Top 1200 American Author Quotes & Sayings

Explore popular American Author quotes.
Last updated on April 14, 2025.
I was never allowed to read the popular American children's books of my day because, as my mother said, the children spoke bad English without the author's knowing it.
Here was buried Thomas Jefferson Author of the Declaration of American Independence Of the Statute of Virginia for religious freedom & Father of the University of Virginia.
Every author has different ways of writing and what works for one author does not necessarily work for another.
I think the first important thing is that usually most textbooks are not written by their authors. And so by author I mean the people who did not write them; so it's a new definition of "author."
Writing is transmogrifying, not just for the reader but also for the author; an author becomes someone he or she isn't by living the lives of his or her characters.
I didn't understand in the beginning that the editor didn't want me to know the author. I'd make an effort to meet the author, but it would end up being a disaster because then I had the author telling me what I should be doing.
More than anything I am a novelist. But for me, an author's job is not only to create linguistically accomplished works. As an author I also want to stimulate discussion.
When a character is born, he acquires at once such an independence, even of his own author, that he can be imagined by everybody even in many other situations where the author never dreamed of placing him; and so he acquires for himself a meaning which the author never thought of giving him.
Nobody is the author or producer of his own life story ... somebody began it and is its subject in the twofold sense, namely, its actor and sufferer ... but nobody is the author.
Whoever commits to paper what he suffers becomes a melancholy author: but he becomes a serious author when he tells us what he suffered and why he now reposes in joy.
The stories I love the most are where the author has a lot of empathy for everyone. The author loves their characters and takes their situations really seriously, and you feel like you're just dropped into a different world.
Poets can tell the truth as they see it. It’s the author’s story, the author’s voice. — © Nikki Giovanni
Poets can tell the truth as they see it. It’s the author’s story, the author’s voice.
Whether the author intended a symbolic resonance to exist in her book is irrelevant. All that matters is whether it's there. Because the book does not exist for the benefit of the author, the book exists for the benefit of YOU. If we as readers can have a bigger and richer experience with the world as a result of reading a symbol and that symbol wasn't intended by the author, WE STILL WIN.
Unfortunately what is little recognized is that the most worthwhile scientific books are those in which the author clearly indicates what he does not know; for an author most hurts his readers by concealing difficulties.
The one man who should never attempt an explanation of a poem is its author. If the poem can be improved by it's author's explanations it never should have been published, and if the poem cannot be improved by its author's explanations the explanations are scarcely worth reading.
Baseball is the exponent of American Courage, Confidence, Combativeness, American Dash, Discipline, Determination, American Energy, Eagerness, Enthusiasm, American Pluck, Persistency, Performance, American Spirit, Sagacity, Success, American Vim, Vigor, Virility.
One of the biggest differences between you and a traditionally published author is that a self-pubbed author is responsible for everything. Not just writing the book - but cover design, editing, producing, distribution, and publicity as well.
Some reviews give pain. This is regrettable, but no author has the right to whine. He was not obliged to be an author. He invited publicity, and he must take the publicity that comes along.
If you feel that there's the author and then the character, then the book is not working. People have a habit of identifying the author with the narrator, and you can't, obviously, be all of the narrators in all of your books, or else you'd be a very strange person indeed.
One that actually relates to all Latin American literature: that is, not every author is interested in being a representative of his or her national culture on the global stage.
It is always a tense moment for an author to see how someone hasillustrated his or her story, because the author has lived for so long with these characters, sometimes for years.
A reader is doubly guilty of bad manners against an author when he praises his second book at the expense of his first (or vice versa) and then expects the author to be grateful for what he has done.
It is always dishonest for a reviewer to review the author instead of the author's book. — © Edward Abbey
It is always dishonest for a reviewer to review the author instead of the author's book.
If you don't put 99 percent of yourself into the writing, there will be no publishing career. There's the writer and there's the author. The author - you don't ever think about the author. Just think about the writer. So my advice would be, find a way to not care - easier said than done.
I'm a commercial writer, not an author. Margaret Mitchell was an author. She wrote one book.
I think I've actually benefited from Australia being a kind of combination of both British and American culture. We kind of got the best of both British and American television and books, science fiction and fantasy, and so on. So I'm familiar with a lot of, for example, American books and television that a British author of my generation might not be.
Gone are the days when a publisher could take out an ad, count on a few reviews, and have an author do a couple of signings. Nowadays, readers want to feel a connection with an author.
The author is the successor of the saint, everyone respects the author.
A character is never the author who created him. It is quite likely, however, that an author may be all his characters simultaneously.
I see the author as the person who has written; the writer, the one involved in the process of writing. And they're not necessarily friends. The writer is the one I want to reinforce; the author would just feed on the reviews - so I'm in favour of starving him.
The best author is a dead author, because he's out of your way and you own the play. Take what he has given you and use it for what you need.
Here was buried Thomas Jefferson, author of the Declaration of American Independence, of the statute of Virginia for religious freedom, and father of the University of Virginia.
Do not place a photograph of your favourite author on your desk, especially if the author is one of the famous ones who committed suicide. — © Roddy Doyle
Do not place a photograph of your favourite author on your desk, especially if the author is one of the famous ones who committed suicide.
God is not the author of confusion but is the author of peace.
I believe that in a good collaboration, the authors bring their strengths to the story; one author's strength cancels the other author's weakness, and back and forth it goes.
My favorite anything is always relative to the context of present time, place and mood. When I finish a book and want to immediately find another by the same author and no other, that author is elevated to my favorite.
People would much rather argue their own visions and conceptions about a book than engage in a dialogue with the author, because the author could always trump you with, 'I wrote it.'
An unread author is an author who is a victim of the worst kind of censorship, indifference - a censorship more effective than the Ecclesiastical Index.
Every time I enter a country and have to write down my occupation at customs, I'm like, 'I don't know... Author? Host? Writer? Stand-up?' I usually write 'author' - that's the safest bet.
The so-called paradoxes of an author, to which a reader takes exception, often exist not in the author's book at all, but rather in the reader's head.
My role is to promote the authors image and their new books. I'm also brought on board when the author is "between books" to keep the name in front of the reading public. That's a challenging time for an author.
For an author just starting out, you've got to deliver the goods every year or sooner or people will forget you or you will lose momentum. There is a contract that exists between author and reader.
Having spent the greater part of my life under a Communist dictatorship, I am very familiar with the Bolshevik mentality according to which an author in general, and an eminent author in particular, is always guilty, and must be punished accordingly.
That's the most terrible thing about being an author - standing there at your mother's funeral, but you don't switch the author off. So your own innermost thoughts are grist for the mill. Who was it said - one of the famous lady novelists - 'unhappy is the family that contains an author'?
A number of American colleges are willing to pay a tempting amount to pinch and poke an author for a day or two.
You see the one thing I've always maintained is that I'm an American Indian. I'm not a Native American. I'm not politically correct. Everyone who's born in the Western Hemisphere is a Native American. We are all Native Americans. And if you notice, I put American before my ethnicity. I'm not a hyphenated African-American or Irish-American or Jewish-American or Mexican-American.
I wanted to be an author as far back as I can remember, mixed with occasional bouts of wanting to be a werewolf when I grew up. But mostly, when I daydreamed, it was about being an author.
Between the reputation of the author living and the reputation of the same author dead there is ever a wide discrepancy. — © Thomas Bailey Aldrich
Between the reputation of the author living and the reputation of the same author dead there is ever a wide discrepancy.
Those who have heard me speak from time to time know that quite often I cite the observation of that great American author, Mark Twain, who said, history does not repeat itself, but it rhymes.
It's very hard to get one publisher to accept an author going over to the other author's company to collaborate.
When I read a novel that I really like, I feel as if I am in direct, personal communication with the author. I feel as if the author and I are on the same wavelength mentally, that we have a lot in common with each other, and that we could have an interesting conversation, or even a friendship, if the circumstances permitted it. When the novel comes to an end, I feel a certain letdown, a loss of contact. It is natural to want to recapture that feeling by reading other works by the same author, or by corresponding with him/her directly.
I still pinch meself when I wake up of a morning. Who ever thought I'd be a children's author - let alone a best-selling children's author?
Because every book of art, be it a poem or a cupola, is understandably a self-portrait of its author, we won't strain ourselves too hard trying to distinguish between the author's persona and the poem's lyrical hero. As a rule, such distinctions are quite meaningless, if only because a lyrical hero is invariably an author's self-projection.
Young adult author Richelle Mead holds the distinction to perhaps be the only author ever to have a book banned... before it was even written.
It does not take much to imagine the humanity of people you don't know. An American author does not need to know a word of Arabic to write a book like the one I wrote.
I have never admitted the right of an elderly author to alter the work of a young author, even when the young author happens to be his former self.
It is a greater joy to see the author's author, than himself.
I've got nothing against any individual American, except that there aren't any. They're always Irish-American, African-American... There's never an American-American you can blame.
I only know what it's like to be an author with social media. I can't compare. I do think we lose the mystery of the author. Today, I get tons of e-mails and Facebook messages from readers, and my goal with Twitter and Facebook is, if someone reaches out to me, I'm going to respond to them. I don't want to be an elitist author who is untouchable. I'm just a regular person, too. I will always respond to everybody.
I'm really shocked when critics get morally outraged at my fiction because they think I'm condoning what's going on. I never come in as the author and say, "Hey, okay. I'm interrupting the narrator here. I'm Bret Easton Ellis, and I'm the author."
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