Top 1200 American Character Quotes & Sayings - Page 12

Explore popular American Character quotes.
Last updated on November 25, 2024.
No person and no character is beyond redemption, ultimately. That's the great thing about playing a character that has kind of a dark side; there's room to explore the opposite.
There is no such thing as playing someone else's character. Every actor takes a character and makes it his/her own while enacting it on screen.
Some songs depend heavily on the character, but, for the most part, a great song begs for reinterpretation every time it is sung, even when in character. — © Kelli O'Hara
Some songs depend heavily on the character, but, for the most part, a great song begs for reinterpretation every time it is sung, even when in character.
Heart and head are the constituent parts of character; temperament has almost nothing to do with it, and, therefore, character is dependent upon education, and is susceptible of being corrected and improved.
What a director really does is set the emotional temperature and the mood and the level, amount, or lack of, distance between the action and the character, and the character and the audience.
I always had this huge respect for American filmmakers and American actors. I always had this very strong love and respect for the American cinema. I always knew that I was going to leave Sweden.
I've always liked the downtrodden character on different shows. Before 'Parks,' I loved the Toby character on 'The Office.' I do like playing that type of thing.
Throughout American history, the political leaders have always exhorted the American people to be nice and quiet and leave things to them. But when very serious evils confronted the American people, they had to go beyond the Congressmen and Senators, and they had to commit civil disobedience and they had even to break the law.
Character matters; leadership descends from character.
TV and film both attract me equally. In both, you do search for a role that would be enjoyable to do, that has a great storyline and then, secondly, you look at the cast and the crew - are they respectable? How I look at it is my character - has the character got enough substance? It can't just be a one faced character, which is there to fill a gap. He has to have a purpose, so if it ticks all of those boxes then generally it's a good choice.
Life is what our character makes it. We fashion it, as a snail does its shell. A man can say: I never made a fortune because it is not in my character to be rich.
The Democratic Party represents the American brain, and the Republicans represent not the American heart, or soul, but the American gut. The argument between brain and bowel, everywhere else in the Free World, has been decided long ago in favor of brain. But Americans still - it still divides the nation, this question, here in America.
Any character can find an audience and work if you have passion for that character. You might have to just scrape off the dirt and the barnacles and pull it out and highlight it.
We hear a lot in this country about family, and 'American Family' just shows us a portrait we haven't seen as much of yet. 'American Family' lets us know that being American isn't about the color of your hair or eyes or skin: it's really a state of mind.
Football doesn't build character, it reveals character. — © Marv Levy
Football doesn't build character, it reveals character.
You do not characterize by telling the reader about the character. You do it by showing the character thinking, speaking and acting in a characteristic way. You simply show it and shut up.
The German national character is a favorite subject of character experts, probably because the less mature a nation, the more she is an object of criticism and not of history.
Politics and the pulpit are terms that have little agreement. No sound ought to be heard in the church but the healing voice of Christian charity. The cause of civil liberty and civil government gains as little as that of religion by this confusion of duties. Those who quit their proper character to assume what does not belong to them are, for the greater part, ignorant both of the character they leave and of the character they assume.
The matriarchal society is thus the decadent and broken. The strongly matriarchal character of Negro life is due to the moral failure of Negro men, their failure to be responsible, to support the family, or to provide authority. The same is true of American Indian tribes which are also matriarchal today.
I guess, as an actor, you have to bring something personal to the character - you've got to identify and love one element of the character, or else you can't really inhabit and find ownership.
I was in two episodes playing Christopher Reeve's character's emissary. They wanted to have my character announce Dr Swan's death, which I thought was exploitative.
Before any final solution to American history can occur, a reconciliation must be effected between the spiritual owner of the land - American Indians - and the political owner of the land - American Whites. Guilt and accusations cannot continue to revolve in a vacuum without some effort at reaching a solution.
The U.S. is becoming an increasingly fatherless society. A generation ago, an American child could reasonably expect to grow up with his or her father. Today an American child can reasonably expect not to. Fatherlessness is now approaching a rough parity with fatherhood as a defining feature of American childhood.
My thing about looking good is that it should be the character. If I'm playing a character who's concerned about his body - an athlete, say - I'll get in shape. If I'm playing a character who doesn't or wouldn't, I don't. I almost never get in shape for a movie, even though I know it would be a good career move.
I was raised in New York City and raised in the New York City theater world. My father was a theater director and an acting teacher, and it was not uncommon for me to have long discussions about the method and what the various different processes were to finding a character and exploring character and realizing that character.
There might be people who have never even tweeted before who are just working on their great American tweet. It will be so good that we'll all have to stop Twitter right away. I would like to write the great American tweet. I don't think the great American tweet has been written yet. We'd know.
I'm really proud of it. To me, it's a movie about character behavior and the pecking order of the pack, as well as the central character's massive survival guilt.
As an actor, I always feel that each and every character in my films has to be distinct. The character Thilak that I play in 'Kavan' will be one such unique role in my career.
When you get into a film, it is one story and one set development of a character, and you are able to delve into one character for a short period of time and discover everything about them.
What we love about the character Katie, played by Katy Mixon, is that she feels very universal and very relatable. And what we love about 'American Housewife' is that it feels like it could speak for housewives from New York to Los Angeles, from Boise to Miami.
In some ways, what I learned is that you can take a character and breathe with them, and it's up to the audience to interpret rather than you putting moral stamp on the character.
It's just a really cool deal to be a character in 'WWE 2K17.' Whether it's competing on Nitro or Halloween Havoc, to have me as an available character... it's a tribute.
I'm told there's a saying from those ancient times, kalos kai agathos, when someone or something is good and beautiful on the outside, but is also good and noble on the inside in terms of character and in terms of purpose. And I think that's a fine description of the friendship that exists between the Greek people and the American people.
I'd always assumed I was the central character in my own story, but now it occured to me I might in fact be only a minor character in someone else's.
'm really proud of it. To me, it's a movie about character behavior and the pecking order of the pack, as well as the central character's massive survival guilt.
In 'The Trip,' I play the character named Ananya Makhija, a Delhi girl who wants to get married. This is a different character from whatever I have portrayed onscreen so far - of a sweet, small-town girl. Most importantly, you will not find a trace of my character from 'Masaan.' So, I think this will change my image of a small-town girl.
My character is such an entertaining character that it is a whole other element to the show, so once they put me and Carmella together it was like, okay, now I have something to do.
In some ways, what I learned is that you can take a character and breathe with them, and its up to the audience to interpret rather than you putting moral stamp on the character.
The true athlete should have character, not be a character — © John Wooden
The true athlete should have character, not be a character
You can make an interesting character in a small portion of a movie, for a character that doesn't have that much on the page, if you just find the contradictions. That's something that I try to bring to my performances.
American values come by helping countries fight corruption to build stability. American values flow through tackling climate change and building energy independence. American values come through humanitarian assistance whereby we try to stop catastrophes from happening.
A character who is thought-out is not born, he or she is contrived. A born character is round, a thought-out character is flat.
The philosophical underpinnings of my approach to acting are that there are universal human qualities, and that every character is actually available within each one of us, that if we tap down into that universal humanness, we can find whatever character it is that we need to play already there within ourselves, and it's just a matter of peeling apart the onion that is you and finding that character within you, because of this universal human quality.
We are in the presence of a recruiting drive systematically and deliberately undertaken by American business, by American universities, and to a lesser extent, American government, often initiated by talent scouts specially sent over here to buy British brains and preempt them for service of the U.S.A. ... I look forward earnestly to the day when some reform of the American system of school education enables them to produce their own scientists so that, in an aimiable free trade of talent, there may be adequate interchange between our country and theirs, and not a one-way traffic.
Senator John McCain is unlike anybody else in not - not just in the Senate but in American politics. He`s unlike anybody else in American life. In his public life and in his heroics in war. He`s a singular figure in American life and American history. I think for everybody who has ever had a political difference with him that just instantly evaporates in the face of wanting the best for him because of cancer.
If the great American people will only keep their temper, on both sides of the line, the troubles will come to an end, and the question which now distracts the country will be settled just as surely as all other difficulties of like character which have originated in this government have been adjusted.
I believe people leave a theater bonding with characters. Story is the vessel that carries character. Comedy is a very important component of expressing character.
When I got a call to do the voice of Johnny in an episode of 'American Dad' titled 'I Can't Stan You,' it was a great opportunity to be a part of a really funny cutting-edge show on television. I really got into the character, and I was able to do some improvisation, which allowed me to mix in part of my personality into the script.
Just because you are a character doesn't mean you have character.
Well, I think it can be quite helpful to be working on a character who actually existed, historically. Of course, you might have material to study and help you create the character.
The character of a generation is moulded by personal character. — © Brooke Westcott
The character of a generation is moulded by personal character.
I try not to divide plot and character. I get to know a character by what they want and fear and how those internal forces play out in their lives.
The character of instrumental music... lets the emotions radiate and shine in their own character without presuming to display them as real or imaginary representations.
I don't really try to judge any character that I play, afterwards I figure it out, but while I'm working on the character, I have to find something in them to relate to.
If one asks me the meaning of our flag, I say to him: It means all that the Constitution of our people, organizing for justice, for liberty, and for happiness, meant. Our flag carries American ideas, American history and American feelings. This American flag was the safeguard of liberty. It was an ordinance of liberty by the people, for the people. That it meant, that it means, and, by the blessing of God, that it shall mean to the end of time!
I am all in favor of growing the American economy and engaging in trade with the world, but not at the expense of American workers. The North American Free Trade Agreement is a perfect example of this. Ask the textile workers of North Carolina how NAFTA worked out for them - if you can find any.
I call myself a character actor all my life. I've done a certain amount as a leading man, but character actors in my estimation - it's a lost art these days.
If you do a character, always make the character with a big question mark. Even if the character is very enigmatic and all over the place, make him always with a question mark, because if you turn a question mark upside down, like they do in South America in Spanish, then it becomes a hook.
Oh, I'm dying to play Donald Trump someday, just because he's an unbelievable character. I'm a character actor; that's what you look for: outsized human beings.
Circumstances don't create character. They reveal character.
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