't do sequels. You just did a movie because you wanted to do a movie and you wanted to tell a story. It wasn't to build a franchise.

To do a movie about someone who actually lived gives you two responsibilities. You have to try to be accurate to the facts of what he did and what he was like as a character. Then, at the same time, you have a responsibility to make a movie that entertains and can get an audience.

I've never acted before in a movie I've directed. This felt like the time to do it just because the " Leaves of Grass" movie itself is so much of a platform for the lead actor. It's really written for an exciting performance and it really depends on the audience watching an extraordinary actor having a great time pulling off this feat. It makes sense to me as a director to act in support of that.

I've never played a Dane in a movie. I've had offers to be in Danish movies, including for some good directors, but I either had a job at the time or, when I was available, the movie just didn't happen. Hopefully someday I'll do one.

Our employees and competitors thought we were docile. We want to be defiantly disruptive. I don't mean necessarily by launching price wars but by being the best at the basics - having the best customer service, the best on-time performance, the best coffee - in a thoughtful, not a testosterone-laced, way.

I was playing the best football of my career at the time, finishing top scorer in Italy three year's running. There were other good players around but I think I was the best at that time.

I remember a lot of conversations where I was constantly hearing, 'You've gotta do this movie so you can do that movie. You've gotta make a big movie so you can make a small movie.' But I can't act like that.

When I'm making a movie, it's making use of my creative juices, and it fills me up with what really is - I think my purpose here is to tell stories. When I'm not, then I really have to learn how to live life and make use of the time properly. I'm not always great at making those decisions, but when it comes to working, my time is totally taken up. I have no option except to get up early in the morning and to work on that movie and to finish. But I take that with a pinch of salt, because I also love my time off.

Basically, we [me and Evan Goldberg] started thinking about making a movie that was kind of a weed movie and action movie and had a real kind of friendship story to it, then that would be our favorite movie [Pineapple Express] ever.

For some of the large indignities of life, the best remedy is direct action. For the small indignities, the best remedy is a Charlie Chaplin movie. The hard part is knowing the difference.

You want to give your best and be the best batsman for the team. So, whenever I go in to bat, I always believe in giving the best. I take it as a challenge every time.

Looking for happiness in the body, mind or world is like looking for the screen in a movie. The screen doesn't appear in the movie, and yet, at the same time, all that is seen in the movie is the screen. In the same way that the screen 'hides' in plain view, so happiness 'hides' in all experience.

It didn't happen every time for every movie. Ruthless People was a good movie, but we didn't get a good release or marketing. They completely blew the opening.

The best situation is being a single parent. The best part about is that you get time off, too, because the kids are with their mom, so it's the best of both worlds. There's a lot to be said for it.

We'd go to studios with ideas to do movie musicals and they'd literally kick us out. They said, 'Audiences aren't interested in movie musicals. You're wasting our time.'

So I'm a one movie at a time person, I don't develop. Normally we do a movie then one thing leads to another. If something pops up that catches my attention, then I'll decide.

What's the best part of a movie? I love to know what my name is. It's just so fun. That's the first thing I ask. It's just fun because you have a different name in every movie.

I've ended up as a filmmaker who really loves the movie part of movies. That time in my life was a big influence on the kind of movies that I ended up making. I always think I'm going to make a movie that's gritty and real, but then I make a movie that's like an opera. I fight it at first and then that's just the way it is.

If I have a better idea, I say, 'Can we try one like this?' I try not to step on writers' toes, but ninety-nine percent of the time, it ends up in the movie, and sometimes it's the line that everyone remembers and quotes from the movie.

I always want to give my best and do the best I can. I know when I have sung my best and when I haven't. There can be stresses and hassles with time travel and press attention. I just have to adapt and find a way of dealing with it.

It gets to the point where, by the time you're underneath the arena lights and you're staring at your opponent, that's the best time. That's the best feeling in the world, because all the other stuff goes away.

I thought Rounders was a comic movie in its way. First time I directed a movie, I wanted to do a comedy. I don't like things that are superficially one thing or another, mainly. My favorite comedies are really smart, too, and have a lot of levels to them as well.

The best time to stop a fight is before it starts. The best vitamin for developing friends is B1. The best way to destroy an enemy in to make him a friend.

You could say that Iron Man was a second-tier character, and it turned out very successfully. I simply think it's down to the movie itself, and whether people enjoy the movie, are involved in the movie, and that it entertains them. From that point of view, the movie has to stand alone.

I had the best time I ever had on a Jim Cameron movie - True Lies, 1994. It was the single most freeing experience as an actor I've ever had. And, of course, in the midst of it there was this humungous circus that he conceived.

One of my favorite things about making horror movies is, the first time you screen them in front of an audience, it's very fun to hear people audibly react to the work you put into a movie. You don't wonder at the end of the movie whether it worked or not.

I'd played a lot of best friends, and/or bad guys, which seems to be my lot in life. In romantic comedies there's always a best friend and the woman has a best friend and they always antagonise each other and then they end up together at the end of the movie.

There's an amazing movie, I think the best war movie ever made: it's called 'Come and See.' Soviet film. Made in the Soviet Union. It was about Belarusian and Ukrainian partisans in World War II.

I think the best thing you can do when you go and see a movie is to bring somebody along who really enjoys the film with you. I think this is one of those movies... it wouldn't be their first choice. But once they're in there and they see the enjoyment that not only they're getting, but also their wife or their girlfriend then it makes for a much more pleasant evening after the movie!

If you tried to make a 'Game of Thrones' movie, you'd have to eliminate two-thirds of the characters, and there'd have to be one storyline, but on TV, you can really get to know the characters in a way that there just isn't time to do in a movie.

People say 'Scott's [Derrickson] movies are kind of scary, is this a horror movie?' Of course, [Doctor Strange] it's not a horror movie. But what Scott has done so well in the best of his films is have one foot completely in the real world and one foot in this whatever supernatural sub-genre he was playing with.