Top 1200 Amazing Music Quotes & Sayings - Page 19

When I'm feeling stressed out and overwhelmed, sometimes I'll read a book. But most of the time, I will either listen to music or play music. I'm basically always playing music, even if I'm not stressed!

That’s why I make music. When I listen to my favorite music made by other people, that’s what it does to me. So as a musician, I’m just trying to do the same thing with music I make. Sometimes it works, sometimes it doesn’t. But when someone comes to me and says the music I’ve made has affected them emotionally, that’s the most gratifying part of my job.

The native music of North America, the original-roots music of this country, is also the underworld music of this country.

What is the best music is impossible to define. Just because it's played by a virtuoso player, doesn't mean it's great music. It might not reflect the soul of a people, which is really my criteria for great music.

In school I was interested in music, but I never saw myself being a musician at that point. Music technology was the only subject I cared about: it taught me the basics of music production and I started making beats and freestyling with my friends.

A lot of people may not know how competitive it is to play classical music, because when you think about it, the music that you're playing is music that's been here for years. And all you're trying to do is improve upon it when you play.

I started when I was really young. I was playing classical music when I was 4 and when I turned 11 I started to write pop music. I guess you could say it was my intellectual evolution and my love of music began to change.

I am a musician who stopped working with music. Now I work with visual music, or audio-visual music.

Making music clips, I have a responsibility to depict the artist in a way that suits them, and feels comfortable with how they want to present their music. From there I usually try to tell a story visually that complements the music, that lets the music be the hero element of the project. I just try to do something that feels sincere and creative and a little bit home-brewed so it doesn't feel too plastic or phony.

We're all friends, inside the music and outside the music. I mean, we don't sound anything alike, we don't approach our music anything alike, but we come from the same genuine place. We want our music to be real and we don't want to compromise our art.

Obviously there are pieces of classical music that are some of the most beautiful music ever written, for me anyway is a lot of classical or contemporary music, so it's a different kind of space that you enter when you're listening to it.

I love being in space. I love being challenged by great roles that a company like Marvel creates amazing movies that no only give audiences an adventure but also give us as artists an opportunity for us to be challenged to embody amazing, multilayered characters.

We grown-up people think that we appreciate music, but if we realized the sense that an infant has brought with it of appreciating sound and rhythm, we would never boast of knowing music. The infant is music itself.

When I started, DJs weren't in the media, electronic music wasn't in the sales charts and a DJ was the freak in the corner who provided the music while other people had fun. So to do it, you must have been a freak and a music lover.

It was great. I got to hang out with him [Martin Freeman as Bilbo Baggins], and I kept a straight face for a bit and then I started giggling because I know Martin, I don't know Bilbo. For Martin to be sitting there playing Bilbo is amazing. He's going to be amazing, he's going to be fantastic in this film.

Music is one whole force. And I think the Proms have always represented very clearly that music is a universal language, one that everyone can speak. I've just followed my goosebumps in every direction and have found a recipe for what my music feels and sounds like.

I don't say what I feel. I say what was said to me because my senior professionals were amazing to me. If I can do anything similar to the young pups, I will do that. My senior pros protected me and looked after me and made me feel amazing.

I had some highlight moments in the early '60s when I used to do a lot of rubbings. I used Afta; it's an amazing chemical. If you pour it on something and rub, you get amazing results. Before that, I used lighter fluid and, well, I've always liked blood. Everybody thinks I am very sick, but the thing is, blood is better than any ink or paint.

The way I like to think about it is, even though I started music early - I started in classical music - it wasn't until I discovered jazz that I really fell in love with music and realized this was what I wanted to do for a living.

As in music, when we hear the crescendo building, suddenly if the music stops, we begin to hear the silence as part of the music.

My mother got me into music when I was a little kid. She used to play music, blast it, when she was cleaning the house, while I was crawling around. I just love loud music.

In terms of black music - the only music that we can call our own, that was really born here - I don't think a lot has been done to chronicle the relations between American history and where black music fits in.

The first job I ever did in the theatre, I was supposed to be a genius piano player. I couldn't play the piano, but you just sit there at a piano like you're playing, and suddenly all this amazing music comes out and the audience believes you can do it. It's the same with computers. I love scenes where there are people yanking at monitors, "yes I'll put you through now," and you know they're just doing that. But you can look brilliant at all this technology. I love it.

Bollywood music is definitely a big part of Indian music and can be a great way to introduce people to the sound. But I hope to continue to incorporate other types of Indian music into my work.

I would love to do a track with Will.I.Am. He's always creating amazing songs. I mean, to be honest, Chris Brown has always been amazing, so I would hop on there and let him do his thing and create some magic there. As for a producer, I would love to work with J.R. Rotem. He's my favorite producer out there.

I love pop music, but I also love noise music, IDM - anything really, I get something out of most kinds of music. I just need to enjoy the process.

I'm a real guy. I'm not money-laundering. I make money off music, and music is my source of income. It feels good. I'm not selling T-shirts, I'm not doing none of that other crap. Straight music.

Teenagers are passionate and they want music that speaks within their hearts. It's a big deal for students to listen to Christian music and talk about it at school. Music is a very exciting element of your life when you're love. I think it's huge.

Gareth [Edwards] was very much about including everyone in what we were making, so he would cut together different scenes to show us what we were making. And the crew, cast, everyone would go into a theater there at Pinewood Studios and watch 10 minutes of what we were making. It was always so exciting. It looked amazing, and the music was huge.

I think music is a big, big wide world, and I am voyager on this particular ship in this sea of wild music, and I'm gonna dive in and find as many fish as I can and catch them all. I love music.

Music, great music, distends the spirit, arouses profound emotions and almost naturally invites us to raise our minds and hearts to God in all situations of human existence, the joyful and the sad. Music can become prayer.

As far as my New York influence, one thing I'm proud of in my career is, I rep Brooklyn, New York all day. But people don't look at my music as New York music. People consider my music underground music.

For me music is pretty personal. I generally listen to it alone, and I've never been a lover of concerts. So I don't think I really bond with other people over music. That's not unique to music for me, either. I feel that way about film, television, art, everything. I read a book alone, so why wouldn't I listen to music alone?

I can think and play stuff in classical music that possibly violinists who didn't have access to other types of music could never do. It means I'm more flexible within classical music, to be a servant to the composer.

To me, that's when music was music. Every studio had a full symphonic orchestra and a whole bunch of singers they used on every picture. Every radio show had singers on it, and NBC and CBS had their own staff orchestras. Music was everything. And it was good music; it wasn't based on three chords.

I think the world is very much embracing this whole concept of musicians going out and playing their instruments and playing music for music as opposed to music that has something to do with some form of image or imagery.

I think the [music] industry really suffered from music being available online because it made young people feel, "why should you pay for music, if it's so readily available for free?"

Rock stars are idiots. You know that! Remember this moron never went to music school, never learned music theory and can't read or write music. So why not be suspicious of everything this idiot says?

Music is my expression. Music is my release. Music is my therapy.

Music is more of a hobby to me than my hobbies, if that makes sense. I love music; my dad and brother were very musical, and music just happens to be one of my hobbies that became my vocation.

I mean, I wasn't the best student in school. It would be different if I were to pursue music while I was already in school and doing things for my parents to be proud of and music was a side thing. Being that I dropped everything to do music, they was not with it.

I try to pick music for a diner that doesnt involve a lot of lyrics, so you're not paying attention to that. As long as it doesnt dominate the party, it should be more atmosphere music. When I'm by myself, I never play music.

We're always trying to elevate the platform of Christian and gospel music, church music, worship music and not just elevate it to our comfortable corner of the earth that we maintain an international and global mindset for what we're doing.

I definitely see myself as an international musician. When I play, I respect the source of the music, whether it's Cuban, Brazilian or Israeli. I try to bring that to all of the music I play. Music has no borders and no flags.

I had no idea that I was ever getting into music. I did not prepare for a music career, and here I've found, out of pure luck, that I did have, not only a talent and an ear, but a passion for music. And I have it to this day.

To me, dance music is a lot of space - to listen to other things than melodies. I think club music and dance music really require a different way of listening.

There is a beauty to touring - to be honest, there's a way that music connects and you really feel the actual reaction of people to the music that you're making, and I feel like if I didn't do that I just wouldn't know, and I don't think my music would be the same.

Alanis Morissette - I love how she's not afraid to say what she wants to say. Love it or hate it, she's going to say it. And her vocals are crazy; they're amazing, and I also love how her music is really organic.

The devil ain't got no music. All music is God's music.

I think that the best music and the music that people relate to the most is the honest music that people feel themselves in it.

Music first, music last, music always

I have moved around a lot, and I've lived in all of these different environments - that has affected the kinds of music and the range of music and influences I've had in my life. All of those influences - more subconsciously - play into the music I make.

The way I make music is just a reflection of how I think music should be made. Where you sit in a studio, and you make music, and you use technology to your advantage, not to hide all the blaring mistakes.

I don't think anyone listening to my music needs any special knowledge. They don't need to have a background in contemporary music. They don't need to go to new-music concerts all the time in order to be able to understand it.

I'm like a little kid when it comes to music. I mean, the music is always blasting wherever I am that people always knock on my door and say, 'It's too loud!' But I think music gives so much inspiration.

Elemental Music is never just music. It's bound up with movement, dance and speech, and so it is a form of music in which one must participate, in which one is involved not as a listener bust as a co-performer.

The only music I was listening to for ages was old soul. So I wasn't listening to a lot of new music - especially indie music.

I didn't get played on radio or TV for 3 years. They all told me the same thing: it was too urban. They don't see grime music as commercial music, but all music is commercial; it's how you make it. That's what I'm trying to say.

My entire life has really revolved around music that was written about the time that I was born, 1908, to just before the First World War and shortly after it. This music I've always known, and it is that music that's most important to me.

You can learn to write. But what you write is something that depends on your taste and on your vision or whatever. Also, of course, the music I listened to inspired my idea of music. When people ask me "Where's your inspiration? Where does it come from?" I have no idea. Music is about music. Not about life and love.