Top 1200 Amazing Book Quotes & Sayings - Page 19

I was lucky: I feel like I've written four books that mean something to me, and one book that means everything to me, and that's 'The Book Thief.'

Sometimes I get to see a movie that's adapted from a book that I haven't heard about or that I love the movie so much that I will, of course, read the book.

Comic book companies are like comic book villains; they keep coming back after they die.

I always do book signings with the same blue pen. That way, if I add a personalised message to a book I've already signed, it'll be in the same colour as my signature.

Being a hardcore old-school comic book lover, it took me a while to accept the need for comic book movies.

But one of my absolutely favorite things to do is go to comic book stores on the weekends. I'm a huge comic book nerd.

As to the book called the bible, it is blasphemy to call it the Word of God. It is a book of lies and contradictions and a history of bad times and bad men.

Yeah, when you're making a film, the book is a good tool, but once you have the script and you're making a movie, you have to let go of the book.

When a book's pattern and the shape of its inner life is as plain to the reader as it is to the author -- then perhaps it is time to throw the book aside, as having had its day, and start again on something new.

You can't write a book and just expect it to sell itself, you know. We're not building that better mousetrap and waiting for the world to beat a path to our dear. You've got to build a market for your book.

He will find one English book and one only, where, as in the "Iliad" itself, perfect plainness of speech is allied with perfect nobleness; and that book is the Bible.

So March: Book One was the first book I ever wrote. And it was the most terrifying process I've ever been through.

Yet I'm making a book and I'm going to care immensely about what words get bound in the pages, and I want the object to look good. I won't believe in it and it won't be real to me until there's a finished book I can hold.

My understanding of the meaning of a book is that the book itself disappears from sight, that it is chewed alive, digested and incorporated into the system as flesh and blood which in turn creates new spirit and reshapes the world.

I knew that a zombie book would not particularly appeal to some of my previous readers, but it was artistically compelling, and being able to do a short nonfiction book about poker was really fun and great.

There is absolutely no point in sitting down to write a book unless you feel that you must write that book, or else go mad, or die.

I had ideas about music and sound and listening and time and so on that I wanted to pursue as an individual, and by doing that book, Brian [Eno] opened the door, and he decided to do a record based loosely on the book.

When I sold my first book, 'A Conspiracy of Tall Men,' it was part of a two-book deal. It wasn't hugely lucrative, but it was enough money for me to quit the paralegal job I had in San Francisco.

I didn't want to write a book as Stephen King's son, because all I did was get born, and that's not much of an accomplishment. If that was the reason my book was published, it wouldn't be worth the paper it was printed on. I wanted to do my own thing.

'RoboCop,' when that came out, was like the best comic book movie ever, and it's not based on a comic book.

Turning the blog into a book was extremely difficult, a tremendous amount of sustained, hard work. Blogging is easy; writing a book is difficult.

Whatever a writer gets paid for his book, it's never enough. I think that's true. It's hard work. But in the end, you wrote a book. It's something real and tangible that sits on a shelf forever.

It may be important to write a book that doesn't come up to what I would like to have rather than to write no book at all.

I have not been in a book club where there were any men, and I have not, in fact, heard of book groups that were mixed.

A book can change the world... Every book a child reads creates new neurons in that child's brain.

Writing a book is usually a full-time job that takes years. I didn't have years. So I decided to crowdsource content for the book.

If he can give his readers no reason why they should read his book, except that the events happened to him, it is not a valid book.

The way to write a book is to actually write a book. A pen is useful, typing is also good. Keep putting words on the page.

It was exciting to work with director Jennifer Baichwal, who made Manufactured Landscapes and others, on the film of Payback: Debt and the Shadow Side of Wealth. It's called, simply, PAYBACK. Jennifer didn't want to do a transliteration of the book, a kind of illustrated version, but to go into the core of the book: owing and being owed, paying and paying back, on all sorts of levels. So she found real-life, visceral stories that embodied the themes of the book.

The main benefit of the book for the more experienced practitioners is as an evangelical tool. The book will give you some ways of expressing the value and importance of your work that you may not have had before.

We had 1 book, the phone book, I've read it, it wasn't a great read, lots of characters, and on the end loads of polish people turn up.

A status symbol is a book. A very easy book to read is The Catcher in the Rye. Walk around with that under your arm, kids. That is status.

Authors should be as involved with the marketing of their books as they want to be. No more, no less. I happen to recognized, quite early on, that no one was going to buy my book if I didn't do everything I could to let them know that the book existed.

Each my book feels like my last book. And then I think, like a dedicated alcoholic, that one more won't do me any harm.

My first book, 'Running Loose', was censored back in 1983 or '84. Every book I've written since has been censored somewhere.

I think for Lev [Grossman], C. S. Lewis was a huge inspiration from his childhood. I know that Brideshead Revisited is a book that he's incredibly found of and he took certain structural influences from that book that he brought into The Magicians.

I loved the idea of a book of fairytales meant especially for peculiar children, and I love even more the idea of making that fictional book real.

A dangerous book will always be in danger from those it threatens with the demand that they question their assumptions. They'd rather hang on to the assumptions and ban the book.

It would absolutely suck if you paid a few bucks for a book only to find that on the first page it said, 'Once upon a time they all lived happily ever after' and the rest of the book was blank.

A book cannot apologize for what people may think it should be. It has to be authoritative. That's what I want as a reader - I want to be confident that the book will do its job.

What I love about 'The Walking Dead' is it's a human story, which is to me what makes the comic book so good, but once you jump from the pages of the book to the screen, the gore and the zombies have to look great.

Seeing my book on a billboard in New York was a bucket-list-type thing, but also a deeply surreal moment. I had to keep reminding myself that, oh, yes, I wrote that book.

I look at life like a big book and sometimes you get half way through it and go 'Even though I've been enjoying it, I've had enough. Give us another book.'

If writing and publishing a book is like giving birth to a child, then book marketing is like rearing it.

With each book you write you have to learn how to write that book - so every time, you have to start all over again.

Be kind and considerate with your criticism... It's just as hard to write a bad book as it is to write a good book.

I know what kind of books I read on vacation, and it is not necessarily 'Diplomacy' by Henry Kissinger. No disrespect to that book; I have read that book. But not on spring break.

I wish I could write a beautiful book to break those hearts that are soon to cease to exist: a book of faith and small neat worlds and of people who live by the philosophies of popular songs.

The exercise of letters is sometimes linked to the ambition to construct an absolute book, a book of books that includes the others like a Platonic archetype, an object whose virtues are not diminished by the passage of time.

I find I'm waking up really early now, just to read. Waking up at ungodly hours. But I try to keep up, religiously. When I was a kid, it used to be a book a day. Then a book a week. Now it's like a book every two weeks. But I read every day.

[Book's subtitle:] Designed as a beacon of light to guide women to life liberty and the pursuit of happiness, but which may be read by members of the sterner sect, without injury to themselves or the book.

Whether the author intended a symbolic resonance to exist in her book is irrelevant. All that matters is whether it's there. Because the book does not exist for the benefit of the author, the book exists for the benefit of YOU. If we as readers can have a bigger and richer experience with the world as a result of reading a symbol and that symbol wasn't intended by the author, WE STILL WIN.

Success is so fleeting; even if you get a good book deal, or your book is a huge success, there's always the fear: 'What about the next one?'

Usually a feeling of disappointment follows the book, because what I hoped to write is not what I actually accomplished. However, it becomes a motivation to write the next book.

My first book, 'Contest,' had a guy fighting aliens in the New York Public Library. The second book, 'Ice Station,' and 'Temple' were present-day military thrillers.

I never really considered 'Quantum & Woody' a comedic book or a funny book. I never thought of it as a satire.

I've always said that Watership Down is not a book for children. I say: it's a book, and anyone who wants to read it can read it.

You see? I know where every single book used to be in the library. She pointed to the shelf opposite. Over there was Catch-22, which was a hugely popular fishing book and one of a series, I believe.

Success is so fleeting, even if you get a good book deal or your book is a huge success, there's always the fear: What about the next one?

It isn't enough for a book to be transporting or entertaining; it must also come from a place of knowledge and an understanding of aesthetics. Even where a longlisted book wears its craftsmanship lightly, the power of the writing shines through.